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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C44AAA it is the complementary color #3BB555. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C44AAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C44AAA shade: #C94AA5, #DA5CB8, #EB6ECB, #FC80DE and #FF92F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C44AAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C44AAA shade: #C44AAA, #B33897, #A22684, #911471 and #80025E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C44AAA shade: #C44AAA, #C44A89, #C44A68 and #C44A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C44AAA shade: #C44AAA, #BD4AC4, #9C4AC4, #7B4AC4 and #5A4AC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C44AAA shade matches the following richer shades: #C44AAA, #D736B5, #EB23C0 and #FE0FCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C44AAA shade: #C44AAA, #B05D9F, #9D7093, #8A8488 and #76977D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C44AAA shade: #9B4AC4, #BC4AC4, #C44AAB, #C44A8B and #C44A6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C44AAA shade: #8D2E79, #AC3894, #C44AAA, #CE69B8 and #D888C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C44AAA shade: #C44AAA, #C47A4A and #4AC4AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C44AAA shade: #C44AAA, #ABC44A and #4AABC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C44AAA shade: #C44AAA, #C47A4A, #4AC462 and #4A93C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C44AAA shade: #C44AAA, #C49F4A, #4AC462 and #4A6EC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 13 / 23

HEX #C44AAA

RGB 196 74 170

HSL 312.79, 0.51%, 0.53%

LAB 51.31, 59.41, -27.3

 

Complementary color

CMYK 67 / 0 / 53 / 29

HEX #3BB555

RGB 59 181 85

HSL 132.79, 0.51%, 0.47%

LAB 65.46, -53.9, 38.96

 

CMYK 0 / 63 / 18 / 21

HEX #C94AA5

RGB 201 74 165

HSL 317.01, 0.54%, 0.54%

LAB 51.87, 60.03, -23.43

 

CMYK 0 / 58 / 16 / 15

HEX #DA5CB8

RGB 218 92 184

HSL 316.19, 0.63%, 0.61%

LAB 58.06, 59.78, -24.73

 

CMYK 0 / 53 / 14 / 8

HEX #EB6ECB

RGB 235 110 203

HSL 315.36, 0.76%, 0.68%

LAB 64.26, 59.32, -25.79

 

CMYK 0 / 49 / 12 / 1

HEX #FC80DE

RGB 252 128 222

HSL 314.52, 0.95%, 0.75%

LAB 70.46, 58.73, -26.68

 

CMYK 0 / 43 / 5 / 0

HEX #FF92F1

RGB 255 146 241

HSL 307.71, 1%, 0.79%

LAB 74.93, 53.92, -30.2

 

CMYK 0 / 62 / 13 / 23

HEX #C44AAA

RGB 196 74 170

HSL 312.79, 0.51%, 0.53%

LAB 51.31, 59.41, -27.3

 

CMYK 0 / 69 / 16 / 30

HEX #B33897

RGB 179 56 151

HSL 313.66, 0.52%, 0.46%

LAB 45.15, 59.3, -25.8

 

CMYK 0 / 77 / 19 / 36

HEX #A22684

RGB 162 38 132

HSL 314.52, 0.62%, 0.39%

LAB 39.13, 58.57, -23.82

 

CMYK 0 / 86 / 22 / 43

HEX #911471

RGB 145 20 113

HSL 315.36, 0.76%, 0.32%

LAB 33.38, 56.82, -21.12

 

CMYK 0 / 98 / 27 / 50

HEX #80025E

RGB 128 2 94

HSL 316.19, 0.97%, 0.25%

LAB 27.96, 53.79, -17.54

 

CMYK 0 / 62 / 13 / 23

HEX #C44AAA

RGB 196 74 170

HSL 312.79, 0.51%, 0.53%

LAB 51.31, 59.41, -27.3

 

CMYK 0 / 62 / 30 / 23

HEX #C44A89

RGB 196 74 137

HSL 329.02, 0.51%, 0.53%

LAB 50.02, 54.81, -9.7

 

CMYK 0 / 62 / 47 / 23

HEX #C44A68

RGB 196 74 104

HSL 345.25, 0.51%, 0.53%

LAB 49.05, 51.17, 8.77

 

CMYK 0 / 62 / 62 / 23

HEX #C44A4A

RGB 196 74 74

HSL 0, 0.51%, 0.53%

LAB 48.42, 48.76, 25.96

 

CMYK 0 / 62 / 13 / 23

HEX #C44AAA

RGB 196 74 170

HSL 312.79, 0.51%, 0.53%

LAB 51.31, 59.41, -27.3

 

CMYK 4 / 62 / 0 / 23

HEX #BD4AC4

RGB 189 74 196

HSL 296.56, 0.51%, 0.53%

LAB 51.5, 61.89, -42.19

 

CMYK 20 / 62 / 0 / 23

HEX #9C4AC4

RGB 156 74 196

HSL 280.33, 0.51%, 0.53%

LAB 46.91, 53.92, -49.77

 

CMYK 37 / 62 / 0 / 23

HEX #7B4AC4

RGB 123 74 196

HSL 264.1, 0.51%, 0.53%

LAB 42.9, 46.35, -56.42

 

CMYK 54 / 62 / 0 / 23

HEX #5A4AC4

RGB 90 74 196

HSL 247.87, 0.51%, 0.53%

LAB 39.68, 39.67, -61.81

 

CMYK 0 / 62 / 13 / 23

HEX #C44AAA

RGB 196 74 170

HSL 312.79, 0.51%, 0.53%

LAB 51.31, 59.41, -27.3

 

CMYK 0 / 75 / 16 / 16

HEX #D736B5

RGB 215 54 181

HSL 312.67, 0.67%, 0.53%

LAB 52.31, 72.88, -31.94

 

CMYK 0 / 85 / 18 / 8

HEX #EB23C0

RGB 235 35 192

HSL 312.9, 0.83%, 0.53%

LAB 54.73, 83.02, -34.29

 

CMYK 0 / 94 / 20 / 0

HEX #FE0FCB

RGB 254 15 203

HSL 312.8, 0.99%, 0.53%

LAB 57.77, 90.48, -35.61

 

CMYK 0 / 62 / 13 / 23

HEX #C44AAA

RGB 196 74 170

HSL 312.79, 0.51%, 0.53%

LAB 51.31, 59.41, -27.3

 

CMYK 0 / 47 / 10 / 31

HEX #B05D9F

RGB 176 93 159

HSL 312.29, 0.34%, 0.53%

LAB 51.34, 42.75, -21.03

 

CMYK 0 / 29 / 6 / 38

HEX #9D7093

RGB 157 112 147

HSL 313.33, 0.19%, 0.53%

LAB 52.8, 23.66, -11.98

 

CMYK 0 / 4 / 1 / 46

HEX #8A8488

RGB 138 132 136

HSL 320, 0.02%, 0.53%

LAB 55.77, 3.02, -1.35

 

CMYK 22 / 0 / 17 / 41

HEX #76977D

RGB 118 151 125

HSL 132.73, 0.14%, 0.53%

LAB 59.4, -16.91, 9.98

 

CMYK 21 / 62 / 0 / 23

HEX #9B4AC4

RGB 155 74 196

HSL 279.84, 0.51%, 0.53%

LAB 46.78, 53.68, -49.99

 

CMYK 4 / 62 / 0 / 23

HEX #BC4AC4

RGB 188 74 196

HSL 296.07, 0.51%, 0.53%

LAB 51.35, 61.65, -42.43

 

CMYK 0 / 62 / 13 / 23

HEX #C44AAB

RGB 196 74 171

HSL 312.3, 0.51%, 0.53%

LAB 51.35, 59.56, -27.82

 

CMYK 0 / 62 / 29 / 23

HEX #C44A8B

RGB 196 74 139

HSL 328.03, 0.51%, 0.53%

LAB 50.09, 55.07, -10.79

 

CMYK 0 / 62 / 46 / 23

HEX #C44A6A

RGB 196 74 106

HSL 344.26, 0.51%, 0.53%

LAB 49.1, 51.36, 7.63

 

CMYK 0 / 67 / 14 / 45

HEX #8D2E79

RGB 141 46 121

HSL 312.63, 0.51%, 0.37%

LAB 35.98, 48.61, -22.17

 

CMYK 0 / 67 / 14 / 33

HEX #AC3894

RGB 172 56 148

HSL 312.41, 0.51%, 0.45%

LAB 43.85, 57.04, -26.1

 

CMYK 0 / 62 / 13 / 23

HEX #C44AAA

RGB 196 74 170

HSL 312.79, 0.51%, 0.53%

LAB 51.31, 59.41, -27.3

 

CMYK 0 / 49 / 11 / 19

HEX #CE69B8

RGB 206 105 184

HSL 313.07, 0.51%, 0.61%

LAB 58.68, 50.14, -23.91

 

CMYK 0 / 37 / 8 / 15

HEX #D888C7

RGB 216 136 199

HSL 312.75, 0.51%, 0.69%

LAB 66.77, 39.82, -19.92

 

CMYK 0 / 62 / 13 / 23

HEX #C44AAA

RGB 196 74 170

HSL 312.79, 0.51%, 0.53%

LAB 51.31, 59.41, -27.3

 

CMYK 0 / 38 / 62 / 23

HEX #C47A4A

RGB 196 122 74

HSL 23.61, 0.51%, 0.53%

LAB 58.18, 24.29, 37.98

 

CMYK 62 / 0 / 13 / 23

HEX #4AC4AB

RGB 74 196 171

HSL 167.7, 0.51%, 0.53%

LAB 72.15, -39.83, 2.54

 

CMYK 0 / 62 / 13 / 23

HEX #C44AAA

RGB 196 74 170

HSL 312.79, 0.51%, 0.53%

LAB 51.31, 59.41, -27.3

 

CMYK 13 / 0 / 62 / 23

HEX #ABC44A

RGB 171 196 74

HSL 72.3, 0.51%, 0.53%

LAB 75.22, -25.6, 56.64

 

CMYK 62 / 13 / 0 / 23

HEX #4AABC4

RGB 74 171 196

HSL 192.3, 0.51%, 0.53%

LAB 65.41, -20.81, -21.25

 

CMYK 0 / 62 / 13 / 23

HEX #C44AAA

RGB 196 74 170

HSL 312.79, 0.51%, 0.53%

LAB 51.31, 59.41, -27.3

 

CMYK 0 / 38 / 62 / 23

HEX #C47A4A

RGB 196 122 74

HSL 23.61, 0.51%, 0.53%

LAB 58.18, 24.29, 37.98

 

CMYK 62 / 0 / 50 / 23

HEX #4AC462

RGB 74 196 98

HSL 131.8, 0.51%, 0.53%

LAB 70.74, -54.53, 39.14

 

CMYK 62 / 25 / 0 / 23

HEX #4A93C4

RGB 74 147 196

HSL 204.1, 0.51%, 0.53%

LAB 58.33, -7.81, -32.16

 

CMYK 0 / 62 / 13 / 23

HEX #C44AAA

RGB 196 74 170

HSL 312.79, 0.51%, 0.53%

LAB 51.31, 59.41, -27.3

 

CMYK 0 / 19 / 62 / 23

HEX #C49F4A

RGB 196 159 74

HSL 41.8, 0.51%, 0.53%

LAB 67.3, 4.06, 48.51

 

CMYK 62 / 0 / 50 / 23

HEX #4AC462

RGB 74 196 98

HSL 131.8, 0.51%, 0.53%

LAB 70.74, -54.53, 39.14

 

CMYK 62 / 44 / 0 / 23

HEX #4A6EC4

RGB 74 110 196

HSL 222.3, 0.51%, 0.53%

LAB 47.74, 14.3, -48.86

 

Description

Color code: HEX #C44AAA | qconv.com Color code: HEX #C44AAA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 74 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 74 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 13 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 13% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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