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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7E381 it is the complementary color #381C7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7E381. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7E381 shade: #CCE37C, #DDF58F, #EEFFA2, #FFFFB5 and #FFFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7E381. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7E381 shade: #C7E381, #B6D16E, #A5BF5B, #94AD48 and #839B35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7E381 shade: #C7E381, #E1E381, #E3CA81, #E3B081 and #E39581

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7E381 shade: #C7E381, #ADE381, #92E381, #81E38A and #81E3A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7E381 shade matches the following richer shades: #C7E381, #CCEF75 and #D2FC68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7E381 shade: #C7E381, #C2D78D, #BCCA9A, #B7BEA6 and #B2B1B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7E381 shade: #E3CA81, #E1E381, #C7E381, #ADE381 and #93E381

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7E381 shade: #A9D43D, #B8DC5F, #C7E381, #D6EAA3 and #E5F2C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7E381 shade: #C7E381, #81E3B0 and #D881E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7E381 shade: #C7E381, #81C7E3 and #E381C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7E381 shade: #C7E381, #81E3B0, #9D81E3 and #E381B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7E381 shade: #C7E381, #81E3CE, #9D81E3 and #E38196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 43 / 11

HEX #C7E381

RGB 199 227 129

HSL 77.14, 0.64%, 0.7%

LAB 86.34, -24.49, 44.7

 

Complementary color

CMYK 56 / 78 / 0 / 51

HEX #381C7E

RGB 56 28 126

HSL 257.14, 0.64%, 0.3%

LAB 20.74, 38.62, -50.43

 

CMYK 10 / 0 / 45 / 11

HEX #CCE37C

RGB 204 227 124

HSL 73.4, 0.65%, 0.69%

LAB 86.62, -23.13, 47.54

 

CMYK 10 / 0 / 42 / 4

HEX #DDF58F

RGB 221 245 143

HSL 74.12, 0.84%, 0.76%

LAB 92.87, -23.31, 46.41

 

CMYK 7 / 0 / 36 / 0

HEX #EEFFA2

RGB 238 255 162

HSL 70.97, 1%, 0.82%

LAB 96.95, -19.63, 42.61

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 12 / 0 / 43 / 11

HEX #C7E381

RGB 199 227 129

HSL 77.14, 0.64%, 0.7%

LAB 86.34, -24.49, 44.7

 

CMYK 13 / 0 / 47 / 18

HEX #B6D16E

RGB 182 209 110

HSL 76.36, 0.52%, 0.63%

LAB 79.99, -24.34, 45.84

 

CMYK 14 / 0 / 52 / 25

HEX #A5BF5B

RGB 165 191 91

HSL 75.6, 0.44%, 0.55%

LAB 73.56, -24.13, 46.97

 

CMYK 14 / 0 / 58 / 32

HEX #94AD48

RGB 148 173 72

HSL 74.85, 0.41%, 0.48%

LAB 67.01, -23.84, 48.01

 

CMYK 15 / 0 / 66 / 39

HEX #839B35

RGB 131 155 53

HSL 74.12, 0.49%, 0.41%

LAB 60.36, -23.43, 48.84

 

CMYK 12 / 0 / 43 / 11

HEX #C7E381

RGB 199 227 129

HSL 77.14, 0.64%, 0.7%

LAB 86.34, -24.49, 44.7

 

CMYK 1 / 0 / 43 / 11

HEX #E1E381

RGB 225 227 129

HSL 61.22, 0.64%, 0.7%

LAB 88.22, -14.48, 47.45

 

CMYK 0 / 11 / 43 / 11

HEX #E3CA81

RGB 227 202 129

HSL 44.69, 0.64%, 0.7%

LAB 81.92, -1.03, 39.58

 

CMYK 0 / 22 / 43 / 11

HEX #E3B081

RGB 227 176 129

HSL 28.78, 0.64%, 0.7%

LAB 75.43, 12.64, 31.18

 

CMYK 0 / 34 / 43 / 11

HEX #E39581

RGB 227 149 129

HSL 12.24, 0.64%, 0.7%

LAB 69.05, 27.08, 22.66

 

CMYK 12 / 0 / 43 / 11

HEX #C7E381

RGB 199 227 129

HSL 77.14, 0.64%, 0.7%

LAB 86.34, -24.49, 44.7

 

CMYK 24 / 0 / 43 / 11

HEX #ADE381

RGB 173 227 129

HSL 93.06, 0.64%, 0.7%

LAB 84.69, -34.02, 42.28

 

CMYK 36 / 0 / 43 / 11

HEX #92E381

RGB 146 227 129

HSL 109.59, 0.64%, 0.7%

LAB 83.25, -43.11, 40.15

 

CMYK 43 / 0 / 39 / 11

HEX #81E38A

RGB 129 227 138

HSL 125.51, 0.64%, 0.7%

LAB 82.61, -46.94, 34.69

 

CMYK 43 / 0 / 27 / 11

HEX #81E3A5

RGB 129 227 165

HSL 142.04, 0.64%, 0.7%

LAB 83.08, -42.32, 21.48

 

CMYK 12 / 0 / 43 / 11

HEX #C7E381

RGB 199 227 129

HSL 77.14, 0.64%, 0.7%

LAB 86.34, -24.49, 44.7

 

CMYK 15 / 0 / 51 / 6

HEX #CCEF75

RGB 204 239 117

HSL 77.21, 0.79%, 0.7%

LAB 89.79, -29.53, 54.67

 

CMYK 17 / 0 / 59 / 1

HEX #D2FC68

RGB 210 252 104

HSL 77.03, 0.96%, 0.7%

LAB 93.59, -34.38, 64.86

 

CMYK 12 / 0 / 43 / 11

HEX #C7E381

RGB 199 227 129

HSL 77.14, 0.64%, 0.7%

LAB 86.34, -24.49, 44.7

 

CMYK 10 / 0 / 34 / 16

HEX #C2D78D

RGB 194 215 141

HSL 77.03, 0.48%, 0.7%

LAB 82.91, -19.09, 34.24

 

CMYK 7 / 0 / 24 / 21

HEX #BCCA9A

RGB 188 202 154

HSL 77.5, 0.31%, 0.7%

LAB 79.19, -13, 22.43

 

CMYK 4 / 0 / 13 / 25

HEX #B7BEA6

RGB 183 190 166

HSL 77.5, 0.16%, 0.7%

LAB 75.85, -6.72, 11.29

 

CMYK 1 / 1 / 0 / 30

HEX #B2B1B3

RGB 178 177 179

HSL 270, 0.01%, 0.7%

LAB 72.34, 0.73, -0.9

 

CMYK 0 / 11 / 43 / 11

HEX #E3CA81

RGB 227 202 129

HSL 44.69, 0.64%, 0.7%

LAB 81.92, -1.03, 39.58

 

CMYK 1 / 0 / 43 / 11

HEX #E1E381

RGB 225 227 129

HSL 61.22, 0.64%, 0.7%

LAB 88.22, -14.48, 47.45

 

CMYK 12 / 0 / 43 / 11

HEX #C7E381

RGB 199 227 129

HSL 77.14, 0.64%, 0.7%

LAB 86.34, -24.49, 44.7

 

CMYK 24 / 0 / 43 / 11

HEX #ADE381

RGB 173 227 129

HSL 93.06, 0.64%, 0.7%

LAB 84.69, -34.02, 42.28

 

CMYK 35 / 0 / 43 / 11

HEX #93E381

RGB 147 227 129

HSL 108.98, 0.64%, 0.7%

LAB 83.3, -42.8, 40.22

 

CMYK 20 / 0 / 71 / 17

HEX #A9D43D

RGB 169 212 61

HSL 77.09, 0.64%, 0.54%

LAB 79.53, -34.77, 66.11

 

CMYK 16 / 0 / 57 / 14

HEX #B8DC5F

RGB 184 220 95

HSL 77.28, 0.64%, 0.62%

LAB 83.02, -30.24, 56.41

 

CMYK 12 / 0 / 43 / 11

HEX #C7E381

RGB 199 227 129

HSL 77.14, 0.64%, 0.7%

LAB 86.34, -24.49, 44.7

 

CMYK 9 / 0 / 30 / 8

HEX #D6EAA3

RGB 214 234 163

HSL 76.9, 0.63%, 0.78%

LAB 89.76, -18.15, 32.36

 

CMYK 5 / 0 / 19 / 5

HEX #E5F2C5

RGB 229 242 197

HSL 77.33, 0.63%, 0.86%

LAB 93.53, -11.86, 20.31

 

CMYK 12 / 0 / 43 / 11

HEX #C7E381

RGB 199 227 129

HSL 77.14, 0.64%, 0.7%

LAB 86.34, -24.49, 44.7

 

CMYK 43 / 0 / 22 / 11

HEX #81E3B0

RGB 129 227 176

HSL 148.78, 0.64%, 0.7%

LAB 83.31, -40.2, 16.05

 

CMYK 5 / 43 / 0 / 11

HEX #D881E3

RGB 216 129 227

HSL 293.27, 0.64%, 0.7%

LAB 66.4, 48.54, -36.08

 

CMYK 12 / 0 / 43 / 11

HEX #C7E381

RGB 199 227 129

HSL 77.14, 0.64%, 0.7%

LAB 86.34, -24.49, 44.7

 

CMYK 43 / 12 / 0 / 11

HEX #81C7E3

RGB 129 199 227

HSL 197.14, 0.64%, 0.7%

LAB 76.72, -14.78, -20.8

 

CMYK 0 / 43 / 12 / 11

HEX #E381C7

RGB 227 129 199

HSL 317.14, 0.64%, 0.7%

LAB 66.64, 46.99, -20

 

CMYK 12 / 0 / 43 / 11

HEX #C7E381

RGB 199 227 129

HSL 77.14, 0.64%, 0.7%

LAB 86.34, -24.49, 44.7

 

CMYK 43 / 0 / 22 / 11

HEX #81E3B0

RGB 129 227 176

HSL 148.78, 0.64%, 0.7%

LAB 83.31, -40.2, 16.05

 

CMYK 31 / 43 / 0 / 11

HEX #9D81E3

RGB 157 129 227

HSL 257.14, 0.64%, 0.7%

LAB 60.26, 31.77, -46.14

 

CMYK 0 / 43 / 21 / 11

HEX #E381B4

RGB 227 129 180

HSL 328.78, 0.64%, 0.7%

LAB 66, 44.07, -10.28

 

CMYK 12 / 0 / 43 / 11

HEX #C7E381

RGB 199 227 129

HSL 77.14, 0.64%, 0.7%

LAB 86.34, -24.49, 44.7

 

CMYK 43 / 0 / 9 / 11

HEX #81E3CE

RGB 129 227 206

HSL 167.14, 0.64%, 0.7%

LAB 84, -33.79, 1.25

 

CMYK 31 / 43 / 0 / 11

HEX #9D81E3

RGB 157 129 227

HSL 257.14, 0.64%, 0.7%

LAB 60.26, 31.77, -46.14

 

CMYK 0 / 43 / 34 / 11

HEX #E38196

RGB 227 129 150

HSL 347.14, 0.64%, 0.7%

LAB 65.15, 40.02, 5.45

 

Description

Color code: HEX #C7E381 | qconv.com Color code: HEX #C7E381 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 227 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 227 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 43 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 43% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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