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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7D34A it is the complementary color #382CB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7D34A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7D34A shade: #CCD345, #DDE558, #EEF76B, #FFFF7E and #FFFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7D34A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7D34A shade: #C7D34A, #B6C137, #A5AF24, #949D11 and #838B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7D34A shade: #C7D34A, #D3BA4A, #D3954A, #D3704A and #D34B4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7D34A shade: #C7D34A, #A2D34A, #7DD34A, #58D34A and #4AD361

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7D34A shade matches the following richer shades: #C7D34A, #D6E538 and #E5F726

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7D34A shade: #C7D34A, #B8C15C, #A9AE6E, #9A9C80 and #8B8A92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7D34A shade: #D3954A, #D3BA4A, #C7D34A, #A3D34A and #7ED34A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7D34A shade: #98A327, #B7C42F, #C7D34A, #D1DB6B and #DBE38C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7D34A shade: #C7D34A, #4AD371 and #A74AD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7D34A shade: #C7D34A, #4AC7D3 and #D34AC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7D34A shade: #C7D34A, #4AD371, #554AD3 and #D34AAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7D34A shade: #C7D34A, #4AD39A, #554AD3 and #D34A83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 65 / 17

HEX #C7D34A

RGB 199 211 74

HSL 65.26, 0.61%, 0.56%

LAB 81.42, -21.49, 63.81

 

Complementary color

CMYK 69 / 76 / 0 / 29

HEX #382CB5

RGB 56 44 181

HSL 245.26, 0.61%, 0.44%

LAB 29.36, 47.21, -69.99

 

CMYK 3 / 0 / 67 / 17

HEX #CCD345

RGB 204 211 69

HSL 62.96, 0.62%, 0.55%

LAB 81.76, -19.72, 66.21

 

CMYK 3 / 0 / 62 / 10

HEX #DDE558

RGB 221 229 88

HSL 63.4, 0.73%, 0.62%

LAB 88.02, -20.42, 65.64

 

CMYK 4 / 0 / 57 / 3

HEX #EEF76B

RGB 238 247 107

HSL 63.86, 0.9%, 0.69%

LAB 94.21, -21, 64.81

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 6 / 0 / 65 / 17

HEX #C7D34A

RGB 199 211 74

HSL 65.26, 0.61%, 0.56%

LAB 81.42, -21.49, 63.81

 

CMYK 6 / 0 / 72 / 24

HEX #B6C137

RGB 182 193 55

HSL 64.78, 0.56%, 0.49%

LAB 75.05, -20.76, 64.15

 

CMYK 6 / 0 / 79 / 31

HEX #A5AF24

RGB 165 175 36

HSL 64.32, 0.66%, 0.41%

LAB 68.6, -19.85, 63.82

 

CMYK 6 / 0 / 89 / 38

HEX #949D11

RGB 148 157 17

HSL 63.86, 0.8%, 0.34%

LAB 62.04, -18.73, 62.35

 

CMYK 6 / 0 / 100 / 45

HEX #838B00

RGB 131 139 0

HSL 63.45, 1%, 0.27%

LAB 55.37, -17.38, 59.37

 

CMYK 6 / 0 / 65 / 17

HEX #C7D34A

RGB 199 211 74

HSL 65.26, 0.61%, 0.56%

LAB 81.42, -21.49, 63.81

 

CMYK 0 / 12 / 65 / 17

HEX #D3BA4A

RGB 211 186 74

HSL 49.05, 0.61%, 0.56%

LAB 75.74, -3.83, 58.15

 

CMYK 0 / 29 / 65 / 17

HEX #D3954A

RGB 211 149 74

HSL 32.85, 0.61%, 0.56%

LAB 66.4, 15.9, 47.94

 

CMYK 0 / 47 / 65 / 17

HEX #D3704A

RGB 211 112 74

HSL 16.64, 0.61%, 0.56%

LAB 57.97, 35.72, 38.22

 

CMYK 0 / 64 / 65 / 17

HEX #D34B4A

RGB 211 75 74

HSL 0.44, 0.61%, 0.56%

LAB 51.12, 53.42, 29.9

 

CMYK 6 / 0 / 65 / 17

HEX #C7D34A

RGB 199 211 74

HSL 65.26, 0.61%, 0.56%

LAB 81.42, -21.49, 63.81

 

CMYK 23 / 0 / 65 / 17

HEX #A2D34A

RGB 162 211 74

HSL 81.46, 0.61%, 0.56%

LAB 78.91, -36.17, 60.4

 

CMYK 41 / 0 / 65 / 17

HEX #7DD34A

RGB 125 211 74

HSL 97.66, 0.61%, 0.56%

LAB 76.95, -49.25, 57.72

 

CMYK 58 / 0 / 65 / 17

HEX #58D34A

RGB 88 211 74

HSL 113.87, 0.61%, 0.56%

LAB 75.55, -59.73, 55.8

 

CMYK 65 / 0 / 54 / 17

HEX #4AD361

RGB 74 211 97

HSL 130.07, 0.61%, 0.56%

LAB 75.39, -60.16, 45.31

 

CMYK 6 / 0 / 65 / 17

HEX #C7D34A

RGB 199 211 74

HSL 65.26, 0.61%, 0.56%

LAB 81.42, -21.49, 63.81

 

CMYK 7 / 0 / 76 / 10

HEX #D6E538

RGB 214 229 56

HSL 65.2, 0.77%, 0.56%

LAB 87.3, -24.94, 76.21

 

CMYK 7 / 0 / 85 / 3

HEX #E5F726

RGB 229 247 38

HSL 65.17, 0.93%, 0.56%

LAB 93.15, -27.9, 86.2

 

CMYK 6 / 0 / 65 / 17

HEX #C7D34A

RGB 199 211 74

HSL 65.26, 0.61%, 0.56%

LAB 81.42, -21.49, 63.81

 

CMYK 5 / 0 / 52 / 24

HEX #B8C15C

RGB 184 193 92

HSL 65.35, 0.45%, 0.56%

LAB 75.52, -17.38, 49.14

 

CMYK 3 / 0 / 37 / 32

HEX #A9AE6E

RGB 169 174 110

HSL 64.69, 0.28%, 0.56%

LAB 69.35, -11.87, 32.28

 

CMYK 1 / 0 / 18 / 39

HEX #9A9C80

RGB 154 156 128

HSL 64.29, 0.12%, 0.56%

LAB 63.51, -5.69, 14.45

 

CMYK 5 / 5 / 0 / 43

HEX #8B8A92

RGB 139 138 146

HSL 247.5, 0.04%, 0.56%

LAB 57.79, 1.97, -4.13

 

CMYK 0 / 29 / 65 / 17

HEX #D3954A

RGB 211 149 74

HSL 32.85, 0.61%, 0.56%

LAB 66.4, 15.9, 47.94

 

CMYK 0 / 12 / 65 / 17

HEX #D3BA4A

RGB 211 186 74

HSL 49.05, 0.61%, 0.56%

LAB 75.74, -3.83, 58.15

 

CMYK 6 / 0 / 65 / 17

HEX #C7D34A

RGB 199 211 74

HSL 65.26, 0.61%, 0.56%

LAB 81.42, -21.49, 63.81

 

CMYK 23 / 0 / 65 / 17

HEX #A3D34A

RGB 163 211 74

HSL 81.02, 0.61%, 0.56%

LAB 78.97, -35.79, 60.49

 

CMYK 40 / 0 / 65 / 17

HEX #7ED34A

RGB 126 211 74

HSL 97.23, 0.61%, 0.56%

LAB 76.99, -48.93, 57.79

 

CMYK 7 / 0 / 76 / 36

HEX #98A327

RGB 152 163 39

HSL 65.32, 0.61%, 0.4%

LAB 64.17, -19.3, 58.49

 

CMYK 7 / 0 / 76 / 23

HEX #B7C42F

RGB 183 196 47

HSL 65.23, 0.61%, 0.48%

LAB 75.92, -22.18, 67.66

 

CMYK 6 / 0 / 65 / 17

HEX #C7D34A

RGB 199 211 74

HSL 65.26, 0.61%, 0.56%

LAB 81.42, -21.49, 63.81

 

CMYK 5 / 0 / 51 / 14

HEX #D1DB6B

RGB 209 219 107

HSL 65.36, 0.61%, 0.64%

LAB 84.63, -18.91, 53.27

 

CMYK 4 / 0 / 38 / 11

HEX #DBE38C

RGB 219 227 140

HSL 65.52, 0.61%, 0.72%

LAB 87.92, -15.65, 41.58

 

CMYK 6 / 0 / 65 / 17

HEX #C7D34A

RGB 199 211 74

HSL 65.26, 0.61%, 0.56%

LAB 81.42, -21.49, 63.81

 

CMYK 65 / 0 / 46 / 17

HEX #4AD371

RGB 74 211 113

HSL 137.08, 0.61%, 0.56%

LAB 75.6, -57.83, 37.8

 

CMYK 21 / 65 / 0 / 17

HEX #A74AD3

RGB 167 74 211

HSL 280.73, 0.61%, 0.56%

LAB 49.27, 59.63, -54.54

 

CMYK 6 / 0 / 65 / 17

HEX #C7D34A

RGB 199 211 74

HSL 65.26, 0.61%, 0.56%

LAB 81.42, -21.49, 63.81

 

CMYK 65 / 6 / 0 / 17

HEX #4AC7D3

RGB 74 199 211

HSL 185.26, 0.61%, 0.56%

LAB 74.19, -30.36, -16.16

 

CMYK 0 / 65 / 6 / 17

HEX #D34AC7

RGB 211 74 199

HSL 305.26, 0.61%, 0.56%

LAB 54.94, 67.74, -38.28

 

CMYK 6 / 0 / 65 / 17

HEX #C7D34A

RGB 199 211 74

HSL 65.26, 0.61%, 0.56%

LAB 81.42, -21.49, 63.81

 

CMYK 65 / 0 / 46 / 17

HEX #4AD371

RGB 74 211 113

HSL 137.08, 0.61%, 0.56%

LAB 75.6, -57.83, 37.8

 

CMYK 60 / 65 / 0 / 17

HEX #554AD3

RGB 85 74 211

HSL 244.82, 0.61%, 0.56%

LAB 40.46, 43.51, -69.23

 

CMYK 0 / 65 / 18 / 17

HEX #D34AAC

RGB 211 74 172

HSL 317.08, 0.61%, 0.56%

LAB 53.73, 63.71, -24.53

 

CMYK 6 / 0 / 65 / 17

HEX #C7D34A

RGB 199 211 74

HSL 65.26, 0.61%, 0.56%

LAB 81.42, -21.49, 63.81

 

CMYK 65 / 0 / 27 / 17

HEX #4AD39A

RGB 74 211 154

HSL 155.04, 0.61%, 0.56%

LAB 76.3, -50.19, 17.58

 

CMYK 60 / 65 / 0 / 17

HEX #554AD3

RGB 85 74 211

HSL 244.82, 0.61%, 0.56%

LAB 40.46, 43.51, -69.23

 

CMYK 0 / 65 / 38 / 17

HEX #D34A83

RGB 211 74 131

HSL 335.04, 0.61%, 0.56%

LAB 52.27, 58.6, -2.51

 

Description

Color code: HEX #C7D34A | qconv.com Color code: HEX #C7D34A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 211 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 211 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 65 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 65% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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