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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4213F it is the complementary color #3BDEC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4213F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4213F shade: #C9213A, #DA334D, #EB4560, #FC5773 and #FF6986

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4213F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4213F shade: #C4213F, #B30F2C, #A20019, #910006 and #800000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4213F shade: #C4213F and #C42121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4213F shade: #C4213F, #C4216B, #C42197, #C421C3 and #9921C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4213F shade matches the following richer shades: #C4213F and #D60E33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4213F shade: #C4213F, #B1334A, #9F4656, #8C5862 and #796B6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4213F shade: #C42198, #C4216D, #C42141, #C42C21 and #C45721

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4213F shade: #7D1528, #A01B33, #C4213F, #DC3251 and #E2556F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4213F shade: #C4213F, #C4C421 and #2183C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4213F shade: #C4213F, #41C421 and #2141C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4213F shade: #C4213F, #C4C421, #21C4A3 and #2121C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4213F shade: #C4213F, #93C421, #21C4A3 and #5221C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 68 / 23

HEX #C4213F

RGB 196 33 63

HSL 348.96, 0.71%, 0.45%

LAB 43.04, 62.46, 25.8

 

Complementary color

CMYK 73 / 0 / 14 / 13

HEX #3BDEC0

RGB 59 222 192

HSL 168.96, 0.71%, 0.55%

LAB 80.17, -47.99, 2.85

 

CMYK 0 / 84 / 71 / 21

HEX #C9213A

RGB 201 33 58

HSL 351.07, 0.72%, 0.46%

LAB 43.96, 63.59, 30.22

 

CMYK 0 / 77 / 65 / 15

HEX #DA334D

RGB 218 51 77

HSL 350.66, 0.69%, 0.53%

LAB 49.26, 64.47, 26.05

 

CMYK 0 / 71 / 59 / 8

HEX #EB4560

RGB 235 69 96

HSL 350.24, 0.81%, 0.6%

LAB 54.83, 64.66, 22.56

 

CMYK 0 / 65 / 54 / 1

HEX #FC5773

RGB 252 87 115

HSL 349.82, 0.96%, 0.66%

LAB 60.56, 64.4, 19.63

 

CMYK 0 / 59 / 47 / 0

HEX #FF6986

RGB 255 105 134

HSL 348.4, 1%, 0.71%

LAB 64.23, 59.41, 13.81

 

CMYK 0 / 83 / 68 / 23

HEX #C4213F

RGB 196 33 63

HSL 348.96, 0.71%, 0.45%

LAB 43.04, 62.46, 25.8

 

CMYK 0 / 92 / 75 / 30

HEX #B30F2C

RGB 179 15 44

HSL 349.39, 0.85%, 0.38%

LAB 38.03, 60.55, 30.67

 

CMYK 0 / 100 / 85 / 36

HEX #A20019

RGB 162 0 25

HSL 350.74, 1%, 0.32%

LAB 33.46, 57.47, 36.07

 

CMYK 0 / 100 / 96 / 43

HEX #910006

RGB 145 0 6

HSL 357.52, 1%, 0.28%

LAB 29.5, 52.69, 40.56

 

CMYK 0 / 100 / 100 / 50

HEX #800000

RGB 128 0 0

HSL 0, 1%, 0.25%

LAB 25.53, 48.06, 38.06

 

CMYK 0 / 83 / 68 / 23

HEX #C4213F

RGB 196 33 63

HSL 348.96, 0.71%, 0.45%

LAB 43.04, 62.46, 25.8

 

CMYK 0 / 83 / 83 / 23

HEX #C42121

RGB 196 33 33

HSL 0, 0.71%, 0.45%

LAB 42.66, 61.33, 42.88

 

CMYK 0 / 83 / 68 / 23

HEX #C4213F

RGB 196 33 63

HSL 348.96, 0.71%, 0.45%

LAB 43.04, 62.46, 25.8

 

CMYK 0 / 83 / 45 / 23

HEX #C4216B

RGB 196 33 107

HSL 332.76, 0.71%, 0.45%

LAB 44.07, 65.51, -0.24

 

CMYK 0 / 83 / 23 / 23

HEX #C42197

RGB 196 33 151

HSL 316.56, 0.71%, 0.45%

LAB 45.71, 70.19, -24.69

 

CMYK 0 / 83 / 1 / 23

HEX #C421C3

RGB 196 33 195

HSL 300.37, 0.71%, 0.45%

LAB 47.96, 76.29, -47.17

 

CMYK 22 / 83 / 0 / 23

HEX #9921C4

RGB 153 33 196

HSL 284.17, 0.71%, 0.45%

LAB 40.97, 68.9, -59.36

 

CMYK 0 / 83 / 68 / 23

HEX #C4213F

RGB 196 33 63

HSL 348.96, 0.71%, 0.45%

LAB 43.04, 62.46, 25.8

 

CMYK 0 / 93 / 76 / 16

HEX #D60E33

RGB 214 14 51

HSL 348.9, 0.88%, 0.45%

LAB 45.43, 69.84, 36.78

 

CMYK 0 / 83 / 68 / 23

HEX #C4213F

RGB 196 33 63

HSL 348.96, 0.71%, 0.45%

LAB 43.04, 62.46, 25.8

 

CMYK 0 / 71 / 58 / 31

HEX #B1334A

RGB 177 51 74

HSL 349.05, 0.55%, 0.45%

LAB 41.55, 52.06, 16.33

 

CMYK 0 / 56 / 46 / 38

HEX #9F4656

RGB 159 70 86

HSL 349.21, 0.39%, 0.45%

LAB 41.88, 38.54, 8.83

 

CMYK 0 / 37 / 30 / 45

HEX #8C5862

RGB 140 88 98

HSL 348.46, 0.23%, 0.45%

LAB 43.41, 22.88, 3.26

 

CMYK 0 / 12 / 9 / 53

HEX #796B6E

RGB 121 107 110

HSL 347.14, 0.06%, 0.45%

LAB 46.59, 6.06, 0.34

 

CMYK 0 / 83 / 22 / 23

HEX #C42198

RGB 196 33 152

HSL 316.2, 0.71%, 0.45%

LAB 45.76, 70.32, -25.22

 

CMYK 0 / 83 / 44 / 23

HEX #C4216D

RGB 196 33 109

HSL 332.02, 0.71%, 0.45%

LAB 44.13, 65.69, -1.39

 

CMYK 0 / 83 / 67 / 23

HEX #C42141

RGB 196 33 65

HSL 348.22, 0.71%, 0.45%

LAB 43.07, 62.56, 24.61

 

CMYK 0 / 78 / 83 / 23

HEX #C42C21

RGB 196 44 33

HSL 4.05, 0.71%, 0.45%

LAB 43.72, 58.34, 43.86

 

CMYK 0 / 56 / 83 / 23

HEX #C45721

RGB 196 87 33

HSL 19.88, 0.71%, 0.45%

LAB 50.29, 40.7, 49.82

 

CMYK 0 / 83 / 68 / 51

HEX #7D1528

RGB 125 21 40

HSL 349.04, 0.71%, 0.29%

LAB 26.88, 44, 17.06

 

CMYK 0 / 83 / 68 / 37

HEX #A01B33

RGB 160 27 51

HSL 349.17, 0.71%, 0.37%

LAB 35, 53.28, 21.68

 

CMYK 0 / 83 / 68 / 23

HEX #C4213F

RGB 196 33 63

HSL 348.96, 0.71%, 0.45%

LAB 43.04, 62.46, 25.8

 

CMYK 0 / 77 / 63 / 14

HEX #DC3251

RGB 220 50 81

HSL 349.06, 0.71%, 0.53%

LAB 49.61, 65.56, 24.15

 

CMYK 0 / 62 / 51 / 11

HEX #E2556F

RGB 226 85 111

HSL 348.94, 0.71%, 0.61%

LAB 55.9, 56.74, 14.9

 

CMYK 0 / 83 / 68 / 23

HEX #C4213F

RGB 196 33 63

HSL 348.96, 0.71%, 0.45%

LAB 43.04, 62.46, 25.8

 

CMYK 0 / 0 / 83 / 23

HEX #C4C421

RGB 196 196 33

HSL 60, 0.71%, 0.45%

LAB 76.88, -17.15, 72.72

 

CMYK 83 / 33 / 0 / 23

HEX #2183C4

RGB 33 131 196

HSL 203.93, 0.71%, 0.45%

LAB 52.44, -4.17, -41.47

 

CMYK 0 / 83 / 68 / 23

HEX #C4213F

RGB 196 33 63

HSL 348.96, 0.71%, 0.45%

LAB 43.04, 62.46, 25.8

 

CMYK 67 / 0 / 83 / 23

HEX #41C421

RGB 65 196 33

HSL 108.22, 0.71%, 0.45%

LAB 69.97, -62.68, 64.02

 

CMYK 83 / 67 / 0 / 23

HEX #2141C4

RGB 33 65 196

HSL 228.22, 0.71%, 0.45%

LAB 34.17, 37.9, -70.96

 

CMYK 0 / 83 / 68 / 23

HEX #C4213F

RGB 196 33 63

HSL 348.96, 0.71%, 0.45%

LAB 43.04, 62.46, 25.8

 

CMYK 0 / 0 / 83 / 23

HEX #C4C421

RGB 196 196 33

HSL 60, 0.71%, 0.45%

LAB 76.88, -17.15, 72.72

 

CMYK 83 / 0 / 17 / 23

HEX #21C4A3

RGB 33 196 163

HSL 167.85, 0.71%, 0.45%

LAB 71.18, -47.17, 5.39

 

CMYK 83 / 83 / 0 / 23

HEX #2121C4

RGB 33 33 196

HSL 240, 0.71%, 0.45%

LAB 27.84, 55.71, -81.43

 

CMYK 0 / 83 / 68 / 23

HEX #C4213F

RGB 196 33 63

HSL 348.96, 0.71%, 0.45%

LAB 43.04, 62.46, 25.8

 

CMYK 25 / 0 / 83 / 23

HEX #93C421

RGB 147 196 33

HSL 78.04, 0.71%, 0.45%

LAB 73.41, -37.39, 68.38

 

CMYK 83 / 0 / 17 / 23

HEX #21C4A3

RGB 33 196 163

HSL 167.85, 0.71%, 0.45%

LAB 71.18, -47.17, 5.39

 

CMYK 58 / 83 / 0 / 23

HEX #5221C4

RGB 82 33 196

HSL 258.04, 0.71%, 0.45%

LAB 31.5, 59.23, -75.24

 

Description

Color code: HEX #C4213F | qconv.com Color code: HEX #C4213F | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 33 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 33 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 68 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 68% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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