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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C462D4 it is the complementary color #3B9D2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C462D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C462D4 shade: #C962CF, #DA74E2, #EB86F5, #FC98FF and #FFAAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C462D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C462D4 shade: #C462D4, #B350C1, #A23EAE, #912C9B and #801A88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C462D4 shade: #C462D4, #D462C5, #D462A7, #D46288 and #D46269

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C462D4 shade: #C462D4, #A562D4, #8762D4, #6862D4 and #6262D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C462D4 shade matches the following richer shades: #C462D4, #CF52E4 and #DB42F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C462D4 shade: #C462D4, #B872C4, #AD83B4, #A193A3 and #96A393

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C462D4 shade: #8662D4, #A462D4, #C362D4, #D462C7 and #D462A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C462D4 shade: #A131B3, #B842CB, #C462D4, #D083DD and #DCA3E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C462D4 shade: #C462D4, #D46862 and #62D495

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C462D4 shade: #C462D4, #D4C362 and #62D4C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C462D4 shade: #C462D4, #D46862, #73D462 and #62CED4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C462D4 shade: #C462D4, #D48A62, #73D462 and #62ACD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 54 / 0 / 17

HEX #C462D4

RGB 196 98 212

HSL 291.58, 0.57%, 0.61%

LAB 57.29, 55.68, -42.12

 

Complementary color

CMYK 62 / 0 / 73 / 38

HEX #3B9D2B

RGB 59 157 43

HSL 111.58, 0.57%, 0.39%

LAB 57.29, -49.98, 48.6

 

CMYK 3 / 53 / 0 / 19

HEX #C962CF

RGB 201 98 207

HSL 296.7, 0.53%, 0.6%

LAB 57.71, 56.09, -38.59

 

CMYK 4 / 49 / 0 / 11

HEX #DA74E2

RGB 218 116 226

HSL 295.64, 0.65%, 0.67%

LAB 64.07, 55.48, -39.14

 

CMYK 4 / 45 / 0 / 4

HEX #EB86F5

RGB 235 134 245

HSL 294.59, 0.85%, 0.74%

LAB 70.39, 54.8, -39.61

 

CMYK 1 / 40 / 0 / 0

HEX #FC98FF

RGB 252 152 255

HSL 298.25, 1%, 0.8%

LAB 76.3, 52.46, -35.71

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 8 / 54 / 0 / 17

HEX #C462D4

RGB 196 98 212

HSL 291.58, 0.57%, 0.61%

LAB 57.29, 55.68, -42.12

 

CMYK 7 / 59 / 0 / 24

HEX #B350C1

RGB 179 80 193

HSL 292.57, 0.48%, 0.54%

LAB 50.89, 56.18, -41.52

 

CMYK 7 / 64 / 0 / 32

HEX #A23EAE

RGB 162 62 174

HSL 293.57, 0.47%, 0.46%

LAB 44.49, 56.43, -40.71

 

CMYK 6 / 72 / 0 / 39

HEX #912C9B

RGB 145 44 155

HSL 294.59, 0.56%, 0.39%

LAB 38.18, 56.21, -39.57

 

CMYK 6 / 81 / 0 / 47

HEX #801A88

RGB 128 26 136

HSL 295.64, 0.68%, 0.32%

LAB 32.05, 55.16, -37.88

 

CMYK 8 / 54 / 0 / 17

HEX #C462D4

RGB 196 98 212

HSL 291.58, 0.57%, 0.61%

LAB 57.29, 55.68, -42.12

 

CMYK 0 / 54 / 7 / 17

HEX #D462C5

RGB 212 98 197

HSL 307.89, 0.57%, 0.61%

LAB 58.75, 57.4, -31.16

 

CMYK 0 / 54 / 21 / 17

HEX #D462A7

RGB 212 98 167

HSL 323.68, 0.57%, 0.61%

LAB 57.58, 52.77, -15.72

 

CMYK 0 / 54 / 36 / 17

HEX #D46288

RGB 212 98 136

HSL 340, 0.57%, 0.61%

LAB 56.59, 48.73, 0.88

 

CMYK 0 / 54 / 50 / 17

HEX #D46269

RGB 212 98 105

HSL 356.32, 0.57%, 0.61%

LAB 55.84, 45.52, 17.98

 

CMYK 8 / 54 / 0 / 17

HEX #C462D4

RGB 196 98 212

HSL 291.58, 0.57%, 0.61%

LAB 57.29, 55.68, -42.12

 

CMYK 22 / 54 / 0 / 17

HEX #A562D4

RGB 165 98 212

HSL 275.26, 0.57%, 0.61%

LAB 53.48, 47.51, -48.4

 

CMYK 36 / 54 / 0 / 17

HEX #8762D4

RGB 135 98 212

HSL 259.47, 0.57%, 0.61%

LAB 50.26, 39.97, -53.72

 

CMYK 51 / 54 / 0 / 17

HEX #6862D4

RGB 104 98 212

HSL 243.16, 0.57%, 0.61%

LAB 47.54, 32.95, -58.25

 

CMYK 54 / 54 / 0 / 17

HEX #6262D4

RGB 98 98 212

HSL 240, 0.57%, 0.61%

LAB 47.09, 31.72, -59

 

CMYK 8 / 54 / 0 / 17

HEX #C462D4

RGB 196 98 212

HSL 291.58, 0.57%, 0.61%

LAB 57.29, 55.68, -42.12

 

CMYK 9 / 64 / 0 / 11

HEX #CF52E4

RGB 207 82 228

HSL 291.37, 0.73%, 0.61%

LAB 56.98, 68.53, -51.55

 

CMYK 10 / 73 / 0 / 4

HEX #DB42F4

RGB 219 66 244

HSL 291.57, 0.89%, 0.61%

LAB 57.55, 79.74, -59.49

 

CMYK 8 / 54 / 0 / 17

HEX #C462D4

RGB 196 98 212

HSL 291.58, 0.57%, 0.61%

LAB 57.29, 55.68, -42.12

 

CMYK 6 / 42 / 0 / 23

HEX #B872C4

RGB 184 114 196

HSL 291.22, 0.41%, 0.61%

LAB 58.24, 40.93, -31.67

 

CMYK 4 / 27 / 0 / 29

HEX #AD83B4

RGB 173 131 180

HSL 291.43, 0.25%, 0.61%

LAB 60.26, 24.79, -19.56

 

CMYK 1 / 10 / 0 / 36

HEX #A193A3

RGB 161 147 163

HSL 292.5, 0.08%, 0.61%

LAB 62.58, 8.18, -6.52

 

CMYK 8 / 0 / 10 / 36

HEX #96A393

RGB 150 163 147

HSL 108.75, 0.08%, 0.61%

LAB 65.58, -7.69, 6.74

 

CMYK 37 / 54 / 0 / 17

HEX #8662D4

RGB 134 98 212

HSL 258.95, 0.57%, 0.61%

LAB 50.17, 39.73, -53.89

 

CMYK 23 / 54 / 0 / 17

HEX #A462D4

RGB 164 98 212

HSL 274.74, 0.57%, 0.61%

LAB 53.36, 47.25, -48.59

 

CMYK 8 / 54 / 0 / 17

HEX #C362D4

RGB 195 98 212

HSL 291.05, 0.57%, 0.61%

LAB 57.16, 55.41, -42.33

 

CMYK 0 / 54 / 6 / 17

HEX #D462C7

RGB 212 98 199

HSL 306.84, 0.57%, 0.61%

LAB 58.84, 57.73, -32.16

 

CMYK 0 / 54 / 21 / 17

HEX #D462A8

RGB 212 98 168

HSL 323.16, 0.57%, 0.61%

LAB 57.62, 52.92, -16.25

 

CMYK 10 / 73 / 0 / 30

HEX #A131B3

RGB 161 49 179

HSL 291.69, 0.57%, 0.45%

LAB 42.81, 62.26, -46.36

 

CMYK 9 / 67 / 0 / 20

HEX #B842CB

RGB 184 66 203

HSL 291.68, 0.57%, 0.53%

LAB 49.98, 65.24, -48.69

 

CMYK 8 / 54 / 0 / 17

HEX #C462D4

RGB 196 98 212

HSL 291.58, 0.57%, 0.61%

LAB 57.29, 55.68, -42.12

 

CMYK 6 / 41 / 0 / 13

HEX #D083DD

RGB 208 131 221

HSL 291.33, 0.57%, 0.69%

LAB 65.64, 43.99, -34

 

CMYK 4 / 29 / 0 / 10

HEX #DCA3E5

RGB 220 163 229

HSL 291.82, 0.56%, 0.77%

LAB 74.23, 32.11, -25.06

 

CMYK 8 / 54 / 0 / 17

HEX #C462D4

RGB 196 98 212

HSL 291.58, 0.57%, 0.61%

LAB 57.29, 55.68, -42.12

 

CMYK 0 / 51 / 54 / 17

HEX #D46862

RGB 212 104 98

HSL 3.16, 0.57%, 0.61%

LAB 56.86, 41.95, 23.42

 

CMYK 54 / 0 / 30 / 17

HEX #62D495

RGB 98 212 149

HSL 146.84, 0.57%, 0.61%

LAB 77.19, -46.74, 21.55

 

CMYK 8 / 54 / 0 / 17

HEX #C462D4

RGB 196 98 212

HSL 291.58, 0.57%, 0.61%

LAB 57.29, 55.68, -42.12

 

CMYK 0 / 8 / 54 / 17

HEX #D4C362

RGB 212 195 98

HSL 51.05, 0.57%, 0.61%

LAB 78.41, -6.37, 50.26

 

CMYK 54 / 0 / 8 / 17

HEX #62D4C3

RGB 98 212 195

HSL 171.05, 0.57%, 0.61%

LAB 78.24, -36.49, -1.44

 

CMYK 8 / 54 / 0 / 17

HEX #C462D4

RGB 196 98 212

HSL 291.58, 0.57%, 0.61%

LAB 57.29, 55.68, -42.12

 

CMYK 0 / 51 / 54 / 17

HEX #D46862

RGB 212 104 98

HSL 3.16, 0.57%, 0.61%

LAB 56.86, 41.95, 23.42

 

CMYK 46 / 0 / 54 / 17

HEX #73D462

RGB 115 212 98

HSL 111.05, 0.57%, 0.61%

LAB 77.05, -50.3, 47.14

 

CMYK 54 / 3 / 0 / 17

HEX #62CED4

RGB 98 206 212

HSL 183.16, 0.57%, 0.61%

LAB 76.98, -29.24, -12.45

 

CMYK 8 / 54 / 0 / 17

HEX #C462D4

RGB 196 98 212

HSL 291.58, 0.57%, 0.61%

LAB 57.29, 55.68, -42.12

 

CMYK 0 / 35 / 54 / 17

HEX #D48A62

RGB 212 138 98

HSL 21.05, 0.57%, 0.61%

LAB 64.21, 24.06, 32.95

 

CMYK 46 / 0 / 54 / 17

HEX #73D462

RGB 115 212 98

HSL 111.05, 0.57%, 0.61%

LAB 77.05, -50.3, 47.14

 

CMYK 54 / 19 / 0 / 17

HEX #62ACD4

RGB 98 172 212

HSL 201.05, 0.57%, 0.61%

LAB 67.17, -11.84, -27.34

 

Description

Color code: HEX #C462D4 | qconv.com Color code: HEX #C462D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 98 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 98 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 54 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 54% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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