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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7E291 it is the complementary color #381D6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7E291. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7E291 shade: #CCE28C, #DDF49F, #EEFFB2, #FFFFC5 and #FFFFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7E291. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7E291 shade: #C7E291, #B6D07E, #A5BE6B, #94AC58 and #839A45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7E291 shade: #C7E292, #DCE292, #E2D192, #E2BC92 and #E2A692

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7E291 shade: #C7E292, #B1E292, #9CE292, #92E29D and #92E2B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7E291 shade matches the following richer shades: #C7E292, #CBED87 and #CEF87B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7E291 shade: #C7E292, #C3D69D, #C0CBA8, #BCC0B3 and #B8B5BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7E291 shade: #E2D292, #DCE292, #C7E292, #B2E292 and #9CE292

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7E291 shade: #A6D051, #B6D971, #C7E292, #D8EAB2 and #E8F3D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7E291 shade: #C7E291, #92E2BC and #DC92E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7E291 shade: #C7E291, #92C7E2 and #E292C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7E291 shade: #C7E291, #92E2BC, #AC92E2 and #E292B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7E291 shade: #C7E291, #92E2D4, #AC92E2 and #E2929F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 36 / 11

HEX #C7E291

RGB 199 226 145

HSL 80, 0.58%, 0.73%

LAB 86.3, -22.11, 36.7

 

Complementary color

CMYK 49 / 74 / 0 / 57

HEX #381D6E

RGB 56 29 110

HSL 260, 0.58%, 0.27%

LAB 19.41, 33.25, -42.34

 

CMYK 10 / 0 / 38 / 11

HEX #CCE28C

RGB 204 226 140

HSL 75.35, 0.6%, 0.72%

LAB 86.57, -20.86, 39.63

 

CMYK 9 / 0 / 35 / 4

HEX #DDF49F

RGB 221 244 159

HSL 76.24, 0.79%, 0.79%

LAB 92.83, -20.96, 38.51

 

CMYK 7 / 0 / 30 / 0

HEX #EEFFB2

RGB 238 255 178

HSL 73.25, 1%, 0.85%

LAB 97.19, -17.67, 35.03

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 12 / 0 / 36 / 11

HEX #C7E291

RGB 199 226 145

HSL 80, 0.58%, 0.73%

LAB 86.3, -22.11, 36.7

 

CMYK 13 / 0 / 39 / 18

HEX #B6D07E

RGB 182 208 126

HSL 79.02, 0.47%, 0.65%

LAB 79.93, -22.05, 37.84

 

CMYK 13 / 0 / 44 / 25

HEX #A5BE6B

RGB 165 190 107

HSL 78.07, 0.39%, 0.58%

LAB 73.47, -21.95, 39.01

 

CMYK 14 / 0 / 49 / 33

HEX #94AC58

RGB 148 172 88

HSL 77.14, 0.34%, 0.51%

LAB 66.9, -21.8, 40.19

 

CMYK 15 / 0 / 55 / 40

HEX #839A45

RGB 131 154 69

HSL 76.24, 0.38%, 0.44%

LAB 60.22, -21.58, 41.34

 

CMYK 12 / 0 / 35 / 11

HEX #C7E292

RGB 199 226 146

HSL 80.25, 0.58%, 0.73%

LAB 86.31, -21.98, 36.22

 

CMYK 3 / 0 / 35 / 11

HEX #DCE292

RGB 220 226 146

HSL 64.5, 0.58%, 0.73%

LAB 87.82, -14.09, 38.47

 

CMYK 0 / 8 / 35 / 11

HEX #E2D192

RGB 226 209 146

HSL 47.25, 0.58%, 0.73%

LAB 83.89, -3.17, 33.42

 

CMYK 0 / 17 / 35 / 11

HEX #E2BC92

RGB 226 188 146

HSL 31.5, 0.58%, 0.73%

LAB 78.58, 7.79, 26.36

 

CMYK 0 / 27 / 35 / 11

HEX #E2A692

RGB 226 166 146

HSL 15, 0.58%, 0.73%

LAB 73.23, 19.52, 19.05

 

CMYK 12 / 0 / 35 / 11

HEX #C7E292

RGB 199 226 146

HSL 80.25, 0.58%, 0.73%

LAB 86.31, -21.98, 36.22

 

CMYK 22 / 0 / 35 / 11

HEX #B1E292

RGB 177 226 146

HSL 96.75, 0.58%, 0.73%

LAB 84.9, -29.91, 34.11

 

CMYK 31 / 0 / 35 / 11

HEX #9CE292

RGB 156 226 146

HSL 112.5, 0.58%, 0.73%

LAB 83.72, -37.01, 32.34

 

CMYK 35 / 0 / 31 / 11

HEX #92E29D

RGB 146 226 157

HSL 128.25, 0.58%, 0.73%

LAB 83.41, -38.4, 26.19

 

CMYK 35 / 0 / 21 / 11

HEX #92E2B3

RGB 146 226 179

HSL 144.75, 0.58%, 0.73%

LAB 83.84, -34.43, 15.34

 

CMYK 12 / 0 / 35 / 11

HEX #C7E292

RGB 199 226 146

HSL 80.25, 0.58%, 0.73%

LAB 86.31, -21.98, 36.22

 

CMYK 14 / 0 / 43 / 7

HEX #CBED87

RGB 203 237 135

HSL 80, 0.74%, 0.73%

LAB 89.4, -27.1, 45.67

 

CMYK 17 / 0 / 50 / 3

HEX #CEF87B

RGB 206 248 123

HSL 80.16, 0.9%, 0.73%

LAB 92.44, -32.38, 55.1

 

CMYK 12 / 0 / 35 / 11

HEX #C7E292

RGB 199 226 146

HSL 80.25, 0.58%, 0.73%

LAB 86.31, -21.98, 36.22

 

CMYK 9 / 0 / 27 / 16

HEX #C3D69D

RGB 195 214 157

HSL 80, 0.41%, 0.73%

LAB 82.98, -16.04, 26.1

 

CMYK 5 / 0 / 17 / 20

HEX #C0CBA8

RGB 192 203 168

HSL 78.86, 0.25%, 0.73%

LAB 80.04, -9.89, 16.21

 

CMYK 2 / 0 / 7 / 25

HEX #BCC0B3

RGB 188 192 179

HSL 78.46, 0.09%, 0.73%

LAB 77.07, -3.74, 6.06

 

CMYK 3 / 5 / 0 / 25

HEX #B8B5BE

RGB 184 181 190

HSL 260, 0.06%, 0.73%

LAB 74.16, 2.75, -4.19

 

CMYK 0 / 7 / 35 / 11

HEX #E2D292

RGB 226 210 146

HSL 48, 0.58%, 0.73%

LAB 84.14, -3.68, 33.76

 

CMYK 3 / 0 / 35 / 11

HEX #DCE292

RGB 220 226 146

HSL 64.5, 0.58%, 0.73%

LAB 87.82, -14.09, 38.47

 

CMYK 12 / 0 / 35 / 11

HEX #C7E292

RGB 199 226 146

HSL 80.25, 0.58%, 0.73%

LAB 86.31, -21.98, 36.22

 

CMYK 21 / 0 / 35 / 11

HEX #B2E292

RGB 178 226 146

HSL 96, 0.58%, 0.73%

LAB 84.96, -29.56, 34.2

 

CMYK 31 / 0 / 35 / 11

HEX #9CE292

RGB 156 226 146

HSL 112.5, 0.58%, 0.73%

LAB 83.72, -37.01, 32.34

 

CMYK 20 / 0 / 61 / 18

HEX #A6D051

RGB 166 208 81

HSL 79.84, 0.57%, 0.57%

LAB 78.35, -32.73, 56.97

 

CMYK 16 / 0 / 48 / 15

HEX #B6D971

RGB 182 217 113

HSL 80.19, 0.58%, 0.65%

LAB 82.25, -27.87, 47.14

 

CMYK 12 / 0 / 35 / 11

HEX #C7E292

RGB 199 226 146

HSL 80.25, 0.58%, 0.73%

LAB 86.31, -21.98, 36.22

 

CMYK 8 / 0 / 24 / 8

HEX #D8EAB2

RGB 216 234 178

HSL 79.29, 0.57%, 0.81%

LAB 90.16, -15.34, 25.27

 

CMYK 5 / 0 / 13 / 5

HEX #E8F3D3

RGB 232 243 211

HSL 80.63, 0.57%, 0.89%

LAB 94.3, -9.13, 14.2

 

CMYK 12 / 0 / 36 / 11

HEX #C7E291

RGB 199 226 145

HSL 80, 0.58%, 0.73%

LAB 86.3, -22.11, 36.7

 

CMYK 35 / 0 / 17 / 11

HEX #92E2BC

RGB 146 226 188

HSL 151.5, 0.58%, 0.73%

LAB 84.04, -32.66, 10.89

 

CMYK 3 / 35 / 0 / 11

HEX #DC92E2

RGB 220 146 226

HSL 295.5, 0.58%, 0.73%

LAB 70.36, 40.64, -29.36

 

CMYK 12 / 0 / 36 / 11

HEX #C7E291

RGB 199 226 145

HSL 80, 0.58%, 0.73%

LAB 86.3, -22.11, 36.7

 

CMYK 35 / 12 / 0 / 11

HEX #92C7E2

RGB 146 199 226

HSL 200.25, 0.58%, 0.73%

LAB 77.55, -10.65, -18.92

 

CMYK 0 / 35 / 12 / 11

HEX #E292C7

RGB 226 146 199

HSL 320.25, 0.58%, 0.73%

LAB 70.07, 37.82, -14.82

 

CMYK 12 / 0 / 36 / 11

HEX #C7E291

RGB 199 226 145

HSL 80, 0.58%, 0.73%

LAB 86.3, -22.11, 36.7

 

CMYK 35 / 0 / 17 / 11

HEX #92E2BC

RGB 146 226 188

HSL 151.5, 0.58%, 0.73%

LAB 84.04, -32.66, 10.89

 

CMYK 24 / 35 / 0 / 11

HEX #AC92E2

RGB 172 146 226

HSL 259.5, 0.58%, 0.73%

LAB 65.61, 26.09, -37.1

 

CMYK 0 / 35 / 19 / 11

HEX #E292B7

RGB 226 146 183

HSL 332.25, 0.58%, 0.73%

LAB 69.57, 35.29, -6.66

 

CMYK 12 / 0 / 36 / 11

HEX #C7E291

RGB 199 226 145

HSL 80, 0.58%, 0.73%

LAB 86.3, -22.11, 36.7

 

CMYK 35 / 0 / 6 / 11

HEX #92E2D4

RGB 146 226 212

HSL 169.5, 0.58%, 0.73%

LAB 84.62, -27.56, -0.93

 

CMYK 24 / 35 / 0 / 11

HEX #AC92E2

RGB 172 146 226

HSL 259.5, 0.58%, 0.73%

LAB 65.61, 26.09, -37.1

 

CMYK 0 / 35 / 30 / 11

HEX #E2929F

RGB 226 146 159

HSL 350.25, 0.58%, 0.73%

LAB 68.92, 31.88, 5.79

 

Description

Color code: HEX #C7E291 | qconv.com Color code: HEX #C7E291 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 226 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 226 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 36 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 36% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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