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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4798C it is the complementary color #3B8673. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4798C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4798C shade: #C97987, #DA8B9A, #EB9DAD, #FCAFC0 and #FFC1D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4798C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4798C shade: #C4798C, #B36779, #A25566, #914353 and #803140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4798C shade: #C3788B and #C37878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4798C shade: #C3788B, #C3789F, #C378B4, #BF78C3 and #AA78C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4798C shade matches the following richer shades: #C3788B, #D36883, #E3587B and #F24974

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4798C shade: #C3788B, #B48793, #A4979A, #94A7A2 and #85B7AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4798C shade: #C378B4, #C378A0, #C3788C, #C37878 and #C38C78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4798C shade: #A2475E, #B75B72, #C3788B, #D094A4 and #DDB1BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4798C shade: #C4798C, #C3BE78 and #78AAC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4798C shade: #C4798C, #8CC378 and #788CC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4798C shade: #C4798C, #C3BE78, #78C3AF and #787DC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4798C shade: #C4798C, #B2C378, #78C3AF and #8978C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 29 / 23

HEX #C4798C

RGB 196 121 140

HSL 344.8, 0.39%, 0.62%

LAB 59.25, 31.73, 2.16

 

Complementary color

CMYK 56 / 0 / 14 / 47

HEX #3B8673

RGB 59 134 115

HSL 164.8, 0.39%, 0.38%

LAB 50.94, -28.16, 3.22

 

CMYK 0 / 40 / 33 / 21

HEX #C97987

RGB 201 121 135

HSL 349.5, 0.43%, 0.63%

LAB 59.75, 32.91, 5.83

 

CMYK 0 / 36 / 29 / 15

HEX #DA8B9A

RGB 218 139 154

HSL 348.61, 0.52%, 0.7%

LAB 66.29, 32.02, 4.69

 

CMYK 0 / 33 / 26 / 8

HEX #EB9DAD

RGB 235 157 173

HSL 347.69, 0.66%, 0.77%

LAB 72.76, 31.19, 3.67

 

CMYK 0 / 31 / 24 / 1

HEX #FCAFC0

RGB 252 175 192

HSL 346.75, 0.93%, 0.84%

LAB 79.13, 30.43, 2.75

HEX #FCAFC0

CMYK 0 / 24 / 17 / 0

HEX #FFC1D3

RGB 255 193 211

HSL 342.58, 1%, 0.88%

LAB 84.02, 24.82, -0.33

HEX #FFC1D3

CMYK 0 / 38 / 29 / 23

HEX #C4798C

RGB 196 121 140

HSL 344.8, 0.39%, 0.62%

LAB 59.25, 31.73, 2.16

 

CMYK 0 / 42 / 32 / 30

HEX #B36779

RGB 179 103 121

HSL 345.79, 0.33%, 0.55%

LAB 52.58, 32.64, 3.31

 

CMYK 0 / 48 / 37 / 36

HEX #A25566

RGB 162 85 102

HSL 346.75, 0.31%, 0.48%

LAB 45.82, 33.61, 4.67

 

CMYK 0 / 54 / 43 / 43

HEX #914353

RGB 145 67 83

HSL 347.69, 0.37%, 0.42%

LAB 39, 34.6, 6.32

 

CMYK 0 / 62 / 50 / 50

HEX #803140

RGB 128 49 64

HSL 348.61, 0.45%, 0.35%

LAB 32.16, 35.53, 8.41

 

CMYK 0 / 38 / 29 / 24

HEX #C3788B

RGB 195 120 139

HSL 344.8, 0.38%, 0.62%

LAB 58.88, 31.76, 2.18

 

CMYK 0 / 38 / 38 / 24

HEX #C37878

RGB 195 120 120

HSL 0, 0.38%, 0.62%

LAB 58.41, 29.32, 12.47

 

CMYK 0 / 38 / 29 / 24

HEX #C3788B

RGB 195 120 139

HSL 344.8, 0.38%, 0.62%

LAB 58.88, 31.76, 2.18

 

CMYK 0 / 38 / 18 / 24

HEX #C3789F

RGB 195 120 159

HSL 328.8, 0.38%, 0.62%

LAB 59.47, 34.72, -8.49

 

CMYK 0 / 38 / 8 / 24

HEX #C378B4

RGB 195 120 180

HSL 312, 0.38%, 0.62%

LAB 60.19, 38.2, -19.44

 

CMYK 2 / 38 / 0 / 24

HEX #BF78C3

RGB 191 120 195

HSL 296.8, 0.38%, 0.62%

LAB 60.29, 39.66, -27.85

 

CMYK 13 / 38 / 0 / 24

HEX #AA78C3

RGB 170 120 195

HSL 280, 0.38%, 0.62%

LAB 57.96, 33.14, -31.65

 

CMYK 0 / 38 / 29 / 24

HEX #C3788B

RGB 195 120 139

HSL 344.8, 0.38%, 0.62%

LAB 58.88, 31.76, 2.18

 

CMYK 0 / 51 / 38 / 17

HEX #D36883

RGB 211 104 131

HSL 344.86, 0.55%, 0.62%

LAB 57.45, 44.86, 5.03

 

CMYK 0 / 61 / 46 / 11

HEX #E3587B

RGB 227 88 123

HSL 344.89, 0.71%, 0.62%

LAB 56.82, 56.84, 9.14

 

CMYK 0 / 70 / 52 / 5

HEX #F24974

RGB 242 73 116

HSL 344.73, 0.87%, 0.62%

LAB 56.98, 66.73, 13.86

 

CMYK 0 / 38 / 29 / 24

HEX #C3788B

RGB 195 120 139

HSL 344.8, 0.38%, 0.62%

LAB 58.88, 31.76, 2.18

 

CMYK 0 / 25 / 18 / 29

HEX #B48793

RGB 180 135 147

HSL 344, 0.23%, 0.62%

LAB 60.9, 19.06, 0.31

 

CMYK 0 / 8 / 6 / 36

HEX #A4979A

RGB 164 151 154

HSL 346.15, 0.07%, 0.62%

LAB 63.64, 5.32, 0.15

 

CMYK 11 / 0 / 3 / 35

HEX #94A7A2

RGB 148 167 162

HSL 164.21, 0.1%, 0.62%

LAB 66.93, -7.64, 0.32

 

CMYK 27 / 0 / 7 / 28

HEX #85B7AA

RGB 133 183 170

HSL 164.4, 0.26%, 0.62%

LAB 70.7, -19.26, 1.28

 

CMYK 0 / 38 / 8 / 24

HEX #C378B4

RGB 195 120 180

HSL 312, 0.38%, 0.62%

LAB 60.19, 38.2, -19.44

 

CMYK 0 / 38 / 18 / 24

HEX #C378A0

RGB 195 120 160

HSL 328, 0.38%, 0.62%

LAB 59.5, 34.87, -9.02

 

CMYK 0 / 38 / 28 / 24

HEX #C3788C

RGB 195 120 140

HSL 344, 0.38%, 0.62%

LAB 58.91, 31.9, 1.64

 

CMYK 0 / 38 / 38 / 24

HEX #C37878

RGB 195 120 120

HSL 0, 0.38%, 0.62%

LAB 58.41, 29.32, 12.47

 

CMYK 0 / 28 / 38 / 24

HEX #C38C78

RGB 195 140 120

HSL 16, 0.38%, 0.62%

LAB 63.11, 18.34, 18.97

 

CMYK 0 / 56 / 42 / 36

HEX #A2475E

RGB 162 71 94

HSL 344.84, 0.39%, 0.46%

LAB 42.76, 39.98, 5.18

 

CMYK 0 / 50 / 38 / 28

HEX #B75B72

RGB 183 91 114

HSL 345, 0.39%, 0.54%

LAB 50.41, 39.59, 4.42

 

CMYK 0 / 38 / 29 / 24

HEX #C3788B

RGB 195 120 139

HSL 344.8, 0.38%, 0.62%

LAB 58.88, 31.76, 2.18

 

CMYK 0 / 29 / 21 / 18

HEX #D094A4

RGB 208 148 164

HSL 344, 0.39%, 0.7%

LAB 67.48, 24.91, 0.65

 

CMYK 0 / 20 / 15 / 13

HEX #DDB1BC

RGB 221 177 188

HSL 345, 0.39%, 0.78%

LAB 76.34, 17.66, 0.48

 

CMYK 0 / 38 / 29 / 23

HEX #C4798C

RGB 196 121 140

HSL 344.8, 0.39%, 0.62%

LAB 59.25, 31.73, 2.16

 

CMYK 0 / 3 / 38 / 24

HEX #C3BE78

RGB 195 190 120

HSL 56, 0.38%, 0.62%

LAB 75.94, -8.59, 35.97

 

CMYK 38 / 13 / 0 / 24

HEX #78AAC3

RGB 120 170 195

HSL 200, 0.38%, 0.62%

LAB 67.04, -10.19, -18.04

 

CMYK 0 / 38 / 29 / 23

HEX #C4798C

RGB 196 121 140

HSL 344.8, 0.39%, 0.62%

LAB 59.25, 31.73, 2.16

 

CMYK 28 / 0 / 38 / 24

HEX #8CC378

RGB 140 195 120

HSL 104, 0.38%, 0.62%

LAB 73.52, -31.9, 32.1

 

CMYK 38 / 28 / 0 / 24

HEX #788CC3

RGB 120 140 195

HSL 224, 0.38%, 0.62%

LAB 58.69, 6.66, -30.86

 

CMYK 0 / 38 / 29 / 23

HEX #C4798C

RGB 196 121 140

HSL 344.8, 0.39%, 0.62%

LAB 59.25, 31.73, 2.16

 

CMYK 0 / 3 / 38 / 24

HEX #C3BE78

RGB 195 190 120

HSL 56, 0.38%, 0.62%

LAB 75.94, -8.59, 35.97

 

CMYK 38 / 0 / 10 / 24

HEX #78C3AF

RGB 120 195 175

HSL 164, 0.38%, 0.62%

LAB 73.62, -27.93, 2.71

 

CMYK 38 / 36 / 0 / 24

HEX #787DC3

RGB 120 125 195

HSL 236, 0.38%, 0.62%

LAB 54.66, 15.5, -37.15

 

CMYK 0 / 38 / 29 / 23

HEX #C4798C

RGB 196 121 140

HSL 344.8, 0.39%, 0.62%

LAB 59.25, 31.73, 2.16

 

CMYK 9 / 0 / 38 / 24

HEX #B2C378

RGB 178 195 120

HSL 73.6, 0.38%, 0.62%

LAB 75.98, -17.85, 35.76

 

CMYK 38 / 0 / 10 / 24

HEX #78C3AF

RGB 120 195 175

HSL 164, 0.38%, 0.62%

LAB 73.62, -27.93, 2.71

 

CMYK 30 / 38 / 0 / 24

HEX #8978C3

RGB 137 120 195

HSL 253.6, 0.38%, 0.62%

LAB 54.75, 23.24, -36.9

 

Description

Color code: HEX #C4798C | qconv.com Color code: HEX #C4798C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 121 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 121 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 29 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 29% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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