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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7E2A8 it is the complementary color #381D57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7E2A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7E2A8 shade: #CCE2A3, #DDF4B6, #EEFFC9, #FFFFDC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7E2A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7E2A8 shade: #C7E2A8, #B6D095, #A5BE82, #94AC6F and #839A5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7E2A8 shade: #C6E1A7, #D6E1A7, #E1DDA7, #E1CDA7 and #E1BDA7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7E2A8 shade: #C6E1A7, #B6E1A7, #A7E1A7, #A7E1B7 and #A7E1C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7E2A8 shade matches the following richer shades: #C6E1A7, #C7EB9D, #C7F494 and #C8FE8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7E2A8 shade: #C6E1A7, #C5D8B0, #C5CEBA, #C4C5C3 and #C3BBCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7E2A8 shade: #E1DCA7, #D6E1A7, #C7E1A7, #B7E1A7 and #A8E1A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7E2A8 shade: #9ECD69, #B2D788, #C6E1A7, #DAEBC5 and #EEF6E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7E2A8 shade: #C7E2A8, #A7E1CD and #E1A7DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7E2A8 shade: #C7E2A8, #A7C7E1 and #E1A7C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7E2A8 shade: #C7E2A8, #A7E1CD, #C1A7E1 and #E1A7BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7E2A8 shade: #C7E2A8, #A7E1DE, #C1A7E1 and #E1A7A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 26 / 11

HEX #C7E2A8

RGB 199 226 168

HSL 87.93, 0.5%, 0.77%

LAB 86.68, -18.95, 25.48

 

Complementary color

CMYK 36 / 67 / 0 / 66

HEX #381D57

RGB 56 29 87

HSL 267.93, 0.5%, 0.23%

LAB 17.5, 26.45, -30.27

 

CMYK 10 / 0 / 28 / 11

HEX #CCE2A3

RGB 204 226 163

HSL 80.95, 0.52%, 0.76%

LAB 86.94, -17.87, 28.45

 

CMYK 9 / 0 / 25 / 4

HEX #DDF4B6

RGB 221 244 182

HSL 82.26, 0.74%, 0.84%

LAB 93.21, -17.89, 27.45

 

CMYK 7 / 0 / 21 / 0

HEX #EEFFC9

RGB 238 255 201

HSL 78.89, 1%, 0.89%

LAB 97.6, -14.5, 24

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 12 / 0 / 26 / 11

HEX #C7E2A8

RGB 199 226 168

HSL 87.93, 0.5%, 0.77%

LAB 86.68, -18.95, 25.48

 

CMYK 13 / 0 / 28 / 18

HEX #B6D095

RGB 182 208 149

HSL 86.44, 0.39%, 0.7%

LAB 80.31, -18.97, 26.5

 

CMYK 13 / 0 / 32 / 25

HEX #A5BE82

RGB 165 190 130

HSL 85, 0.32%, 0.63%

LAB 73.83, -18.98, 27.57

 

CMYK 14 / 0 / 35 / 33

HEX #94AC6F

RGB 148 172 111

HSL 83.61, 0.27%, 0.55%

LAB 67.24, -18.98, 28.7

 

CMYK 15 / 0 / 40 / 40

HEX #839A5C

RGB 131 154 92

HSL 82.26, 0.25%, 0.48%

LAB 60.52, -18.96, 29.89

 

CMYK 12 / 0 / 26 / 12

HEX #C6E1A7

RGB 198 225 167

HSL 87.93, 0.49%, 0.77%

LAB 86.33, -18.96, 25.5

 

CMYK 5 / 0 / 26 / 12

HEX #D6E1A7

RGB 214 225 167

HSL 71.38, 0.49%, 0.77%

LAB 87.45, -13.15, 27.22

 

CMYK 0 / 2 / 26 / 12

HEX #E1DDA7

RGB 225 221 167

HSL 55.86, 0.49%, 0.77%

LAB 87.25, -7.05, 27.07

 

CMYK 0 / 9 / 26 / 12

HEX #E1CDA7

RGB 225 205 167

HSL 39.31, 0.49%, 0.77%

LAB 83.16, 1.18, 21.48

 

CMYK 0 / 16 / 26 / 12

HEX #E1BDA7

RGB 225 189 167

HSL 22.76, 0.49%, 0.77%

LAB 79.15, 9.59, 15.91

 

CMYK 12 / 0 / 26 / 12

HEX #C6E1A7

RGB 198 225 167

HSL 87.93, 0.49%, 0.77%

LAB 86.33, -18.96, 25.5

 

CMYK 19 / 0 / 26 / 12

HEX #B6E1A7

RGB 182 225 167

HSL 104.48, 0.49%, 0.77%

LAB 85.29, -24.57, 23.92

 

CMYK 26 / 0 / 26 / 12

HEX #A7E1A7

RGB 167 225 167

HSL 120, 0.49%, 0.77%

LAB 84.41, -29.61, 22.56

 

CMYK 26 / 0 / 19 / 12

HEX #A7E1B7

RGB 167 225 183

HSL 136.55, 0.49%, 0.77%

LAB 84.73, -26.81, 14.66

 

CMYK 26 / 0 / 12 / 12

HEX #A7E1C6

RGB 167 225 198

HSL 152.07, 0.49%, 0.77%

LAB 85.07, -23.96, 7.25

 

CMYK 12 / 0 / 26 / 12

HEX #C6E1A7

RGB 198 225 167

HSL 87.93, 0.49%, 0.77%

LAB 86.33, -18.96, 25.5

 

CMYK 15 / 0 / 33 / 8

HEX #C7EB9D

RGB 199 235 157

HSL 87.69, 0.66%, 0.77%

LAB 88.92, -24.88, 34.1

 

CMYK 18 / 0 / 39 / 4

HEX #C7F494

RGB 199 244 148

HSL 88.13, 0.81%, 0.77%

LAB 91.23, -30.31, 41.59

 

CMYK 21 / 0 / 46 / 0

HEX #C8FE8A

RGB 200 254 138

HSL 87.93, 0.98%, 0.77%

LAB 93.88, -35.73, 49.78

 

CMYK 12 / 0 / 26 / 12

HEX #C6E1A7

RGB 198 225 167

HSL 87.93, 0.49%, 0.77%

LAB 86.33, -18.96, 25.5

 

CMYK 9 / 0 / 19 / 15

HEX #C5D8B0

RGB 197 216 176

HSL 88.5, 0.34%, 0.77%

LAB 84.03, -13.44, 17.62

 

CMYK 4 / 0 / 10 / 19

HEX #C5CEBA

RGB 197 206 186

HSL 87, 0.17%, 0.77%

LAB 81.6, -6.66, 8.89

 

CMYK 1 / 0 / 1 / 23

HEX #C4C5C3

RGB 196 197 195

HSL 90, 0.02%, 0.77%

LAB 79.39, -0.71, 0.87

 

CMYK 4 / 8 / 0 / 20

HEX #C3BBCC

RGB 195 187 204

HSL 268.24, 0.14%, 0.77%

LAB 76.98, 5.98, -7.54

 

CMYK 0 / 2 / 26 / 12

HEX #E1DCA7

RGB 225 220 167

HSL 54.83, 0.49%, 0.77%

LAB 86.99, -6.54, 26.72

 

CMYK 5 / 0 / 26 / 12

HEX #D6E1A7

RGB 214 225 167

HSL 71.38, 0.49%, 0.77%

LAB 87.45, -13.15, 27.22

 

CMYK 12 / 0 / 26 / 12

HEX #C7E1A7

RGB 199 225 167

HSL 86.9, 0.49%, 0.77%

LAB 86.4, -18.6, 25.6

 

CMYK 19 / 0 / 26 / 12

HEX #B7E1A7

RGB 183 225 167

HSL 103.45, 0.49%, 0.77%

LAB 85.36, -24.23, 24.01

 

CMYK 25 / 0 / 26 / 12

HEX #A8E1A7

RGB 168 225 167

HSL 118.97, 0.49%, 0.77%

LAB 84.47, -29.28, 22.65

 

CMYK 23 / 0 / 49 / 20

HEX #9ECD69

RGB 158 205 105

HSL 88.2, 0.5%, 0.61%

LAB 77.25, -32.06, 44.56

 

CMYK 17 / 0 / 37 / 16

HEX #B2D788

RGB 178 215 136

HSL 88.1, 0.5%, 0.69%

LAB 81.75, -25.67, 35.07

 

CMYK 12 / 0 / 26 / 12

HEX #C6E1A7

RGB 198 225 167

HSL 87.93, 0.49%, 0.77%

LAB 86.33, -18.96, 25.5

 

CMYK 7 / 0 / 16 / 8

HEX #DAEBC5

RGB 218 235 197

HSL 86.84, 0.49%, 0.85%

LAB 90.94, -12.23, 16.56

 

CMYK 3 / 0 / 7 / 4

HEX #EEF6E4

RGB 238 246 228

HSL 86.67, 0.5%, 0.93%

LAB 95.87, -5.78, 7.73

 

CMYK 12 / 0 / 26 / 11

HEX #C7E2A8

RGB 199 226 168

HSL 87.93, 0.5%, 0.77%

LAB 86.68, -18.95, 25.48

 

CMYK 26 / 0 / 9 / 12

HEX #A7E1CD

RGB 167 225 205

HSL 159.31, 0.49%, 0.77%

LAB 85.24, -22.56, 3.8

 

CMYK 0 / 26 / 1 / 12

HEX #E1A7DE

RGB 225 167 222

HSL 303.1, 0.49%, 0.77%

LAB 75.4, 30.26, -19.43

 

CMYK 12 / 0 / 26 / 11

HEX #C7E2A8

RGB 199 226 168

HSL 87.93, 0.5%, 0.77%

LAB 86.68, -18.95, 25.48

 

CMYK 26 / 12 / 0 / 12

HEX #A7C7E1

RGB 167 199 225

HSL 206.9, 0.49%, 0.77%

LAB 78.75, -4.92, -16.44

 

CMYK 0 / 26 / 12 / 12

HEX #E1A7C7

RGB 225 167 199

HSL 326.9, 0.49%, 0.77%

LAB 74.68, 26.25, -7.94

 

CMYK 12 / 0 / 26 / 11

HEX #C7E2A8

RGB 199 226 168

HSL 87.93, 0.5%, 0.77%

LAB 86.68, -18.95, 25.48

 

CMYK 26 / 0 / 9 / 12

HEX #A7E1CD

RGB 167 225 205

HSL 159.31, 0.49%, 0.77%

LAB 85.24, -22.56, 3.8

 

CMYK 14 / 26 / 0 / 12

HEX #C1A7E1

RGB 193 167 225

HSL 266.9, 0.49%, 0.77%

LAB 72.5, 20.53, -25.75

 

CMYK 0 / 26 / 17 / 12

HEX #E1A7BB

RGB 225 167 187

HSL 339.31, 0.49%, 0.77%

LAB 74.34, 24.32, -1.86

 

CMYK 12 / 0 / 26 / 11

HEX #C7E2A8

RGB 199 226 168

HSL 87.93, 0.5%, 0.77%

LAB 86.68, -18.95, 25.48

 

CMYK 26 / 0 / 1 / 12

HEX #A7E1DE

RGB 167 225 222

HSL 176.9, 0.49%, 0.77%

LAB 85.68, -18.97, -4.53

 

CMYK 14 / 26 / 0 / 12

HEX #C1A7E1

RGB 193 167 225

HSL 266.9, 0.49%, 0.77%

LAB 72.5, 20.53, -25.75

 

CMYK 0 / 26 / 25 / 12

HEX #E1A7A9

RGB 225 167 169

HSL 357.93, 0.49%, 0.77%

LAB 73.87, 21.63, 7.35

 

Description

Color code: HEX #C7E2A8 | qconv.com Color code: HEX #C7E2A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 226 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 226 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 26 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 26% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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