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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4140C it is the complementary color #3BEBF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4140C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4140C shade: #C91407, #DA261A, #EB382D, #FC4A40 and #FF5C53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4140C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4140C shade: #C4140C, #B30200, #A20000, #910000 and #800000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4140C shade: #C4140C and #C40C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4140C shade: #C4140C, #C4460C, #C4770C, #C4A90C and #AEC40C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4140C shade matches the following richer shades: #C4140C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4140C shade: #C4140C, #B3231D, #A2332E, #91423F and #805250

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4140C shade: #C40C68, #C40C37, #C4120C, #C4430C and #C4740C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4140C shade: #760C07, #9D100A, #C4140C, #EB180F and #F13A31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4140C shade: #C4140C, #99C40C and #0C50C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4140C shade: #C4140C, #0CC412 and #120CC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4140C shade: #C4140C, #99C40C, #0CBEC4 and #370CC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4140C shade: #C4140C, #62C40C, #0CBEC4 and #6E0CC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 94 / 23

HEX #C4140C

RGB 196 20 12

HSL 2.61, 0.88%, 0.41%

LAB 41.63, 63.54, 51.44

 

Complementary color

CMYK 76 / 3 / 0 / 5

HEX #3BEBF3

RGB 59 235 243

HSL 182.61, 0.88%, 0.59%

LAB 85.41, -39.81, -16.38

 

CMYK 0 / 90 / 97 / 21

HEX #C91407

RGB 201 20 7

HSL 4.02, 0.93%, 0.41%

LAB 42.66, 64.82, 54.15

 

CMYK 0 / 83 / 88 / 15

HEX #DA261A

RGB 218 38 26

HSL 3.75, 0.79%, 0.48%

LAB 47.45, 66.15, 52.06

 

CMYK 0 / 76 / 81 / 8

HEX #EB382D

RGB 235 56 45

HSL 3.47, 0.83%, 0.55%

LAB 52.6, 66.58, 48.77

 

CMYK 0 / 71 / 75 / 1

HEX #FC4A40

RGB 252 74 64

HSL 3.19, 0.97%, 0.62%

LAB 58, 66.4, 45.36

 

CMYK 0 / 64 / 67 / 0

HEX #FF5C53

RGB 255 92 83

HSL 3.14, 1%, 0.66%

LAB 61.25, 61.35, 38.86

 

CMYK 0 / 90 / 94 / 23

HEX #C4140C

RGB 196 20 12

HSL 2.61, 0.88%, 0.41%

LAB 41.63, 63.54, 51.44

 

CMYK 0 / 99 / 100 / 30

HEX #B30200

RGB 179 2 0

HSL 0.67, 1%, 0.35%

LAB 37.16, 61.19, 51.53

 

CMYK 0 / 100 / 100 / 36

HEX #A20000

RGB 162 0 0

HSL 0, 1%, 0.32%

LAB 33.31, 57.06, 47.46

 

CMYK 0 / 100 / 100 / 43

HEX #910000

RGB 145 0 0

HSL 0, 1%, 0.28%

LAB 29.46, 52.6, 42.98

 

CMYK 0 / 100 / 100 / 50

HEX #800000

RGB 128 0 0

HSL 0, 1%, 0.25%

LAB 25.53, 48.06, 38.06

 

CMYK 0 / 90 / 94 / 23

HEX #C4140C

RGB 196 20 12

HSL 2.61, 0.88%, 0.41%

LAB 41.63, 63.54, 51.44

 

CMYK 0 / 94 / 94 / 23

HEX #C40C0C

RGB 196 12 12

HSL 0, 0.88%, 0.41%

LAB 41.26, 64.62, 51.22

 

CMYK 0 / 90 / 94 / 23

HEX #C4140C

RGB 196 20 12

HSL 2.61, 0.88%, 0.41%

LAB 41.63, 63.54, 51.44

 

CMYK 0 / 64 / 94 / 23

HEX #C4460C

RGB 196 70 12

HSL 18.91, 0.88%, 0.41%

LAB 47.16, 48.2, 54.88

 

CMYK 0 / 39 / 94 / 23

HEX #C4770C

RGB 196 119 12

HSL 34.89, 0.88%, 0.41%

LAB 57.03, 23.46, 61.64

 

CMYK 0 / 14 / 94 / 23

HEX #C4A90C

RGB 196 169 12

HSL 51.2, 0.88%, 0.41%

LAB 69.57, -3.68, 70.82

 

CMYK 11 / 0 / 94 / 23

HEX #AEC40C

RGB 174 196 12

HSL 67.17, 0.88%, 0.41%

LAB 75.14, -26.91, 74.27

 

CMYK 0 / 90 / 94 / 23

HEX #C4140C

RGB 196 20 12

HSL 2.61, 0.88%, 0.41%

LAB 41.63, 63.54, 51.44

 

CMYK 0 / 90 / 94 / 23

HEX #C4140C

RGB 196 20 12

HSL 2.61, 0.88%, 0.41%

LAB 41.63, 63.54, 51.44

 

CMYK 0 / 80 / 84 / 30

HEX #B3231D

RGB 179 35 29

HSL 2.4, 0.72%, 0.41%

LAB 39.37, 55.8, 40.68

 

CMYK 0 / 69 / 72 / 36

HEX #A2332E

RGB 162 51 46

HSL 2.59, 0.56%, 0.41%

LAB 38.28, 45.39, 28.87

 

CMYK 0 / 54 / 57 / 43

HEX #91423F

RGB 145 66 63

HSL 2.2, 0.39%, 0.41%

LAB 38.33, 33.12, 17.91

 

CMYK 0 / 36 / 38 / 50

HEX #805250

RGB 128 82 80

HSL 2.5, 0.23%, 0.41%

LAB 39.92, 18.98, 9.14

 

CMYK 0 / 94 / 47 / 23

HEX #C40C68

RGB 196 12 104

HSL 330, 0.88%, 0.41%

LAB 42.76, 68.76, -0.27

 

CMYK 0 / 94 / 72 / 23

HEX #C40C37

RGB 196 12 55

HSL 345.98, 0.88%, 0.41%

LAB 41.65, 65.71, 29.04

 

CMYK 0 / 91 / 94 / 23

HEX #C4120C

RGB 196 18 12

HSL 1.96, 0.88%, 0.41%

LAB 41.52, 63.84, 51.37

 

CMYK 0 / 66 / 94 / 23

HEX #C4430C

RGB 196 67 12

HSL 17.93, 0.88%, 0.41%

LAB 46.68, 49.5, 54.57

 

CMYK 0 / 41 / 94 / 23

HEX #C4740C

RGB 196 116 12

HSL 33.91, 0.88%, 0.41%

LAB 56.34, 25.09, 61.15

 

CMYK 0 / 90 / 94 / 54

HEX #760C07

RGB 118 12 7

HSL 2.7, 0.89%, 0.25%

LAB 24.1, 42.97, 33.03

 

CMYK 0 / 90 / 94 / 38

HEX #9D100A

RGB 157 16 10

HSL 2.45, 0.88%, 0.33%

LAB 33.05, 53.54, 42.67

 

CMYK 0 / 90 / 94 / 23

HEX #C4140C

RGB 196 20 12

HSL 2.61, 0.88%, 0.41%

LAB 41.63, 63.54, 51.44

 

CMYK 0 / 90 / 94 / 8

HEX #EB180F

RGB 235 24 15

HSL 2.45, 0.88%, 0.49%

LAB 49.92, 73.14, 59.46

 

CMYK 0 / 76 / 80 / 5

HEX #F13A31

RGB 241 58 49

HSL 2.81, 0.87%, 0.57%

LAB 53.97, 67.84, 48.45

 

CMYK 0 / 90 / 94 / 23

HEX #C4140C

RGB 196 20 12

HSL 2.61, 0.88%, 0.41%

LAB 41.63, 63.54, 51.44

 

CMYK 22 / 0 / 94 / 23

HEX #99C40C

RGB 153 196 12

HSL 74.02, 0.88%, 0.41%

LAB 73.73, -35.53, 72.55

 

CMYK 94 / 59 / 0 / 23

HEX #0C50C4

RGB 12 80 196

HSL 217.83, 0.88%, 0.41%

LAB 37.48, 26.98, -65.54

 

CMYK 0 / 90 / 94 / 23

HEX #C4140C

RGB 196 20 12

HSL 2.61, 0.88%, 0.41%

LAB 41.63, 63.54, 51.44

 

CMYK 94 / 0 / 91 / 23

HEX #0CC412

RGB 12 196 18

HSL 121.96, 0.88%, 0.41%

LAB 69.18, -69.78, 66.14

 

CMYK 91 / 94 / 0 / 23

HEX #120CC4

RGB 18 12 196

HSL 241.96, 0.88%, 0.41%

LAB 24.88, 62.51, -86.37

 

CMYK 0 / 90 / 94 / 23

HEX #C4140C

RGB 196 20 12

HSL 2.61, 0.88%, 0.41%

LAB 41.63, 63.54, 51.44

 

CMYK 22 / 0 / 94 / 23

HEX #99C40C

RGB 153 196 12

HSL 74.02, 0.88%, 0.41%

LAB 73.73, -35.53, 72.55

 

CMYK 94 / 3 / 0 / 23

HEX #0CBEC4

RGB 12 190 196

HSL 181.96, 0.88%, 0.41%

LAB 70.1, -36.34, -14.25

 

CMYK 72 / 94 / 0 / 23

HEX #370CC4

RGB 55 12 196

HSL 254.02, 0.88%, 0.41%

LAB 26.91, 63.57, -82.94

 

CMYK 0 / 90 / 94 / 23

HEX #C4140C

RGB 196 20 12

HSL 2.61, 0.88%, 0.41%

LAB 41.63, 63.54, 51.44

 

CMYK 50 / 0 / 94 / 23

HEX #62C40C

RGB 98 196 12

HSL 91.96, 0.88%, 0.41%

LAB 70.94, -55.06, 69.15

 

CMYK 94 / 3 / 0 / 23

HEX #0CBEC4

RGB 12 190 196

HSL 181.96, 0.88%, 0.41%

LAB 70.1, -36.34, -14.25

 

CMYK 44 / 94 / 0 / 23

HEX #6E0CC4

RGB 110 12 196

HSL 271.96, 0.88%, 0.41%

LAB 33.06, 67.62, -72.56

 

Description

Color code: HEX #C4140C | qconv.com Color code: HEX #C4140C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 20 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 20 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 94 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 94% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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