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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C459D3 it is the complementary color #3BA62C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C459D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C459D3 shade: #C959CE, #DA6BE1, #EB7DF4, #FC8FFF and #FFA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C459D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C459D3 shade: #C459D3, #B347C0, #A235AD, #91239A and #801187

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C459D3 shade: #C459D3, #D359C1, #D359A0, #D3597F and #D3595F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C459D3 shade: #C459D3, #A359D3, #8259D3, #6259D3 and #5959D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C459D3 shade matches the following richer shades: #C459D3, #D048E4 and #DD37F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C459D3 shade: #C459D3, #B76AC2, #AA7BB1, #9D8CA0 and #919D8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C459D3 shade: #8259D3, #A259D3, #C259D3, #D359C2 and #D359A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C459D3 shade: #9C2DAC, #B839CA, #C459D3, #CF7ADB and #DB9BE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C459D3 shade: #C459D3, #D36159 and #59D392

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C459D3 shade: #C459D3, #D3C259 and #59D3C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C459D3 shade: #C459D3, #D36159, #69D359 and #59CBD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C459D3 shade: #C459D3, #D38659, #69D359 and #59A6D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 58 / 0 / 17

HEX #C459D3

RGB 196 89 211

HSL 292.62, 0.58%, 0.59%

LAB 55.67, 59.73, -44.12

 

Complementary color

CMYK 64 / 0 / 73 / 35

HEX #3BA62C

RGB 59 166 44

HSL 112.62, 0.58%, 0.41%

LAB 60.23, -53.13, 51.23

 

CMYK 2 / 57 / 0 / 19

HEX #C959CE

RGB 201 89 206

HSL 297.44, 0.54%, 0.58%

LAB 56.11, 60.11, -40.54

 

CMYK 3 / 52 / 0 / 12

HEX #DA6BE1

RGB 218 107 225

HSL 296.44, 0.66%, 0.65%

LAB 62.39, 59.64, -41.22

 

CMYK 4 / 49 / 0 / 4

HEX #EB7DF4

RGB 235 125 244

HSL 295.46, 0.84%, 0.72%

LAB 68.65, 59.04, -41.77

 

CMYK 1 / 44 / 0 / 0

HEX #FC8FFF

RGB 252 143 255

HSL 298.39, 1%, 0.78%

LAB 74.55, 56.94, -38.42

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 7 / 58 / 0 / 17

HEX #C459D3

RGB 196 89 211

HSL 292.62, 0.58%, 0.59%

LAB 55.67, 59.73, -44.12

 

CMYK 7 / 63 / 0 / 25

HEX #B347C0

RGB 179 71 192

HSL 293.55, 0.49%, 0.52%

LAB 49.37, 60.02, -43.35

 

CMYK 6 / 69 / 0 / 32

HEX #A235AD

RGB 162 53 173

HSL 294.5, 0.53%, 0.44%

LAB 43.13, 59.91, -42.29

 

CMYK 6 / 77 / 0 / 40

HEX #91239A

RGB 145 35 154

HSL 295.46, 0.63%, 0.37%

LAB 37.03, 59.14, -40.79

 

CMYK 5 / 87 / 0 / 47

HEX #801187

RGB 128 17 135

HSL 296.44, 0.78%, 0.3%

LAB 31.21, 57.25, -38.6

 

CMYK 7 / 58 / 0 / 17

HEX #C459D3

RGB 196 89 211

HSL 292.62, 0.58%, 0.59%

LAB 55.67, 59.73, -44.12

 

CMYK 0 / 58 / 9 / 17

HEX #D359C1

RGB 211 89 193

HSL 308.85, 0.58%, 0.59%

LAB 56.92, 60.56, -31.73

 

CMYK 0 / 58 / 24 / 17

HEX #D359A0

RGB 211 89 160

HSL 325.08, 0.58%, 0.59%

LAB 55.62, 55.67, -14.64

 

CMYK 0 / 58 / 40 / 17

HEX #D3597F

RGB 211 89 127

HSL 341.31, 0.58%, 0.59%

LAB 54.58, 51.64, 3.24

 

CMYK 0 / 58 / 55 / 17

HEX #D3595F

RGB 211 89 95

HSL 357.05, 0.58%, 0.59%

LAB 53.84, 48.63, 21.11

 

CMYK 7 / 58 / 0 / 17

HEX #C459D3

RGB 196 89 211

HSL 292.62, 0.58%, 0.59%

LAB 55.67, 59.73, -44.12

 

CMYK 23 / 58 / 0 / 17

HEX #A359D3

RGB 163 89 211

HSL 276.39, 0.58%, 0.59%

LAB 51.42, 51.46, -51.13

 

CMYK 38 / 58 / 0 / 17

HEX #8259D3

RGB 130 89 211

HSL 260.16, 0.58%, 0.59%

LAB 47.74, 43.61, -57.23

 

CMYK 54 / 58 / 0 / 17

HEX #6259D3

RGB 98 89 211

HSL 244.43, 0.58%, 0.59%

LAB 44.86, 36.86, -62.02

 

CMYK 58 / 58 / 0 / 17

HEX #5959D3

RGB 89 89 211

HSL 240, 0.58%, 0.59%

LAB 44.19, 35.19, -63.14

 

CMYK 7 / 58 / 0 / 17

HEX #C459D3

RGB 196 89 211

HSL 292.62, 0.58%, 0.59%

LAB 55.67, 59.73, -44.12

 

CMYK 9 / 68 / 0 / 11

HEX #D048E4

RGB 208 72 228

HSL 292.31, 0.74%, 0.59%

LAB 55.73, 72.65, -53.53

 

CMYK 9 / 77 / 0 / 4

HEX #DD37F4

RGB 221 55 244

HSL 292.7, 0.9%, 0.59%

LAB 56.72, 83.38, -60.8

 

CMYK 7 / 58 / 0 / 17

HEX #C459D3

RGB 196 89 211

HSL 292.62, 0.58%, 0.59%

LAB 55.67, 59.73, -44.12

 

CMYK 6 / 45 / 0 / 24

HEX #B76AC2

RGB 183 106 194

HSL 292.5, 0.42%, 0.59%

LAB 56.36, 44.51, -33.47

 

CMYK 4 / 31 / 0 / 31

HEX #AA7BB1

RGB 170 123 177

HSL 292.22, 0.26%, 0.59%

LAB 57.93, 27.71, -21.43

 

CMYK 2 / 13 / 0 / 37

HEX #9D8CA0

RGB 157 140 160

HSL 291, 0.1%, 0.59%

LAB 60.3, 10.12, -8.24

 

CMYK 8 / 0 / 9 / 38

HEX #919D8F

RGB 145 157 143

HSL 111.43, 0.07%, 0.59%

LAB 63.44, -7, 5.86

 

CMYK 38 / 58 / 0 / 17

HEX #8259D3

RGB 130 89 211

HSL 260.16, 0.58%, 0.59%

LAB 47.74, 43.61, -57.23

 

CMYK 23 / 58 / 0 / 17

HEX #A259D3

RGB 162 89 211

HSL 275.9, 0.58%, 0.59%

LAB 51.3, 51.21, -51.33

 

CMYK 8 / 58 / 0 / 17

HEX #C259D3

RGB 194 89 211

HSL 291.64, 0.58%, 0.59%

LAB 55.4, 59.23, -44.56

 

CMYK 0 / 58 / 8 / 17

HEX #D359C2

RGB 211 89 194

HSL 308.36, 0.58%, 0.59%

LAB 56.97, 60.72, -32.24

 

CMYK 0 / 58 / 23 / 17

HEX #D359A2

RGB 211 89 162

HSL 324.1, 0.58%, 0.59%

LAB 55.69, 55.95, -15.7

 

CMYK 9 / 74 / 0 / 33

HEX #9C2DAC

RGB 156 45 172

HSL 292.44, 0.59%, 0.43%

LAB 41.09, 61.34, -45

 

CMYK 9 / 72 / 0 / 21

HEX #B839CA

RGB 184 57 202

HSL 292.55, 0.58%, 0.51%

LAB 48.74, 68.4, -50.09

 

CMYK 7 / 58 / 0 / 17

HEX #C459D3

RGB 196 89 211

HSL 292.62, 0.58%, 0.59%

LAB 55.67, 59.73, -44.12

 

CMYK 5 / 44 / 0 / 14

HEX #CF7ADB

RGB 207 122 219

HSL 292.58, 0.57%, 0.67%

LAB 63.59, 48.02, -36.09

 

CMYK 4 / 32 / 0 / 11

HEX #DB9BE4

RGB 219 155 228

HSL 292.6, 0.57%, 0.75%

LAB 72.3, 35.91, -27.49

 

CMYK 7 / 58 / 0 / 17

HEX #C459D3

RGB 196 89 211

HSL 292.62, 0.58%, 0.59%

LAB 55.67, 59.73, -44.12

 

CMYK 0 / 54 / 58 / 17

HEX #D36159

RGB 211 97 89

HSL 3.93, 0.58%, 0.59%

LAB 55.2, 44.34, 26.39

 

CMYK 58 / 0 / 31 / 17

HEX #59D392

RGB 89 211 146

HSL 148.03, 0.58%, 0.59%

LAB 76.55, -48.92, 22.2

 

CMYK 7 / 58 / 0 / 17

HEX #C459D3

RGB 196 89 211

HSL 292.62, 0.58%, 0.59%

LAB 55.67, 59.73, -44.12

 

CMYK 0 / 8 / 58 / 17

HEX #D3C259

RGB 211 194 89

HSL 51.64, 0.58%, 0.59%

LAB 77.97, -6.97, 53.93

 

CMYK 58 / 0 / 8 / 17

HEX #59D3C2

RGB 89 211 194

HSL 171.64, 0.58%, 0.59%

LAB 77.64, -38.05, -1.82

 

CMYK 7 / 58 / 0 / 17

HEX #C459D3

RGB 196 89 211

HSL 292.62, 0.58%, 0.59%

LAB 55.67, 59.73, -44.12

 

CMYK 0 / 54 / 58 / 17

HEX #D36159

RGB 211 97 89

HSL 3.93, 0.58%, 0.59%

LAB 55.2, 44.34, 26.39

 

CMYK 50 / 0 / 58 / 17

HEX #69D359

RGB 105 211 89

HSL 112.13, 0.58%, 0.59%

LAB 76.26, -53.79, 50.26

 

CMYK 58 / 4 / 0 / 17

HEX #59CBD3

RGB 89 203 211

HSL 183.93, 0.58%, 0.59%

LAB 75.79, -29.78, -13.73

 

CMYK 7 / 58 / 0 / 17

HEX #C459D3

RGB 196 89 211

HSL 292.62, 0.58%, 0.59%

LAB 55.67, 59.73, -44.12

 

CMYK 0 / 36 / 58 / 17

HEX #D38659

RGB 211 134 89

HSL 22.13, 0.58%, 0.59%

LAB 63.03, 25.08, 36.29

 

CMYK 50 / 0 / 58 / 17

HEX #69D359

RGB 105 211 89

HSL 112.13, 0.58%, 0.59%

LAB 76.26, -53.79, 50.26

 

CMYK 58 / 21 / 0 / 17

HEX #59A6D3

RGB 89 166 211

HSL 202.13, 0.58%, 0.59%

LAB 65.04, -10.73, -30.09

 

Description

Color code: HEX #C459D3 | qconv.com Color code: HEX #C459D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 89 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 89 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 58 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 58% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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