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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C40798 it is the complementary color #3BF867. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C40798. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C40798 shade: #C90793, #DA19A6, #EB2BB9, #FC3DCC and #FF4FDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C40798. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C40798 shade: #C40798, #B30085, #A20072, #91005F and #80004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C40798 shade: #C40798, #C40765, #C40732 and #C40707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C40798 shade: #C40798, #BD07C4, #8A07C4, #5707C4 and #2407C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C40798 shade matches the following richer shades: #C40798

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C40798 shade: #C40798, #B4178F, #A32887, #93387E and #824975

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C40798 shade: #8807C4, #BB07C4, #C4079B, #C40769 and #C40736

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C40798 shade: #75045A, #9D0579, #C40798, #EC08B7 and #F727C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C40798 shade: #C40798, #C45607 and #07C4A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C40798 shade: #C40798, #9BC407 and #079BC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C40798 shade: #C40798, #C45607, #07C430 and #0775C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C40798 shade: #C40798, #C48F07, #07C430 and #073CC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 22 / 23

HEX #C40798

RGB 196 7 152

HSL 313.97, 0.93%, 0.4%

LAB 44.45, 74.12, -27.25

 

Complementary color

CMYK 76 / 0 / 58 / 3

HEX #3BF867

RGB 59 248 103

HSL 133.97, 0.93%, 0.6%

LAB 86.53, -74.16, 55.68

 

CMYK 0 / 97 / 27 / 21

HEX #C90793

RGB 201 7 147

HSL 316.7, 0.93%, 0.41%

LAB 45.19, 74.52, -23.01

 

CMYK 0 / 89 / 24 / 15

HEX #DA19A6

RGB 218 25 166

HSL 316.17, 0.79%, 0.48%

LAB 49.92, 78.1, -26.8

 

CMYK 0 / 82 / 21 / 8

HEX #EB2BB9

RGB 235 43 185

HSL 315.63, 0.83%, 0.55%

LAB 54.96, 80.57, -29.87

 

CMYK 0 / 76 / 19 / 1

HEX #FC3DCC

RGB 252 61 204

HSL 315.08, 0.97%, 0.61%

LAB 60.24, 82.17, -32.36

 

CMYK 0 / 69 / 13 / 0

HEX #FF4FDF

RGB 255 79 223

HSL 310.91, 1%, 0.65%

LAB 63.49, 79.89, -37.99

 

CMYK 0 / 96 / 22 / 23

HEX #C40798

RGB 196 7 152

HSL 313.97, 0.93%, 0.4%

LAB 44.45, 74.12, -27.25

 

CMYK 0 / 100 / 26 / 30

HEX #B30085

RGB 179 0 133

HSL 315.42, 1%, 0.35%

LAB 40.04, 69.21, -22.77

 

CMYK 0 / 100 / 30 / 36

HEX #A20072

RGB 162 0 114

HSL 317.78, 1%, 0.32%

LAB 35.78, 63.59, -17.76

 

CMYK 0 / 100 / 34 / 43

HEX #91005F

RGB 145 0 95

HSL 320.69, 1%, 0.28%

LAB 31.45, 57.89, -12.51

 

CMYK 0 / 100 / 41 / 50

HEX #80004C

RGB 128 0 76

HSL 324.38, 1%, 0.25%

LAB 27.05, 52.1, -6.98

 

CMYK 0 / 96 / 22 / 23

HEX #C40798

RGB 196 7 152

HSL 313.97, 0.93%, 0.4%

LAB 44.45, 74.12, -27.25

 

CMYK 0 / 96 / 48 / 23

HEX #C40765

RGB 196 7 101

HSL 330.16, 0.93%, 0.4%

LAB 42.5, 69.01, 1.23

 

CMYK 0 / 96 / 74 / 23

HEX #C40732

RGB 196 7 50

HSL 346.35, 0.93%, 0.4%

LAB 41.4, 66.02, 31.81

 

CMYK 0 / 96 / 96 / 23

HEX #C40707

RGB 196 7 7

HSL 0, 0.93%, 0.4%

LAB 41.06, 65.08, 52.76

 

CMYK 0 / 96 / 22 / 23

HEX #C40798

RGB 196 7 152

HSL 313.97, 0.93%, 0.4%

LAB 44.45, 74.12, -27.25

 

CMYK 4 / 96 / 0 / 23

HEX #BD07C4

RGB 189 7 196

HSL 297.78, 0.93%, 0.4%

LAB 45.57, 78.86, -51.63

 

CMYK 30 / 96 / 0 / 23

HEX #8A07C4

RGB 138 7 196

HSL 281.59, 0.93%, 0.4%

LAB 37.01, 71.48, -65.92

 

CMYK 56 / 96 / 0 / 23

HEX #5707C4

RGB 87 7 196

HSL 265.4, 0.93%, 0.4%

LAB 29.82, 66.36, -78

 

CMYK 82 / 96 / 0 / 23

HEX #2407C4

RGB 36 7 196

HSL 249.21, 0.93%, 0.4%

LAB 25.3, 63.92, -85.65

 

CMYK 0 / 96 / 22 / 23

HEX #C40798

RGB 196 7 152

HSL 313.97, 0.93%, 0.4%

LAB 44.45, 74.12, -27.25

 

CMYK 0 / 96 / 22 / 23

HEX #C40798

RGB 196 7 152

HSL 313.97, 0.93%, 0.4%

LAB 44.45, 74.12, -27.25

 

CMYK 0 / 87 / 21 / 29

HEX #B4178F

RGB 180 23 143

HSL 314.14, 0.77%, 0.4%

LAB 41.69, 67.76, -26.33

 

CMYK 0 / 75 / 17 / 36

HEX #A32887

RGB 163 40 135

HSL 313.66, 0.61%, 0.4%

LAB 39.67, 58.6, -24.81

 

CMYK 0 / 62 / 14 / 42

HEX #93387E

RGB 147 56 126

HSL 313.85, 0.45%, 0.4%

LAB 38.79, 46.72, -20.84

 

CMYK 0 / 44 / 10 / 49

HEX #824975

RGB 130 73 117

HSL 313.68, 0.28%, 0.4%

LAB 39.23, 30.92, -14.81

 

CMYK 31 / 96 / 0 / 23

HEX #8807C4

RGB 136 7 196

HSL 280.95, 0.93%, 0.4%

LAB 36.69, 71.24, -66.45

 

CMYK 5 / 96 / 0 / 23

HEX #BB07C4

RGB 187 7 196

HSL 297.14, 0.93%, 0.4%

LAB 45.22, 78.54, -52.22

 

CMYK 0 / 96 / 21 / 23

HEX #C4079B

RGB 196 7 155

HSL 313.02, 0.93%, 0.4%

LAB 44.6, 74.48, -28.84

 

CMYK 0 / 96 / 46 / 23

HEX #C40769

RGB 196 7 105

HSL 328.89, 0.93%, 0.4%

LAB 42.62, 69.33, -1.1

 

CMYK 0 / 96 / 72 / 23

HEX #C40736

RGB 196 7 54

HSL 345.08, 0.93%, 0.4%

LAB 41.46, 66.18, 29.43

 

CMYK 0 / 97 / 23 / 54

HEX #75045A

RGB 117 4 90

HSL 314.34, 0.93%, 0.24%

LAB 25.58, 50.54, -18.77

 

CMYK 0 / 97 / 23 / 38

HEX #9D0579

RGB 157 5 121

HSL 314.21, 0.94%, 0.32%

LAB 35.32, 62.77, -22.98

 

CMYK 0 / 96 / 22 / 23

HEX #C40798

RGB 196 7 152

HSL 313.97, 0.93%, 0.4%

LAB 44.45, 74.12, -27.25

 

CMYK 0 / 97 / 22 / 7

HEX #EC08B7

RGB 236 8 183

HSL 313.95, 0.93%, 0.48%

LAB 53.41, 85.32, -31.11

 

CMYK 0 / 84 / 20 / 3

HEX #F727C6

RGB 247 39 198

HSL 314.13, 0.93%, 0.56%

LAB 57.37, 85.43, -33.47

 

CMYK 0 / 96 / 22 / 23

HEX #C40798

RGB 196 7 152

HSL 313.97, 0.93%, 0.4%

LAB 44.45, 74.12, -27.25

 

CMYK 0 / 56 / 96 / 23

HEX #C45607

RGB 196 86 7

HSL 25.08, 0.93%, 0.4%

LAB 49.99, 40.7, 57.87

 

CMYK 96 / 0 / 17 / 23

HEX #07C4A2

RGB 7 196 162

HSL 169.21, 0.93%, 0.4%

LAB 70.96, -48.82, 5.6

 

CMYK 0 / 96 / 22 / 23

HEX #C40798

RGB 196 7 152

HSL 313.97, 0.93%, 0.4%

LAB 44.45, 74.12, -27.25

 

CMYK 21 / 0 / 96 / 23

HEX #9BC407

RGB 155 196 7

HSL 73.02, 0.93%, 0.4%

LAB 73.85, -34.8, 73.23

 

CMYK 96 / 21 / 0 / 23

HEX #079BC4

RGB 7 155 196

HSL 193.02, 0.93%, 0.4%

LAB 59.41, -19.11, -30.58

 

CMYK 0 / 96 / 22 / 23

HEX #C40798

RGB 196 7 152

HSL 313.97, 0.93%, 0.4%

LAB 44.45, 74.12, -27.25

 

CMYK 0 / 56 / 96 / 23

HEX #C45607

RGB 196 86 7

HSL 25.08, 0.93%, 0.4%

LAB 49.99, 40.7, 57.87

 

CMYK 96 / 0 / 76 / 23

HEX #07C430

RGB 7 196 48

HSL 133.02, 0.93%, 0.4%

LAB 69.28, -68.42, 58.67

 

CMYK 96 / 40 / 0 / 23

HEX #0775C4

RGB 7 117 196

HSL 205.08, 0.93%, 0.4%

LAB 47.95, 2.79, -48.63

 

CMYK 0 / 96 / 22 / 23

HEX #C40798

RGB 196 7 152

HSL 313.97, 0.93%, 0.4%

LAB 44.45, 74.12, -27.25

 

CMYK 0 / 27 / 96 / 23

HEX #C48F07

RGB 196 143 7

HSL 43.17, 0.93%, 0.4%

LAB 62.84, 10.26, 66.57

 

CMYK 96 / 0 / 76 / 23

HEX #07C430

RGB 7 196 48

HSL 133.02, 0.93%, 0.4%

LAB 69.28, -68.42, 58.67

 

CMYK 96 / 69 / 0 / 23

HEX #073CC4

RGB 7 60 196

HSL 223.17, 0.93%, 0.4%

LAB 32.4, 39.89, -73.89

 

Description

Color code: HEX #C40798 | qconv.com Color code: HEX #C40798 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 7 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 7 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 22 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 22% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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