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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7E958 it is the complementary color #3816A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7E958. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7E958 shade: #CCE953, #DDFB66, #EEFF79, #FFFF8C and #FFFF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7E958. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7E958 shade: #C7E958, #B6D745, #A5C532, #94B31F and #83A10C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7E958 shade: #C7E958, #E9E458, #E9BD58, #E99558 and #E96E58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7E958 shade: #C7E958, #A0E958, #78E958, #58E95E and #58E985

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7E958 shade matches the following richer shades: #C7E958 and #CFF848

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7E958 shade: #C7E958, #BFDA67, #B7CA76, #AEBB85 and #A6AC95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7E958 shade: #E9BD58, #E9E458, #C7E958, #A0E958 and #79E958

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7E958 shade: #A8D31B, #BBE433, #C7E958, #D3EE7C and #DFF2A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7E958 shade: #C7E958, #58E996 and #D158E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7E958 shade: #C7E958, #58C7E9 and #E958C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7E958 shade: #C7E958, #58E996, #7958E9 and #E958AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7E958 shade: #C7E958, #58E9C2, #7958E9 and #E9587E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 62 / 9

HEX #C7E958

RGB 199 233 88

HSL 74.07, 0.77%, 0.63%

LAB 87.55, -31.04, 64.67

 

Complementary color

CMYK 66 / 87 / 0 / 35

HEX #3816A7

RGB 56 22 167

HSL 254.07, 0.77%, 0.37%

LAB 24.34, 53.12, -69.9

 

CMYK 12 / 0 / 64 / 9

HEX #CCE953

RGB 204 233 83

HSL 71.6, 0.77%, 0.62%

LAB 87.84, -29.43, 67.08

 

CMYK 12 / 0 / 59 / 2

HEX #DDFB66

RGB 221 251 102

HSL 72.08, 0.95%, 0.69%

LAB 94.02, -29.88, 66.38

 

CMYK 7 / 0 / 53 / 0

HEX #EEFF79

RGB 238 255 121

HSL 67.61, 1%, 0.74%

LAB 96.44, -23.71, 61.25

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 15 / 0 / 62 / 9

HEX #C7E958

RGB 199 233 88

HSL 74.07, 0.77%, 0.63%

LAB 87.55, -31.04, 64.67

 

CMYK 15 / 0 / 68 / 16

HEX #B6D745

RGB 182 215 69

HSL 73.56, 0.65%, 0.56%

LAB 81.28, -30.57, 65.21

 

CMYK 16 / 0 / 75 / 23

HEX #A5C532

RGB 165 197 50

HSL 73.06, 0.6%, 0.48%

LAB 74.93, -29.97, 65.31

 

CMYK 17 / 0 / 83 / 30

HEX #94B31F

RGB 148 179 31

HSL 72.57, 0.7%, 0.41%

LAB 68.49, -29.19, 64.61

 

CMYK 19 / 0 / 93 / 37

HEX #83A10C

RGB 131 161 12

HSL 72.08, 0.86%, 0.34%

LAB 61.95, -28.19, 62.6

 

CMYK 15 / 0 / 62 / 9

HEX #C7E958

RGB 199 233 88

HSL 74.07, 0.77%, 0.63%

LAB 87.55, -31.04, 64.67

 

CMYK 0 / 2 / 62 / 9

HEX #E9E458

RGB 233 228 88

HSL 57.93, 0.77%, 0.63%

LAB 88.69, -15.06, 66.63

 

CMYK 0 / 19 / 62 / 9

HEX #E9BD58

RGB 233 189 88

HSL 41.79, 0.77%, 0.63%

LAB 78.71, 4.77, 55.78

 

CMYK 0 / 36 / 62 / 9

HEX #E99558

RGB 233 149 88

HSL 25.24, 0.77%, 0.63%

LAB 69.13, 25.95, 44.8

 

CMYK 0 / 53 / 62 / 9

HEX #E96E58

RGB 233 110 88

HSL 9.1, 0.77%, 0.63%

LAB 60.94, 45.97, 34.92

 

CMYK 15 / 0 / 62 / 9

HEX #C7E958

RGB 199 233 88

HSL 74.07, 0.77%, 0.63%

LAB 87.55, -31.04, 64.67

 

CMYK 31 / 0 / 62 / 9

HEX #A0E958

RGB 160 233 88

HSL 90.21, 0.77%, 0.63%

LAB 85.23, -45.49, 61.48

 

CMYK 48 / 0 / 62 / 9

HEX #78E958

RGB 120 233 88

HSL 106.76, 0.77%, 0.63%

LAB 83.43, -58.16, 58.98

 

CMYK 62 / 0 / 60 / 9

HEX #58E95E

RGB 88 233 94

HSL 122.48, 0.77%, 0.63%

LAB 82.47, -65.41, 55.06

 

CMYK 62 / 0 / 43 / 9

HEX #58E985

RGB 88 233 133

HSL 138.62, 0.77%, 0.63%

LAB 82.94, -60.07, 37.34

 

CMYK 15 / 0 / 62 / 9

HEX #C7E958

RGB 199 233 88

HSL 74.07, 0.77%, 0.63%

LAB 87.55, -31.04, 64.67

 

CMYK 17 / 0 / 71 / 3

HEX #CFF848

RGB 207 248 72

HSL 73.98, 0.93%, 0.63%

LAB 92.07, -35.8, 75.45

 

CMYK 15 / 0 / 62 / 9

HEX #C7E958

RGB 199 233 88

HSL 74.07, 0.77%, 0.63%

LAB 87.55, -31.04, 64.67

 

CMYK 12 / 0 / 53 / 15

HEX #BFDA67

RGB 191 218 103

HSL 74.09, 0.61%, 0.63%

LAB 83.02, -25.87, 52.91

 

CMYK 9 / 0 / 42 / 21

HEX #B7CA76

RGB 183 202 118

HSL 73.57, 0.44%, 0.63%

LAB 78.24, -19.64, 39.73

 

CMYK 7 / 0 / 29 / 27

HEX #AEBB85

RGB 174 187 133

HSL 74.44, 0.28%, 0.63%

LAB 73.7, -13.62, 25.92

 

CMYK 3 / 0 / 13 / 33

HEX #A6AC95

RGB 166 172 149

HSL 75.65, 0.12%, 0.63%

LAB 69.31, -6.29, 11.11

 

CMYK 0 / 19 / 62 / 9

HEX #E9BD58

RGB 233 189 88

HSL 41.79, 0.77%, 0.63%

LAB 78.71, 4.77, 55.78

 

CMYK 0 / 2 / 62 / 9

HEX #E9E458

RGB 233 228 88

HSL 57.93, 0.77%, 0.63%

LAB 88.69, -15.06, 66.63

 

CMYK 15 / 0 / 62 / 9

HEX #C7E958

RGB 199 233 88

HSL 74.07, 0.77%, 0.63%

LAB 87.55, -31.04, 64.67

 

CMYK 31 / 0 / 62 / 9

HEX #A0E958

RGB 160 233 88

HSL 90.21, 0.77%, 0.63%

LAB 85.23, -45.49, 61.48

 

CMYK 48 / 0 / 62 / 9

HEX #79E958

RGB 121 233 88

HSL 106.34, 0.77%, 0.63%

LAB 83.47, -57.88, 59.04

 

CMYK 20 / 0 / 87 / 17

HEX #A8D31B

RGB 168 211 27

HSL 74.02, 0.77%, 0.47%

LAB 79.04, -36.07, 74.96

 

CMYK 18 / 0 / 78 / 11

HEX #BBE433

RGB 187 228 51

HSL 73.9, 0.77%, 0.55%

LAB 85.14, -35.5, 75.02

 

CMYK 15 / 0 / 62 / 9

HEX #C7E958

RGB 199 233 88

HSL 74.07, 0.77%, 0.63%

LAB 87.55, -31.04, 64.67

 

CMYK 11 / 0 / 48 / 7

HEX #D3EE7C

RGB 211 238 124

HSL 74.21, 0.77%, 0.71%

LAB 90.07, -25.73, 51.86

 

CMYK 8 / 0 / 33 / 5

HEX #DFF2A1

RGB 223 242 161

HSL 74.07, 0.76%, 0.79%

LAB 92.47, -19.01, 37.07

 

CMYK 15 / 0 / 62 / 9

HEX #C7E958

RGB 199 233 88

HSL 74.07, 0.77%, 0.63%

LAB 87.55, -31.04, 64.67

 

CMYK 62 / 0 / 36 / 9

HEX #58E996

RGB 88 233 150

HSL 145.66, 0.77%, 0.63%

LAB 83.21, -57.13, 29.14

 

CMYK 10 / 62 / 0 / 9

HEX #D158E9

RGB 209 88 233

HSL 290.07, 0.77%, 0.63%

LAB 58.43, 67.4, -52.02

 

CMYK 15 / 0 / 62 / 9

HEX #C7E958

RGB 199 233 88

HSL 74.07, 0.77%, 0.63%

LAB 87.55, -31.04, 64.67

 

CMYK 62 / 15 / 0 / 9

HEX #58C7E9

RGB 88 199 233

HSL 194.07, 0.77%, 0.63%

LAB 75.33, -21.62, -26.29

 

CMYK 0 / 62 / 15 / 9

HEX #E958C7

RGB 233 88 199

HSL 314.07, 0.77%, 0.63%

LAB 60.27, 67.75, -29.71

 

CMYK 15 / 0 / 62 / 9

HEX #C7E958

RGB 199 233 88

HSL 74.07, 0.77%, 0.63%

LAB 87.55, -31.04, 64.67

 

CMYK 62 / 0 / 36 / 9

HEX #58E996

RGB 88 233 150

HSL 145.66, 0.77%, 0.63%

LAB 83.21, -57.13, 29.14

 

CMYK 48 / 62 / 0 / 9

HEX #7958E9

RGB 121 88 233

HSL 253.66, 0.77%, 0.63%

LAB 48.17, 48.33, -69.07

 

CMYK 0 / 62 / 27 / 9

HEX #E958AA

RGB 233 88 170

HSL 326.07, 0.77%, 0.63%

LAB 59.16, 63.83, -14.76

 

CMYK 15 / 0 / 62 / 9

HEX #C7E958

RGB 199 233 88

HSL 74.07, 0.77%, 0.63%

LAB 87.55, -31.04, 64.67

 

CMYK 62 / 0 / 17 / 9

HEX #58E9C2

RGB 88 233 194

HSL 163.86, 0.77%, 0.63%

LAB 84.09, -47.9, 7.54

 

CMYK 48 / 62 / 0 / 9

HEX #7958E9

RGB 121 88 233

HSL 253.66, 0.77%, 0.63%

LAB 48.17, 48.33, -69.07

 

CMYK 0 / 62 / 46 / 9

HEX #E9587E

RGB 233 88 126

HSL 344.28, 0.77%, 0.63%

LAB 57.86, 59.02, 8.98

 

Description

Color code: HEX #C7E958 | qconv.com Color code: HEX #C7E958 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 233 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 233 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 62 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 62% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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