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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C456D0 it is the complementary color #3BA92F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C456D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C456D0 shade: #C956CB, #DA68DE, #EB7AF1, #FC8CFF and #FF9EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C456D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C456D0 shade: #C456D0, #B344BD, #A232AA, #912097 and #800E84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C456D0 shade: #C457CF, #CF57BB, #CF579A, #CF577A and #CF575A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C456D0 shade: #C457CF, #A357CF, #8357CF, #6357CF and #5757CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C456D0 shade matches the following richer shades: #C457CF, #D246E1 and #DF35F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C456D0 shade: #C457CF, #B669BE, #A87AAD, #9A8B9B and #8C9D8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C456D0 shade: #8357CF, #A357CF, #C357CF, #CF57BB and #CF579B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C456D0 shade: #9A2EA6, #B837C6, #C457CF, #CF78D8 and #DA98E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C456D0 shade: #C456D0, #CF6357 and #57CF93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C456D0 shade: #C456D0, #CFC357 and #57CFC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C456D0 shade: #C456D0, #CF6357, #63CF57 and #57C3CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C456D0 shade: #C456D0, #CF8757, #63CF57 and #579FCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 59 / 0 / 18

HEX #C456D0

RGB 196 86 208

HSL 294.1, 0.56%, 0.58%

LAB 55.02, 60.54, -43.44

 

Complementary color

CMYK 65 / 0 / 72 / 34

HEX #3BA92F

RGB 59 169 47

HSL 114.1, 0.56%, 0.42%

LAB 61.23, -53.94, 51.11

 

CMYK 1 / 58 / 0 / 20

HEX #C956CB

RGB 201 86 203

HSL 298.97, 0.53%, 0.57%

LAB 55.47, 60.92, -39.83

 

CMYK 2 / 53 / 0 / 13

HEX #DA68DE

RGB 218 104 222

HSL 297.97, 0.64%, 0.64%

LAB 61.72, 60.51, -40.59

 

CMYK 2 / 49 / 0 / 5

HEX #EB7AF1

RGB 235 122 241

HSL 296.97, 0.81%, 0.71%

LAB 67.97, 59.95, -41.19

 

CMYK 1 / 45 / 0 / 0

HEX #FC8CFF

RGB 252 140 255

HSL 298.43, 1%, 0.77%

LAB 73.98, 58.41, -39.31

 

CMYK 0 / 38 / 0 / 0

HEX #FF9EFF

RGB 255 158 255

HSL 300, 1%, 0.81%

LAB 77.84, 50.31, -33.3

 

CMYK 6 / 59 / 0 / 18

HEX #C456D0

RGB 196 86 208

HSL 294.1, 0.56%, 0.58%

LAB 55.02, 60.54, -43.44

 

CMYK 5 / 64 / 0 / 26

HEX #B344BD

RGB 179 68 189

HSL 295.04, 0.48%, 0.5%

LAB 48.75, 60.74, -42.59

 

CMYK 5 / 71 / 0 / 33

HEX #A232AA

RGB 162 50 170

HSL 296, 0.55%, 0.43%

LAB 42.56, 60.5, -41.42

 

CMYK 4 / 79 / 0 / 41

HEX #912097

RGB 145 32 151

HSL 296.97, 0.65%, 0.36%

LAB 36.53, 59.53, -39.76

 

CMYK 3 / 89 / 0 / 48

HEX #800E84

RGB 128 14 132

HSL 297.97, 0.81%, 0.29%

LAB 30.81, 57.34, -37.37

 

CMYK 5 / 58 / 0 / 19

HEX #C457CF

RGB 196 87 207

HSL 294.5, 0.56%, 0.58%

LAB 55.13, 59.91, -42.69

 

CMYK 0 / 58 / 10 / 19

HEX #CF57BB

RGB 207 87 187

HSL 310, 0.56%, 0.58%

LAB 55.76, 59.41, -30.14

 

CMYK 0 / 58 / 26 / 19

HEX #CF579A

RGB 207 87 154

HSL 326.5, 0.56%, 0.58%

LAB 54.46, 54.56, -12.93

 

CMYK 0 / 58 / 41 / 19

HEX #CF577A

RGB 207 87 122

HSL 342.5, 0.56%, 0.58%

LAB 53.48, 50.71, 4.53

 

CMYK 0 / 58 / 57 / 19

HEX #CF575A

RGB 207 87 90

HSL 358.5, 0.56%, 0.58%

LAB 52.75, 47.78, 22.49

 

CMYK 5 / 58 / 0 / 19

HEX #C457CF

RGB 196 87 207

HSL 294.5, 0.56%, 0.58%

LAB 55.13, 59.91, -42.69

 

CMYK 21 / 58 / 0 / 19

HEX #A357CF

RGB 163 87 207

HSL 278, 0.56%, 0.58%

LAB 50.81, 51.59, -49.81

 

CMYK 37 / 58 / 0 / 19

HEX #8357CF

RGB 131 87 207

HSL 262, 0.56%, 0.58%

LAB 47.17, 43.9, -55.86

 

CMYK 52 / 58 / 0 / 19

HEX #6357CF

RGB 99 87 207

HSL 246, 0.56%, 0.58%

LAB 44.2, 37.02, -60.8

 

CMYK 58 / 58 / 0 / 19

HEX #5757CF

RGB 87 87 207

HSL 240, 0.56%, 0.58%

LAB 43.28, 34.77, -62.33

 

CMYK 5 / 58 / 0 / 19

HEX #C457CF

RGB 196 87 207

HSL 294.5, 0.56%, 0.58%

LAB 55.13, 59.91, -42.69

 

CMYK 7 / 69 / 0 / 12

HEX #D246E1

RGB 210 70 225

HSL 294.19, 0.72%, 0.58%

LAB 55.6, 73.29, -52.02

 

CMYK 8 / 78 / 0 / 5

HEX #DF35F2

RGB 223 53 242

HSL 293.97, 0.88%, 0.58%

LAB 56.73, 83.95, -59.66

 

CMYK 5 / 58 / 0 / 19

HEX #C457CF

RGB 196 87 207

HSL 294.5, 0.56%, 0.58%

LAB 55.13, 59.91, -42.69

 

CMYK 4 / 45 / 0 / 25

HEX #B669BE

RGB 182 105 190

HSL 294.35, 0.4%, 0.58%

LAB 55.85, 43.96, -31.97

 

CMYK 3 / 29 / 0 / 32

HEX #A87AAD

RGB 168 122 173

HSL 294.12, 0.24%, 0.58%

LAB 57.33, 26.8, -20.07

 

CMYK 1 / 10 / 0 / 39

HEX #9A8B9B

RGB 154 139 155

HSL 296.25, 0.07%, 0.58%

LAB 59.62, 8.62, -6.44

 

CMYK 11 / 0 / 12 / 38

HEX #8C9D8A

RGB 140 157 138

HSL 113.68, 0.09%, 0.58%

LAB 62.95, -9.75, 7.91

 

CMYK 37 / 58 / 0 / 19

HEX #8357CF

RGB 131 87 207

HSL 262, 0.56%, 0.58%

LAB 47.17, 43.9, -55.86

 

CMYK 21 / 58 / 0 / 19

HEX #A357CF

RGB 163 87 207

HSL 278, 0.56%, 0.58%

LAB 50.81, 51.59, -49.81

 

CMYK 6 / 58 / 0 / 19

HEX #C357CF

RGB 195 87 207

HSL 294, 0.56%, 0.58%

LAB 54.99, 59.66, -42.92

 

CMYK 0 / 58 / 10 / 19

HEX #CF57BB

RGB 207 87 187

HSL 310, 0.56%, 0.58%

LAB 55.76, 59.41, -30.14

 

CMYK 0 / 58 / 25 / 19

HEX #CF579B

RGB 207 87 155

HSL 326, 0.56%, 0.58%

LAB 54.5, 54.7, -13.46

 

CMYK 7 / 72 / 0 / 35

HEX #9A2EA6

RGB 154 46 166

HSL 294, 0.57%, 0.42%

LAB 40.54, 59.47, -42.33

 

CMYK 7 / 72 / 0 / 22

HEX #B837C6

RGB 184 55 198

HSL 294.13, 0.57%, 0.5%

LAB 48.26, 68.39, -48.54

 

CMYK 5 / 58 / 0 / 19

HEX #C457CF

RGB 196 87 207

HSL 294.5, 0.56%, 0.58%

LAB 55.13, 59.91, -42.69

 

CMYK 4 / 44 / 0 / 15

HEX #CF78D8

RGB 207 120 216

HSL 294.38, 0.55%, 0.66%

LAB 63.06, 48.48, -35.24

 

CMYK 4 / 33 / 0 / 11

HEX #DA98E2

RGB 218 152 226

HSL 293.51, 0.56%, 0.74%

LAB 71.46, 36.82, -27.7

 

CMYK 6 / 59 / 0 / 18

HEX #C456D0

RGB 196 86 208

HSL 294.1, 0.56%, 0.58%

LAB 55.02, 60.54, -43.44

 

CMYK 0 / 52 / 58 / 19

HEX #CF6357

RGB 207 99 87

HSL 6, 0.56%, 0.58%

LAB 54.95, 41.72, 27.1

 

CMYK 58 / 0 / 29 / 19

HEX #57CF93

RGB 87 207 147

HSL 150, 0.56%, 0.58%

LAB 75.3, -47.49, 19.95

 

CMYK 6 / 59 / 0 / 18

HEX #C456D0

RGB 196 86 208

HSL 294.1, 0.56%, 0.58%

LAB 55.02, 60.54, -43.44

 

CMYK 0 / 6 / 58 / 19

HEX #CFC357

RGB 207 195 87

HSL 54, 0.56%, 0.58%

LAB 77.87, -9.3, 54.63

 

CMYK 58 / 0 / 6 / 19

HEX #57CFC3

RGB 87 207 195

HSL 174, 0.56%, 0.58%

LAB 76.43, -36.33, -4.14

 

CMYK 6 / 59 / 0 / 18

HEX #C456D0

RGB 196 86 208

HSL 294.1, 0.56%, 0.58%

LAB 55.02, 60.54, -43.44

 

CMYK 0 / 52 / 58 / 19

HEX #CF6357

RGB 207 99 87

HSL 6, 0.56%, 0.58%

LAB 54.95, 41.72, 27.1

 

CMYK 52 / 0 / 58 / 19

HEX #63CF57

RGB 99 207 87

HSL 114, 0.56%, 0.58%

LAB 74.8, -54.1, 49.42

 

CMYK 58 / 6 / 0 / 19

HEX #57C3CF

RGB 87 195 207

HSL 186, 0.56%, 0.58%

LAB 73.26, -27.36, -15.36

 

CMYK 6 / 59 / 0 / 18

HEX #C456D0

RGB 196 86 208

HSL 294.1, 0.56%, 0.58%

LAB 55.02, 60.54, -43.44

 

CMYK 0 / 35 / 58 / 19

HEX #CF8757

RGB 207 135 87

HSL 24, 0.56%, 0.58%

LAB 62.74, 22.74, 36.9

 

CMYK 52 / 0 / 58 / 19

HEX #63CF57

RGB 99 207 87

HSL 114, 0.56%, 0.58%

LAB 74.8, -54.1, 49.42

 

CMYK 58 / 23 / 0 / 19

HEX #579FCF

RGB 87 159 207

HSL 204, 0.56%, 0.58%

LAB 62.78, -8.52, -31.37

 

Description

Color code: HEX #C456D0 | qconv.com Color code: HEX #C456D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 86 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 86 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 59 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 59% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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