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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C495EE it is the complementary color #3B6A11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C495EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C495EE shade: #C995E9, #DAA7FC, #EBB9FF, #FCCBFF and #FFDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C495EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C495EE shade: #C495EE, #B383DB, #A271C8, #915FB5 and #804DA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C495EE shade: #C495ED, #DC95ED, #ED95E7, #ED95D0 and #ED95B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C495EE shade: #C495ED, #AC95ED and #9595ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C495EE shade matches the following richer shades: #C495ED and #C48BF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C495EE shade: #C495ED, #C39FE3, #C3A9DA, #C2B3D0 and #C2BDC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C495EE shade: #9597ED, #AB95ED, #C395ED, #DA95ED and #ED95E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C495EE shade: #9C4EE2, #B072E8, #C495ED, #D8B9F3 and #EBDCF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C495EE shade: #C495EE, #ED95AE and #95EDA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C495EE shade: #C495EE, #EDC395 and #95EDC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C495EE shade: #C495EE, #ED95AE, #C0ED95 and #95EDD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C495EE shade: #C495EE, #ED9795, #C0ED95 and #95ECED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 37 / 0 / 7

HEX #C495EE

RGB 196 149 238

HSL 271.69, 0.72%, 0.76%

LAB 69.04, 34.2, -38.19

 

Complementary color

CMYK 44 / 0 / 84 / 58

HEX #3B6A11

RGB 59 106 17

HSL 91.69, 0.72%, 0.24%

LAB 40.05, -31.41, 41.06

 

CMYK 14 / 36 / 0 / 9

HEX #C995E9

RGB 201 149 233

HSL 277.14, 0.66%, 0.75%

LAB 69.32, 34.62, -34.97

 

CMYK 13 / 34 / 0 / 1

HEX #DAA7FC

RGB 218 167 252

HSL 276, 0.93%, 0.82%

LAB 75.81, 33.93, -35.13

 

CMYK 8 / 27 / 0 / 0

HEX #EBB9FF

RGB 235 185 255

HSL 282.86, 1%, 0.86%

LAB 81.61, 30.07, -27.68

 

CMYK 1 / 20 / 0 / 0

HEX #FCCBFF

RGB 252 203 255

HSL 296.54, 1%, 0.9%

LAB 87.3, 25.93, -18.88

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 18 / 37 / 0 / 7

HEX #C495EE

RGB 196 149 238

HSL 271.69, 0.72%, 0.76%

LAB 69.04, 34.2, -38.19

 

CMYK 18 / 40 / 0 / 14

HEX #B383DB

RGB 179 131 219

HSL 272.73, 0.55%, 0.69%

LAB 62.45, 34.96, -38.1

 

CMYK 19 / 44 / 0 / 22

HEX #A271C8

RGB 162 113 200

HSL 273.79, 0.44%, 0.61%

LAB 55.75, 35.77, -38.02

 

CMYK 20 / 48 / 0 / 29

HEX #915FB5

RGB 145 95 181

HSL 274.88, 0.37%, 0.54%

LAB 48.93, 36.62, -37.93

 

CMYK 21 / 52 / 0 / 36

HEX #804DA2

RGB 128 77 162

HSL 276, 0.36%, 0.47%

LAB 42.01, 37.51, -37.82

 

CMYK 17 / 37 / 0 / 7

HEX #C495ED

RGB 196 149 237

HSL 272.05, 0.71%, 0.76%

LAB 69, 33.99, -37.71

 

CMYK 7 / 37 / 0 / 7

HEX #DC95ED

RGB 220 149 237

HSL 288.41, 0.71%, 0.76%

LAB 71.44, 41.16, -33.73

 

CMYK 0 / 37 / 3 / 7

HEX #ED95E7

RGB 237 149 231

HSL 304.09, 0.71%, 0.76%

LAB 73.07, 45.23, -27.78

 

CMYK 0 / 37 / 12 / 7

HEX #ED95D0

RGB 237 149 208

HSL 319.77, 0.71%, 0.76%

LAB 72.26, 41.34, -16.37

 

CMYK 0 / 37 / 22 / 7

HEX #ED95B8

RGB 237 149 184

HSL 336.14, 0.71%, 0.76%

LAB 71.53, 37.67, -4.18

 

CMYK 17 / 37 / 0 / 7

HEX #C495ED

RGB 196 149 237

HSL 272.05, 0.71%, 0.76%

LAB 69, 33.99, -37.71

 

CMYK 27 / 37 / 0 / 7

HEX #AC95ED

RGB 172 149 237

HSL 255.68, 0.71%, 0.76%

LAB 66.81, 27.04, -41.29

 

CMYK 37 / 37 / 0 / 7

HEX #9595ED

RGB 149 149 237

HSL 240, 0.71%, 0.76%

LAB 64.96, 20.75, -44.32

 

CMYK 17 / 37 / 0 / 7

HEX #C495ED

RGB 196 149 237

HSL 272.05, 0.71%, 0.76%

LAB 69, 33.99, -37.71

 

CMYK 21 / 44 / 0 / 3

HEX #C48BF7

RGB 196 139 247

HSL 271.67, 0.87%, 0.76%

LAB 67.21, 41.65, -45.98

 

CMYK 17 / 37 / 0 / 7

HEX #C495ED

RGB 196 149 237

HSL 272.05, 0.71%, 0.76%

LAB 69, 33.99, -37.71

 

CMYK 14 / 30 / 0 / 11

HEX #C39FE3

RGB 195 159 227

HSL 271.76, 0.55%, 0.76%

LAB 70.83, 26.01, -29.39

 

CMYK 11 / 22 / 0 / 15

HEX #C3A9DA

RGB 195 169 218

HSL 271.84, 0.4%, 0.76%

LAB 72.92, 18.6, -21.28

 

CMYK 7 / 14 / 0 / 18

HEX #C2B3D0

RGB 194 179 208

HSL 271.03, 0.24%, 0.76%

LAB 74.99, 10.76, -12.69

 

CMYK 2 / 5 / 0 / 22

HEX #C2BDC6

RGB 194 189 198

HSL 273.33, 0.07%, 0.76%

LAB 77.25, 3.42, -3.91

 

CMYK 37 / 36 / 0 / 7

HEX #9597ED

RGB 149 151 237

HSL 238.64, 0.71%, 0.76%

LAB 65.47, 19.6, -43.53

 

CMYK 28 / 37 / 0 / 7

HEX #AB95ED

RGB 171 149 237

HSL 255, 0.71%, 0.76%

LAB 66.72, 26.76, -41.43

 

CMYK 18 / 37 / 0 / 7

HEX #C395ED

RGB 195 149 237

HSL 271.36, 0.71%, 0.76%

LAB 68.9, 33.69, -37.86

 

CMYK 8 / 37 / 0 / 7

HEX #DA95ED

RGB 218 149 237

HSL 287.05, 0.71%, 0.76%

LAB 71.22, 40.56, -34.08

 

CMYK 0 / 37 / 2 / 7

HEX #ED95E9

RGB 237 149 233

HSL 302.73, 0.71%, 0.76%

LAB 73.14, 45.59, -28.76

 

CMYK 31 / 65 / 0 / 11

HEX #9C4EE2

RGB 156 78 226

HSL 271.62, 0.72%, 0.6%

LAB 49.51, 58.69, -62.77

 

CMYK 24 / 51 / 0 / 9

HEX #B072E8

RGB 176 114 232

HSL 271.53, 0.72%, 0.68%

LAB 59.06, 46.38, -50.72

 

CMYK 17 / 37 / 0 / 7

HEX #C495ED

RGB 196 149 237

HSL 272.05, 0.71%, 0.76%

LAB 69, 33.99, -37.71

 

CMYK 11 / 24 / 0 / 5

HEX #D8B9F3

RGB 216 185 243

HSL 272.07, 0.71%, 0.84%

LAB 79.48, 21.71, -24.66

 

CMYK 6 / 12 / 0 / 2

HEX #EBDCF9

RGB 235 220 249

HSL 271.03, 0.71%, 0.92%

LAB 89.71, 10.35, -12.25

 

CMYK 18 / 37 / 0 / 7

HEX #C495EE

RGB 196 149 238

HSL 271.69, 0.72%, 0.76%

LAB 69.04, 34.2, -38.19

 

CMYK 0 / 37 / 27 / 7

HEX #ED95AE

RGB 237 149 174

HSL 342.95, 0.71%, 0.76%

LAB 71.25, 36.26, 0.97

 

CMYK 37 / 0 / 32 / 7

HEX #95EDA0

RGB 149 237 160

HSL 127.5, 0.71%, 0.76%

LAB 86.75, -41.9, 29.19

 

CMYK 18 / 37 / 0 / 7

HEX #C495EE

RGB 196 149 238

HSL 271.69, 0.72%, 0.76%

LAB 69.04, 34.2, -38.19

 

CMYK 0 / 18 / 37 / 7

HEX #EDC395

RGB 237 195 149

HSL 31.36, 0.71%, 0.76%

LAB 81.4, 8.75, 28.74

 

CMYK 37 / 0 / 18 / 7

HEX #95EDC3

RGB 149 237 195

HSL 151.36, 0.71%, 0.76%

LAB 87.44, -35.52, 12.08

 

CMYK 18 / 37 / 0 / 7

HEX #C495EE

RGB 196 149 238

HSL 271.69, 0.72%, 0.76%

LAB 69.04, 34.2, -38.19

 

CMYK 0 / 37 / 27 / 7

HEX #ED95AE

RGB 237 149 174

HSL 342.95, 0.71%, 0.76%

LAB 71.25, 36.26, 0.97

 

CMYK 19 / 0 / 37 / 7

HEX #C0ED95

RGB 192 237 149

HSL 90.68, 0.71%, 0.76%

LAB 88.9, -29.39, 38

 

CMYK 37 / 0 / 11 / 7

HEX #95EDD4

RGB 149 237 212

HSL 162.95, 0.71%, 0.76%

LAB 87.83, -31.99, 3.77

 

CMYK 18 / 37 / 0 / 7

HEX #C495EE

RGB 196 149 238

HSL 271.69, 0.72%, 0.76%

LAB 69.04, 34.2, -38.19

 

CMYK 0 / 36 / 37 / 7

HEX #ED9795

RGB 237 151 149

HSL 1.36, 0.71%, 0.76%

LAB 71.08, 32.05, 14.6

 

CMYK 19 / 0 / 37 / 7

HEX #C0ED95

RGB 192 237 149

HSL 90.68, 0.71%, 0.76%

LAB 88.9, -29.39, 38

 

CMYK 37 / 0 / 0 / 7

HEX #95ECED

RGB 149 236 237

HSL 180.68, 0.71%, 0.76%

LAB 88.21, -25.86, -8.77

 

Description

Color code: HEX #C495EE | qconv.com Color code: HEX #C495EE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 149 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 149 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 37 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 37% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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