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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7E3AA it is the complementary color #381C55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7E3AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7E3AA shade: #CCE3A5, #DDF5B8, #EEFFCB, #FFFFDE and #FFFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7E3AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7E3AA shade: #C7E3AA, #B6D197, #A5BF84, #94AD71 and #839B5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7E3AA shade: #C7E2AA, #D6E2AA, #E2E0AA, #E2D1AA and #E2C1AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7E3AA shade: #C7E2AA, #B8E2AA, #AAE2AC, #AAE2BB and #AAE2CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7E3AA shade matches the following richer shades: #C7E2AA, #C7ECA1, #C7F598 and #C7FE8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7E3AA shade: #C7E2AA, #C7D9B3, #C7D0BD, #C6C7C6 and #C6BECF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7E3AA shade: #E2E0AA, #D6E2AA, #C7E2AA, #B8E2AA and #AAE2AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7E3AA shade: #9ECE6C, #B2D88B, #C7E2AA, #DBEDC9 and #F0F7E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7E3AA shade: #C7E3AA, #AAE2D1 and #E2AADE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7E3AA shade: #C7E3AA, #AAC7E2 and #E2AAC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7E3AA shade: #C7E3AA, #AAE2D1, #C5AAE2 and #E2AABC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7E3AA shade: #C7E3AA, #AAE2E2, #C5AAE2 and #E2AAAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 25 / 11

HEX #C7E3AA

RGB 199 227 170

HSL 89.47, 0.5%, 0.78%

LAB 86.99, -19.14, 24.86

 

Complementary color

CMYK 34 / 67 / 0 / 67

HEX #381C55

RGB 56 28 85

HSL 269.47, 0.5%, 0.22%

LAB 17.12, 26.49, -29.53

 

CMYK 10 / 0 / 27 / 11

HEX #CCE3A5

RGB 204 227 165

HSL 82.26, 0.53%, 0.77%

LAB 87.24, -18.08, 27.83

 

CMYK 10 / 0 / 25 / 4

HEX #DDF5B8

RGB 221 245 184

HSL 83.61, 0.75%, 0.84%

LAB 93.51, -18.09, 26.83

 

CMYK 7 / 0 / 20 / 0

HEX #EEFFCB

RGB 238 255 203

HSL 79.62, 1%, 0.9%

LAB 97.64, -14.21, 23.04

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 12 / 0 / 25 / 11

HEX #C7E3AA

RGB 199 227 170

HSL 89.47, 0.5%, 0.78%

LAB 86.99, -19.14, 24.86

 

CMYK 13 / 0 / 28 / 18

HEX #B6D197

RGB 182 209 151

HSL 87.93, 0.39%, 0.71%

LAB 80.62, -19.17, 25.87

 

CMYK 14 / 0 / 31 / 25

HEX #A5BF84

RGB 165 191 132

HSL 86.44, 0.32%, 0.63%

LAB 74.14, -19.2, 26.93

 

CMYK 14 / 0 / 35 / 32

HEX #94AD71

RGB 148 173 113

HSL 85, 0.27%, 0.56%

LAB 67.56, -19.21, 28.06

 

CMYK 15 / 0 / 39 / 39

HEX #839B5E

RGB 131 155 94

HSL 83.61, 0.24%, 0.49%

LAB 60.85, -19.21, 29.24

 

CMYK 12 / 0 / 25 / 11

HEX #C7E2AA

RGB 199 226 170

HSL 88.93, 0.49%, 0.78%

LAB 86.72, -18.65, 24.49

 

CMYK 5 / 0 / 25 / 11

HEX #D6E2AA

RGB 214 226 170

HSL 72.86, 0.49%, 0.78%

LAB 87.77, -13.23, 26.1

 

CMYK 0 / 1 / 25 / 11

HEX #E2E0AA

RGB 226 224 170

HSL 57.86, 0.49%, 0.78%

LAB 88.15, -7.8, 26.77

 

CMYK 0 / 8 / 25 / 11

HEX #E2D1AA

RGB 226 209 170

HSL 41.79, 0.49%, 0.78%

LAB 84.31, -0.11, 21.51

 

CMYK 0 / 15 / 25 / 11

HEX #E2C1AA

RGB 226 193 170

HSL 24.64, 0.49%, 0.78%

LAB 80.3, 8.26, 15.93

 

CMYK 12 / 0 / 25 / 11

HEX #C7E2AA

RGB 199 226 170

HSL 88.93, 0.49%, 0.78%

LAB 86.72, -18.65, 24.49

 

CMYK 19 / 0 / 25 / 11

HEX #B8E2AA

RGB 184 226 170

HSL 105, 0.49%, 0.78%

LAB 85.75, -23.9, 23

 

CMYK 25 / 0 / 24 / 11

HEX #AAE2AC

RGB 170 226 172

HSL 122.14, 0.49%, 0.78%

LAB 84.95, -28.26, 20.74

 

CMYK 25 / 0 / 17 / 11

HEX #AAE2BB

RGB 170 226 187

HSL 138.21, 0.49%, 0.78%

LAB 85.26, -25.61, 13.33

 

CMYK 25 / 0 / 11 / 11

HEX #AAE2CA

RGB 170 226 202

HSL 154.29, 0.49%, 0.78%

LAB 85.61, -22.73, 5.94

 

CMYK 12 / 0 / 25 / 11

HEX #C7E2AA

RGB 199 226 170

HSL 88.93, 0.49%, 0.78%

LAB 86.72, -18.65, 24.49

 

CMYK 16 / 0 / 32 / 7

HEX #C7ECA1

RGB 199 236 161

HSL 89.6, 0.66%, 0.78%

LAB 89.26, -24.81, 32.53

 

CMYK 19 / 0 / 38 / 4

HEX #C7F598

RGB 199 245 152

HSL 89.68, 0.82%, 0.78%

LAB 91.56, -30.27, 40.05

 

CMYK 22 / 0 / 44 / 0

HEX #C7FE8F

RGB 199 254 143

HSL 89.73, 0.98%, 0.78%

LAB 93.89, -35.51, 47.39

 

CMYK 12 / 0 / 25 / 11

HEX #C7E2AA

RGB 199 226 170

HSL 88.93, 0.49%, 0.78%

LAB 86.72, -18.65, 24.49

 

CMYK 8 / 0 / 18 / 15

HEX #C7D9B3

RGB 199 217 179

HSL 88.42, 0.33%, 0.78%

LAB 84.5, -12.75, 16.72

 

CMYK 4 / 0 / 9 / 18

HEX #C7D0BD

RGB 199 208 189

HSL 88.42, 0.17%, 0.78%

LAB 82.34, -6.48, 8.37

 

CMYK 1 / 0 / 1 / 22

HEX #C6C7C6

RGB 198 199 198

HSL 120, 0.01%, 0.78%

LAB 80.14, -0.52, 0.37

 

CMYK 4 / 8 / 0 / 19

HEX #C6BECF

RGB 198 190 207

HSL 268.24, 0.15%, 0.78%

LAB 78.07, 5.96, -7.52

 

CMYK 0 / 1 / 25 / 11

HEX #E2E0AA

RGB 226 224 170

HSL 57.86, 0.49%, 0.78%

LAB 88.15, -7.8, 26.77

 

CMYK 5 / 0 / 25 / 11

HEX #D6E2AA

RGB 214 226 170

HSL 72.86, 0.49%, 0.78%

LAB 87.77, -13.23, 26.1

 

CMYK 12 / 0 / 25 / 11

HEX #C7E2AA

RGB 199 226 170

HSL 88.93, 0.49%, 0.78%

LAB 86.72, -18.65, 24.49

 

CMYK 19 / 0 / 25 / 11

HEX #B8E2AA

RGB 184 226 170

HSL 105, 0.49%, 0.78%

LAB 85.75, -23.9, 23

 

CMYK 25 / 0 / 24 / 11

HEX #AAE2AB

RGB 170 226 171

HSL 121.07, 0.49%, 0.78%

LAB 84.93, -28.43, 21.23

 

CMYK 23 / 0 / 48 / 19

HEX #9ECE6C

RGB 158 206 108

HSL 89.39, 0.5%, 0.62%

LAB 77.58, -32.18, 43.5

 

CMYK 18 / 0 / 36 / 15

HEX #B2D88B

RGB 178 216 139

HSL 89.61, 0.5%, 0.7%

LAB 82.08, -25.75, 33.97

 

CMYK 12 / 0 / 25 / 11

HEX #C7E2AA

RGB 199 226 170

HSL 88.93, 0.49%, 0.78%

LAB 86.72, -18.65, 24.49

 

CMYK 8 / 0 / 15 / 7

HEX #DBEDC9

RGB 219 237 201

HSL 90, 0.5%, 0.86%

LAB 91.62, -12.24, 15.45

 

CMYK 3 / 0 / 6 / 3

HEX #F0F7E8

RGB 240 247 232

HSL 88, 0.48%, 0.94%

LAB 96.36, -4.93, 6.39

 

CMYK 12 / 0 / 25 / 11

HEX #C7E3AA

RGB 199 227 170

HSL 89.47, 0.5%, 0.78%

LAB 86.99, -19.14, 24.86

 

CMYK 25 / 0 / 8 / 11

HEX #AAE2D1

RGB 170 226 209

HSL 161.79, 0.49%, 0.78%

LAB 85.78, -21.33, 2.5

 

CMYK 0 / 25 / 2 / 11

HEX #E2AADE

RGB 226 170 222

HSL 304.29, 0.49%, 0.78%

LAB 76.19, 28.98, -18.23

 

CMYK 12 / 0 / 25 / 11

HEX #C7E3AA

RGB 199 227 170

HSL 89.47, 0.5%, 0.78%

LAB 86.99, -19.14, 24.86

 

CMYK 25 / 12 / 0 / 11

HEX #AAC7E2

RGB 170 199 226

HSL 208.93, 0.49%, 0.78%

LAB 78.97, -3.79, -16.63

 

CMYK 0 / 25 / 12 / 11

HEX #E2AAC7

RGB 226 170 199

HSL 328.93, 0.49%, 0.78%

LAB 75.48, 24.99, -6.74

 

CMYK 12 / 0 / 25 / 11

HEX #C7E3AA

RGB 199 227 170

HSL 89.47, 0.5%, 0.78%

LAB 86.99, -19.14, 24.86

 

CMYK 25 / 0 / 8 / 11

HEX #AAE2D1

RGB 170 226 209

HSL 161.79, 0.49%, 0.78%

LAB 85.78, -21.33, 2.5

 

CMYK 13 / 25 / 0 / 11

HEX #C5AAE2

RGB 197 170 226

HSL 268.93, 0.49%, 0.78%

LAB 73.62, 20.36, -24.56

 

CMYK 0 / 25 / 17 / 11

HEX #E2AABC

RGB 226 170 188

HSL 340.71, 0.49%, 0.78%

LAB 75.17, 23.22, -1.18

 

CMYK 12 / 0 / 25 / 11

HEX #C7E3AA

RGB 199 227 170

HSL 89.47, 0.5%, 0.78%

LAB 86.99, -19.14, 24.86

 

CMYK 25 / 0 / 0 / 11

HEX #AAE2E2

RGB 170 226 226

HSL 180, 0.49%, 0.78%

LAB 86.22, -17.73, -5.81

 

CMYK 13 / 25 / 0 / 11

HEX #C5AAE2

RGB 197 170 226

HSL 268.93, 0.49%, 0.78%

LAB 73.62, 20.36, -24.56

 

CMYK 0 / 25 / 24 / 11

HEX #E2AAAB

RGB 226 170 171

HSL 358.93, 0.49%, 0.78%

LAB 74.74, 20.67, 7.5

 

Description

Color code: HEX #C7E3AA | qconv.com Color code: HEX #C7E3AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 227 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 227 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 25 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 25% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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