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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C475D4 it is the complementary color #3B8A2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C475D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C475D4 shade: #C975CF, #DA87E2, #EB99F5, #FCABFF and #FFBDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C475D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C475D4 shade: #C475D4, #B363C1, #A251AE, #913F9B and #802D88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C475D4 shade: #C477D4, #D477CA, #D477B1, #D47798 and #D4777F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C475D4 shade: #C477D4, #AB77D4, #9277D4, #7977D4 and #7777D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C475D4 shade matches the following richer shades: #C477D4, #CE68E2 and #D75AF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C475D4 shade: #C477D4, #BA85C5, #B194B7, #A7A2A8 and #9EB19A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C475D4 shade: #9177D4, #AA77D4, #C377D4, #D477CC and #D477B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C475D4 shade: #A73BBD, #B757CA, #C477D4, #D296DE and #DFB6E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C475D4 shade: #C475D4, #D47877 and #77D49E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C475D4 shade: #C475D4, #D4C377 and #77D4C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C475D4 shade: #C475D4, #D47877, #88D477 and #77D2D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C475D4 shade: #C475D4, #D49477, #88D477 and #77B6D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 45 / 0 / 17

HEX #C475D4

RGB 196 117 212

HSL 289.89, 0.52%, 0.65%

LAB 60.97, 46.06, -36.36

 

Complementary color

CMYK 57 / 0 / 69 / 46

HEX #3B8A2B

RGB 59 138 43

HSL 109.89, 0.52%, 0.35%

LAB 51.01, -42.79, 42.02

 

CMYK 3 / 43 / 0 / 19

HEX #C975CF

RGB 201 117 207

HSL 296, 0.48%, 0.64%

LAB 61.35, 46.57, -32.91

 

CMYK 4 / 40 / 0 / 11

HEX #DA87E2

RGB 218 135 226

HSL 294.73, 0.61%, 0.71%

LAB 67.82, 45.83, -33.31

 

CMYK 4 / 38 / 0 / 4

HEX #EB99F5

RGB 235 153 245

HSL 293.48, 0.82%, 0.78%

LAB 74.21, 45.09, -33.67

 

CMYK 1 / 33 / 0 / 0

HEX #FCABFF

RGB 252 171 255

HSL 297.86, 1%, 0.84%

LAB 80.2, 42.72, -29.69

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 8 / 45 / 0 / 17

HEX #C475D4

RGB 196 117 212

HSL 289.89, 0.52%, 0.65%

LAB 60.97, 46.06, -36.36

 

CMYK 7 / 49 / 0 / 24

HEX #B363C1

RGB 179 99 193

HSL 291.06, 0.43%, 0.57%

LAB 54.4, 46.81, -35.98

 

CMYK 7 / 53 / 0 / 32

HEX #A251AE

RGB 162 81 174

HSL 292.26, 0.36%, 0.5%

LAB 47.78, 47.49, -35.52

 

CMYK 6 / 59 / 0 / 39

HEX #913F9B

RGB 145 63 155

HSL 293.48, 0.42%, 0.43%

LAB 41.12, 48.03, -34.89

 

CMYK 6 / 67 / 0 / 47

HEX #802D88

RGB 128 45 136

HSL 294.73, 0.5%, 0.35%

LAB 34.49, 48.23, -33.99

 

CMYK 8 / 44 / 0 / 17

HEX #C477D4

RGB 196 119 212

HSL 289.68, 0.52%, 0.65%

LAB 61.38, 45.01, -35.71

 

CMYK 0 / 44 / 5 / 17

HEX #D477CA

RGB 212 119 202

HSL 306.45, 0.52%, 0.65%

LAB 62.89, 47.94, -27.59

 

CMYK 0 / 44 / 17 / 17

HEX #D477B1

RGB 212 119 177

HSL 322.58, 0.52%, 0.65%

LAB 61.97, 43.81, -14.83

 

CMYK 0 / 44 / 28 / 17

HEX #D47798

RGB 212 119 152

HSL 338.71, 0.52%, 0.65%

LAB 61.18, 40.17, -1.69

 

CMYK 0 / 44 / 40 / 17

HEX #D4777F

RGB 212 119 127

HSL 354.84, 0.52%, 0.65%

LAB 60.54, 37.08, 11.75

 

CMYK 8 / 44 / 0 / 17

HEX #C477D4

RGB 196 119 212

HSL 289.68, 0.52%, 0.65%

LAB 61.38, 45.01, -35.71

 

CMYK 19 / 44 / 0 / 17

HEX #AB77D4

RGB 171 119 212

HSL 273.55, 0.52%, 0.65%

LAB 58.61, 37.74, -40.25

 

CMYK 31 / 44 / 0 / 17

HEX #9277D4

RGB 146 119 212

HSL 257.42, 0.52%, 0.65%

LAB 56.15, 30.72, -44.3

 

CMYK 43 / 44 / 0 / 17

HEX #7977D4

RGB 121 119 212

HSL 241.29, 0.52%, 0.65%

LAB 54.04, 24.19, -47.77

 

CMYK 44 / 44 / 0 / 17

HEX #7777D4

RGB 119 119 212

HSL 240, 0.52%, 0.65%

LAB 53.89, 23.7, -48.02

 

CMYK 8 / 44 / 0 / 17

HEX #C477D4

RGB 196 119 212

HSL 289.68, 0.52%, 0.65%

LAB 61.38, 45.01, -35.71

 

CMYK 9 / 54 / 0 / 11

HEX #CE68E2

RGB 206 104 226

HSL 290.16, 0.68%, 0.65%

LAB 60.35, 58.08, -45.09

 

CMYK 11 / 63 / 0 / 5

HEX #D75AF1

RGB 215 90 241

HSL 289.67, 0.84%, 0.65%

LAB 59.99, 69.41, -53.96

 

CMYK 8 / 44 / 0 / 17

HEX #C477D4

RGB 196 119 212

HSL 289.68, 0.52%, 0.65%

LAB 61.38, 45.01, -35.71

 

CMYK 6 / 32 / 0 / 23

HEX #BA85C5

RGB 186 133 197

HSL 289.69, 0.36%, 0.65%

LAB 62.71, 31.35, -25.3

 

CMYK 3 / 19 / 0 / 28

HEX #B194B7

RGB 177 148 183

HSL 289.71, 0.2%, 0.65%

LAB 64.92, 17.17, -14.15

 

CMYK 1 / 4 / 0 / 34

HEX #A7A2A8

RGB 167 162 168

HSL 290, 0.03%, 0.65%

LAB 67.19, 2.94, -2.47

 

CMYK 11 / 0 / 13 / 31

HEX #9EB19A

RGB 158 177 154

HSL 109.57, 0.13%, 0.65%

LAB 70.21, -10.98, 9.56

 

CMYK 32 / 44 / 0 / 17

HEX #9177D4

RGB 145 119 212

HSL 256.77, 0.52%, 0.65%

LAB 56.05, 30.45, -44.45

 

CMYK 20 / 44 / 0 / 17

HEX #AA77D4

RGB 170 119 212

HSL 272.9, 0.52%, 0.65%

LAB 58.5, 37.45, -40.43

 

CMYK 8 / 44 / 0 / 17

HEX #C377D4

RGB 195 119 212

HSL 289.03, 0.52%, 0.65%

LAB 61.26, 44.72, -35.9

 

CMYK 0 / 44 / 4 / 17

HEX #D477CC

RGB 212 119 204

HSL 305.16, 0.52%, 0.65%

LAB 62.97, 48.29, -28.6

 

CMYK 0 / 44 / 16 / 17

HEX #D477B3

RGB 212 119 179

HSL 321.29, 0.52%, 0.65%

LAB 62.04, 44.13, -15.87

 

CMYK 12 / 69 / 0 / 26

HEX #A73BBD

RGB 167 59 189

HSL 289.85, 0.52%, 0.49%

LAB 45.66, 61.64, -47.62

 

CMYK 9 / 57 / 0 / 21

HEX #B757CA

RGB 183 87 202

HSL 290.09, 0.52%, 0.57%

LAB 53.11, 55.64, -43.14

 

CMYK 8 / 44 / 0 / 17

HEX #C477D4

RGB 196 119 212

HSL 289.68, 0.52%, 0.65%

LAB 61.38, 45.01, -35.71

 

CMYK 5 / 32 / 0 / 13

HEX #D296DE

RGB 210 150 222

HSL 290, 0.52%, 0.73%

LAB 70.03, 34.61, -27.76

 

CMYK 3 / 21 / 0 / 9

HEX #DFB6E7

RGB 223 182 231

HSL 290.2, 0.51%, 0.81%

LAB 78.99, 23.21, -18.89

 

CMYK 8 / 45 / 0 / 17

HEX #C475D4

RGB 196 117 212

HSL 289.89, 0.52%, 0.65%

LAB 60.97, 46.06, -36.36

 

CMYK 0 / 43 / 44 / 17

HEX #D47877

RGB 212 120 119

HSL 0.65, 0.52%, 0.65%

LAB 60.57, 35.68, 16.38

 

CMYK 44 / 0 / 25 / 17

HEX #77D49E

RGB 119 212 158

HSL 145.16, 0.52%, 0.65%

LAB 78.16, -39.7, 18.26

 

CMYK 8 / 45 / 0 / 17

HEX #C475D4

RGB 196 117 212

HSL 289.89, 0.52%, 0.65%

LAB 60.97, 46.06, -36.36

 

CMYK 0 / 8 / 44 / 17

HEX #D4C377

RGB 212 195 119

HSL 49.03, 0.52%, 0.65%

LAB 78.67, -4.45, 40.25

 

CMYK 44 / 0 / 8 / 17

HEX #77D4C3

RGB 119 212 195

HSL 169.03, 0.52%, 0.65%

LAB 79.01, -31.74, -0.22

 

CMYK 8 / 45 / 0 / 17

HEX #C475D4

RGB 196 117 212

HSL 289.89, 0.52%, 0.65%

LAB 60.97, 46.06, -36.36

 

CMYK 0 / 43 / 44 / 17

HEX #D47877

RGB 212 120 119

HSL 0.65, 0.52%, 0.65%

LAB 60.57, 35.68, 16.38

 

CMYK 36 / 0 / 44 / 17

HEX #88D477

RGB 136 212 119

HSL 109.03, 0.52%, 0.65%

LAB 78.26, -41.12, 38.66

 

CMYK 44 / 1 / 0 / 17

HEX #77D2D4

RGB 119 210 212

HSL 181.29, 0.52%, 0.65%

LAB 78.91, -26.63, -9.49

 

CMYK 8 / 45 / 0 / 17

HEX #C475D4

RGB 196 117 212

HSL 289.89, 0.52%, 0.65%

LAB 60.97, 46.06, -36.36

 

CMYK 0 / 30 / 44 / 17

HEX #D49477

RGB 212 148 119

HSL 18.71, 0.52%, 0.65%

LAB 66.91, 20.65, 24.99

 

CMYK 36 / 0 / 44 / 17

HEX #88D477

RGB 136 212 119

HSL 109.03, 0.52%, 0.65%

LAB 78.26, -41.12, 38.66

 

CMYK 44 / 14 / 0 / 17

HEX #77B6D4

RGB 119 182 212

HSL 199.35, 0.52%, 0.65%

LAB 70.96, -12.34, -21.45

 

Description

Color code: HEX #C475D4 | qconv.com Color code: HEX #C475D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 117 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 117 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 45 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 45% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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