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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C48A01 it is the complementary color #3B75FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C48A01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C48A01 shade: #C98A00, #DA9C0F, #EBAE22, #FCC035 and #FFD248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C48A01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C48A01 shade: #C48A01, #B37800, #A26600, #915400 and #804200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C48A01 shade: #C58B00, #C55600, #C52100 and #C50000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C48A01 shade: #C58B00, #C5C000, #96C500, #61C500 and #2CC500

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C48A01 shade matches the following richer shades: #C58B00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C48A01 shade: #C58B00, #B58411, #A57E21, #957731 and #857141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C48A01 shade: #C52100, #C55600, #C58A00, #C5BF00 and #97C500

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C48A01 shade: #735100, #9C6E00, #C58B00, #EEA801 and #FDBA1B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C48A01 shade: #C48A01, #14C500 and #3C00C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C48A01 shade: #C48A01, #00C58A and #8A00C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C48A01 shade: #C48A01, #14C500, #003CC5 and #B200C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C48A01 shade: #C48A01, #00C528, #003CC5 and #C5009E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 99 / 23

HEX #C48A01

RGB 196 138 1

HSL 42.15, 0.99%, 0.39%

LAB 61.58, 12.92, 66.6

 

Complementary color

CMYK 77 / 54 / 0 / 0

HEX #3B75FE

RGB 59 117 254

HSL 222.15, 0.99%, 0.61%

LAB 52.74, 28.51, -73.54

 

CMYK 0 / 31 / 100 / 21

HEX #C98A00

RGB 201 138 0

HSL 41.19, 1%, 0.39%

LAB 62.16, 15.13, 67.42

 

CMYK 0 / 28 / 93 / 15

HEX #DA9C0F

RGB 218 156 15

HSL 41.67, 0.87%, 0.46%

LAB 68.55, 13.03, 70.65

 

CMYK 0 / 26 / 86 / 8

HEX #EBAE22

RGB 235 174 34

HSL 41.79, 0.83%, 0.53%

LAB 74.86, 11.16, 72.3

 

CMYK 0 / 24 / 79 / 1

HEX #FCC035

RGB 252 192 53

HSL 41.91, 0.97%, 0.6%

LAB 81.1, 9.52, 72.75

 

CMYK 0 / 18 / 72 / 0

HEX #FFD248

RGB 255 210 72

HSL 45.25, 1%, 0.64%

LAB 85.92, 2.25, 70.68

 

CMYK 0 / 30 / 99 / 23

HEX #C48A01

RGB 196 138 1

HSL 42.15, 0.99%, 0.39%

LAB 61.58, 12.92, 66.6

 

CMYK 0 / 33 / 100 / 30

HEX #B37800

RGB 179 120 0

HSL 40.22, 1%, 0.35%

LAB 55.09, 15.24, 61.44

 

CMYK 0 / 37 / 100 / 36

HEX #A26600

RGB 162 102 0

HSL 37.78, 1%, 0.32%

LAB 48.49, 17.68, 56.06

 

CMYK 0 / 42 / 100 / 43

HEX #915400

RGB 145 84 0

HSL 34.76, 1%, 0.28%

LAB 41.78, 20.22, 50.61

 

CMYK 0 / 48 / 100 / 50

HEX #804200

RGB 128 66 0

HSL 30.94, 1%, 0.25%

LAB 34.97, 22.83, 45.1

 

CMYK 0 / 29 / 100 / 23

HEX #C58B00

RGB 197 139 0

HSL 42.34, 1%, 0.39%

LAB 61.94, 12.81, 67.05

 

CMYK 0 / 56 / 100 / 23

HEX #C55600

RGB 197 86 0

HSL 26.19, 1%, 0.39%

LAB 50.13, 41.01, 59.65

 

CMYK 0 / 83 / 100 / 23

HEX #C52100

RGB 197 33 0

HSL 10.05, 1%, 0.39%

LAB 42.7, 61.11, 55.98

 

CMYK 0 / 100 / 100 / 23

HEX #C50000

RGB 197 0 0

HSL 0, 1%, 0.39%

LAB 41.01, 65.97, 55.35

 

CMYK 0 / 29 / 100 / 23

HEX #C58B00

RGB 197 139 0

HSL 42.34, 1%, 0.39%

LAB 61.94, 12.81, 67.05

 

CMYK 0 / 3 / 100 / 23

HEX #C5C000

RGB 197 192 0

HSL 58.48, 1%, 0.39%

LAB 75.8, -15.25, 76.81

 

CMYK 24 / 0 / 100 / 23

HEX #96C500

RGB 150 197 0

HSL 74.31, 1%, 0.39%

LAB 73.82, -37.34, 73.81

 

CMYK 51 / 0 / 100 / 23

HEX #61C500

RGB 97 197 0

HSL 90.46, 1%, 0.39%

LAB 71.2, -55.93, 70.66

 

CMYK 78 / 0 / 100 / 23

HEX #2CC500

RGB 44 197 0

HSL 106.6, 1%, 0.39%

LAB 69.8, -67.54, 68.96

 

CMYK 0 / 29 / 100 / 23

HEX #C58B00

RGB 197 139 0

HSL 42.34, 1%, 0.39%

LAB 61.94, 12.81, 67.05

 

CMYK 0 / 29 / 100 / 23

HEX #C58B00

RGB 197 139 0

HSL 42.34, 1%, 0.39%

LAB 61.94, 12.81, 67.05

 

CMYK 0 / 27 / 91 / 29

HEX #B58411

RGB 181 132 17

HSL 42.07, 0.83%, 0.39%

LAB 58.38, 9.71, 60.81

 

CMYK 0 / 24 / 80 / 35

HEX #A57E21

RGB 165 126 33

HSL 42.27, 0.67%, 0.39%

LAB 55.1, 6.23, 52.64

 

CMYK 0 / 20 / 67 / 42

HEX #957731

RGB 149 119 49

HSL 42, 0.51%, 0.39%

LAB 51.62, 3.68, 41.77

 

CMYK 0 / 15 / 51 / 48

HEX #857141

RGB 133 113 65

HSL 42.35, 0.34%, 0.39%

LAB 48.48, 1.16, 29.39

 

CMYK 0 / 83 / 100 / 23

HEX #C52100

RGB 197 33 0

HSL 10.05, 1%, 0.39%

LAB 42.7, 61.11, 55.98

 

CMYK 0 / 56 / 100 / 23

HEX #C55600

RGB 197 86 0

HSL 26.19, 1%, 0.39%

LAB 50.13, 41.01, 59.65

 

CMYK 0 / 30 / 100 / 23

HEX #C58A00

RGB 197 138 0

HSL 42.03, 1%, 0.39%

LAB 61.69, 13.36, 66.88

 

CMYK 0 / 3 / 100 / 23

HEX #C5BF00

RGB 197 191 0

HSL 58.17, 1%, 0.39%

LAB 75.53, -14.74, 76.61

 

CMYK 23 / 0 / 100 / 23

HEX #97C500

RGB 151 197 0

HSL 74.01, 1%, 0.39%

LAB 73.88, -36.94, 73.89

 

CMYK 0 / 30 / 100 / 55

HEX #735100

RGB 115 81 0

HSL 42.26, 1%, 0.23%

LAB 36.98, 7.76, 45.51

 

CMYK 0 / 29 / 100 / 39

HEX #9C6E00

RGB 156 110 0

HSL 42.31, 1%, 0.31%

LAB 49.76, 10.36, 56.54

 

CMYK 0 / 29 / 100 / 23

HEX #C58B00

RGB 197 139 0

HSL 42.34, 1%, 0.39%

LAB 61.94, 12.81, 67.05

 

CMYK 0 / 29 / 100 / 7

HEX #EEA801

RGB 238 168 1

HSL 42.28, 0.99%, 0.47%

LAB 73.67, 15.16, 77.05

 

CMYK 0 / 26 / 89 / 1

HEX #FDBA1B

RGB 253 186 27

HSL 42.21, 0.98%, 0.55%

LAB 79.66, 12.42, 78.49

 

CMYK 0 / 30 / 99 / 23

HEX #C48A01

RGB 196 138 1

HSL 42.15, 0.99%, 0.39%

LAB 61.58, 12.92, 66.6

 

CMYK 90 / 0 / 100 / 23

HEX #14C500

RGB 20 197 0

HSL 113.91, 1%, 0.39%

LAB 69.53, -70, 68.62

 

CMYK 70 / 100 / 0 / 23

HEX #3C00C5

RGB 60 0 197

HSL 258.27, 1%, 0.39%

LAB 26.71, 66.32, -83.84

 

CMYK 0 / 30 / 99 / 23

HEX #C48A01

RGB 196 138 1

HSL 42.15, 0.99%, 0.39%

LAB 61.58, 12.92, 66.6

 

CMYK 100 / 0 / 30 / 23

HEX #00C58A

RGB 0 197 138

HSL 162.03, 1%, 0.39%

LAB 70.71, -55.31, 18.19

 

CMYK 30 / 100 / 0 / 23

HEX #8A00C5

RGB 138 0 197

HSL 282.03, 1%, 0.39%

LAB 36.81, 72.52, -66.83

 

CMYK 0 / 30 / 99 / 23

HEX #C48A01

RGB 196 138 1

HSL 42.15, 0.99%, 0.39%

LAB 61.58, 12.92, 66.6

 

CMYK 90 / 0 / 100 / 23

HEX #14C500

RGB 20 197 0

HSL 113.91, 1%, 0.39%

LAB 69.53, -70, 68.62

 

CMYK 100 / 70 / 0 / 23

HEX #003CC5

RGB 0 60 197

HSL 221.73, 1%, 0.39%

LAB 32.4, 40.07, -74.48

 

CMYK 10 / 100 / 0 / 23

HEX #B200C5

RGB 178 0 197

HSL 294.21, 1%, 0.39%

LAB 43.5, 77.95, -55.65

 

CMYK 0 / 30 / 99 / 23

HEX #C48A01

RGB 196 138 1

HSL 42.15, 0.99%, 0.39%

LAB 61.58, 12.92, 66.6

 

CMYK 100 / 0 / 80 / 23

HEX #00C528

RGB 0 197 40

HSL 132.18, 1%, 0.39%

LAB 69.53, -69.55, 61.42

 

CMYK 100 / 70 / 0 / 23

HEX #003CC5

RGB 0 60 197

HSL 221.73, 1%, 0.39%

LAB 32.4, 40.07, -74.48

 

CMYK 0 / 100 / 20 / 23

HEX #C5009E

RGB 197 0 158

HSL 311.88, 1%, 0.39%

LAB 44.72, 75.67, -30.44

 

Description

Color code: HEX #C48A01 | qconv.com Color code: HEX #C48A01 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 138 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 138 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 99 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 99% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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