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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C42929 it is the complementary color #3BD6D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C42929. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C42929 shade: #C92924, #DA3B37, #EB4D4A, #FC5F5D and #FF7170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C42929. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C42929 shade: #C42929, #B31716, #A20503, #910000 and #800000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C42929 shade: #C12929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C42929 shade: #C12929, #C15229, #C17B29, #C1A429 and #B5C129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C42929 shade matches the following richer shades: #C12929, #D41616 and #E70303

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C42929 shade: #C12929, #AE3C3C, #9B4F4F, #886161 and #757474

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C42929 shade: #C1297A, #C12951, #C12929, #C15129 and #C17A29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C42929 shade: #7D1A1A, #9F2121, #C12929, #D63D3D and #DD5F5F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C42929 shade: #C42929, #A3C129 and #2966C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C42929 shade: #C42929, #29C129 and #2929C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C42929 shade: #C42929, #A3C129, #29C1C1 and #4729C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C42929 shade: #C42929, #75C129, #29C1C1 and #7529C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 79 / 23

HEX #C42929

RGB 196 41 41

HSL 0, 0.65%, 0.46%

LAB 43.48, 59.46, 39.34

 

Complementary color

CMYK 72 / 0 / 0 / 16

HEX #3BD6D6

RGB 59 214 214

HSL 180, 0.65%, 0.54%

LAB 78.39, -38.55, -11.51

 

CMYK 0 / 80 / 82 / 21

HEX #C92924

RGB 201 41 36

HSL 1.82, 0.7%, 0.46%

LAB 44.42, 60.78, 43.31

 

CMYK 0 / 73 / 75 / 15

HEX #DA3B37

RGB 218 59 55

HSL 1.47, 0.69%, 0.54%

LAB 49.87, 60.87, 39.61

 

CMYK 0 / 67 / 69 / 8

HEX #EB4D4A

RGB 235 77 74

HSL 1.12, 0.8%, 0.61%

LAB 55.55, 60.44, 36.25

 

CMYK 0 / 62 / 63 / 1

HEX #FC5F5D

RGB 252 95 93

HSL 0.75, 0.96%, 0.68%

LAB 61.37, 59.68, 33.3

 

CMYK 0 / 56 / 56 / 0

HEX #FF7170

RGB 255 113 112

HSL 0.42, 1%, 0.72%

LAB 65.15, 54.02, 27.57

 

CMYK 0 / 79 / 79 / 23

HEX #C42929

RGB 196 41 41

HSL 0, 0.65%, 0.46%

LAB 43.48, 59.46, 39.34

 

CMYK 0 / 87 / 88 / 30

HEX #B31716

RGB 179 23 22

HSL 0.38, 0.78%, 0.39%

LAB 38.3, 58.54, 43.29

 

CMYK 0 / 97 / 98 / 36

HEX #A20503

RGB 162 5 3

HSL 0.75, 0.96%, 0.32%

LAB 33.56, 56.43, 46.38

 

CMYK 0 / 100 / 100 / 43

HEX #910000

RGB 145 0 0

HSL 0, 1%, 0.28%

LAB 29.46, 52.6, 42.98

 

CMYK 0 / 100 / 100 / 50

HEX #800000

RGB 128 0 0

HSL 0, 1%, 0.25%

LAB 25.53, 48.06, 38.06

 

CMYK 0 / 79 / 79 / 24

HEX #C12929

RGB 193 41 41

HSL 0, 0.65%, 0.46%

LAB 42.89, 58.58, 38.54

 

CMYK 0 / 79 / 79 / 24

HEX #C12929

RGB 193 41 41

HSL 0, 0.65%, 0.46%

LAB 42.89, 58.58, 38.54

 

CMYK 0 / 58 / 79 / 24

HEX #C15229

RGB 193 82 41

HSL 16.18, 0.65%, 0.46%

LAB 48.92, 42.26, 44.67

 

CMYK 0 / 36 / 79 / 24

HEX #C17B29

RGB 193 123 41

HSL 32.37, 0.65%, 0.46%

LAB 57.72, 20.69, 53.17

 

CMYK 0 / 15 / 79 / 24

HEX #C1A429

RGB 193 164 41

HSL 48.55, 0.65%, 0.46%

LAB 68.06, -1.66, 62.72

 

CMYK 6 / 0 / 79 / 24

HEX #B5C129

RGB 181 193 41

HSL 64.74, 0.65%, 0.46%

LAB 74.9, -21.79, 68.47

 

CMYK 0 / 79 / 79 / 24

HEX #C12929

RGB 193 41 41

HSL 0, 0.65%, 0.46%

LAB 42.89, 58.58, 38.54

 

CMYK 0 / 90 / 90 / 17

HEX #D41616

RGB 212 22 22

HSL 0, 0.81%, 0.46%

LAB 45.12, 67.58, 51.5

 

CMYK 0 / 99 / 99 / 9

HEX #E70303

RGB 231 3 3

HSL 0, 0.97%, 0.46%

LAB 48.34, 74.12, 61.54

 

CMYK 0 / 79 / 79 / 24

HEX #C12929

RGB 193 41 41

HSL 0, 0.65%, 0.46%

LAB 42.89, 58.58, 38.54

 

CMYK 0 / 66 / 66 / 32

HEX #AE3C3C

RGB 174 60 60

HSL 0, 0.49%, 0.46%

LAB 42.09, 46.46, 25.55

 

CMYK 0 / 49 / 49 / 39

HEX #9B4F4F

RGB 155 79 79

HSL 0, 0.32%, 0.46%

LAB 42.95, 31.56, 14.53

 

CMYK 0 / 29 / 29 / 47

HEX #886161

RGB 136 97 97

HSL 0, 0.17%, 0.46%

LAB 45.15, 15.84, 6.29

 

CMYK 0 / 1 / 1 / 54

HEX #757474

RGB 117 116 116

HSL 0, 0%, 0.46%

LAB 48.93, 0.38, 0.13

 

CMYK 0 / 79 / 37 / 24

HEX #C1297A

RGB 193 41 122

HSL 328.03, 0.65%, 0.46%

LAB 44.7, 64.17, -8.64

 

CMYK 0 / 79 / 58 / 24

HEX #C12951

RGB 193 41 81

HSL 344.21, 0.65%, 0.46%

LAB 43.53, 60.61, 15.15

 

CMYK 0 / 79 / 79 / 24

HEX #C12929

RGB 193 41 41

HSL 0, 0.65%, 0.46%

LAB 42.89, 58.58, 38.54

 

CMYK 0 / 58 / 79 / 24

HEX #C15129

RGB 193 81 41

HSL 15.79, 0.65%, 0.46%

LAB 48.74, 42.74, 44.49

 

CMYK 0 / 37 / 79 / 24

HEX #C17A29

RGB 193 122 41

HSL 31.97, 0.65%, 0.46%

LAB 57.48, 21.24, 52.95

 

CMYK 0 / 79 / 79 / 51

HEX #7D1A1A

RGB 125 26 26

HSL 0, 0.66%, 0.3%

LAB 27.22, 41.7, 26.57

 

CMYK 0 / 79 / 79 / 38

HEX #9F2121

RGB 159 33 33

HSL 0, 0.66%, 0.38%

LAB 35.14, 50.47, 32.92

 

CMYK 0 / 79 / 79 / 24

HEX #C12929

RGB 193 41 41

HSL 0, 0.65%, 0.46%

LAB 42.89, 58.58, 38.54

 

CMYK 0 / 71 / 71 / 16

HEX #D63D3D

RGB 214 61 61

HSL 0, 0.65%, 0.54%

LAB 49.46, 59.19, 35.55

 

CMYK 0 / 57 / 57 / 13

HEX #DD5F5F

RGB 221 95 95

HSL 0, 0.65%, 0.62%

LAB 56.47, 49.32, 24.88

 

CMYK 0 / 79 / 79 / 23

HEX #C42929

RGB 196 41 41

HSL 0, 0.65%, 0.46%

LAB 43.48, 59.46, 39.34

 

CMYK 16 / 0 / 79 / 24

HEX #A3C129

RGB 163 193 41

HSL 71.84, 0.65%, 0.46%

LAB 73.6, -29.29, 66.82

 

CMYK 79 / 47 / 0 / 24

HEX #2966C1

RGB 41 102 193

HSL 215.92, 0.65%, 0.46%

LAB 43.98, 13.41, -53.23

 

CMYK 0 / 79 / 79 / 23

HEX #C42929

RGB 196 41 41

HSL 0, 0.65%, 0.46%

LAB 43.48, 59.46, 39.34

 

CMYK 79 / 0 / 79 / 24

HEX #29C129

RGB 41 193 41

HSL 120, 0.65%, 0.46%

LAB 68.59, -65.3, 60.34

 

CMYK 79 / 79 / 0 / 24

HEX #2929C1

RGB 41 41 193

HSL 240, 0.65%, 0.46%

LAB 29.18, 51.36, -77.42

 

CMYK 0 / 79 / 79 / 23

HEX #C42929

RGB 196 41 41

HSL 0, 0.65%, 0.46%

LAB 43.48, 59.46, 39.34

 

CMYK 16 / 0 / 79 / 24

HEX #A3C129

RGB 163 193 41

HSL 71.84, 0.65%, 0.46%

LAB 73.6, -29.29, 66.82

 

CMYK 79 / 0 / 0 / 24

HEX #29C1C1

RGB 41 193 193

HSL 180, 0.65%, 0.46%

LAB 71.19, -36.86, -10.95

 

CMYK 63 / 79 / 0 / 24

HEX #4729C1

RGB 71 41 193

HSL 251.84, 0.65%, 0.46%

LAB 31.29, 53.89, -73.86

 

CMYK 0 / 79 / 79 / 23

HEX #C42929

RGB 196 41 41

HSL 0, 0.65%, 0.46%

LAB 43.48, 59.46, 39.34

 

CMYK 39 / 0 / 79 / 24

HEX #75C129

RGB 117 193 41

HSL 90, 0.65%, 0.46%

LAB 70.93, -46.79, 63.38

 

CMYK 79 / 0 / 0 / 24

HEX #29C1C1

RGB 41 193 193

HSL 180, 0.65%, 0.46%

LAB 71.19, -36.86, -10.95

 

CMYK 39 / 79 / 0 / 24

HEX #7529C1

RGB 117 41 193

HSL 270, 0.65%, 0.46%

LAB 36.4, 59.96, -65.28

 

Description

Color code: HEX #C42929 | qconv.com Color code: HEX #C42929 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 41 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 41 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 79 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 79% 23% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

28% - Japanese Used Cars |...
Link: http://www.beforward.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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