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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7D076 it is the complementary color #382F89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7D076. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7D076 shade: #CCD071, #DDE284, #EEF497, #FFFFAA and #FFFFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7D076. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7D076 shade: #C7D076, #B6BE63, #A5AC50, #949A3D and #83882A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7D076 shade: #C7D076, #D0C076, #D0A876, #D09076 and #D07876

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7D076 shade: #C7D076, #AED076, #96D076, #7ED076 and #76D086

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7D076 shade matches the following richer shades: #C7D076, #D3DF67, #DEED58 and #EAFC49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7D076 shade: #C7D076, #BBC185, #AFB293, #A3A3A2 and #9794B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7D076 shade: #D0A976, #D0C176, #C7D076, #AFD076 and #97D076

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7D076 shade: #A9B53E, #BAC557, #C7D076, #D3DA94 and #E0E5B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7D076 shade: #C7D076, #76D091 and #B576D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7D076 shade: #C7D076, #76C7D0 and #D076C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7D076 shade: #C7D076, #76D091, #7F76D0 and #D076B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7D076 shade: #C7D076, #76D0AC, #7F76D0 and #D0769A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 43 / 18

HEX #C7D076

RGB 199 208 118

HSL 66, 0.49%, 0.64%

LAB 81.05, -16.37, 43.5

 

Complementary color

CMYK 59 / 66 / 0 / 46

HEX #382F89

RGB 56 47 137

HSL 246, 0.49%, 0.36%

LAB 25.8, 31.01, -49.06

 

CMYK 2 / 0 / 46 / 18

HEX #CCD071

RGB 204 208 113

HSL 62.53, 0.5%, 0.63%

LAB 81.37, -14.89, 46.43

 

CMYK 2 / 0 / 42 / 11

HEX #DDE284

RGB 221 226 132

HSL 63.19, 0.62%, 0.7%

LAB 87.69, -15.24, 45.27

 

CMYK 2 / 0 / 38 / 4

HEX #EEF497

RGB 238 244 151

HSL 63.87, 0.81%, 0.77%

LAB 93.93, -15.54, 44.12

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 4 / 0 / 43 / 18

HEX #C7D076

RGB 199 208 118

HSL 66, 0.49%, 0.64%

LAB 81.05, -16.37, 43.5

 

CMYK 4 / 0 / 48 / 25

HEX #B6BE63

RGB 182 190 99

HSL 65.27, 0.41%, 0.57%

LAB 74.62, -16.04, 44.67

 

CMYK 4 / 0 / 53 / 33

HEX #A5AC50

RGB 165 172 80

HSL 64.57, 0.37%, 0.49%

LAB 68.08, -15.61, 45.81

 

CMYK 4 / 0 / 60 / 40

HEX #949A3D

RGB 148 154 61

HSL 63.87, 0.43%, 0.42%

LAB 61.43, -15.07, 46.84

 

CMYK 4 / 0 / 69 / 47

HEX #83882A

RGB 131 136 42

HSL 63.19, 0.53%, 0.35%

LAB 54.66, -14.37, 47.57

 

CMYK 4 / 0 / 43 / 18

HEX #C7D076

RGB 199 208 118

HSL 66, 0.49%, 0.64%

LAB 81.05, -16.37, 43.5

 

CMYK 0 / 8 / 43 / 18

HEX #D0C076

RGB 208 192 118

HSL 49.33, 0.49%, 0.64%

LAB 77.53, -4.61, 39.25

 

CMYK 0 / 19 / 43 / 18

HEX #D0A876

RGB 208 168 118

HSL 33.33, 0.49%, 0.64%

LAB 71.37, 8.1, 31.34

 

CMYK 0 / 31 / 43 / 18

HEX #D09076

RGB 208 144 118

HSL 17.33, 0.49%, 0.64%

LAB 65.49, 21.12, 23.56

 

CMYK 0 / 42 / 43 / 18

HEX #D07876

RGB 208 120 118

HSL 1.33, 0.49%, 0.64%

LAB 60.02, 34.07, 16.12

 

CMYK 4 / 0 / 43 / 18

HEX #C7D076

RGB 199 208 118

HSL 66, 0.49%, 0.64%

LAB 81.05, -16.37, 43.5

 

CMYK 16 / 0 / 43 / 18

HEX #AED076

RGB 174 208 118

HSL 82.67, 0.49%, 0.64%

LAB 79.28, -26.02, 40.91

 

CMYK 28 / 0 / 43 / 18

HEX #96D076

RGB 150 208 118

HSL 98.67, 0.49%, 0.64%

LAB 77.82, -34.75, 38.76

 

CMYK 39 / 0 / 43 / 18

HEX #7ED076

RGB 126 208 118

HSL 114.67, 0.49%, 0.64%

LAB 76.59, -42.67, 36.94

 

CMYK 43 / 0 / 36 / 18

HEX #76D086

RGB 118 208 134

HSL 130.67, 0.49%, 0.64%

LAB 76.49, -42.57, 28.56

 

CMYK 4 / 0 / 43 / 18

HEX #C7D076

RGB 199 208 118

HSL 66, 0.49%, 0.64%

LAB 81.05, -16.37, 43.5

 

CMYK 5 / 0 / 54 / 13

HEX #D3DF67

RGB 211 223 103

HSL 66, 0.65%, 0.64%

LAB 85.81, -20.41, 56.51

 

CMYK 6 / 0 / 63 / 7

HEX #DEED58

RGB 222 237 88

HSL 66.04, 0.81%, 0.64%

LAB 90.23, -23.86, 68.01

 

CMYK 7 / 0 / 71 / 1

HEX #EAFC49

RGB 234 252 73

HSL 66.03, 0.97%, 0.64%

LAB 94.99, -26.99, 78.58

 

CMYK 4 / 0 / 43 / 18

HEX #C7D076

RGB 199 208 118

HSL 66, 0.49%, 0.64%

LAB 81.05, -16.37, 43.5

 

CMYK 3 / 0 / 31 / 24

HEX #BBC185

RGB 187 193 133

HSL 66, 0.33%, 0.64%

LAB 76.31, -11.71, 29.59

 

CMYK 2 / 0 / 17 / 30

HEX #AFB293

RGB 175 178 147

HSL 65.81, 0.17%, 0.64%

LAB 71.6, -6.45, 15.52

 

CMYK 0 / 0 / 1 / 36

HEX #A3A3A2

RGB 163 163 162

HSL 60, 0.01%, 0.64%

LAB 66.97, -0.19, 0.51

 

CMYK 15 / 16 / 0 / 31

HEX #9794B1

RGB 151 148 177

HSL 246.21, 0.16%, 0.64%

LAB 62.45, 7.08, -14.72

 

CMYK 0 / 19 / 43 / 18

HEX #D0A976

RGB 208 169 118

HSL 34, 0.49%, 0.64%

LAB 71.62, 7.57, 31.67

 

CMYK 0 / 7 / 43 / 18

HEX #D0C176

RGB 208 193 118

HSL 50, 0.49%, 0.64%

LAB 77.79, -5.13, 39.58

 

CMYK 4 / 0 / 43 / 18

HEX #C7D076

RGB 199 208 118

HSL 66, 0.49%, 0.64%

LAB 81.05, -16.37, 43.5

 

CMYK 16 / 0 / 43 / 18

HEX #AFD076

RGB 175 208 118

HSL 82, 0.49%, 0.64%

LAB 79.35, -25.65, 41.01

 

CMYK 27 / 0 / 43 / 18

HEX #97D076

RGB 151 208 118

HSL 98, 0.49%, 0.64%

LAB 77.87, -34.4, 38.84

 

CMYK 7 / 0 / 66 / 29

HEX #A9B53E

RGB 169 181 62

HSL 66.05, 0.49%, 0.48%

LAB 70.75, -19.86, 56.85

 

CMYK 6 / 0 / 56 / 23

HEX #BAC557

RGB 186 197 87

HSL 66, 0.49%, 0.56%

LAB 76.72, -18.99, 52.88

 

CMYK 4 / 0 / 43 / 18

HEX #C7D076

RGB 199 208 118

HSL 66, 0.49%, 0.64%

LAB 81.05, -16.37, 43.5

 

CMYK 3 / 0 / 32 / 15

HEX #D3DA94

RGB 211 218 148

HSL 66, 0.49%, 0.72%

LAB 85.06, -13.28, 33.73

 

CMYK 2 / 0 / 22 / 10

HEX #E0E5B3

RGB 224 229 179

HSL 66, 0.49%, 0.8%

LAB 89.46, -9.8, 23.88

 

CMYK 4 / 0 / 43 / 18

HEX #C7D076

RGB 199 208 118

HSL 66, 0.49%, 0.64%

LAB 81.05, -16.37, 43.5

 

CMYK 43 / 0 / 30 / 18

HEX #76D091

RGB 118 208 145

HSL 138, 0.49%, 0.64%

LAB 76.68, -40.65, 23.08

 

CMYK 13 / 43 / 0 / 18

HEX #B576D0

RGB 181 118 208

HSL 282, 0.49%, 0.64%

LAB 59.28, 40.32, -36.86

 

CMYK 4 / 0 / 43 / 18

HEX #C7D076

RGB 199 208 118

HSL 66, 0.49%, 0.64%

LAB 81.05, -16.37, 43.5

 

CMYK 43 / 4 / 0 / 18

HEX #76C7D0

RGB 118 199 208

HSL 186, 0.49%, 0.64%

LAB 75.61, -22.43, -12.26

 

CMYK 0 / 43 / 4 / 18

HEX #D076C7

RGB 208 118 199

HSL 306, 0.49%, 0.64%

LAB 62.07, 46.71, -27.2

 

CMYK 4 / 0 / 43 / 18

HEX #C7D076

RGB 199 208 118

HSL 66, 0.49%, 0.64%

LAB 81.05, -16.37, 43.5

 

CMYK 43 / 0 / 30 / 18

HEX #76D091

RGB 118 208 145

HSL 138, 0.49%, 0.64%

LAB 76.68, -40.65, 23.08

 

CMYK 39 / 43 / 0 / 18

HEX #7F76D0

RGB 127 118 208

HSL 246, 0.49%, 0.64%

LAB 54.05, 25.17, -45.46

 

CMYK 0 / 43 / 13 / 18

HEX #D076B5

RGB 208 118 181

HSL 318, 0.49%, 0.64%

LAB 61.4, 43.66, -18.03

 

CMYK 4 / 0 / 43 / 18

HEX #C7D076

RGB 199 208 118

HSL 66, 0.49%, 0.64%

LAB 81.05, -16.37, 43.5

 

CMYK 43 / 0 / 17 / 18

HEX #76D0AC

RGB 118 208 172

HSL 156, 0.49%, 0.64%

LAB 77.25, -35.29, 9.53

 

CMYK 39 / 43 / 0 / 18

HEX #7F76D0

RGB 127 118 208

HSL 246, 0.49%, 0.64%

LAB 54.05, 25.17, -45.46

 

CMYK 0 / 43 / 26 / 18

HEX #D0769A

RGB 208 118 154

HSL 336, 0.49%, 0.64%

LAB 60.52, 39.58, -3.88

 

Description

Color code: HEX #C7D076 | qconv.com Color code: HEX #C7D076 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 208 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 208 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 43 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 43% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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