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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7DFD4 it is the complementary color #38202B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7DFD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7DFD4 shade: #CCDFCF, #DDF1E2, #EEFFF5 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7DFD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7DFD4 shade: #C7DFD4, #B6CDC1, #A5BBAE, #94A99B and #839788

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7DFD4 shade: #C7DFD4, #C7DFCE, #C7DFC8, #CEDFC7 and #D4DFC7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7DFD4 shade: #C7DFD4, #C7DFDA, #C7DDDF, #C7D7DF and #C7D0DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7DFD4 shade matches the following richer shades: #C7DFD4, #C0E6D5, #B9EDD5, #B2F4D6 and #ABFBD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7DFD4 shade: #C7DFD4, #CED8D4, #D5D1D3, #DCCAD2 and #E4C3D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7DFD4 shade: #C7DFC7, #C7DFCE, #C7DFD4, #C7DFDA and #C7DDDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7DFD4 shade: #93C1AC, #ADD0C0, #C7DFD4, #E2EEE8 and #FCFDFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7DFD4 shade: #C7DFD4, #C7CEDF and #DFCBC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7DFD4 shade: #C7DFD4, #D4C7DF and #DFD4C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7DFD4 shade: #C7DFD4, #C7CEDF, #DFC7D2 and #DFD9C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7DFD4 shade: #C7DFD4, #C8C7DF, #DFC7D2 and #DEDFC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 5 / 13

HEX #C7DFD4

RGB 199 223 212

HSL 152.5, 0.27%, 0.83%

LAB 86.84, -10.03, 2.68

 

Complementary color

CMYK 0 / 43 / 23 / 78

HEX #38202B

RGB 56 32 43

HSL 332.5, 0.27%, 0.17%

LAB 15.74, 13.53, -2.46

 

CMYK 9 / 0 / 7 / 13

HEX #CCDFCF

RGB 204 223 207

HSL 129.47, 0.23%, 0.84%

LAB 87.05, -9.29, 5.67

 

CMYK 8 / 0 / 6 / 5

HEX #DDF1E2

RGB 221 241 226

HSL 135, 0.42%, 0.91%

LAB 93.35, -9.3, 4.99

 

CMYK 7 / 0 / 4 / 0

HEX #EEFFF5

RGB 238 255 245

HSL 144.71, 1%, 0.97%

LAB 98.55, -7.34, 2.86

 

CMYK 11 / 0 / 5 / 13

HEX #C7DFD4

RGB 199 223 212

HSL 152.5, 0.27%, 0.83%

LAB 86.84, -10.03, 2.68

 

CMYK 11 / 0 / 6 / 20

HEX #B6CDC1

RGB 182 205 193

HSL 148.7, 0.19%, 0.76%

LAB 80.44, -10.04, 3.34

 

CMYK 12 / 0 / 7 / 27

HEX #A5BBAE

RGB 165 187 174

HSL 144.55, 0.14%, 0.69%

LAB 73.93, -10.06, 4.03

 

CMYK 12 / 0 / 8 / 34

HEX #94A99B

RGB 148 169 155

HSL 140, 0.11%, 0.62%

LAB 67.31, -10.1, 4.75

 

CMYK 13 / 0 / 10 / 41

HEX #839788

RGB 131 151 136

HSL 135, 0.09%, 0.55%

LAB 60.55, -10.14, 5.51

 

CMYK 11 / 0 / 5 / 13

HEX #C7DFD4

RGB 199 223 212

HSL 152.5, 0.27%, 0.83%

LAB 86.84, -10.03, 2.68

 

CMYK 11 / 0 / 8 / 13

HEX #C7DFCE

RGB 199 223 206

HSL 137.5, 0.27%, 0.83%

LAB 86.69, -11.14, 5.62

 

CMYK 11 / 0 / 10 / 13

HEX #C7DFC8

RGB 199 223 200

HSL 122.5, 0.27%, 0.83%

LAB 86.55, -12.23, 8.58

 

CMYK 8 / 0 / 11 / 13

HEX #CEDFC7

RGB 206 223 199

HSL 102.5, 0.27%, 0.83%

LAB 87.01, -10.01, 9.83

 

CMYK 5 / 0 / 11 / 13

HEX #D4DFC7

RGB 212 223 199

HSL 87.5, 0.27%, 0.83%

LAB 87.43, -7.94, 10.49

 

CMYK 11 / 0 / 5 / 13

HEX #C7DFD4

RGB 199 223 212

HSL 152.5, 0.27%, 0.83%

LAB 86.84, -10.03, 2.68

 

CMYK 11 / 0 / 2 / 13

HEX #C7DFDA

RGB 199 223 218

HSL 167.5, 0.27%, 0.83%

LAB 86.99, -8.89, -0.27

 

CMYK 11 / 1 / 0 / 13

HEX #C7DDDF

RGB 199 221 223

HSL 185, 0.27%, 0.83%

LAB 86.59, -6.89, -3.48

 

CMYK 11 / 4 / 0 / 13

HEX #C7D7DF

RGB 199 215 223

HSL 200, 0.27%, 0.83%

LAB 85.03, -3.79, -5.78

 

CMYK 11 / 7 / 0 / 13

HEX #C7D0DF

RGB 199 208 223

HSL 217.5, 0.27%, 0.83%

LAB 83.22, -0.13, -8.46

 

CMYK 11 / 0 / 5 / 13

HEX #C7DFD4

RGB 199 223 212

HSL 152.5, 0.27%, 0.83%

LAB 86.84, -10.03, 2.68

 

CMYK 17 / 0 / 7 / 10

HEX #C0E6D5

RGB 192 230 213

HSL 153.16, 0.43%, 0.83%

LAB 88.26, -15.65, 4.16

 

CMYK 22 / 0 / 10 / 7

HEX #B9EDD5

RGB 185 237 213

HSL 152.31, 0.59%, 0.83%

LAB 89.71, -21.33, 6.21

 

CMYK 27 / 0 / 12 / 4

HEX #B2F4D6

RGB 178 244 214

HSL 152.73, 0.75%, 0.83%

LAB 91.24, -26.66, 7.84

 

CMYK 32 / 0 / 15 / 2

HEX #ABFBD6

RGB 171 251 214

HSL 152.25, 0.91%, 0.83%

LAB 92.8, -32.02, 10.02

 

CMYK 11 / 0 / 5 / 13

HEX #C7DFD4

RGB 199 223 212

HSL 152.5, 0.27%, 0.83%

LAB 86.84, -10.03, 2.68

 

CMYK 5 / 0 / 2 / 15

HEX #CED8D4

RGB 206 216 212

HSL 156, 0.11%, 0.83%

LAB 85.5, -4.11, 0.79

 

CMYK 0 / 2 / 1 / 16

HEX #D5D1D3

RGB 213 209 211

HSL 330, 0.05%, 0.83%

LAB 84.2, 1.73, -0.51

 

CMYK 0 / 8 / 5 / 14

HEX #DCCAD2

RGB 220 202 210

HSL 333.33, 0.2%, 0.83%

LAB 82.97, 7.65, -1.71

 

CMYK 0 / 14 / 8 / 11

HEX #E4C3D2

RGB 228 195 210

HSL 332.73, 0.38%, 0.83%

LAB 81.93, 14.15, -3.15

 

CMYK 11 / 0 / 11 / 13

HEX #C7DFC7

RGB 199 223 199

HSL 120, 0.27%, 0.83%

LAB 86.52, -12.4, 9.07

 

CMYK 11 / 0 / 8 / 13

HEX #C7DFCE

RGB 199 223 206

HSL 137.5, 0.27%, 0.83%

LAB 86.69, -11.14, 5.62

 

CMYK 11 / 0 / 5 / 13

HEX #C7DFD4

RGB 199 223 212

HSL 152.5, 0.27%, 0.83%

LAB 86.84, -10.03, 2.68

 

CMYK 11 / 0 / 2 / 13

HEX #C7DFDA

RGB 199 223 218

HSL 167.5, 0.27%, 0.83%

LAB 86.99, -8.89, -0.27

 

CMYK 11 / 1 / 0 / 13

HEX #C7DDDF

RGB 199 221 223

HSL 185, 0.27%, 0.83%

LAB 86.59, -6.89, -3.48

 

CMYK 24 / 0 / 11 / 24

HEX #93C1AC

RGB 147 193 172

HSL 152.61, 0.27%, 0.67%

LAB 74.39, -19.53, 5.64

 

CMYK 17 / 0 / 8 / 18

HEX #ADD0C0

RGB 173 208 192

HSL 152.57, 0.27%, 0.75%

LAB 80.63, -14.76, 4.08

 

CMYK 11 / 0 / 5 / 13

HEX #C7DFD4

RGB 199 223 212

HSL 152.5, 0.27%, 0.83%

LAB 86.84, -10.03, 2.68

 

CMYK 5 / 0 / 3 / 7

HEX #E2EEE8

RGB 226 238 232

HSL 150, 0.26%, 0.91%

LAB 93.08, -5.06, 1.51

 

CMYK 0 / 0 / 0 / 1

HEX #FCFDFC

RGB 252 253 252

HSL 120, 0.2%, 0.99%

LAB 99.21, -0.5, 0.35

 

CMYK 11 / 0 / 5 / 13

HEX #C7DFD4

RGB 199 223 212

HSL 152.5, 0.27%, 0.83%

LAB 86.84, -10.03, 2.68

 

CMYK 11 / 8 / 0 / 13

HEX #C7CEDF

RGB 199 206 223

HSL 222.5, 0.27%, 0.83%

LAB 82.71, 0.93, -9.23

 

CMYK 0 / 9 / 11 / 13

HEX #DFCBC7

RGB 223 203 199

HSL 10, 0.27%, 0.83%

LAB 83.19, 6.31, 4.51

 

CMYK 11 / 0 / 5 / 13

HEX #C7DFD4

RGB 199 223 212

HSL 152.5, 0.27%, 0.83%

LAB 86.84, -10.03, 2.68

 

CMYK 5 / 11 / 0 / 13

HEX #D4C7DF

RGB 212 199 223

HSL 272.5, 0.27%, 0.83%

LAB 81.93, 8.92, -10.27

 

CMYK 0 / 5 / 11 / 13

HEX #DFD4C7

RGB 223 212 199

HSL 32.5, 0.27%, 0.83%

LAB 85.45, 1.6, 7.77

 

CMYK 11 / 0 / 5 / 13

HEX #C7DFD4

RGB 199 223 212

HSL 152.5, 0.27%, 0.83%

LAB 86.84, -10.03, 2.68

 

CMYK 11 / 8 / 0 / 13

HEX #C7CEDF

RGB 199 206 223

HSL 222.5, 0.27%, 0.83%

LAB 82.71, 0.93, -9.23

 

CMYK 0 / 11 / 6 / 13

HEX #DFC7D2

RGB 223 199 210

HSL 332.5, 0.27%, 0.83%

LAB 82.48, 10.28, -2.4

 

CMYK 0 / 3 / 11 / 13

HEX #DFD9C7

RGB 223 217 199

HSL 45, 0.27%, 0.83%

LAB 86.72, -1, 9.59

 

CMYK 11 / 0 / 5 / 13

HEX #C7DFD4

RGB 199 223 212

HSL 152.5, 0.27%, 0.83%

LAB 86.84, -10.03, 2.68

 

CMYK 10 / 11 / 0 / 13

HEX #C8C7DF

RGB 200 199 223

HSL 242.5, 0.27%, 0.83%

LAB 80.99, 4.97, -11.78

 

CMYK 0 / 11 / 6 / 13

HEX #DFC7D2

RGB 223 199 210

HSL 332.5, 0.27%, 0.83%

LAB 82.48, 10.28, -2.4

 

CMYK 0 / 0 / 11 / 13

HEX #DEDFC7

RGB 222 223 199

HSL 62.5, 0.27%, 0.83%

LAB 88.17, -4.44, 11.65

 

Description

Color code: HEX #C7DFD4 | qconv.com Color code: HEX #C7DFD4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 223 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 223 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 5 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 5% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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