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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7D773 it is the complementary color #38288C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7D773. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7D773 shade: #CCD76E, #DDE981, #EEFB94, #FFFFA7 and #FFFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7D773. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7D773 shade: #C7D773, #B6C560, #A5B34D, #94A13A and #838F27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7D773 shade: #C7D773, #D7CC73, #D7B173, #D79673 and #D77B73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7D773 shade: #C7D773, #ACD773, #91D773, #76D773 and #73D78B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7D773 shade matches the following richer shades: #C7D773, #D1E665 and #DBF456

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7D773 shade: #C7D773, #BDC982, #B4BA90, #AAAC9F and #A09DAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7D773 shade: #D7B173, #D7CC73, #C8D773, #AED773 and #93D773

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7D773 shade: #ABC236, #BACE53, #C7D773, #D4E093 and #E1E9B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7D773 shade: #C7D773, #73D796 and #BE73D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7D773 shade: #C7D773, #73C8D7 and #D773C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7D773 shade: #C7D773, #73D796, #8273D7 and #D773B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7D773 shade: #C7D773, #73D7B4, #8273D7 and #D77396

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 47 / 16

HEX #C7D773

RGB 199 215 115

HSL 69.6, 0.56%, 0.65%

LAB 82.9, -20.14, 47.25

 

Complementary color

CMYK 60 / 71 / 0 / 45

HEX #38288C

RGB 56 40 140

HSL 249.6, 0.56%, 0.35%

LAB 24.49, 36.29, -53.08

 

CMYK 5 / 0 / 49 / 16

HEX #CCD76E

RGB 204 215 110

HSL 66.29, 0.57%, 0.64%

LAB 83.21, -18.66, 50.1

 

CMYK 5 / 0 / 45 / 9

HEX #DDE981

RGB 221 233 129

HSL 66.92, 0.7%, 0.71%

LAB 89.5, -18.99, 48.97

 

CMYK 5 / 0 / 41 / 2

HEX #EEFB94

RGB 238 251 148

HSL 67.57, 0.93%, 0.78%

LAB 95.71, -19.26, 47.83

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 7 / 0 / 47 / 16

HEX #C7D773

RGB 199 215 115

HSL 69.6, 0.56%, 0.65%

LAB 82.9, -20.14, 47.25

 

CMYK 8 / 0 / 51 / 23

HEX #B6C560

RGB 182 197 96

HSL 68.91, 0.47%, 0.57%

LAB 76.51, -19.83, 48.38

 

CMYK 8 / 0 / 57 / 30

HEX #A5B34D

RGB 165 179 77

HSL 68.24, 0.4%, 0.5%

LAB 70.02, -19.43, 49.44

 

CMYK 8 / 0 / 64 / 37

HEX #94A13A

RGB 148 161 58

HSL 67.57, 0.47%, 0.43%

LAB 63.42, -18.91, 50.32

 

CMYK 8 / 0 / 73 / 44

HEX #838F27

RGB 131 143 39

HSL 66.92, 0.57%, 0.36%

LAB 56.7, -18.22, 50.79

 

CMYK 7 / 0 / 47 / 16

HEX #C7D773

RGB 199 215 115

HSL 69.6, 0.56%, 0.65%

LAB 82.9, -20.14, 47.25

 

CMYK 0 / 5 / 47 / 16

HEX #D7CC73

RGB 215 204 115

HSL 53.4, 0.56%, 0.65%

LAB 81.22, -8.26, 45.47

 

CMYK 0 / 18 / 47 / 16

HEX #D7B173

RGB 215 177 115

HSL 37.2, 0.56%, 0.65%

LAB 74.27, 5.84, 36.79

 

CMYK 0 / 30 / 47 / 16

HEX #D79673

RGB 215 150 115

HSL 21, 0.56%, 0.65%

LAB 67.65, 20.36, 28.23

 

CMYK 0 / 43 / 47 / 16

HEX #D77B73

RGB 215 123 115

HSL 4.8, 0.56%, 0.65%

LAB 61.53, 34.83, 20.04

 

CMYK 7 / 0 / 47 / 16

HEX #C7D773

RGB 199 215 115

HSL 69.6, 0.56%, 0.65%

LAB 82.9, -20.14, 47.25

 

CMYK 20 / 0 / 47 / 16

HEX #ACD773

RGB 172 215 115

HSL 85.8, 0.56%, 0.65%

LAB 81.08, -30.45, 44.59

 

CMYK 33 / 0 / 47 / 16

HEX #91D773

RGB 145 215 115

HSL 102, 0.56%, 0.65%

LAB 79.53, -40.01, 42.34

 

CMYK 45 / 0 / 47 / 16

HEX #76D773

RGB 118 215 115

HSL 118.2, 0.56%, 0.65%

LAB 78.28, -48.46, 40.5

 

CMYK 47 / 0 / 35 / 16

HEX #73D78B

RGB 115 215 139

HSL 134.4, 0.56%, 0.65%

LAB 78.53, -45.57, 28.67

 

CMYK 7 / 0 / 47 / 16

HEX #C7D773

RGB 199 215 115

HSL 69.6, 0.56%, 0.65%

LAB 82.9, -20.14, 47.25

 

CMYK 9 / 0 / 56 / 10

HEX #D1E665

RGB 209 230 101

HSL 69.77, 0.72%, 0.65%

LAB 87.53, -24.74, 59.33

 

CMYK 10 / 0 / 65 / 4

HEX #DBF456

RGB 219 244 86

HSL 69.49, 0.88%, 0.65%

LAB 91.88, -28.48, 70.45

 

CMYK 7 / 0 / 47 / 16

HEX #C7D773

RGB 199 215 115

HSL 69.6, 0.56%, 0.65%

LAB 82.9, -20.14, 47.25

 

CMYK 6 / 0 / 35 / 21

HEX #BDC982

RGB 189 201 130

HSL 70.14, 0.4%, 0.65%

LAB 78.58, -15.39, 34.15

 

CMYK 3 / 0 / 23 / 27

HEX #B4BA90

RGB 180 186 144

HSL 68.57, 0.23%, 0.65%

LAB 74.08, -9.23, 20.65

 

CMYK 1 / 0 / 8 / 33

HEX #AAAC9F

RGB 170 172 159

HSL 69.23, 0.07%, 0.65%

LAB 69.86, -3.09, 6.43

 

CMYK 8 / 9 / 0 / 32

HEX #A09DAD

RGB 160 157 173

HSL 251.25, 0.09%, 0.65%

LAB 65.44, 4.24, -7.92

 

CMYK 0 / 18 / 47 / 16

HEX #D7B173

RGB 215 177 115

HSL 37.2, 0.56%, 0.65%

LAB 74.27, 5.84, 36.79

 

CMYK 0 / 5 / 47 / 16

HEX #D7CC73

RGB 215 204 115

HSL 53.4, 0.56%, 0.65%

LAB 81.22, -8.26, 45.47

 

CMYK 7 / 0 / 47 / 16

HEX #C8D773

RGB 200 215 115

HSL 69, 0.56%, 0.65%

LAB 82.98, -19.75, 47.35

 

CMYK 19 / 0 / 47 / 16

HEX #AED773

RGB 174 215 115

HSL 84.6, 0.56%, 0.65%

LAB 81.2, -29.71, 44.78

 

CMYK 32 / 0 / 47 / 16

HEX #93D773

RGB 147 215 115

HSL 100.8, 0.56%, 0.65%

LAB 79.64, -39.33, 42.49

 

CMYK 12 / 0 / 72 / 24

HEX #ABC236

RGB 171 194 54

HSL 69.86, 0.56%, 0.49%

LAB 74.51, -25.88, 63.7

 

CMYK 10 / 0 / 60 / 19

HEX #BACE53

RGB 186 206 83

HSL 69.76, 0.56%, 0.57%

LAB 79.16, -23.73, 57.38

 

CMYK 7 / 0 / 47 / 16

HEX #C7D773

RGB 199 215 115

HSL 69.6, 0.56%, 0.65%

LAB 82.9, -20.14, 47.25

 

CMYK 5 / 0 / 34 / 12

HEX #D4E093

RGB 212 224 147

HSL 69.35, 0.55%, 0.73%

LAB 86.71, -16.01, 36.41

 

CMYK 3 / 0 / 23 / 9

HEX #E1E9B4

RGB 225 233 180

HSL 69.06, 0.55%, 0.81%

LAB 90.59, -11.3, 24.93

 

CMYK 7 / 0 / 47 / 16

HEX #C7D773

RGB 199 215 115

HSL 69.6, 0.56%, 0.65%

LAB 82.9, -20.14, 47.25

 

CMYK 47 / 0 / 30 / 16

HEX #73D796

RGB 115 215 150

HSL 141, 0.56%, 0.65%

LAB 78.72, -43.61, 23.22

 

CMYK 12 / 47 / 0 / 16

HEX #BE73D7

RGB 190 115 215

HSL 285, 0.56%, 0.65%

LAB 59.99, 45.99, -39.62

 

CMYK 7 / 0 / 47 / 16

HEX #C7D773

RGB 199 215 115

HSL 69.6, 0.56%, 0.65%

LAB 82.9, -20.14, 47.25

 

CMYK 47 / 7 / 0 / 16

HEX #73C8D7

RGB 115 200 215

HSL 189, 0.56%, 0.65%

LAB 75.98, -21.81, -15.49

 

CMYK 0 / 47 / 7 / 16

HEX #D773C8

RGB 215 115 200

HSL 309, 0.56%, 0.65%

LAB 62.41, 50.53, -27.18

 

CMYK 7 / 0 / 47 / 16

HEX #C7D773

RGB 199 215 115

HSL 69.6, 0.56%, 0.65%

LAB 82.9, -20.14, 47.25

 

CMYK 47 / 0 / 30 / 16

HEX #73D796

RGB 115 215 150

HSL 141, 0.56%, 0.65%

LAB 78.72, -43.61, 23.22

 

CMYK 40 / 47 / 0 / 16

HEX #8273D7

RGB 130 115 215

HSL 249, 0.56%, 0.65%

LAB 53.94, 29.67, -49.59

 

CMYK 0 / 47 / 16 / 16

HEX #D773B4

RGB 215 115 180

HSL 321, 0.56%, 0.65%

LAB 61.66, 47.29, -16.98

 

CMYK 7 / 0 / 47 / 16

HEX #C7D773

RGB 199 215 115

HSL 69.6, 0.56%, 0.65%

LAB 82.9, -20.14, 47.25

 

CMYK 47 / 0 / 16 / 16

HEX #73D7B4

RGB 115 215 180

HSL 159, 0.56%, 0.65%

LAB 79.35, -37.53, 8.26

 

CMYK 40 / 47 / 0 / 16

HEX #8273D7

RGB 130 115 215

HSL 249, 0.56%, 0.65%

LAB 53.94, 29.67, -49.59

 

CMYK 0 / 47 / 30 / 16

HEX #D77396

RGB 215 115 150

HSL 339, 0.56%, 0.65%

LAB 60.7, 43.02, -1.2

 

Description

Color code: HEX #C7D773 | qconv.com Color code: HEX #C7D773 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 215 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 215 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 47 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 47% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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