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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C46C4A it is the complementary color #3B93B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C46C4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C46C4A shade: #C96C45, #DA7E58, #EB906B, #FCA27E and #FFB491

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C46C4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C46C4A shade: #C46C4A, #B35A37, #A24824, #913611 and #802400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C46C4A shade: #C46C4A, #C44B4A and #C44A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C46C4A shade: #C46C4A, #C48D4A, #C4AE4A, #B9C44A and #98C44A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C46C4A shade matches the following richer shades: #C46C4A, #D76336, #EB5A23 and #FE520F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C46C4A shade: #C46C4A, #B0745D, #9D7D70, #8A8584 and #768E97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C46C4A shade: #C44A6A, #C44A4A, #C46A4A, #C48B4A and #C4AB4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C46C4A shade: #8D482E, #AC5838, #C46C4A, #CE8569 and #D89E88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C46C4A shade: #C46C4A, #8BC44A and #4A5AC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C46C4A shade: #C46C4A, #4AC46A and #6A4AC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C46C4A shade: #C46C4A, #8BC44A, #4AA3C4 and #834AC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C46C4A shade: #C46C4A, #66C44A, #4AA3C4 and #A74AC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 62 / 23

HEX #C46C4A

RGB 196 108 74

HSL 16.72, 0.51%, 0.53%

LAB 55.03, 31.86, 34.19

 

Complementary color

CMYK 67 / 19 / 0 / 29

HEX #3B93B5

RGB 59 147 181

HSL 196.72, 0.51%, 0.47%

LAB 57.21, -15.31, -25.45

 

CMYK 0 / 46 / 66 / 21

HEX #C96C45

RGB 201 108 69

HSL 17.73, 0.55%, 0.53%

LAB 55.66, 33.54, 37.83

 

CMYK 0 / 42 / 60 / 15

HEX #DA7E58

RGB 218 126 88

HSL 17.54, 0.64%, 0.6%

LAB 62.11, 32.1, 35.9

 

CMYK 0 / 39 / 54 / 8

HEX #EB906B

RGB 235 144 107

HSL 17.34, 0.76%, 0.67%

LAB 68.51, 30.8, 34.14

 

CMYK 0 / 36 / 50 / 1

HEX #FCA27E

RGB 252 162 126

HSL 17.14, 0.95%, 0.74%

LAB 74.85, 29.63, 32.53

 

CMYK 0 / 29 / 43 / 0

HEX #FFB491

RGB 255 180 145

HSL 19.09, 1%, 0.78%

LAB 79.58, 23.19, 28.74

 

CMYK 0 / 45 / 62 / 23

HEX #C46C4A

RGB 196 108 74

HSL 16.72, 0.51%, 0.53%

LAB 55.03, 31.86, 34.19

 

CMYK 0 / 50 / 69 / 30

HEX #B35A37

RGB 179 90 55

HSL 16.94, 0.53%, 0.46%

LAB 48.48, 33.38, 36.26

 

CMYK 0 / 56 / 78 / 36

HEX #A24824

RGB 162 72 36

HSL 17.14, 0.64%, 0.39%

LAB 41.91, 35.02, 38.47

 

CMYK 0 / 63 / 88 / 43

HEX #913611

RGB 145 54 17

HSL 17.34, 0.79%, 0.32%

LAB 35.4, 36.72, 40.47

 

CMYK 0 / 72 / 100 / 50

HEX #802400

RGB 128 36 0

HSL 16.88, 1%, 0.25%

LAB 29.03, 38.2, 41.09

 

CMYK 0 / 45 / 62 / 23

HEX #C46C4A

RGB 196 108 74

HSL 16.72, 0.51%, 0.53%

LAB 55.03, 31.86, 34.19

 

CMYK 0 / 62 / 62 / 23

HEX #C44B4A

RGB 196 75 74

HSL 0.49, 0.51%, 0.53%

LAB 48.59, 48.31, 26.18

 

CMYK 0 / 62 / 62 / 23

HEX #C44A4A

RGB 196 74 74

HSL 0, 0.51%, 0.53%

LAB 48.42, 48.76, 25.96

 

CMYK 0 / 45 / 62 / 23

HEX #C46C4A

RGB 196 108 74

HSL 16.72, 0.51%, 0.53%

LAB 55.03, 31.86, 34.19

 

CMYK 0 / 28 / 62 / 23

HEX #C48D4A

RGB 196 141 74

HSL 32.95, 0.51%, 0.53%

LAB 62.74, 13.87, 43.33

 

CMYK 0 / 11 / 62 / 23

HEX #C4AE4A

RGB 196 174 74

HSL 49.18, 0.51%, 0.53%

LAB 71.22, -3.95, 52.86

 

CMYK 6 / 0 / 62 / 23

HEX #B9C44A

RGB 185 196 74

HSL 65.41, 0.51%, 0.53%

LAB 76.25, -19.87, 58.04

 

CMYK 22 / 0 / 62 / 23

HEX #98C44A

RGB 152 196 74

HSL 81.64, 0.51%, 0.53%

LAB 73.97, -33.11, 54.91

 

CMYK 0 / 45 / 62 / 23

HEX #C46C4A

RGB 196 108 74

HSL 16.72, 0.51%, 0.53%

LAB 55.03, 31.86, 34.19

 

CMYK 0 / 54 / 75 / 16

HEX #D76336

RGB 215 99 54

HSL 16.77, 0.67%, 0.53%

LAB 55.72, 42.81, 46.28

 

CMYK 0 / 62 / 85 / 8

HEX #EB5A23

RGB 235 90 35

HSL 16.5, 0.83%, 0.53%

LAB 57.17, 53.67, 57.42

 

CMYK 0 / 68 / 94 / 0

HEX #FE520F

RGB 254 82 15

HSL 16.82, 0.99%, 0.53%

LAB 59.1, 63, 66.68

 

CMYK 0 / 45 / 62 / 23

HEX #C46C4A

RGB 196 108 74

HSL 16.72, 0.51%, 0.53%

LAB 55.03, 31.86, 34.19

 

CMYK 0 / 34 / 47 / 31

HEX #B0745D

RGB 176 116 93

HSL 16.63, 0.34%, 0.53%

LAB 54.57, 20.94, 22.37

 

CMYK 0 / 20 / 29 / 38

HEX #9D7D70

RGB 157 125 112

HSL 17.33, 0.19%, 0.53%

LAB 55.08, 10.37, 11.78

 

CMYK 0 / 4 / 4 / 46

HEX #8A8584

RGB 138 133 132

HSL 10, 0.02%, 0.53%

LAB 55.93, 1.68, 1.2

 

CMYK 22 / 6 / 0 / 41

HEX #768E97

RGB 118 142 151

HSL 196.36, 0.14%, 0.53%

LAB 57.49, -6.43, -7.61

 

CMYK 0 / 62 / 46 / 23

HEX #C44A6A

RGB 196 74 106

HSL 344.26, 0.51%, 0.53%

LAB 49.1, 51.36, 7.63

 

CMYK 0 / 62 / 62 / 23

HEX #C44A4A

RGB 196 74 74

HSL 0, 0.51%, 0.53%

LAB 48.42, 48.76, 25.96

 

CMYK 0 / 46 / 62 / 23

HEX #C46A4A

RGB 196 106 74

HSL 15.74, 0.51%, 0.53%

LAB 54.59, 32.92, 33.66

 

CMYK 0 / 29 / 62 / 23

HEX #C48B4A

RGB 196 139 74

HSL 31.97, 0.51%, 0.53%

LAB 62.25, 14.97, 42.76

 

CMYK 0 / 13 / 62 / 23

HEX #C4AB4A

RGB 196 171 74

HSL 47.7, 0.51%, 0.53%

LAB 70.42, -2.36, 51.99

 

CMYK 0 / 49 / 67 / 45

HEX #8D482E

RGB 141 72 46

HSL 16.42, 0.51%, 0.37%

LAB 38.72, 26.92, 28.5

 

CMYK 0 / 49 / 67 / 33

HEX #AC5838

RGB 172 88 56

HSL 16.55, 0.51%, 0.45%

LAB 47.02, 31.66, 33.76

 

CMYK 0 / 45 / 62 / 23

HEX #C46C4A

RGB 196 108 74

HSL 16.72, 0.51%, 0.53%

LAB 55.03, 31.86, 34.19

 

CMYK 0 / 35 / 49 / 19

HEX #CE8569

RGB 206 133 105

HSL 16.63, 0.51%, 0.61%

LAB 62.44, 24.98, 26.67

 

CMYK 0 / 27 / 37 / 15

HEX #D89E88

RGB 216 158 136

HSL 16.5, 0.51%, 0.69%

LAB 70.06, 18.73, 19.99

 

CMYK 0 / 45 / 62 / 23

HEX #C46C4A

RGB 196 108 74

HSL 16.72, 0.51%, 0.53%

LAB 55.03, 31.86, 34.19

 

CMYK 29 / 0 / 62 / 23

HEX #8BC44A

RGB 139 196 74

HSL 88.03, 0.51%, 0.53%

LAB 73.2, -38, 53.84

 

CMYK 62 / 54 / 0 / 23

HEX #4A5AC4

RGB 74 90 196

HSL 232.13, 0.51%, 0.53%

LAB 42.39, 26.93, -57.46

 

CMYK 0 / 45 / 62 / 23

HEX #C46C4A

RGB 196 108 74

HSL 16.72, 0.51%, 0.53%

LAB 55.03, 31.86, 34.19

 

CMYK 62 / 0 / 46 / 23

HEX #4AC46A

RGB 74 196 106

HSL 135.74, 0.51%, 0.53%

LAB 70.85, -53.31, 35.29

 

CMYK 46 / 62 / 0 / 23

HEX #6A4AC4

RGB 106 74 196

HSL 255.74, 0.51%, 0.53%

LAB 41.13, 42.76, -59.38

 

CMYK 0 / 45 / 62 / 23

HEX #C46C4A

RGB 196 108 74

HSL 16.72, 0.51%, 0.53%

LAB 55.03, 31.86, 34.19

 

CMYK 29 / 0 / 62 / 23

HEX #8BC44A

RGB 139 196 74

HSL 88.03, 0.51%, 0.53%

LAB 73.2, -38, 53.84

 

CMYK 62 / 17 / 0 / 23

HEX #4AA3C4

RGB 74 163 196

HSL 196.23, 0.51%, 0.53%

LAB 63.04, -16.6, -24.88

 

CMYK 33 / 62 / 0 / 23

HEX #834AC4

RGB 131 74 196

HSL 268.03, 0.51%, 0.53%

LAB 43.81, 48.12, -54.91

 

CMYK 0 / 45 / 62 / 23

HEX #C46C4A

RGB 196 108 74

HSL 16.72, 0.51%, 0.53%

LAB 55.03, 31.86, 34.19

 

CMYK 48 / 0 / 62 / 23

HEX #66C44A

RGB 102 196 74

HSL 106.23, 0.51%, 0.53%

LAB 71.42, -50.34, 51.37

 

CMYK 62 / 17 / 0 / 23

HEX #4AA3C4

RGB 74 163 196

HSL 196.23, 0.51%, 0.53%

LAB 63.04, -16.6, -24.88

 

CMYK 15 / 62 / 0 / 23

HEX #A74AC4

RGB 167 74 196

HSL 285.74, 0.51%, 0.53%

LAB 48.38, 56.55, -47.33

 

Description

Color code: HEX #C46C4A | qconv.com Color code: HEX #C46C4A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 108 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 108 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 62 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 62% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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