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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C451F4 it is the complementary color #3BAE0B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C451F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C451F4 shade: #C951EF, #DA63FF, #EB75FF, #FC87FF and #FF99FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C451F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C451F4 shade: #C451F4, #B33FE1, #A22DCE, #911BBB and #8009A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C451F4 shade: #C452F3, #EF52F3, #F352CC, #F352A0 and #F35275

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C451F4 shade: #C452F3, #9852F3, #6D52F3 and #5252F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C451F4 shade matches the following richer shades: #C452F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C451F4 shade: #C452F3, #BE61E5, #B870D6, #B27EC7 and #AB8DB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C451F4 shade: #6D52F3, #9852F3, #C352F3, #EE52F3 and #F352CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C451F4 shade: #A60EE5, #B72BF1, #C452F3, #D179F6 and #DE9FF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C451F4 shade: #C451F4, #F35262 and #52F382

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C451F4 shade: #C451F4, #F3C352 and #52F3C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C451F4 shade: #C451F4, #F35262, #82F352 and #52F3E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C451F4 shade: #C451F4, #F37252, #82F352 and #52D3F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 67 / 0 / 4

HEX #C451F4

RGB 196 81 244

HSL 282.33, 0.88%, 0.64%

LAB 56.24, 69.57, -61.77

 

Complementary color

CMYK 66 / 0 / 94 / 32

HEX #3BAE0B

RGB 59 174 11

HSL 102.33, 0.88%, 0.36%

LAB 62.7, -57.5, 61.99

 

CMYK 16 / 66 / 0 / 6

HEX #C951EF

RGB 201 81 239

HSL 285.57, 0.83%, 0.63%

LAB 56.62, 69.66, -58.33

 

CMYK 15 / 61 / 0 / 0

HEX #DA63FF

RGB 218 99 255

HSL 285.77, 1%, 0.69%

LAB 62.55, 68.85, -57.6

 

CMYK 8 / 54 / 0 / 0

HEX #EB75FF

RGB 235 117 255

HSL 291.3, 1%, 0.73%

LAB 67.73, 64.83, -49.25

 

CMYK 1 / 47 / 0 / 0

HEX #FC87FF

RGB 252 135 255

HSL 298.5, 1%, 0.76%

LAB 73.05, 60.83, -40.75

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 20 / 67 / 0 / 4

HEX #C451F4

RGB 196 81 244

HSL 282.33, 0.88%, 0.64%

LAB 56.24, 69.57, -61.77

 

CMYK 20 / 72 / 0 / 12

HEX #B33FE1

RGB 179 63 225

HSL 282.96, 0.73%, 0.56%

LAB 50.19, 69.51, -60.96

 

CMYK 21 / 78 / 0 / 19

HEX #A22DCE

RGB 162 45 206

HSL 283.6, 0.64%, 0.49%

LAB 44.25, 68.89, -59.79

 

CMYK 22 / 86 / 0 / 27

HEX #911BBB

RGB 145 27 187

HSL 284.25, 0.75%, 0.42%

LAB 38.54, 67.39, -58.09

 

CMYK 24 / 95 / 0 / 34

HEX #8009A8

RGB 128 9 168

HSL 284.91, 0.9%, 0.35%

LAB 33.16, 64.57, -55.64

 

CMYK 19 / 66 / 0 / 5

HEX #C452F3

RGB 196 82 243

HSL 282.48, 0.87%, 0.64%

LAB 56.33, 68.96, -61.07

 

CMYK 2 / 66 / 0 / 5

HEX #EF52F3

RGB 239 82 243

HSL 298.51, 0.87%, 0.64%

LAB 62.39, 78.26, -51.05

 

CMYK 0 / 66 / 16 / 5

HEX #F352CC

RGB 243 82 204

HSL 314.53, 0.87%, 0.64%

LAB 61.18, 73.32, -31.02

 

CMYK 0 / 66 / 34 / 5

HEX #F352A0

RGB 243 82 160

HSL 330.93, 0.87%, 0.64%

LAB 59.55, 67.84, -8.23

 

CMYK 0 / 66 / 52 / 5

HEX #F35275

RGB 243 82 117

HSL 346.96, 0.87%, 0.64%

LAB 58.39, 63.76, 15.25

 

CMYK 19 / 66 / 0 / 5

HEX #C452F3

RGB 196 82 243

HSL 282.48, 0.87%, 0.64%

LAB 56.33, 68.96, -61.07

 

CMYK 37 / 66 / 0 / 5

HEX #9852F3

RGB 152 82 243

HSL 266.09, 0.87%, 0.64%

LAB 50.9, 60, -70.11

 

CMYK 55 / 66 / 0 / 5

HEX #6D52F3

RGB 109 82 243

HSL 250.06, 0.87%, 0.64%

LAB 46.65, 52.43, -77.2

 

CMYK 66 / 66 / 0 / 5

HEX #5252F3

RGB 82 82 243

HSL 240, 0.87%, 0.64%

LAB 44.66, 48.64, -80.55

 

CMYK 19 / 66 / 0 / 5

HEX #C452F3

RGB 196 82 243

HSL 282.48, 0.87%, 0.64%

LAB 56.33, 68.96, -61.07

 

CMYK 19 / 66 / 0 / 5

HEX #C452F3

RGB 196 82 243

HSL 282.48, 0.87%, 0.64%

LAB 56.33, 68.96, -61.07

 

CMYK 17 / 58 / 0 / 10

HEX #BE61E5

RGB 190 97 229

HSL 282.27, 0.72%, 0.64%

LAB 57.22, 57.98, -51.85

 

CMYK 14 / 48 / 0 / 16

HEX #B870D6

RGB 184 112 214

HSL 282.35, 0.55%, 0.64%

LAB 58.63, 45.67, -41.24

 

CMYK 11 / 37 / 0 / 22

HEX #B27EC7

RGB 178 126 199

HSL 282.74, 0.39%, 0.64%

LAB 60.35, 33.12, -30.15

 

CMYK 7 / 23 / 0 / 28

HEX #AB8DB8

RGB 171 141 184

HSL 281.86, 0.23%, 0.64%

LAB 62.65, 19.28, -18.2

 

CMYK 55 / 66 / 0 / 5

HEX #6D52F3

RGB 109 82 243

HSL 250.06, 0.87%, 0.64%

LAB 46.65, 52.43, -77.2

 

CMYK 37 / 66 / 0 / 5

HEX #9852F3

RGB 152 82 243

HSL 266.09, 0.87%, 0.64%

LAB 50.9, 60, -70.11

 

CMYK 20 / 66 / 0 / 5

HEX #C352F3

RGB 195 82 243

HSL 282.11, 0.87%, 0.64%

LAB 56.2, 68.74, -61.29

 

CMYK 2 / 66 / 0 / 5

HEX #EE52F3

RGB 238 82 243

HSL 298.14, 0.87%, 0.64%

LAB 62.24, 78.04, -51.29

 

CMYK 0 / 66 / 15 / 5

HEX #F352CE

RGB 243 82 206

HSL 313.79, 0.87%, 0.64%

LAB 61.26, 73.6, -32.03

 

CMYK 28 / 94 / 0 / 10

HEX #A60EE5

RGB 166 14 229

HSL 282.42, 0.88%, 0.48%

LAB 44.34, 80.42, -72.79

 

CMYK 24 / 82 / 0 / 5

HEX #B72BF1

RGB 183 43 241

HSL 282.42, 0.88%, 0.56%

LAB 49.67, 79.59, -70.79

 

CMYK 19 / 66 / 0 / 5

HEX #C452F3

RGB 196 82 243

HSL 282.48, 0.87%, 0.64%

LAB 56.33, 68.96, -61.07

 

CMYK 15 / 51 / 0 / 4

HEX #D179F6

RGB 209 121 246

HSL 282.24, 0.87%, 0.72%

LAB 64.87, 54.42, -49.03

 

CMYK 10 / 36 / 0 / 3

HEX #DE9FF8

RGB 222 159 248

HSL 282.47, 0.86%, 0.8%

LAB 74.26, 38.61, -35.34

 

CMYK 20 / 67 / 0 / 4

HEX #C451F4

RGB 196 81 244

HSL 282.33, 0.88%, 0.64%

LAB 56.24, 69.57, -61.77

 

CMYK 0 / 66 / 60 / 5

HEX #F35262

RGB 243 82 98

HSL 354.04, 0.87%, 0.64%

LAB 58.01, 62.39, 25.84

 

CMYK 66 / 0 / 47 / 5

HEX #52F382

RGB 82 243 130

HSL 137.89, 0.87%, 0.64%

LAB 85.76, -65.3, 42.39

 

CMYK 20 / 67 / 0 / 4

HEX #C451F4

RGB 196 81 244

HSL 282.33, 0.88%, 0.64%

LAB 56.24, 69.57, -61.77

 

CMYK 0 / 20 / 66 / 5

HEX #F3C352

RGB 243 195 82

HSL 42.11, 0.87%, 0.64%

LAB 81.12, 5.46, 61.36

 

CMYK 66 / 0 / 20 / 5

HEX #52F3C3

RGB 82 243 195

HSL 162.11, 0.87%, 0.64%

LAB 86.92, -52.81, 11.03

 

CMYK 20 / 67 / 0 / 4

HEX #C451F4

RGB 196 81 244

HSL 282.33, 0.88%, 0.64%

LAB 56.24, 69.57, -61.77

 

CMYK 0 / 66 / 60 / 5

HEX #F35262

RGB 243 82 98

HSL 354.04, 0.87%, 0.64%

LAB 58.01, 62.39, 25.84

 

CMYK 47 / 0 / 66 / 5

HEX #82F352

RGB 130 243 82

HSL 102.11, 0.87%, 0.64%

LAB 86.73, -59.62, 65.09

 

CMYK 66 / 0 / 7 / 5

HEX #52F3E3

RGB 82 243 227

HSL 174.04, 0.87%, 0.64%

LAB 87.7, -44.98, -4.54

 

CMYK 20 / 67 / 0 / 4

HEX #C451F4

RGB 196 81 244

HSL 282.33, 0.88%, 0.64%

LAB 56.24, 69.57, -61.77

 

CMYK 0 / 53 / 66 / 5

HEX #F37252

RGB 243 114 82

HSL 11.93, 0.87%, 0.64%

LAB 63.09, 47.34, 41.13

 

CMYK 47 / 0 / 66 / 5

HEX #82F352

RGB 130 243 82

HSL 102.11, 0.87%, 0.64%

LAB 86.73, -59.62, 65.09

 

CMYK 66 / 13 / 0 / 5

HEX #52D3F3

RGB 82 211 243

HSL 191.93, 0.87%, 0.64%

LAB 78.96, -25.6, -26.12

 

Description

Color code: HEX #C451F4 | qconv.com Color code: HEX #C451F4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 81 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 81 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 67 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 67% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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