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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7F1EB it is the complementary color #380E14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7F1EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7F1EB shade: #CCF1E6, #DDFFF9, #EEFFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7F1EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7F1EB shade: #C7F1EB, #B6DFD8, #A5CDC5, #94BBB2 and #83A99F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7F1EB shade: #C5F0EA, #C5F0DF, #C5F0D3, #C5F0C7 and #CFF0C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7F1EB shade: #C5F0EA, #C5EBF0, #C5DFF0, #C5D4F0 and #C5C8F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7F1EB shade matches the following richer shades: #C5F0EA, #C0F6EE and #BAFCF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7F1EB shade: #C5F0EA, #CBEAE6, #D1E5E2, #D7DFDE and #DCD9DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7F1EB shade: #C5F0D3, #C5F0DE, #C5F0EA, #C5EBF0 and #C5E0F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7F1EB shade: #83E0D3, #A4E8DE, #C5F0EA and #E6F8F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7F1EB shade: #C7F1EB, #C8C5F0 and #F0D9C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7F1EB shade: #C7F1EB, #EAC5F0 and #F0EAC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7F1EB shade: #C7F1EB, #C8C5F0, #F0C5CC and #EEF0C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7F1EB shade: #C7F1EB, #D4C5F0, #F0C5CC and #E1F0C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 2 / 5

HEX #C7F1EB

RGB 199 241 235

HSL 171.43, 0.6%, 0.86%

LAB 92.15, -14.64, -1.61

 

Complementary color

CMYK 0 / 75 / 64 / 78

HEX #380E14

RGB 56 14 20

HSL 351.43, 0.6%, 0.14%

LAB 10.6, 21.39, 6.92

 

CMYK 15 / 0 / 5 / 5

HEX #CCF1E6

RGB 204 241 230

HSL 162.16, 0.57%, 0.87%

LAB 92.34, -14.06, 1.3

 

CMYK 13 / 0 / 2 / 0

HEX #DDFFF9

RGB 221 255 249

HSL 169.41, 1%, 0.93%

LAB 97.52, -12.03, -0.83

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 17 / 0 / 2 / 5

HEX #C7F1EB

RGB 199 241 235

HSL 171.43, 0.6%, 0.86%

LAB 92.15, -14.64, -1.61

 

CMYK 18 / 0 / 3 / 13

HEX #B6DFD8

RGB 182 223 216

HSL 169.76, 0.39%, 0.79%

LAB 85.85, -14.71, -1.01

 

CMYK 20 / 0 / 4 / 20

HEX #A5CDC5

RGB 165 205 197

HSL 168, 0.29%, 0.73%

LAB 79.44, -14.79, -0.39

 

CMYK 21 / 0 / 5 / 27

HEX #94BBB2

RGB 148 187 178

HSL 166.15, 0.22%, 0.66%

LAB 72.93, -14.9, 0.25

 

CMYK 22 / 0 / 6 / 34

HEX #83A99F

RGB 131 169 159

HSL 164.21, 0.18%, 0.59%

LAB 66.29, -15.02, 0.92

 

CMYK 18 / 0 / 3 / 6

HEX #C5F0EA

RGB 197 240 234

HSL 171.63, 0.59%, 0.86%

LAB 91.74, -14.96, -1.7

 

CMYK 18 / 0 / 7 / 6

HEX #C5F0DF

RGB 197 240 223

HSL 156.28, 0.59%, 0.86%

LAB 91.47, -17.12, 3.62

 

CMYK 18 / 0 / 12 / 6

HEX #C5F0D3

RGB 197 240 211

HSL 139.53, 0.59%, 0.86%

LAB 91.19, -19.37, 9.45

 

CMYK 18 / 0 / 17 / 6

HEX #C5F0C7

RGB 197 240 199

HSL 122.79, 0.59%, 0.86%

LAB 90.92, -21.5, 15.3

 

CMYK 14 / 0 / 18 / 6

HEX #CFF0C5

RGB 207 240 197

HSL 106.05, 0.59%, 0.86%

LAB 91.51, -18.49, 17.26

 

CMYK 18 / 0 / 3 / 6

HEX #C5F0EA

RGB 197 240 234

HSL 171.63, 0.59%, 0.86%

LAB 91.74, -14.96, -1.7

 

CMYK 18 / 2 / 0 / 6

HEX #C5EBF0

RGB 197 235 240

HSL 186.98, 0.59%, 0.86%

LAB 90.59, -11.22, -6.53

 

CMYK 18 / 7 / 0 / 6

HEX #C5DFF0

RGB 197 223 240

HSL 203.72, 0.59%, 0.86%

LAB 87.45, -5.09, -11.18

 

CMYK 18 / 12 / 0 / 6

HEX #C5D4F0

RGB 197 212 240

HSL 219.07, 0.59%, 0.86%

LAB 84.61, 0.65, -15.44

 

CMYK 18 / 17 / 0 / 6

HEX #C5C8F0

RGB 197 200 240

HSL 235.81, 0.59%, 0.86%

LAB 81.55, 7.03, -20.05

 

CMYK 18 / 0 / 3 / 6

HEX #C5F0EA

RGB 197 240 234

HSL 171.63, 0.59%, 0.86%

LAB 91.74, -14.96, -1.7

 

CMYK 22 / 0 / 3 / 4

HEX #C0F6EE

RGB 192 246 238

HSL 171.11, 0.75%, 0.86%

LAB 93.14, -18.63, -1.77

 

CMYK 26 / 0 / 4 / 1

HEX #BAFCF2

RGB 186 252 242

HSL 170.91, 0.92%, 0.86%

LAB 94.51, -22.49, -1.87

 

CMYK 18 / 0 / 3 / 6

HEX #C5F0EA

RGB 197 240 234

HSL 171.63, 0.59%, 0.86%

LAB 91.74, -14.96, -1.7

 

CMYK 13 / 0 / 2 / 8

HEX #CBEAE6

RGB 203 234 230

HSL 172.26, 0.42%, 0.86%

LAB 90.44, -10.87, -1.48

 

CMYK 9 / 0 / 1 / 10

HEX #D1E5E2

RGB 209 229 226

HSL 171, 0.28%, 0.86%

LAB 89.43, -7.17, -0.81

 

CMYK 4 / 0 / 0 / 13

HEX #D7DFDE

RGB 215 223 222

HSL 172.5, 0.11%, 0.86%

LAB 88.21, -2.86, -0.46

 

CMYK 0 / 1 / 1 / 14

HEX #DCD9DA

RGB 220 217 218

HSL 340, 0.04%, 0.86%

LAB 86.95, 1.2, -0.14

 

CMYK 18 / 0 / 12 / 6

HEX #C5F0D3

RGB 197 240 211

HSL 139.53, 0.59%, 0.86%

LAB 91.19, -19.37, 9.45

 

CMYK 18 / 0 / 8 / 6

HEX #C5F0DE

RGB 197 240 222

HSL 154.88, 0.59%, 0.86%

LAB 91.44, -17.31, 4.11

 

CMYK 18 / 0 / 3 / 6

HEX #C5F0EA

RGB 197 240 234

HSL 171.63, 0.59%, 0.86%

LAB 91.74, -14.96, -1.7

 

CMYK 18 / 2 / 0 / 6

HEX #C5EBF0

RGB 197 235 240

HSL 186.98, 0.59%, 0.86%

LAB 90.59, -11.22, -6.53

 

CMYK 18 / 7 / 0 / 6

HEX #C5E0F0

RGB 197 224 240

HSL 202.33, 0.59%, 0.86%

LAB 87.71, -5.6, -10.8

 

CMYK 42 / 0 / 6 / 12

HEX #83E0D3

RGB 131 224 211

HSL 171.61, 0.6%, 0.7%

LAB 83.36, -30.72, -2.32

 

CMYK 29 / 0 / 4 / 9

HEX #A4E8DE

RGB 164 232 222

HSL 171.18, 0.6%, 0.78%

LAB 87.43, -23.29, -1.97

 

CMYK 18 / 0 / 3 / 6

HEX #C5F0EA

RGB 197 240 234

HSL 171.63, 0.59%, 0.86%

LAB 91.74, -14.96, -1.7

 

CMYK 7 / 0 / 1 / 3

HEX #E6F8F6

RGB 230 248 246

HSL 173.33, 0.56%, 0.94%

LAB 96.25, -6.24, -1.07

 

CMYK 17 / 0 / 2 / 5

HEX #C7F1EB

RGB 199 241 235

HSL 171.43, 0.6%, 0.86%

LAB 92.15, -14.64, -1.61

 

CMYK 17 / 18 / 0 / 6

HEX #C8C5F0

RGB 200 197 240

HSL 244.19, 0.59%, 0.86%

LAB 81.02, 9.58, -20.84

 

CMYK 0 / 10 / 18 / 6

HEX #F0D9C5

RGB 240 217 197

HSL 27.91, 0.59%, 0.86%

LAB 88.06, 4.78, 12.73

 

CMYK 17 / 0 / 2 / 5

HEX #C7F1EB

RGB 199 241 235

HSL 171.43, 0.6%, 0.86%

LAB 92.15, -14.64, -1.61

 

CMYK 3 / 18 / 0 / 6

HEX #EAC5F0

RGB 234 197 240

HSL 291.63, 0.59%, 0.86%

LAB 83.82, 20.48, -16.34

 

CMYK 0 / 3 / 18 / 6

HEX #F0EAC5

RGB 240 234 197

HSL 51.63, 0.59%, 0.86%

LAB 92.31, -3.92, 18.72

 

CMYK 17 / 0 / 2 / 5

HEX #C7F1EB

RGB 199 241 235

HSL 171.43, 0.6%, 0.86%

LAB 92.15, -14.64, -1.61

 

CMYK 17 / 18 / 0 / 6

HEX #C8C5F0

RGB 200 197 240

HSL 244.19, 0.59%, 0.86%

LAB 81.02, 9.58, -20.84

 

CMYK 0 / 18 / 15 / 6

HEX #F0C5CC

RGB 240 197 204

HSL 350.23, 0.59%, 0.86%

LAB 83.35, 16.33, 2.26

 

CMYK 1 / 0 / 18 / 6

HEX #EEF0C5

RGB 238 240 197

HSL 62.79, 0.59%, 0.86%

LAB 93.68, -7.66, 20.61

 

CMYK 17 / 0 / 2 / 5

HEX #C7F1EB

RGB 199 241 235

HSL 171.43, 0.6%, 0.86%

LAB 92.15, -14.64, -1.61

 

CMYK 12 / 18 / 0 / 6

HEX #D4C5F0

RGB 212 197 240

HSL 260.93, 0.59%, 0.86%

LAB 81.96, 13.36, -19.32

 

CMYK 0 / 18 / 15 / 6

HEX #F0C5CC

RGB 240 197 204

HSL 350.23, 0.59%, 0.86%

LAB 83.35, 16.33, 2.26

 

CMYK 6 / 0 / 18 / 6

HEX #E1F0C5

RGB 225 240 197

HSL 80.93, 0.59%, 0.86%

LAB 92.73, -12.27, 19.15

 

Description

Color code: HEX #C7F1EB | qconv.com Color code: HEX #C7F1EB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 241 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 241 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 2 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 2% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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