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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7F2E4 it is the complementary color #380D1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7F2E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7F2E4 shade: #CCF2DF, #DDFFF2, #EEFFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7F2E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7F2E4 shade: #C7F2E4, #B6E0D1, #A5CEBE, #94BCAB and #83AA98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7F2E4 shade: #C5F1E3, #C5F1D7, #C5F1CB, #CBF1C5 and #D7F1C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7F2E4 shade: #C5F1E3, #C5F1EE, #C5E7F1, #C5DCF1 and #C5D0F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7F2E4 shade matches the following richer shades: #C5F1E3, #BFF7E5 and #B9FCE7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7F2E4 shade: #C5F1E3, #CAEBE1, #D0E5DE, #D6E0DC and #DCDADA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7F2E4 shade: #C5F1CB, #C5F1D6, #C5F1E2, #C5F1EE and #C5E8F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7F2E4 shade: #82E1C2, #A3E9D2, #C5F1E3 and #E6F9F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7F2E4 shade: #C7F2E4, #C5CBF1 and #F1D0C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7F2E4 shade: #C7F2E4, #E2C5F1 and #F1E2C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7F2E4 shade: #C7F2E4, #C5CBF1, #F1C5D3 and #F1EBC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7F2E4 shade: #C7F2E4, #CCC5F1, #F1C5D3 and #EAF1C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 6 / 5

HEX #C7F2E4

RGB 199 242 228

HSL 160.47, 0.62%, 0.86%

LAB 92.24, -16.52, 2.16

 

Complementary color

CMYK 0 / 77 / 52 / 78

HEX #380D1B

RGB 56 13 27

HSL 340.47, 0.62%, 0.14%

LAB 10.61, 22.69, 1.8

 

CMYK 16 / 0 / 8 / 5

HEX #CCF2DF

RGB 204 242 223

HSL 150, 0.59%, 0.87%

LAB 92.43, -15.89, 5.07

 

CMYK 13 / 0 / 5 / 0

HEX #DDFFF2

RGB 221 255 242

HSL 157.06, 1%, 0.93%

LAB 97.35, -13.36, 2.52

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 18 / 0 / 6 / 5

HEX #C7F2E4

RGB 199 242 228

HSL 160.47, 0.62%, 0.86%

LAB 92.24, -16.52, 2.16

 

CMYK 19 / 0 / 7 / 12

HEX #B6E0D1

RGB 182 224 209

HSL 158.57, 0.4%, 0.8%

LAB 85.94, -16.61, 2.82

 

CMYK 20 / 0 / 8 / 19

HEX #A5CEBE

RGB 165 206 190

HSL 156.59, 0.29%, 0.73%

LAB 79.53, -16.73, 3.5

 

CMYK 21 / 0 / 9 / 26

HEX #94BCAB

RGB 148 188 171

HSL 154.5, 0.23%, 0.66%

LAB 73.03, -16.86, 4.21

 

CMYK 23 / 0 / 11 / 33

HEX #83AA98

RGB 131 170 152

HSL 152.31, 0.19%, 0.59%

LAB 66.4, -17.01, 4.97

 

CMYK 18 / 0 / 6 / 5

HEX #C5F1E3

RGB 197 241 227

HSL 160.91, 0.61%, 0.86%

LAB 91.83, -16.84, 2.07

 

CMYK 18 / 0 / 11 / 5

HEX #C5F1D7

RGB 197 241 215

HSL 144.55, 0.61%, 0.86%

LAB 91.54, -19.13, 7.89

 

CMYK 18 / 0 / 16 / 5

HEX #C5F1CB

RGB 197 241 203

HSL 128.18, 0.61%, 0.86%

LAB 91.28, -21.29, 13.73

 

CMYK 16 / 0 / 18 / 5

HEX #CBF1C5

RGB 203 241 197

HSL 111.82, 0.61%, 0.86%

LAB 91.52, -20.33, 17.23

 

CMYK 11 / 0 / 18 / 5

HEX #D7F1C5

RGB 215 241 197

HSL 95.45, 0.61%, 0.86%

LAB 92.3, -16.25, 18.44

 

CMYK 18 / 0 / 6 / 5

HEX #C5F1E3

RGB 197 241 227

HSL 160.91, 0.61%, 0.86%

LAB 91.83, -16.84, 2.07

 

CMYK 18 / 0 / 1 / 5

HEX #C5F1EE

RGB 197 241 238

HSL 175.91, 0.61%, 0.86%

LAB 92.11, -14.65, -3.25

 

CMYK 18 / 4 / 0 / 5

HEX #C5E7F1

RGB 197 231 241

HSL 193.64, 0.61%, 0.86%

LAB 89.57, -8.99, -8.57

 

CMYK 18 / 9 / 0 / 5

HEX #C5DCF1

RGB 197 220 241

HSL 208.64, 0.61%, 0.86%

LAB 86.71, -3.32, -12.83

 

CMYK 18 / 14 / 0 / 5

HEX #C5D0F1

RGB 197 208 241

HSL 225, 0.61%, 0.86%

LAB 83.62, 2.98, -17.46

 

CMYK 18 / 0 / 6 / 5

HEX #C5F1E3

RGB 197 241 227

HSL 160.91, 0.61%, 0.86%

LAB 91.83, -16.84, 2.07

 

CMYK 23 / 0 / 7 / 3

HEX #BFF7E5

RGB 191 247 229

HSL 160.71, 0.78%, 0.86%

LAB 93.13, -21.24, 2.87

 

CMYK 27 / 0 / 8 / 1

HEX #B9FCE7

RGB 185 252 231

HSL 161.19, 0.92%, 0.86%

LAB 94.19, -25.04, 3.33

 

CMYK 18 / 0 / 6 / 5

HEX #C5F1E3

RGB 197 241 227

HSL 160.91, 0.61%, 0.86%

LAB 91.83, -16.84, 2.07

 

CMYK 14 / 0 / 4 / 8

HEX #CAEBE1

RGB 202 235 225

HSL 161.82, 0.45%, 0.86%

LAB 90.51, -12.66, 1.23

 

CMYK 9 / 0 / 3 / 10

HEX #D0E5DE

RGB 208 229 222

HSL 160, 0.29%, 0.86%

LAB 89.26, -8.25, 1.03

 

CMYK 4 / 0 / 2 / 12

HEX #D6E0DC

RGB 214 224 220

HSL 156, 0.14%, 0.86%

LAB 88.34, -4.08, 0.78

 

CMYK 0 / 1 / 1 / 14

HEX #DCDADA

RGB 220 218 218

HSL 0, 0.03%, 0.86%

LAB 87.2, 0.68, 0.23

 

CMYK 18 / 0 / 16 / 5

HEX #C5F1CB

RGB 197 241 203

HSL 128.18, 0.61%, 0.86%

LAB 91.28, -21.29, 13.73

 

CMYK 18 / 0 / 11 / 5

HEX #C5F1D6

RGB 197 241 214

HSL 143.18, 0.61%, 0.86%

LAB 91.52, -19.31, 8.38

 

CMYK 18 / 0 / 6 / 5

HEX #C5F1E2

RGB 197 241 226

HSL 159.55, 0.61%, 0.86%

LAB 91.81, -17.04, 2.55

 

CMYK 18 / 0 / 1 / 5

HEX #C5F1EE

RGB 197 241 238

HSL 175.91, 0.61%, 0.86%

LAB 92.11, -14.65, -3.25

 

CMYK 18 / 4 / 0 / 5

HEX #C5E8F1

RGB 197 232 241

HSL 192.27, 0.61%, 0.86%

LAB 89.83, -9.49, -8.18

 

CMYK 42 / 0 / 14 / 12

HEX #82E1C2

RGB 130 225 194

HSL 160.42, 0.61%, 0.7%

LAB 83.17, -35.28, 6.4

 

CMYK 30 / 0 / 10 / 9

HEX #A3E9D2

RGB 163 233 210

HSL 160.29, 0.61%, 0.78%

LAB 87.35, -26.61, 4.2

 

CMYK 18 / 0 / 6 / 5

HEX #C5F1E3

RGB 197 241 227

HSL 160.91, 0.61%, 0.86%

LAB 91.83, -16.84, 2.07

 

CMYK 8 / 0 / 2 / 2

HEX #E6F9F3

RGB 230 249 243

HSL 161.05, 0.61%, 0.94%

LAB 96.43, -7.3, 0.74

 

CMYK 18 / 0 / 6 / 5

HEX #C7F2E4

RGB 199 242 228

HSL 160.47, 0.62%, 0.86%

LAB 92.24, -16.52, 2.16

 

CMYK 18 / 16 / 0 / 5

HEX #C5CBF1

RGB 197 203 241

HSL 231.82, 0.61%, 0.86%

LAB 82.34, 5.64, -19.39

 

CMYK 0 / 14 / 18 / 5

HEX #F1D0C5

RGB 241 208 197

HSL 15, 0.61%, 0.86%

LAB 85.93, 9.83, 9.71

 

CMYK 18 / 0 / 6 / 5

HEX #C7F2E4

RGB 199 242 228

HSL 160.47, 0.62%, 0.86%

LAB 92.24, -16.52, 2.16

 

CMYK 6 / 18 / 0 / 5

HEX #E2C5F1

RGB 226 197 241

HSL 279.55, 0.61%, 0.86%

LAB 83.15, 18.06, -17.94

 

CMYK 0 / 6 / 18 / 5

HEX #F1E2C5

RGB 241 226 197

HSL 39.55, 0.61%, 0.86%

LAB 90.38, 0.51, 16.02

 

CMYK 18 / 0 / 6 / 5

HEX #C7F2E4

RGB 199 242 228

HSL 160.47, 0.62%, 0.86%

LAB 92.24, -16.52, 2.16

 

CMYK 18 / 16 / 0 / 5

HEX #C5CBF1

RGB 197 203 241

HSL 231.82, 0.61%, 0.86%

LAB 82.34, 5.64, -19.39

 

CMYK 0 / 18 / 12 / 5

HEX #F1C5D3

RGB 241 197 211

HSL 340.91, 0.61%, 0.86%

LAB 83.62, 17.8, -1.08

 

CMYK 0 / 2 / 18 / 5

HEX #F1EBC5

RGB 241 235 197

HSL 51.82, 0.61%, 0.86%

LAB 92.64, -4.07, 19.19

 

CMYK 18 / 0 / 6 / 5

HEX #C7F2E4

RGB 199 242 228

HSL 160.47, 0.62%, 0.86%

LAB 92.24, -16.52, 2.16

 

CMYK 15 / 18 / 0 / 5

HEX #CCC5F1

RGB 204 197 241

HSL 249.55, 0.61%, 0.86%

LAB 81.36, 11.04, -20.83

 

CMYK 0 / 18 / 12 / 5

HEX #F1C5D3

RGB 241 197 211

HSL 340.91, 0.61%, 0.86%

LAB 83.62, 17.8, -1.08

 

CMYK 3 / 0 / 18 / 5

HEX #EAF1C5

RGB 234 241 197

HSL 69.55, 0.61%, 0.86%

LAB 93.64, -9.59, 20.51

 

Description

Color code: HEX #C7F2E4 | qconv.com Color code: HEX #C7F2E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 242 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 242 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 6 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 6% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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