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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7EFAD it is the complementary color #381052. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7EFAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7EFAD shade: #CCEFA8, #DDFFBB, #EEFFCE, #FFFFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7EFAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7EFAD shade: #C7EFAD, #B6DD9A, #A5CB87, #94B974 and #83A761

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7EFAD shade: #C7EFAE, #D9EFAE, #EAEFAE, #EFE1AE and #EFD0AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7EFAD shade: #C7EFAE, #B6EFAE, #AEEFB7, #AEEFC9 and #AEEFDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7EFAD shade matches the following richer shades: #C7EFAE, #C6F6A6 and #C4FE9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7EFAD shade: #C7EFAE, #C9E7B5, #CADFBD, #CCD7C5 and #CECFCD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7EFAD shade: #EAEFAE, #D9EFAE, #C8EFAE, #B6EFAE and #AEEFB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7EFAD shade: #98E169, #B0E88B, #C7EFAE, #DFF5D0 and #F6FCF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7EFAD shade: #C7EFAD, #AEEFE2 and #EFAEE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7EFAD shade: #C7EFAD, #AEC8EF and #EFAEC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7EFAD shade: #C7EFAD, #AEEFE2, #D5AEEF and #EFAEBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7EFAD shade: #C7EFAD, #AEE8EF, #D5AEEF and #EFB4AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 28 / 6

HEX #C7EFAD

RGB 199 239 173

HSL 96.36, 0.67%, 0.81%

LAB 90.27, -24.52, 27.79

 

Complementary color

CMYK 32 / 80 / 0 / 68

HEX #381052

RGB 56 16 82

HSL 276.36, 0.67%, 0.19%

LAB 14.52, 32.22, -31.7

 

CMYK 15 / 0 / 30 / 6

HEX #CCEFA8

RGB 204 239 168

HSL 89.58, 0.69%, 0.8%

LAB 90.5, -23.5, 30.7

 

CMYK 13 / 0 / 27 / 0

HEX #DDFFBB

RGB 221 255 187

HSL 90, 1%, 0.87%

LAB 96.2, -22.49, 28.97

 

CMYK 7 / 0 / 19 / 0

HEX #EEFFCE

RGB 238 255 206

HSL 80.82, 1%, 0.9%

LAB 97.69, -13.76, 21.59

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 17 / 0 / 28 / 6

HEX #C7EFAD

RGB 199 239 173

HSL 96.36, 0.67%, 0.81%

LAB 90.27, -24.52, 27.79

 

CMYK 18 / 0 / 30 / 13

HEX #B6DD9A

RGB 182 221 154

HSL 94.93, 0.5%, 0.74%

LAB 83.96, -24.62, 28.83

 

CMYK 19 / 0 / 33 / 20

HEX #A5CB87

RGB 165 203 135

HSL 93.53, 0.4%, 0.66%

LAB 77.56, -24.71, 29.91

 

CMYK 20 / 0 / 37 / 27

HEX #94B974

RGB 148 185 116

HSL 92.17, 0.33%, 0.59%

LAB 71.05, -24.8, 31.05

 

CMYK 22 / 0 / 42 / 35

HEX #83A761

RGB 131 167 97

HSL 90.86, 0.28%, 0.52%

LAB 64.42, -24.86, 32.24

 

CMYK 17 / 0 / 27 / 6

HEX #C7EFAE

RGB 199 239 174

HSL 96.92, 0.67%, 0.81%

LAB 90.29, -24.38, 27.31

 

CMYK 9 / 0 / 27 / 6

HEX #D9EFAE

RGB 217 239 174

HSL 80.31, 0.67%, 0.81%

LAB 91.48, -18.01, 29.12

 

CMYK 2 / 0 / 27 / 6

HEX #EAEFAE

RGB 234 239 174

HSL 64.62, 0.67%, 0.81%

LAB 92.7, -11.81, 30.97

 

CMYK 0 / 6 / 27 / 6

HEX #EFE1AE

RGB 239 225 174

HSL 47.08, 0.67%, 0.81%

LAB 89.51, -2.92, 26.73

 

CMYK 0 / 13 / 27 / 6

HEX #EFD0AE

RGB 239 208 174

HSL 31.38, 0.67%, 0.81%

LAB 85.26, 5.83, 20.89

 

CMYK 17 / 0 / 27 / 6

HEX #C7EFAE

RGB 199 239 174

HSL 96.92, 0.67%, 0.81%

LAB 90.29, -24.38, 27.31

 

CMYK 24 / 0 / 27 / 6

HEX #B6EFAE

RGB 182 239 174

HSL 112.62, 0.67%, 0.81%

LAB 89.27, -30.14, 25.75

 

CMYK 27 / 0 / 23 / 6

HEX #AEEFB7

RGB 174 239 183

HSL 128.31, 0.67%, 0.81%

LAB 88.99, -31.23, 20.67

 

CMYK 27 / 0 / 16 / 6

HEX #AEEFC9

RGB 174 239 201

HSL 144.92, 0.67%, 0.81%

LAB 89.37, -27.98, 11.88

 

CMYK 27 / 0 / 9 / 6

HEX #AEEFDA

RGB 174 239 218

HSL 160.62, 0.67%, 0.81%

LAB 89.76, -24.64, 3.59

 

CMYK 17 / 0 / 27 / 6

HEX #C7EFAE

RGB 199 239 174

HSL 96.92, 0.67%, 0.81%

LAB 90.29, -24.38, 27.31

 

CMYK 20 / 0 / 33 / 4

HEX #C6F6A6

RGB 198 246 166

HSL 96, 0.82%, 0.81%

LAB 91.98, -29.21, 33.63

 

CMYK 23 / 0 / 38 / 0

HEX #C4FE9E

RGB 196 254 158

HSL 96.25, 0.98%, 0.81%

LAB 93.92, -34.69, 40.13

 

CMYK 17 / 0 / 27 / 6

HEX #C7EFAE

RGB 199 239 174

HSL 96.92, 0.67%, 0.81%

LAB 90.29, -24.38, 27.31

 

CMYK 13 / 0 / 22 / 9

HEX #C9E7B5

RGB 201 231 181

HSL 96, 0.51%, 0.81%

LAB 88.4, -18.71, 21.14

 

CMYK 9 / 0 / 15 / 13

HEX #CADFBD

RGB 202 223 189

HSL 97.06, 0.35%, 0.81%

LAB 86.51, -13.09, 14.33

 

CMYK 5 / 0 / 8 / 16

HEX #CCD7C5

RGB 204 215 197

HSL 96.67, 0.18%, 0.81%

LAB 84.73, -6.96, 7.59

 

CMYK 0 / 0 / 1 / 19

HEX #CECFCD

RGB 206 207 205

HSL 90, 0.02%, 0.81%

LAB 83, -0.7, 0.86

 

CMYK 2 / 0 / 27 / 6

HEX #EAEFAE

RGB 234 239 174

HSL 64.62, 0.67%, 0.81%

LAB 92.7, -11.81, 30.97

 

CMYK 9 / 0 / 27 / 6

HEX #D9EFAE

RGB 217 239 174

HSL 80.31, 0.67%, 0.81%

LAB 91.48, -18.01, 29.12

 

CMYK 16 / 0 / 27 / 6

HEX #C8EFAE

RGB 200 239 174

HSL 96, 0.67%, 0.81%

LAB 90.35, -24.03, 27.4

 

CMYK 24 / 0 / 27 / 6

HEX #B6EFAE

RGB 182 239 174

HSL 112.62, 0.67%, 0.81%

LAB 89.27, -30.14, 25.75

 

CMYK 27 / 0 / 24 / 6

HEX #AEEFB6

RGB 174 239 182

HSL 127.38, 0.67%, 0.81%

LAB 88.97, -31.41, 21.16

 

CMYK 32 / 0 / 53 / 12

HEX #98E169

RGB 152 225 105

HSL 96.5, 0.67%, 0.65%

LAB 82.67, -43.19, 51

 

CMYK 24 / 0 / 40 / 9

HEX #B0E88B

RGB 176 232 139

HSL 96.13, 0.67%, 0.73%

LAB 86.41, -34, 39.57

 

CMYK 17 / 0 / 27 / 6

HEX #C7EFAE

RGB 199 239 174

HSL 96.92, 0.67%, 0.81%

LAB 90.29, -24.38, 27.31

 

CMYK 9 / 0 / 15 / 4

HEX #DFF5D0

RGB 223 245 208

HSL 95.68, 0.65%, 0.89%

LAB 94.12, -13.7, 15.41

 

CMYK 2 / 0 / 4 / 1

HEX #F6FCF2

RGB 246 252 242

HSL 96, 0.63%, 0.97%

LAB 98.28, -3.72, 4.08

 

CMYK 17 / 0 / 28 / 6

HEX #C7EFAD

RGB 199 239 173

HSL 96.36, 0.67%, 0.81%

LAB 90.27, -24.52, 27.79

 

CMYK 27 / 0 / 5 / 6

HEX #AEEFE2

RGB 174 239 226

HSL 168, 0.67%, 0.81%

LAB 89.96, -22.99, -0.29

 

CMYK 0 / 27 / 5 / 6

HEX #EFAEE2

RGB 239 174 226

HSL 312, 0.67%, 0.81%

LAB 78.53, 31.84, -16.74

 

CMYK 17 / 0 / 28 / 6

HEX #C7EFAD

RGB 199 239 173

HSL 96.36, 0.67%, 0.81%

LAB 90.27, -24.52, 27.79

 

CMYK 27 / 16 / 0 / 6

HEX #AEC8EF

RGB 174 200 239

HSL 216, 0.67%, 0.81%

LAB 79.92, -0.13, -22.14

 

CMYK 0 / 27 / 16 / 6

HEX #EFAEC8

RGB 239 174 200

HSL 336, 0.67%, 0.81%

LAB 77.75, 27.55, -3.78

 

CMYK 17 / 0 / 28 / 6

HEX #C7EFAD

RGB 199 239 173

HSL 96.36, 0.67%, 0.81%

LAB 90.27, -24.52, 27.79

 

CMYK 27 / 0 / 5 / 6

HEX #AEEFE2

RGB 174 239 226

HSL 168, 0.67%, 0.81%

LAB 89.96, -22.99, -0.29

 

CMYK 11 / 27 / 0 / 6

HEX #D5AEEF

RGB 213 174 239

HSL 276, 0.67%, 0.81%

LAB 76.47, 25.92, -27.13

 

CMYK 0 / 27 / 22 / 6

HEX #EFAEBB

RGB 239 174 187

HSL 348, 0.67%, 0.81%

LAB 77.41, 25.59, 2.79

 

CMYK 17 / 0 / 28 / 6

HEX #C7EFAD

RGB 199 239 173

HSL 96.36, 0.67%, 0.81%

LAB 90.27, -24.52, 27.79

 

CMYK 27 / 3 / 0 / 6

HEX #AEE8EF

RGB 174 232 239

HSL 186.46, 0.67%, 0.81%

LAB 88.42, -16.71, -9.37

 

CMYK 11 / 27 / 0 / 6

HEX #D5AEEF

RGB 213 174 239

HSL 276, 0.67%, 0.81%

LAB 76.47, 25.92, -27.13

 

CMYK 0 / 25 / 27 / 6

HEX #EFB4AE

RGB 239 180 174

HSL 5.54, 0.67%, 0.81%

LAB 78.49, 20.58, 11.4

 

Description

Color code: HEX #C7EFAD | qconv.com Color code: HEX #C7EFAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 239 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 239 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 28 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 28% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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