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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C48482 it is the complementary color #3B7B7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C48482. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C48482 shade: #C9847D, #DA9690, #EBA8A3, #FCBAB6 and #FFCCC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C48482. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C48482 shade: #C48482, #B3726F, #A2605C, #914E49 and #803C36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C48482 shade: #C48482 and #C48282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C48482 shade: #C48482, #C49582, #C4A782, #C4B982 and #BDC482

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C48482 shade matches the following richer shades: #C48482, #D37673, #E16864 and #F05A55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C48482 shade: #C48482, #B59291, #A6A09F, #97AEAE and #88BBBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C48482 shade: #C482A4, #C48292, #C48382, #C49482 and #C4A682

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C48482 shade: #A5504E, #B76866, #C48482, #D19F9E and #DEBBBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C48482 shade: #C48482, #B5C482 and #829BC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C48482 shade: #C48482, #82C483 and #8382C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C48482 shade: #C48482, #B5C482, #82C3C4 and #9082C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C48482 shade: #C48482, #A2C482, #82C3C4 and #A482C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 34 / 23

HEX #C48482

RGB 196 132 130

HSL 1.82, 0.36%, 0.64%

LAB 61.52, 24.38, 11.14

 

Complementary color

CMYK 53 / 2 / 0 / 51

HEX #3B7B7D

RGB 59 123 125

HSL 181.82, 0.36%, 0.36%

LAB 47.72, -19.8, -7.38

 

CMYK 0 / 34 / 38 / 21

HEX #C9847D

RGB 201 132 125

HSL 5.53, 0.41%, 0.64%

LAB 62, 25.7, 14.73

 

CMYK 0 / 31 / 34 / 15

HEX #DA9690

RGB 218 150 144

HSL 4.86, 0.5%, 0.71%

LAB 68.56, 24.81, 13.51

 

CMYK 0 / 29 / 31 / 8

HEX #EBA8A3

RGB 235 168 163

HSL 4.17, 0.64%, 0.78%

LAB 75.02, 24.01, 12.41

 

CMYK 0 / 26 / 28 / 1

HEX #FCBAB6

RGB 252 186 182

HSL 3.43, 0.92%, 0.85%

LAB 81.4, 23.28, 11.4

 

CMYK 0 / 20 / 21 / 0

HEX #FFCCC9

RGB 255 204 201

HSL 3.33, 1%, 0.89%

LAB 86.34, 17.57, 8.35

 

CMYK 0 / 33 / 34 / 23

HEX #C48482

RGB 196 132 130

HSL 1.82, 0.36%, 0.64%

LAB 61.52, 24.38, 11.14

 

CMYK 0 / 36 / 38 / 30

HEX #B3726F

RGB 179 114 111

HSL 2.65, 0.31%, 0.57%

LAB 54.83, 25.3, 12.39

 

CMYK 0 / 41 / 43 / 36

HEX #A2605C

RGB 162 96 92

HSL 3.43, 0.28%, 0.5%

LAB 48.03, 26.34, 13.81

 

CMYK 0 / 46 / 50 / 43

HEX #914E49

RGB 145 78 73

HSL 4.17, 0.33%, 0.43%

LAB 41.14, 27.51, 15.49

 

CMYK 0 / 53 / 58 / 50

HEX #803C36

RGB 128 60 54

HSL 4.86, 0.41%, 0.36%

LAB 34.16, 28.79, 17.54

 

CMYK 0 / 33 / 34 / 23

HEX #C48482

RGB 196 132 130

HSL 1.82, 0.36%, 0.64%

LAB 61.52, 24.38, 11.14

 

CMYK 0 / 34 / 34 / 23

HEX #C48282

RGB 196 130 130

HSL 0, 0.36%, 0.64%

LAB 61.06, 25.48, 10.48

 

CMYK 0 / 33 / 34 / 23

HEX #C48482

RGB 196 132 130

HSL 1.82, 0.36%, 0.64%

LAB 61.52, 24.38, 11.14

 

CMYK 0 / 24 / 34 / 23

HEX #C49582

RGB 196 149 130

HSL 17.27, 0.36%, 0.64%

LAB 65.63, 15.02, 16.87

 

CMYK 0 / 15 / 34 / 23

HEX #C4A782

RGB 196 167 130

HSL 33.64, 0.36%, 0.64%

LAB 70.17, 5.2, 23.08

 

CMYK 0 / 6 / 34 / 23

HEX #C4B982

RGB 196 185 130

HSL 50, 0.36%, 0.64%

LAB 74.85, -4.4, 29.36

 

CMYK 4 / 0 / 34 / 23

HEX #BDC482

RGB 189 196 130

HSL 66.36, 0.36%, 0.64%

LAB 77.23, -12.85, 32.38

 

CMYK 0 / 33 / 34 / 23

HEX #C48482

RGB 196 132 130

HSL 1.82, 0.36%, 0.64%

LAB 61.52, 24.38, 11.14

 

CMYK 0 / 44 / 45 / 17

HEX #D37673

RGB 211 118 115

HSL 1.88, 0.52%, 0.64%

LAB 59.93, 35.94, 17.77

 

CMYK 0 / 54 / 56 / 12

HEX #E16864

RGB 225 104 100

HSL 1.92, 0.68%, 0.64%

LAB 58.82, 46.84, 25.2

 

CMYK 0 / 63 / 65 / 6

HEX #F05A55

RGB 240 90 85

HSL 1.94, 0.84%, 0.64%

LAB 58.5, 57.37, 33.82

 

CMYK 0 / 33 / 34 / 23

HEX #C48482

RGB 196 132 130

HSL 1.82, 0.36%, 0.64%

LAB 61.52, 24.38, 11.14

 

CMYK 0 / 19 / 20 / 29

HEX #B59291

RGB 181 146 145

HSL 1.67, 0.2%, 0.64%

LAB 63.69, 12.97, 5.5

 

CMYK 0 / 4 / 4 / 35

HEX #A6A09F

RGB 166 160 159

HSL 8.57, 0.04%, 0.64%

LAB 66.33, 1.99, 1.28

 

CMYK 13 / 0 / 0 / 32

HEX #97AEAE

RGB 151 174 174

HSL 180, 0.12%, 0.64%

LAB 69.4, -7.91, -2.69

 

CMYK 28 / 1 / 0 / 26

HEX #88BBBD

RGB 136 187 189

HSL 182.26, 0.29%, 0.64%

LAB 72.53, -16.14, -6.42

 

CMYK 0 / 34 / 16 / 23

HEX #C482A4

RGB 196 130 164

HSL 329.09, 0.36%, 0.64%

LAB 61.98, 30.42, -7.6

 

CMYK 0 / 34 / 26 / 23

HEX #C48292

RGB 196 130 146

HSL 345.45, 0.36%, 0.64%

LAB 61.46, 27.67, 1.91

 

CMYK 0 / 33 / 34 / 23

HEX #C48382

RGB 196 131 130

HSL 0.91, 0.36%, 0.64%

LAB 61.29, 24.93, 10.81

 

CMYK 0 / 24 / 34 / 23

HEX #C49482

RGB 196 148 130

HSL 16.36, 0.36%, 0.64%

LAB 65.38, 15.57, 16.53

 

CMYK 0 / 15 / 34 / 23

HEX #C4A682

RGB 196 166 130

HSL 32.73, 0.36%, 0.64%

LAB 69.91, 5.74, 22.73

 

CMYK 0 / 52 / 53 / 35

HEX #A5504E

RGB 165 80 78

HSL 1.38, 0.36%, 0.48%

LAB 44.64, 34.82, 17.68

 

CMYK 0 / 43 / 44 / 28

HEX #B76866

RGB 183 104 102

HSL 1.48, 0.36%, 0.56%

LAB 52.87, 31.33, 15.01

 

CMYK 0 / 33 / 34 / 23

HEX #C48482

RGB 196 132 130

HSL 1.82, 0.36%, 0.64%

LAB 61.52, 24.38, 11.14

 

CMYK 0 / 24 / 24 / 18

HEX #D19F9E

RGB 209 159 158

HSL 1.18, 0.36%, 0.72%

LAB 70.05, 18.4, 7.72

 

CMYK 0 / 16 / 16 / 13

HEX #DEBBBA

RGB 222 187 186

HSL 1.67, 0.35%, 0.8%

LAB 78.82, 12.34, 5.17

 

CMYK 0 / 33 / 34 / 23

HEX #C48482

RGB 196 132 130

HSL 1.82, 0.36%, 0.64%

LAB 61.52, 24.38, 11.14

 

CMYK 8 / 0 / 34 / 23

HEX #B5C482

RGB 181 196 130

HSL 73.64, 0.36%, 0.64%

LAB 76.63, -15.94, 31.48

 

CMYK 34 / 21 / 0 / 23

HEX #829BC4

RGB 130 155 196

HSL 217.27, 0.36%, 0.64%

LAB 63.49, 1.16, -23.96

 

CMYK 0 / 33 / 34 / 23

HEX #C48482

RGB 196 132 130

HSL 1.82, 0.36%, 0.64%

LAB 61.52, 24.38, 11.14

 

CMYK 34 / 0 / 33 / 23

HEX #82C483

RGB 130 196 131

HSL 120.91, 0.36%, 0.64%

LAB 73.46, -34.02, 26.18

 

CMYK 33 / 34 / 0 / 23

HEX #8382C4

RGB 131 130 196

HSL 240.91, 0.36%, 0.64%

LAB 56.86, 15.89, -34.21

 

CMYK 0 / 33 / 34 / 23

HEX #C48482

RGB 196 132 130

HSL 1.82, 0.36%, 0.64%

LAB 61.52, 24.38, 11.14

 

CMYK 8 / 0 / 34 / 23

HEX #B5C482

RGB 181 196 130

HSL 73.64, 0.36%, 0.64%

LAB 76.63, -15.94, 31.48

 

CMYK 34 / 1 / 0 / 23

HEX #82C3C4

RGB 130 195 196

HSL 180.91, 0.36%, 0.64%

LAB 74.67, -20.3, -7.09

 

CMYK 27 / 34 / 0 / 23

HEX #9082C4

RGB 144 130 196

HSL 252.73, 0.36%, 0.64%

LAB 57.92, 19.7, -32.47

 

CMYK 0 / 33 / 34 / 23

HEX #C48482

RGB 196 132 130

HSL 1.82, 0.36%, 0.64%

LAB 61.52, 24.38, 11.14

 

CMYK 17 / 0 / 34 / 23

HEX #A2C482

RGB 162 196 130

HSL 90.91, 0.36%, 0.64%

LAB 75.31, -23.08, 29.5

 

CMYK 34 / 1 / 0 / 23

HEX #82C3C4

RGB 130 195 196

HSL 180.91, 0.36%, 0.64%

LAB 74.67, -20.3, -7.09

 

CMYK 16 / 34 / 0 / 23

HEX #A482C4

RGB 164 130 196

HSL 270.91, 0.36%, 0.64%

LAB 59.75, 25.83, -29.5

 

Description

Color code: HEX #C48482 | qconv.com Color code: HEX #C48482 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 132 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 132 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 34 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 34% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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