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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C496A6 it is the complementary color #3B6959. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C496A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C496A6 shade: #C996A1, #DAA8B4, #EBBAC7, #FCCCDA and #FFDEED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C496A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C496A6 shade: #C496A6, #B38493, #A27280, #91606D and #804E5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C496A6 shade: #C496A6, #C4969A and #C49696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C496A6 shade: #C496A6, #C496B2, #C496BF, #BD96C4 and #B096C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C496A6 shade matches the following richer shades: #C496A6, #D189A2, #DE7C9E, #EB6E9A and #F96196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C496A6 shade: #C496A6, #B7A3AA, #A9B0AE, #9CBEB2 and #8FCBB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C496A6 shade: #C496BE, #C496B2, #C496A6, #C4969A and #C49E96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C496A6 shade: #A66179, #B57C90, #C496A6, #D3B0BC and #E1CBD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C496A6 shade: #C496A6, #C4BD96 and #96B8C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C496A6 shade: #C496A6, #A6C496 and #96A6C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C496A6 shade: #C496A6, #C4BD96, #96C4B4 and #969DC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C496A6 shade: #C496A6, #BDC496, #96C4B4 and #9D96C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 15 / 23

HEX #C496A6

RGB 196 150 166

HSL 339.13, 0.28%, 0.68%

LAB 66.75, 19.74, -1.69

 

Complementary color

CMYK 44 / 0 / 15 / 59

HEX #3B6959

RGB 59 105 89

HSL 159.13, 0.28%, 0.32%

LAB 40.82, -19.95, 4.08

 

CMYK 0 / 25 / 20 / 21

HEX #C996A1

RGB 201 150 161

HSL 347.06, 0.32%, 0.69%

LAB 67.13, 20.78, 1.73

 

CMYK 0 / 23 / 17 / 15

HEX #DAA8B4

RGB 218 168 180

HSL 345.6, 0.4%, 0.76%

LAB 73.68, 20.16, 0.94

 

CMYK 0 / 21 / 15 / 8

HEX #EBBAC7

RGB 235 186 199

HSL 344.08, 0.55%, 0.83%

LAB 80.13, 19.6, 0.19

 

CMYK 0 / 19 / 13 / 1

HEX #FCCCDA

RGB 252 204 218

HSL 342.5, 0.89%, 0.89%

LAB 86.48, 19.08, -0.51

 

CMYK 0 / 13 / 7 / 0

HEX #FFDEED

RGB 255 222 237

HSL 332.73, 1%, 0.94%

LAB 91.51, 13.82, -3.11

 

CMYK 0 / 23 / 15 / 23

HEX #C496A6

RGB 196 150 166

HSL 339.13, 0.28%, 0.68%

LAB 66.75, 19.74, -1.69

 

CMYK 0 / 26 / 18 / 30

HEX #B38493

RGB 179 132 147

HSL 340.85, 0.24%, 0.61%

LAB 60.06, 20.37, -0.93

 

CMYK 0 / 30 / 21 / 36

HEX #A27280

RGB 162 114 128

HSL 342.5, 0.21%, 0.54%

LAB 53.25, 21.08, -0.1

 

CMYK 0 / 34 / 25 / 43

HEX #91606D

RGB 145 96 109

HSL 344.08, 0.2%, 0.47%

LAB 46.3, 21.87, 0.83

 

CMYK 0 / 39 / 30 / 50

HEX #804E5A

RGB 128 78 90

HSL 345.6, 0.24%, 0.4%

LAB 39.2, 22.76, 1.91

 

CMYK 0 / 23 / 15 / 23

HEX #C496A6

RGB 196 150 166

HSL 339.13, 0.28%, 0.68%

LAB 66.75, 19.74, -1.69

 

CMYK 0 / 23 / 21 / 23

HEX #C4969A

RGB 196 150 154

HSL 354.78, 0.28%, 0.68%

LAB 66.43, 17.84, 4.58

 

CMYK 0 / 23 / 23 / 23

HEX #C49696

RGB 196 150 150

HSL 0, 0.28%, 0.68%

LAB 66.33, 17.24, 6.67

 

CMYK 0 / 23 / 15 / 23

HEX #C496A6

RGB 196 150 166

HSL 339.13, 0.28%, 0.68%

LAB 66.75, 19.74, -1.69

 

CMYK 0 / 23 / 9 / 23

HEX #C496B2

RGB 196 150 178

HSL 323.48, 0.28%, 0.68%

LAB 67.1, 21.77, -7.9

 

CMYK 0 / 23 / 3 / 23

HEX #C496BF

RGB 196 150 191

HSL 306.52, 0.28%, 0.68%

LAB 67.51, 24.11, -14.54

 

CMYK 4 / 23 / 0 / 23

HEX #BD96C4

RGB 189 150 196

HSL 290.87, 0.28%, 0.68%

LAB 66.99, 22.69, -18.19

 

CMYK 10 / 23 / 0 / 23

HEX #B096C4

RGB 176 150 196

HSL 273.91, 0.28%, 0.68%

LAB 65.77, 18.37, -20.15

 

CMYK 0 / 23 / 15 / 23

HEX #C496A6

RGB 196 150 166

HSL 339.13, 0.28%, 0.68%

LAB 66.75, 19.74, -1.69

 

CMYK 0 / 34 / 22 / 18

HEX #D189A2

RGB 209 137 162

HSL 339.17, 0.44%, 0.68%

LAB 65.01, 30.95, -1.83

 

CMYK 0 / 44 / 29 / 13

HEX #DE7C9E

RGB 222 124 158

HSL 339.18, 0.6%, 0.68%

LAB 63.68, 41.87, -1.31

 

CMYK 0 / 53 / 34 / 8

HEX #EB6E9A

RGB 235 110 154

HSL 338.88, 0.76%, 0.68%

LAB 62.63, 52.69, -0.35

 

CMYK 0 / 61 / 40 / 2

HEX #F96196

RGB 249 97 150

HSL 339.08, 0.93%, 0.68%

LAB 62.42, 62.5, 1.89

 

CMYK 0 / 23 / 15 / 23

HEX #C496A6

RGB 196 150 166

HSL 339.13, 0.28%, 0.68%

LAB 66.75, 19.74, -1.69

 

CMYK 0 / 11 / 7 / 28

HEX #B7A3AA

RGB 183 163 170

HSL 339, 0.12%, 0.68%

LAB 68.87, 8.51, -0.96

 

CMYK 4 / 0 / 1 / 31

HEX #A9B0AE

RGB 169 176 174

HSL 162.86, 0.04%, 0.68%

LAB 71.24, -2.83, 0.16

 

CMYK 18 / 0 / 6 / 25

HEX #9CBEB2

RGB 156 190 178

HSL 158.82, 0.21%, 0.68%

LAB 74.26, -13.86, 2.26

 

CMYK 30 / 0 / 10 / 20

HEX #8FCBB6

RGB 143 203 182

HSL 159, 0.37%, 0.68%

LAB 77.24, -23.71, 4.31

 

CMYK 0 / 23 / 3 / 23

HEX #C496BE

RGB 196 150 190

HSL 307.83, 0.28%, 0.68%

LAB 67.48, 23.92, -14.04

 

CMYK 0 / 23 / 9 / 23

HEX #C496B2

RGB 196 150 178

HSL 323.48, 0.28%, 0.68%

LAB 67.1, 21.77, -7.9

 

CMYK 0 / 23 / 15 / 23

HEX #C496A6

RGB 196 150 166

HSL 339.13, 0.28%, 0.68%

LAB 66.75, 19.74, -1.69

 

CMYK 0 / 23 / 21 / 23

HEX #C4969A

RGB 196 150 154

HSL 354.78, 0.28%, 0.68%

LAB 66.43, 17.84, 4.58

 

CMYK 0 / 19 / 23 / 23

HEX #C49E96

RGB 196 158 150

HSL 10.43, 0.28%, 0.68%

LAB 68.31, 12.84, 9.5

 

CMYK 0 / 42 / 27 / 35

HEX #A66179

RGB 166 97 121

HSL 339.13, 0.28%, 0.52%

LAB 49.54, 31.1, -1.32

 

CMYK 0 / 31 / 20 / 29

HEX #B57C90

RGB 181 124 144

HSL 338.95, 0.28%, 0.6%

LAB 58.28, 25.12, -1.79

 

CMYK 0 / 23 / 15 / 23

HEX #C496A6

RGB 196 150 166

HSL 339.13, 0.28%, 0.68%

LAB 66.75, 19.74, -1.69

 

CMYK 0 / 17 / 11 / 17

HEX #D3B0BC

RGB 211 176 188

HSL 339.43, 0.28%, 0.76%

LAB 75.16, 14.61, -1.37

 

CMYK 0 / 10 / 6 / 12

HEX #E1CBD3

RGB 225 203 211

HSL 338.18, 0.27%, 0.84%

LAB 83.66, 9.03, -1.18

 

CMYK 0 / 23 / 15 / 23

HEX #C496A6

RGB 196 150 166

HSL 339.13, 0.28%, 0.68%

LAB 66.75, 19.74, -1.69

 

CMYK 0 / 4 / 23 / 23

HEX #C4BD96

RGB 196 189 150

HSL 50.87, 0.28%, 0.68%

LAB 76.27, -3.84, 20.64

 

CMYK 23 / 6 / 0 / 23

HEX #96B8C4

RGB 150 184 196

HSL 195.65, 0.28%, 0.68%

LAB 72.73, -8.75, -9.86

 

CMYK 0 / 23 / 15 / 23

HEX #C496A6

RGB 196 150 166

HSL 339.13, 0.28%, 0.68%

LAB 66.75, 19.74, -1.69

 

CMYK 15 / 0 / 23 / 23

HEX #A6C496

RGB 166 196 150

HSL 99.13, 0.28%, 0.68%

LAB 75.94, -18.59, 19.83

 

CMYK 23 / 15 / 0 / 23

HEX #96A6C4

RGB 150 166 196

HSL 219.13, 0.28%, 0.68%

LAB 67.83, 1.02, -17.22

 

CMYK 0 / 23 / 15 / 23

HEX #C496A6

RGB 196 150 166

HSL 339.13, 0.28%, 0.68%

LAB 66.75, 19.74, -1.69

 

CMYK 0 / 4 / 23 / 23

HEX #C4BD96

RGB 196 189 150

HSL 50.87, 0.28%, 0.68%

LAB 76.27, -3.84, 20.64

 

CMYK 23 / 0 / 8 / 23

HEX #96C4B4

RGB 150 196 180

HSL 159.13, 0.28%, 0.68%

LAB 75.61, -18.46, 3.09

 

CMYK 23 / 20 / 0 / 23

HEX #969DC4

RGB 150 157 196

HSL 230.87, 0.28%, 0.68%

LAB 65.42, 6.04, -20.88

 

CMYK 0 / 23 / 15 / 23

HEX #C496A6

RGB 196 150 166

HSL 339.13, 0.28%, 0.68%

LAB 66.75, 19.74, -1.69

 

CMYK 4 / 0 / 23 / 23

HEX #BDC496

RGB 189 196 150

HSL 69.13, 0.28%, 0.68%

LAB 77.58, -10.14, 22.34

 

CMYK 23 / 0 / 8 / 23

HEX #96C4B4

RGB 150 196 180

HSL 159.13, 0.28%, 0.68%

LAB 75.61, -18.46, 3.09

 

CMYK 20 / 23 / 0 / 23

HEX #9D96C4

RGB 157 150 196

HSL 249.13, 0.28%, 0.68%

LAB 64.13, 12.21, -22.8

 

Description

Color code: HEX #C496A6 | qconv.com Color code: HEX #C496A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 150 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 150 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 15 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 15% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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