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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C44464 it is the complementary color #3BBB9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C44464. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C44464 shade: #C9445F, #DA5672, #EB6885, #FC7A98 and #FF8CAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C44464. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C44464 shade: #C44464, #B33251, #A2203E, #910E2B and #800018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C44464 shade: #C44464 and #C44444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C44464 shade: #C44464, #C44487, #C444A9, #BC44C4 and #9A44C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C44464 shade matches the following richer shades: #C44464, #D8315A and #EB1D50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C44464 shade: #C44464, #B0586E, #9C6C78, #888082 and #75948C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C44464 shade: #C444A8, #C44486, #C44464, #C44744 and #C46944

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C44464 shade: #8A2B43, #AA3552, #C44464, #CE647E and #D88398

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C44464 shade: #C44464, #C4BD44 and #4497C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C44464 shade: #C44464, #64C444 and #4464C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C44464 shade: #C44464, #C4BD44, #44C4A4 and #444BC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C44464 shade: #C44464, #A4C444, #44C4A4 and #6444C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 49 / 23

HEX #C44464

RGB 196 68 100

HSL 345, 0.52%, 0.52%

LAB 47.99, 53.38, 9.71

 

Complementary color

CMYK 68 / 0 / 17 / 27

HEX #3BBB9B

RGB 59 187 155

HSL 165, 0.52%, 0.48%

LAB 68.63, -42.36, 6.15

 

CMYK 0 / 66 / 53 / 21

HEX #C9445F

RGB 201 68 95

HSL 347.82, 0.55%, 0.53%

LAB 48.73, 54.54, 13.91

 

CMYK 0 / 61 / 48 / 15

HEX #DA5672

RGB 218 86 114

HSL 347.27, 0.64%, 0.6%

LAB 54.84, 53.98, 11.45

 

CMYK 0 / 56 / 43 / 8

HEX #EB6885

RGB 235 104 133

HSL 346.72, 0.77%, 0.66%

LAB 61.01, 53.23, 9.42

 

CMYK 0 / 52 / 40 / 1

HEX #FC7A98

RGB 252 122 152

HSL 346.15, 0.96%, 0.73%

LAB 67.19, 52.38, 7.68

 

CMYK 0 / 45 / 33 / 0

HEX #FF8CAB

RGB 255 140 171

HSL 343.83, 1%, 0.77%

LAB 71.53, 46.76, 3.31

 

CMYK 0 / 65 / 49 / 23

HEX #C44464

RGB 196 68 100

HSL 345, 0.52%, 0.52%

LAB 47.99, 53.38, 9.71

 

CMYK 0 / 72 / 55 / 30

HEX #B33251

RGB 179 50 81

HSL 345.58, 0.56%, 0.45%

LAB 41.94, 53.58, 12.54

 

CMYK 0 / 80 / 62 / 36

HEX #A2203E

RGB 162 32 62

HSL 346.15, 0.67%, 0.38%

LAB 36.1, 53.13, 16.14

 

CMYK 0 / 90 / 70 / 43

HEX #910E2B

RGB 145 14 43

HSL 346.72, 0.82%, 0.31%

LAB 30.66, 51.58, 20.76

 

CMYK 0 / 100 / 81 / 50

HEX #800018

RGB 128 0 24

HSL 348.75, 1%, 0.25%

LAB 25.73, 48.6, 26.41

 

CMYK 0 / 65 / 49 / 23

HEX #C44464

RGB 196 68 100

HSL 345, 0.52%, 0.52%

LAB 47.99, 53.38, 9.71

 

CMYK 0 / 65 / 65 / 23

HEX #C44444

RGB 196 68 68

HSL 0, 0.52%, 0.52%

LAB 47.35, 51, 28.16

 

CMYK 0 / 65 / 49 / 23

HEX #C44464

RGB 196 68 100

HSL 345, 0.52%, 0.52%

LAB 47.99, 53.38, 9.71

 

CMYK 0 / 65 / 31 / 23

HEX #C44487

RGB 196 68 135

HSL 328.59, 0.52%, 0.52%

LAB 49.03, 57.09, -9.99

 

CMYK 0 / 65 / 14 / 23

HEX #C444A9

RGB 196 68 169

HSL 312.66, 0.52%, 0.52%

LAB 50.38, 61.71, -28.16

 

CMYK 4 / 65 / 0 / 23

HEX #BC44C4

RGB 188 68 196

HSL 296.25, 0.52%, 0.52%

LAB 50.47, 64.11, -43.84

 

CMYK 21 / 65 / 0 / 23

HEX #9A44C4

RGB 154 68 196

HSL 280.31, 0.52%, 0.52%

LAB 45.62, 56.27, -51.85

 

CMYK 0 / 65 / 49 / 23

HEX #C44464

RGB 196 68 100

HSL 345, 0.52%, 0.52%

LAB 47.99, 53.38, 9.71

 

CMYK 0 / 77 / 58 / 15

HEX #D8315A

RGB 216 49 90

HSL 345.27, 0.68%, 0.52%

LAB 48.93, 65.29, 17.65

 

CMYK 0 / 88 / 66 / 8

HEX #EB1D50

RGB 235 29 80

HSL 345.15, 0.84%, 0.52%

LAB 50.83, 74.21, 26.91

 

CMYK 0 / 65 / 49 / 23

HEX #C44464

RGB 196 68 100

HSL 345, 0.52%, 0.52%

LAB 47.99, 53.38, 9.71

 

CMYK 0 / 50 / 38 / 31

HEX #B0586E

RGB 176 88 110

HSL 345, 0.36%, 0.52%

LAB 48.68, 38.15, 4.2

 

CMYK 0 / 31 / 23 / 39

HEX #9C6C78

RGB 156 108 120

HSL 345, 0.2%, 0.52%

LAB 50.86, 20.94, 1.06

 

CMYK 0 / 6 / 4 / 47

HEX #888082

RGB 136 128 130

HSL 345, 0.03%, 0.52%

LAB 54.33, 3.4, -0

 

CMYK 21 / 0 / 5 / 42

HEX #75948C

RGB 117 148 140

HSL 164.52, 0.13%, 0.52%

LAB 58.84, -12.55, 0.65

 

CMYK 0 / 65 / 14 / 23

HEX #C444A8

RGB 196 68 168

HSL 313.13, 0.52%, 0.52%

LAB 50.33, 61.56, -27.64

 

CMYK 0 / 65 / 32 / 23

HEX #C44486

RGB 196 68 134

HSL 329.06, 0.52%, 0.52%

LAB 49, 56.97, -9.44

 

CMYK 0 / 65 / 49 / 23

HEX #C44464

RGB 196 68 100

HSL 345, 0.52%, 0.52%

LAB 47.99, 53.38, 9.71

 

CMYK 0 / 64 / 65 / 23

HEX #C44744

RGB 196 71 68

HSL 1.41, 0.52%, 0.52%

LAB 47.83, 49.71, 28.76

 

CMYK 0 / 46 / 65 / 23

HEX #C46944

RGB 196 105 68

HSL 17.34, 0.52%, 0.52%

LAB 54.3, 33.06, 36.59

 

CMYK 0 / 69 / 51 / 46

HEX #8A2B43

RGB 138 43 67

HSL 344.84, 0.52%, 0.35%

LAB 33, 42.11, 7.89

 

CMYK 0 / 69 / 52 / 33

HEX #AA3552

RGB 170 53 82

HSL 345.13, 0.52%, 0.44%

LAB 40.74, 49.7, 10

 

CMYK 0 / 65 / 49 / 23

HEX #C44464

RGB 196 68 100

HSL 345, 0.52%, 0.52%

LAB 47.99, 53.38, 9.71

 

CMYK 0 / 51 / 39 / 19

HEX #CE647E

RGB 206 100 126

HSL 345.28, 0.52%, 0.6%

LAB 55.83, 44.55, 5.53

 

CMYK 0 / 39 / 30 / 15

HEX #D88398

RGB 216 131 152

HSL 345.18, 0.52%, 0.68%

LAB 64.24, 35.28, 2.83

 

CMYK 0 / 65 / 49 / 23

HEX #C44464

RGB 196 68 100

HSL 345, 0.52%, 0.52%

LAB 47.99, 53.38, 9.71

 

CMYK 0 / 4 / 65 / 23

HEX #C4BD44

RGB 196 189 68

HSL 56.72, 0.52%, 0.52%

LAB 75.17, -12.12, 59.66

 

CMYK 65 / 23 / 0 / 23

HEX #4497C4

RGB 68 151 196

HSL 201.09, 0.52%, 0.52%

LAB 59.29, -11.11, -30.68

 

CMYK 0 / 65 / 49 / 23

HEX #C44464

RGB 196 68 100

HSL 345, 0.52%, 0.52%

LAB 47.99, 53.38, 9.71

 

CMYK 49 / 0 / 65 / 23

HEX #64C444

RGB 100 196 68

HSL 105, 0.52%, 0.52%

LAB 71.29, -51.5, 53.76

 

CMYK 65 / 49 / 0 / 23

HEX #4464C4

RGB 68 100 196

HSL 225, 0.52%, 0.52%

LAB 44.7, 19.54, -53.75

 

CMYK 0 / 65 / 49 / 23

HEX #C44464

RGB 196 68 100

HSL 345, 0.52%, 0.52%

LAB 47.99, 53.38, 9.71

 

CMYK 0 / 4 / 65 / 23

HEX #C4BD44

RGB 196 189 68

HSL 56.72, 0.52%, 0.52%

LAB 75.17, -12.12, 59.66

 

CMYK 65 / 0 / 16 / 23

HEX #44C4A4

RGB 68 196 164

HSL 165, 0.52%, 0.52%

LAB 71.82, -42.6, 5.85

 

CMYK 65 / 62 / 0 / 23

HEX #444BC4

RGB 68 75 196

HSL 236.72, 0.52%, 0.52%

LAB 38.28, 35.41, -64.15

 

CMYK 0 / 65 / 49 / 23

HEX #C44464

RGB 196 68 100

HSL 345, 0.52%, 0.52%

LAB 47.99, 53.38, 9.71

 

CMYK 16 / 0 / 65 / 23

HEX #A4C444

RGB 164 196 68

HSL 75, 0.52%, 0.52%

LAB 74.69, -28.84, 58.41

 

CMYK 65 / 0 / 16 / 23

HEX #44C4A4

RGB 68 196 164

HSL 165, 0.52%, 0.52%

LAB 71.82, -42.6, 5.85

 

CMYK 49 / 65 / 0 / 23

HEX #6444C4

RGB 100 68 196

HSL 255, 0.52%, 0.52%

LAB 39.29, 44.96, -62.4

 

Description

Color code: HEX #C44464 | qconv.com Color code: HEX #C44464 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 68 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 68 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 49 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 49% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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