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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7F423 it is the complementary color #380BDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7F423. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7F423 shade: #CCF41E, #DDFF31, #EEFF44, #FFFF57 and #FFFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7F423. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7F423 shade: #C7F423, #B6E210, #A5D000, #94BE00 and #83AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7F423 shade: #C7F324, #F3E824, #F3B024, #F37824 and #F34124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7F423 shade: #C7F324, #8FF324, #57F324, #24F32A and #24F361

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7F423 shade matches the following richer shades: #C7F324

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7F423 shade: #C7F324, #BCE037, #B1CE4A, #A7BB5C and #9CA96F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7F423 shade: #F3AE24, #F3E524, #CAF324, #93F324 and #5CF324

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7F423 shade: #95BC09, #B4E30B, #C7F324, #D1F54C and #DBF773

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7F423 shade: #C7F423, #24F377 and #CA24F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7F423 shade: #C7F423, #24CAF3 and #F324CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7F423 shade: #C7F423, #24F377, #4E24F3 and #F324A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7F423 shade: #C7F423, #24F3B5, #4E24F3 and #F32462

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 86 / 4

HEX #C7F423

RGB 199 244 35

HSL 72.92, 0.9%, 0.55%

LAB 90.31, -38.53, 83.6

 

Complementary color

CMYK 75 / 95 / 0 / 14

HEX #380BDC

RGB 56 11 220

HSL 252.92, 0.9%, 0.45%

LAB 30.03, 69.8, -91.71

 

CMYK 16 / 0 / 88 / 4

HEX #CCF41E

RGB 204 244 30

HSL 71.21, 0.91%, 0.54%

LAB 90.61, -36.69, 84.87

 

CMYK 13 / 0 / 81 / 0

HEX #DDFF31

RGB 221 255 49

HSL 69.9, 1%, 0.6%

LAB 94.79, -34.47, 84.96

 

CMYK 7 / 0 / 73 / 0

HEX #EEFF44

RGB 238 255 68

HSL 65.45, 1%, 0.63%

LAB 96.04, -27.02, 81.29

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 18 / 0 / 86 / 4

HEX #C7F423

RGB 199 244 35

HSL 72.92, 0.9%, 0.55%

LAB 90.31, -38.53, 83.6

 

CMYK 19 / 0 / 93 / 11

HEX #B6E210

RGB 182 226 16

HSL 72.57, 0.87%, 0.47%

LAB 84.16, -37.52, 81.09

 

CMYK 21 / 0 / 100 / 18

HEX #A5D000

RGB 165 208 0

HSL 72.4, 1%, 0.41%

LAB 77.94, -36.34, 77.35

 

CMYK 22 / 0 / 100 / 25

HEX #94BE00

RGB 148 190 0

HSL 73.26, 1%, 0.37%

LAB 71.64, -34.97, 72.1

 

CMYK 24 / 0 / 100 / 33

HEX #83AC00

RGB 131 172 0

HSL 74.3, 1%, 0.34%

LAB 65.22, -33.58, 66.76

 

CMYK 18 / 0 / 85 / 5

HEX #C7F324

RGB 199 243 36

HSL 72.75, 0.9%, 0.55%

LAB 90.03, -38.06, 83.18

 

CMYK 0 / 5 / 85 / 5

HEX #F3E824

RGB 243 232 36

HSL 56.81, 0.9%, 0.55%

LAB 90.27, -15, 84.68

 

CMYK 0 / 28 / 85 / 5

HEX #F3B024

RGB 243 176 36

HSL 40.58, 0.9%, 0.55%

LAB 76.21, 13.58, 73.24

 

CMYK 0 / 51 / 85 / 5

HEX #F37824

RGB 243 120 36

HSL 24.35, 0.9%, 0.55%

LAB 63.85, 42.61, 63.09

 

CMYK 0 / 73 / 85 / 5

HEX #F34124

RGB 243 65 36

HSL 8.41, 0.9%, 0.55%

LAB 55.03, 65.91, 55.78

 

CMYK 18 / 0 / 85 / 5

HEX #C7F324

RGB 199 243 36

HSL 72.75, 0.9%, 0.55%

LAB 90.03, -38.06, 83.18

 

CMYK 41 / 0 / 85 / 5

HEX #8FF324

RGB 143 243 36

HSL 88.99, 0.9%, 0.55%

LAB 87.03, -58.2, 79.43

 

CMYK 64 / 0 / 85 / 5

HEX #57F324

RGB 87 243 36

HSL 105.22, 0.9%, 0.55%

LAB 85.13, -73.12, 77.04

 

CMYK 85 / 0 / 83 / 5

HEX #24F32A

RGB 36 243 42

HSL 121.74, 0.9%, 0.55%

LAB 84.3, -80.21, 74.65

 

CMYK 85 / 0 / 60 / 5

HEX #24F361

RGB 36 243 97

HSL 137.68, 0.9%, 0.55%

LAB 84.66, -75.71, 56.05

 

CMYK 18 / 0 / 85 / 5

HEX #C7F324

RGB 199 243 36

HSL 72.75, 0.9%, 0.55%

LAB 90.03, -38.06, 83.18

 

CMYK 18 / 0 / 85 / 5

HEX #C7F324

RGB 199 243 36

HSL 72.75, 0.9%, 0.55%

LAB 90.03, -38.06, 83.18

 

CMYK 16 / 0 / 75 / 12

HEX #BCE037

RGB 188 224 55

HSL 72.78, 0.73%, 0.55%

LAB 84.11, -33.11, 72.91

 

CMYK 14 / 0 / 64 / 19

HEX #B1CE4A

RGB 177 206 74

HSL 73.18, 0.57%, 0.55%

LAB 78.45, -27.99, 60.21

 

CMYK 11 / 0 / 51 / 27

HEX #A7BB5C

RGB 167 187 92

HSL 72.63, 0.41%, 0.55%

LAB 72.58, -21.26, 45.37

 

CMYK 8 / 0 / 34 / 34

HEX #9CA96F

RGB 156 169 111

HSL 73.45, 0.25%, 0.55%

LAB 66.97, -14.32, 28.46

 

CMYK 0 / 28 / 85 / 5

HEX #F3AE24

RGB 243 174 36

HSL 40, 0.9%, 0.55%

LAB 75.73, 14.63, 72.84

 

CMYK 0 / 6 / 85 / 5

HEX #F3E524

RGB 243 229 36

HSL 55.94, 0.9%, 0.55%

LAB 89.5, -13.53, 84.05

 

CMYK 17 / 0 / 85 / 5

HEX #CAF324

RGB 202 243 36

HSL 71.88, 0.9%, 0.55%

LAB 90.22, -36.89, 83.41

 

CMYK 40 / 0 / 85 / 5

HEX #93F324

RGB 147 243 36

HSL 87.83, 0.9%, 0.55%

LAB 87.21, -56.9, 79.66

 

CMYK 62 / 0 / 85 / 5

HEX #5CF324

RGB 92 243 36

HSL 103.77, 0.9%, 0.55%

LAB 85.25, -72.07, 77.2

 

CMYK 21 / 0 / 95 / 26

HEX #95BC09

RGB 149 188 9

HSL 73.07, 0.91%, 0.39%

LAB 71.13, -33.52, 70.74

 

CMYK 21 / 0 / 95 / 11

HEX #B4E30B

RGB 180 227 11

HSL 73.06, 0.91%, 0.47%

LAB 84.31, -38.81, 81.66

 

CMYK 18 / 0 / 85 / 5

HEX #C7F324

RGB 199 243 36

HSL 72.75, 0.9%, 0.55%

LAB 90.03, -38.06, 83.18

 

CMYK 15 / 0 / 69 / 4

HEX #D1F54C

RGB 209 245 76

HSL 72.78, 0.89%, 0.63%

LAB 91.41, -33.44, 73.45

 

CMYK 11 / 0 / 53 / 3

HEX #DBF773

RGB 219 247 115

HSL 72.73, 0.89%, 0.71%

LAB 92.94, -27.75, 59.51

 

CMYK 18 / 0 / 86 / 4

HEX #C7F423

RGB 199 244 35

HSL 72.92, 0.9%, 0.55%

LAB 90.31, -38.53, 83.6

 

CMYK 85 / 0 / 51 / 5

HEX #24F377

RGB 36 243 119

HSL 144.06, 0.9%, 0.55%

LAB 84.9, -72.78, 46.4

 

CMYK 17 / 85 / 0 / 5

HEX #CA24F3

RGB 202 36 243

HSL 288.12, 0.9%, 0.55%

LAB 52.16, 84.49, -67.74

 

CMYK 18 / 0 / 86 / 4

HEX #C7F423

RGB 199 244 35

HSL 72.92, 0.9%, 0.55%

LAB 90.31, -38.53, 83.6

 

CMYK 85 / 17 / 0 / 5

HEX #24CAF3

RGB 36 202 243

HSL 191.88, 0.9%, 0.55%

LAB 75.51, -25.99, -31.49

 

CMYK 0 / 85 / 17 / 5

HEX #F324CA

RGB 243 36 202

HSL 311.88, 0.9%, 0.55%

LAB 56.66, 85.66, -36.92

 

CMYK 18 / 0 / 86 / 4

HEX #C7F423

RGB 199 244 35

HSL 72.92, 0.9%, 0.55%

LAB 90.31, -38.53, 83.6

 

CMYK 85 / 0 / 51 / 5

HEX #24F377

RGB 36 243 119

HSL 144.06, 0.9%, 0.55%

LAB 84.9, -72.78, 46.4

 

CMYK 68 / 85 / 0 / 5

HEX #4E24F3

RGB 78 36 243

HSL 252.17, 0.9%, 0.55%

LAB 36.65, 70.19, -93.77

 

CMYK 0 / 85 / 34 / 5

HEX #F324A0

RGB 243 36 160

HSL 324.06, 0.9%, 0.55%

LAB 54.92, 80.91, -15.18

 

CMYK 18 / 0 / 86 / 4

HEX #C7F423

RGB 199 244 35

HSL 72.92, 0.9%, 0.55%

LAB 90.31, -38.53, 83.6

 

CMYK 85 / 0 / 26 / 5

HEX #24F3B5

RGB 36 243 181

HSL 162.03, 0.9%, 0.55%

LAB 85.91, -61.12, 16.78

 

CMYK 68 / 85 / 0 / 5

HEX #4E24F3

RGB 78 36 243

HSL 252.17, 0.9%, 0.55%

LAB 36.65, 70.19, -93.77

 

CMYK 0 / 85 / 60 / 5

HEX #F32462

RGB 243 36 98

HSL 342.03, 0.9%, 0.55%

LAB 53.17, 75.93, 19.4

 

Description

Color code: HEX #C7F423 | qconv.com Color code: HEX #C7F423 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 244 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 244 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 86 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 86% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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