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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7DF1F it is the complementary color #3820E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7DF1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7DF1F shade: #CCDF1A, #DDF12D, #EEFF40, #FFFF53 and #FFFF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7DF1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7DF1F shade: #C7DF1F, #B6CD0C, #A5BB00, #94A900 and #839700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7DF1F shade: #C8E01E, #E0C41E, #E0901E, #E05B1E and #E0271E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7DF1F shade: #C8E01E, #93E01E, #5FE01E, #2BE01E and #1EE046

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7DF1F shade matches the following richer shades: #C8E01E and #D7F509

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7DF1F shade: #C8E01E, #B8CB33, #A9B747, #99A25C and #8A8D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7DF1F shade: #E08F1E, #E0C31E, #C9E01E, #96E01E and #62E01E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7DF1F shade: #879714, #A7BC19, #C8E01E, #D1E542 and #D9EA67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7DF1F shade: #C7DF1F, #1EE05B and #A91EE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7DF1F shade: #C7DF1F, #1EC9E0 and #E01EC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7DF1F shade: #C7DF1F, #1EE05B, #351EE0 and #E01EA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7DF1F shade: #C7DF1F, #1EE096, #351EE0 and #E01E68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 86 / 13

HEX #C7DF1F

RGB 199 223 31

HSL 67.5, 0.76%, 0.5%

LAB 84.49, -29.02, 79.55

 

Complementary color

CMYK 75 / 86 / 0 / 12

HEX #3820E0

RGB 56 32 224

HSL 247.5, 0.76%, 0.5%

LAB 32.38, 65.23, -90.1

 

CMYK 9 / 0 / 88 / 13

HEX #CCDF1A

RGB 204 223 26

HSL 65.79, 0.79%, 0.49%

LAB 84.84, -27.08, 80.87

 

CMYK 8 / 0 / 81 / 5

HEX #DDF12D

RGB 221 241 45

HSL 66.12, 0.88%, 0.56%

LAB 90.99, -28.14, 82.64

 

CMYK 7 / 0 / 75 / 0

HEX #EEFF40

RGB 238 255 64

HSL 65.34, 1%, 0.63%

LAB 96.02, -27.19, 82.49

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF53

RGB 255 255 83

HSL 60, 1%, 0.66%

LAB 97.39, -19.52, 78.02

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF66

RGB 255 255 102

HSL 60, 1%, 0.7%

LAB 97.53, -18.44, 70.9

 

CMYK 11 / 0 / 86 / 13

HEX #C7DF1F

RGB 199 223 31

HSL 67.5, 0.76%, 0.5%

LAB 84.49, -29.02, 79.55

 

CMYK 11 / 0 / 94 / 20

HEX #B6CD0C

RGB 182 205 12

HSL 67.15, 0.89%, 0.43%

LAB 78.25, -27.87, 76.92

 

CMYK 12 / 0 / 100 / 27

HEX #A5BB00

RGB 165 187 0

HSL 67.06, 1%, 0.37%

LAB 71.92, -26.53, 72.83

 

CMYK 12 / 0 / 100 / 34

HEX #94A900

RGB 148 169 0

HSL 67.46, 1%, 0.33%

LAB 65.49, -25.03, 67.48

 

CMYK 13 / 0 / 100 / 41

HEX #839700

RGB 131 151 0

HSL 67.95, 1%, 0.3%

LAB 58.94, -23.5, 62.02

 

CMYK 11 / 0 / 87 / 12

HEX #C8E01E

RGB 200 224 30

HSL 67.42, 0.76%, 0.5%

LAB 84.84, -29.11, 80.05

 

CMYK 0 / 13 / 87 / 12

HEX #E0C41E

RGB 224 196 30

HSL 51.34, 0.76%, 0.5%

LAB 79.28, -5.16, 76.35

 

CMYK 0 / 36 / 87 / 12

HEX #E0901E

RGB 224 144 30

HSL 35.26, 0.76%, 0.5%

LAB 66.43, 22.31, 66.03

 

CMYK 0 / 59 / 87 / 12

HEX #E05B1E

RGB 224 91 30

HSL 18.87, 0.76%, 0.5%

LAB 55.51, 49.2, 57.25

 

CMYK 0 / 83 / 87 / 12

HEX #E0271E

RGB 224 39 30

HSL 2.78, 0.76%, 0.5%

LAB 48.75, 67.65, 51.81

 

CMYK 11 / 0 / 87 / 12

HEX #C8E01E

RGB 200 224 30

HSL 67.42, 0.76%, 0.5%

LAB 84.84, -29.11, 80.05

 

CMYK 34 / 0 / 87 / 12

HEX #93E01E

RGB 147 224 30

HSL 83.81, 0.76%, 0.5%

LAB 81.62, -49.5, 76.08

 

CMYK 58 / 0 / 87 / 12

HEX #5FE01E

RGB 95 224 30

HSL 99.9, 0.76%, 0.5%

LAB 79.52, -65.32, 73.45

 

CMYK 81 / 0 / 87 / 12

HEX #2BE01E

RGB 43 224 30

HSL 115.98, 0.76%, 0.5%

LAB 78.41, -74.72, 72.05

 

CMYK 87 / 0 / 69 / 12

HEX #1EE046

RGB 30 224 70

HSL 132.37, 0.76%, 0.5%

LAB 78.48, -73.37, 60.22

 

CMYK 11 / 0 / 87 / 12

HEX #C8E01E

RGB 200 224 30

HSL 67.42, 0.76%, 0.5%

LAB 84.84, -29.11, 80.05

 

CMYK 12 / 0 / 96 / 4

HEX #D7F509

RGB 215 245 9

HSL 67.63, 0.93%, 0.5%

LAB 91.58, -33.08, 88.4

 

CMYK 11 / 0 / 87 / 12

HEX #C8E01E

RGB 200 224 30

HSL 67.42, 0.76%, 0.5%

LAB 84.84, -29.11, 80.05

 

CMYK 9 / 0 / 75 / 20

HEX #B8CB33

RGB 184 203 51

HSL 67.5, 0.6%, 0.5%

LAB 77.96, -25, 68.31

 

CMYK 8 / 0 / 61 / 28

HEX #A9B747

RGB 169 183 71

HSL 67.5, 0.44%, 0.5%

LAB 71.39, -20.24, 53.73

 

CMYK 6 / 0 / 43 / 36

HEX #99A25C

RGB 153 162 92

HSL 67.71, 0.28%, 0.5%

LAB 64.47, -14.21, 35.24

 

CMYK 2 / 0 / 20 / 45

HEX #8A8D71

RGB 138 141 113

HSL 66.43, 0.11%, 0.5%

LAB 57.7, -6.15, 14.6

 

CMYK 0 / 36 / 87 / 12

HEX #E08F1E

RGB 224 143 30

HSL 34.95, 0.76%, 0.5%

LAB 66.2, 22.85, 65.85

 

CMYK 0 / 13 / 87 / 12

HEX #E0C31E

RGB 224 195 30

HSL 51.03, 0.76%, 0.5%

LAB 79.02, -4.65, 76.14

 

CMYK 10 / 0 / 87 / 12

HEX #C9E01E

RGB 201 224 30

HSL 67.11, 0.76%, 0.5%

LAB 84.91, -28.7, 80.14

 

CMYK 33 / 0 / 87 / 12

HEX #96E01E

RGB 150 224 30

HSL 82.89, 0.76%, 0.5%

LAB 81.78, -48.43, 76.27

 

CMYK 56 / 0 / 87 / 12

HEX #62E01E

RGB 98 224 30

HSL 98.97, 0.76%, 0.5%

LAB 79.61, -64.56, 73.56

 

CMYK 11 / 0 / 87 / 41

HEX #879714

RGB 135 151 20

HSL 67.33, 0.77%, 0.34%

LAB 59.28, -21.34, 59.04

 

CMYK 11 / 0 / 87 / 26

HEX #A7BC19

RGB 167 188 25

HSL 67.73, 0.77%, 0.42%

LAB 72.4, -25.75, 69.83

 

CMYK 11 / 0 / 87 / 12

HEX #C8E01E

RGB 200 224 30

HSL 67.42, 0.76%, 0.5%

LAB 84.84, -29.11, 80.05

 

CMYK 9 / 0 / 71 / 10

HEX #D1E542

RGB 209 229 66

HSL 67.36, 0.76%, 0.58%

LAB 86.99, -26.52, 72.59

 

CMYK 7 / 0 / 56 / 8

HEX #D9EA67

RGB 217 234 103

HSL 67.79, 0.76%, 0.66%

LAB 89.19, -23.35, 60.49

 

CMYK 11 / 0 / 86 / 13

HEX #C7DF1F

RGB 199 223 31

HSL 67.5, 0.76%, 0.5%

LAB 84.49, -29.02, 79.55

 

CMYK 87 / 0 / 59 / 12

HEX #1EE05B

RGB 30 224 91

HSL 138.87, 0.76%, 0.5%

LAB 78.66, -71.11, 51.73

 

CMYK 25 / 87 / 0 / 12

HEX #A91EE0

RGB 169 30 224

HSL 282.99, 0.76%, 0.5%

LAB 45.28, 77.34, -68.4

 

CMYK 11 / 0 / 86 / 13

HEX #C7DF1F

RGB 199 223 31

HSL 67.5, 0.76%, 0.5%

LAB 84.49, -29.02, 79.55

 

CMYK 87 / 10 / 0 / 12

HEX #1EC9E0

RGB 30 201 224

HSL 187.11, 0.76%, 0.5%

LAB 74.46, -31.97, -22.86

 

CMYK 0 / 87 / 10 / 12

HEX #E01EC9

RGB 224 30 201

HSL 307.11, 0.76%, 0.5%

LAB 52.94, 82.91, -42.43

 

CMYK 11 / 0 / 86 / 13

HEX #C7DF1F

RGB 199 223 31

HSL 67.5, 0.76%, 0.5%

LAB 84.49, -29.02, 79.55

 

CMYK 87 / 0 / 59 / 12

HEX #1EE05B

RGB 30 224 91

HSL 138.87, 0.76%, 0.5%

LAB 78.66, -71.11, 51.73

 

CMYK 76 / 87 / 0 / 12

HEX #351EE0

RGB 53 30 224

HSL 247.11, 0.76%, 0.5%

LAB 31.96, 65.78, -90.8

 

CMYK 0 / 87 / 27 / 12

HEX #E01EA3

RGB 224 30 163

HSL 318.87, 0.76%, 0.5%

LAB 51.18, 78.2, -22.99

 

CMYK 11 / 0 / 86 / 13

HEX #C7DF1F

RGB 199 223 31

HSL 67.5, 0.76%, 0.5%

LAB 84.49, -29.02, 79.55

 

CMYK 87 / 0 / 33 / 12

HEX #1EE096

RGB 30 224 150

HSL 157.11, 0.76%, 0.5%

LAB 79.49, -61.27, 23.96

 

CMYK 76 / 87 / 0 / 12

HEX #351EE0

RGB 53 30 224

HSL 247.11, 0.76%, 0.5%

LAB 31.96, 65.78, -90.8

 

CMYK 0 / 87 / 54 / 12

HEX #E01E68

RGB 224 30 104

HSL 337.11, 0.76%, 0.5%

LAB 49.22, 72.77, 9.73

 

Description

Color code: HEX #C7DF1F | qconv.com Color code: HEX #C7DF1F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 223 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 223 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 86 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 86% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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