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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7F861 it is the complementary color #38079E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7F861. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7F861 shade: #CCF85C, #DDFF6F, #EEFF82, #FFFF95 and #FFFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7F861. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7F861 shade: #C7F861, #B6E64E, #A5D43B, #94C228 and #83B015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7F861 shade: #C7F862, #F0F862, #F8D862, #F8AF62 and #F88762

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7F861 shade: #C7F862, #9FF862, #76F862, #62F876 and #62F89E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7F861 shade matches the following richer shades: #C7F862

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7F861 shade: #C7F862, #C3EB6F, #BEDE7C, #B9D089 and #B5C397

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7F861 shade: #F8D762, #F0F862, #C8F862, #A0F862 and #78F862

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7F861 shade: #ABF513, #B9F63A, #C7F862, #D5FA89 and #E3FBB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7F861 shade: #C7F861, #62F8AF and #EB62F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7F861 shade: #C7F861, #62C8F8 and #F862C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7F861 shade: #C7F861, #62F8AF, #9162F8 and #F862AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7F861 shade: #C7F861, #62F8DC, #9162F8 and #F8627D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 61 / 3

HEX #C7F861

RGB 199 248 97

HSL 79.47, 0.92%, 0.68%

LAB 91.75, -37.24, 65.54

 

Complementary color

CMYK 65 / 96 / 0 / 38

HEX #38079E

RGB 56 7 158

HSL 259.47, 0.92%, 0.32%

LAB 21.8, 55.06, -68.62

 

CMYK 18 / 0 / 63 / 3

HEX #CCF85C

RGB 204 248 92

HSL 76.92, 0.92%, 0.67%

LAB 92.02, -35.72, 67.95

 

CMYK 13 / 0 / 56 / 0

HEX #DDFF6F

RGB 221 255 111

HSL 74.17, 1%, 0.72%

LAB 95.18, -31.04, 63.86

 

CMYK 7 / 0 / 49 / 0

HEX #EEFF82

RGB 238 255 130

HSL 68.16, 1%, 0.75%

LAB 96.54, -22.93, 57.3

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 20 / 0 / 61 / 3

HEX #C7F861

RGB 199 248 97

HSL 79.47, 0.92%, 0.68%

LAB 91.75, -37.24, 65.54

 

CMYK 21 / 0 / 66 / 10

HEX #B6E64E

RGB 182 230 78

HSL 78.95, 0.75%, 0.6%

LAB 85.55, -36.89, 66.19

 

CMYK 22 / 0 / 72 / 17

HEX #A5D43B

RGB 165 212 59

HSL 78.43, 0.64%, 0.53%

LAB 79.27, -36.43, 66.46

 

CMYK 24 / 0 / 79 / 24

HEX #94C228

RGB 148 194 40

HSL 77.92, 0.66%, 0.46%

LAB 72.91, -35.82, 66.12

 

CMYK 26 / 0 / 88 / 31

HEX #83B015

RGB 131 176 21

HSL 77.42, 0.79%, 0.39%

LAB 66.47, -35.01, 64.72

 

CMYK 20 / 0 / 60 / 3

HEX #C7F862

RGB 199 248 98

HSL 79.6, 0.91%, 0.68%

LAB 91.76, -37.16, 65.14

 

CMYK 3 / 0 / 60 / 3

HEX #F0F862

RGB 240 248 98

HSL 63.2, 0.91%, 0.68%

LAB 94.54, -21.31, 68.98

 

CMYK 0 / 13 / 60 / 3

HEX #F8D862

RGB 248 216 98

HSL 47.2, 0.91%, 0.68%

LAB 86.97, -2.27, 60.88

 

CMYK 0 / 29 / 60 / 3

HEX #F8AF62

RGB 248 175 98

HSL 30.8, 0.91%, 0.68%

LAB 76.98, 19, 49.48

 

CMYK 0 / 46 / 60 / 3

HEX #F88762

RGB 248 135 98

HSL 14.8, 0.91%, 0.68%

LAB 68.14, 39.81, 38.86

 

CMYK 20 / 0 / 60 / 3

HEX #C7F862

RGB 199 248 98

HSL 79.6, 0.91%, 0.68%

LAB 91.76, -37.16, 65.14

 

CMYK 36 / 0 / 60 / 3

HEX #9FF862

RGB 159 248 98

HSL 95.6, 0.91%, 0.68%

LAB 89.57, -51.25, 62.11

 

CMYK 52 / 0 / 60 / 3

HEX #76F862

RGB 118 248 98

HSL 112, 0.91%, 0.68%

LAB 87.91, -63.31, 59.78

 

CMYK 60 / 0 / 52 / 3

HEX #62F876

RGB 98 248 118

HSL 128, 0.91%, 0.68%

LAB 87.5, -65.68, 50.3

 

CMYK 60 / 0 / 36 / 3

HEX #62F89E

RGB 98 248 158

HSL 144, 0.91%, 0.68%

LAB 88.06, -59.51, 31.64

 

CMYK 20 / 0 / 60 / 3

HEX #C7F862

RGB 199 248 98

HSL 79.6, 0.91%, 0.68%

LAB 91.76, -37.16, 65.14

 

CMYK 20 / 0 / 60 / 3

HEX #C7F862

RGB 199 248 98

HSL 79.6, 0.91%, 0.68%

LAB 91.76, -37.16, 65.14

 

CMYK 17 / 0 / 53 / 8

HEX #C3EB6F

RGB 195 235 111

HSL 79.35, 0.76%, 0.68%

LAB 88.05, -31.62, 55.21

 

CMYK 14 / 0 / 44 / 13

HEX #BEDE7C

RGB 190 222 124

HSL 79.59, 0.6%, 0.68%

LAB 84.3, -26.04, 44.46

 

CMYK 11 / 0 / 34 / 18

HEX #B9D089

RGB 185 208 137

HSL 79.44, 0.43%, 0.68%

LAB 80.31, -19.52, 32.76

 

CMYK 7 / 0 / 23 / 24

HEX #B5C397

RGB 181 195 151

HSL 79.09, 0.27%, 0.68%

LAB 76.73, -12.46, 20.56

 

CMYK 0 / 13 / 60 / 3

HEX #F8D762

RGB 248 215 98

HSL 46.8, 0.91%, 0.68%

LAB 86.72, -1.76, 60.6

 

CMYK 3 / 0 / 60 / 3

HEX #F0F862

RGB 240 248 98

HSL 63.2, 0.91%, 0.68%

LAB 94.54, -21.31, 68.98

 

CMYK 19 / 0 / 60 / 3

HEX #C8F862

RGB 200 248 98

HSL 79.2, 0.91%, 0.68%

LAB 91.82, -36.79, 65.23

 

CMYK 35 / 0 / 60 / 3

HEX #A0F862

RGB 160 248 98

HSL 95.2, 0.91%, 0.68%

LAB 89.62, -50.92, 62.18

 

CMYK 52 / 0 / 60 / 3

HEX #78F862

RGB 120 248 98

HSL 111.2, 0.91%, 0.68%

LAB 87.97, -62.79, 59.88

 

CMYK 30 / 0 / 92 / 4

HEX #ABF513

RGB 171 245 19

HSL 79.65, 0.92%, 0.52%

LAB 88.93, -49.82, 84.26

 

CMYK 25 / 0 / 76 / 4

HEX #B9F63A

RGB 185 246 58

HSL 79.47, 0.91%, 0.6%

LAB 90.11, -43.93, 77.53

 

CMYK 20 / 0 / 60 / 3

HEX #C7F862

RGB 199 248 98

HSL 79.6, 0.91%, 0.68%

LAB 91.76, -37.16, 65.14

 

CMYK 15 / 0 / 45 / 2

HEX #D5FA89

RGB 213 250 137

HSL 79.65, 0.92%, 0.76%

LAB 93.59, -29.29, 50.07

 

CMYK 10 / 0 / 29 / 2

HEX #E3FBB1

RGB 227 251 177

HSL 79.46, 0.9%, 0.84%

LAB 95.37, -19.84, 32.96

 

CMYK 20 / 0 / 61 / 3

HEX #C7F861

RGB 199 248 97

HSL 79.47, 0.92%, 0.68%

LAB 91.75, -37.24, 65.54

 

CMYK 60 / 0 / 29 / 3

HEX #62F8AF

RGB 98 248 175

HSL 150.8, 0.91%, 0.68%

LAB 88.36, -56.31, 23.44

 

CMYK 5 / 60 / 0 / 3

HEX #EB62F8

RGB 235 98 248

HSL 294.8, 0.91%, 0.68%

LAB 64.3, 71.97, -50.82

 

CMYK 20 / 0 / 61 / 3

HEX #C7F861

RGB 199 248 97

HSL 79.47, 0.92%, 0.68%

LAB 91.75, -37.24, 65.54

 

CMYK 60 / 19 / 0 / 3

HEX #62C8F8

RGB 98 200 248

HSL 199.2, 0.91%, 0.68%

LAB 76.49, -15.9, -32.55

 

CMYK 0 / 60 / 19 / 3

HEX #F862C8

RGB 248 98 200

HSL 319.2, 0.91%, 0.68%

LAB 64.05, 67.81, -24.27

 

CMYK 20 / 0 / 61 / 3

HEX #C7F861

RGB 199 248 97

HSL 79.47, 0.92%, 0.68%

LAB 91.75, -37.24, 65.54

 

CMYK 60 / 0 / 29 / 3

HEX #62F8AF

RGB 98 248 175

HSL 150.8, 0.91%, 0.68%

LAB 88.36, -56.31, 23.44

 

CMYK 42 / 60 / 0 / 3

HEX #9162F8

RGB 145 98 248

HSL 258.8, 0.91%, 0.68%

LAB 53.53, 51.69, -68.67

 

CMYK 0 / 60 / 31 / 3

HEX #F862AA

RGB 248 98 170

HSL 331.2, 0.91%, 0.68%

LAB 63.01, 63.98, -8.76

 

CMYK 20 / 0 / 61 / 3

HEX #C7F861

RGB 199 248 97

HSL 79.47, 0.92%, 0.68%

LAB 91.75, -37.24, 65.54

 

CMYK 60 / 0 / 11 / 3

HEX #62F8DC

RGB 98 248 220

HSL 168.8, 0.91%, 0.68%

LAB 89.35, -46.39, 1.57

 

CMYK 42 / 60 / 0 / 3

HEX #9162F8

RGB 145 98 248

HSL 258.8, 0.91%, 0.68%

LAB 53.53, 51.69, -68.67

 

CMYK 0 / 60 / 50 / 3

HEX #F8627D

RGB 248 98 125

HSL 349.2, 0.91%, 0.68%

LAB 61.8, 59.42, 15.45

 

Description

Color code: HEX #C7F861 | qconv.com Color code: HEX #C7F861 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 248 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 248 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 61 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 61% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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