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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C49959 it is the complementary color #3B66A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C49959. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C49959 shade: #C99954, #DAAB67, #EBBD7A, #FCCF8D and #FFE1A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C49959. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C49959 shade: #C49959, #B38746, #A27533, #916320 and #80510D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C49959 shade: #C49958, #C47C58, #C45F58 and #C45858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C49959 shade: #C49958, #C4B658, #B5C458, #98C458 and #7BC458

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C49959 shade matches the following richer shades: #C49958, #D69C46, #E8A034 and #FBA422

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C49959 shade: #C49958, #B2956B, #A0927D, #8E8E8F and #7C8BA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C49959 shade: #C45E58, #C47B58, #C49758, #C4B458 and #B8C458

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C49959 shade: #966F34, #B4853F, #C49958, #CFAC77 and #DABE96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C49959 shade: #C49959, #70C458 and #6C58C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C49959 shade: #C49959, #58C497 and #9758C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C49959 shade: #C49959, #70C458, #5885C4 and #AD58C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C49959 shade: #C49959, #58C461, #5885C4 and #C458BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 55 / 23

HEX #C49959

RGB 196 153 89

HSL 35.89, 0.48%, 0.56%

LAB 65.93, 8.46, 39.47

 

Complementary color

CMYK 64 / 39 / 0 / 35

HEX #3B66A6

RGB 59 102 166

HSL 215.89, 0.48%, 0.44%

LAB 43.04, 5.99, -38.91

 

CMYK 0 / 24 / 58 / 21

HEX #C99954

RGB 201 153 84

HSL 35.38, 0.52%, 0.56%

LAB 66.4, 10.18, 42.7

 

CMYK 0 / 22 / 53 / 15

HEX #DAAB67

RGB 218 171 103

HSL 35.48, 0.61%, 0.63%

LAB 72.9, 9.16, 41.32

 

CMYK 0 / 20 / 48 / 8

HEX #EBBD7A

RGB 235 189 122

HSL 35.58, 0.74%, 0.7%

LAB 79.31, 8.29, 39.98

 

CMYK 0 / 18 / 44 / 1

HEX #FCCF8D

RGB 252 207 141

HSL 35.68, 0.95%, 0.77%

LAB 85.63, 7.53, 38.7

 

CMYK 0 / 12 / 37 / 0

HEX #FFE1A0

RGB 255 225 160

HSL 41.05, 1%, 0.81%

LAB 90.62, 1.46, 35.61

 

CMYK 0 / 22 / 55 / 23

HEX #C49959

RGB 196 153 89

HSL 35.89, 0.48%, 0.56%

LAB 65.93, 8.46, 39.47

 

CMYK 0 / 25 / 61 / 30

HEX #B38746

RGB 179 135 70

HSL 35.78, 0.44%, 0.49%

LAB 59.3, 9.54, 40.88

 

CMYK 0 / 28 / 69 / 36

HEX #A27533

RGB 162 117 51

HSL 35.68, 0.52%, 0.42%

LAB 52.56, 10.84, 42.24

 

CMYK 0 / 32 / 78 / 43

HEX #916320

RGB 145 99 32

HSL 35.58, 0.64%, 0.35%

LAB 45.7, 12.41, 43.36

 

CMYK 0 / 37 / 90 / 50

HEX #80510D

RGB 128 81 13

HSL 35.48, 0.82%, 0.28%

LAB 38.73, 14.35, 43.6

 

CMYK 0 / 22 / 55 / 23

HEX #C49958

RGB 196 153 88

HSL 36.11, 0.48%, 0.56%

LAB 65.92, 8.38, 39.97

 

CMYK 0 / 37 / 55 / 23

HEX #C47C58

RGB 196 124 88

HSL 20, 0.48%, 0.56%

LAB 58.84, 24.28, 31.2

 

CMYK 0 / 52 / 55 / 23

HEX #C45F58

RGB 196 95 88

HSL 3.89, 0.48%, 0.56%

LAB 52.54, 39.71, 23.07

 

CMYK 0 / 55 / 55 / 23

HEX #C45858

RGB 196 88 88

HSL 0, 0.48%, 0.56%

LAB 51.17, 43.21, 21.27

 

CMYK 0 / 22 / 55 / 23

HEX #C49958

RGB 196 153 88

HSL 36.11, 0.48%, 0.56%

LAB 65.92, 8.38, 39.97

 

CMYK 0 / 7 / 55 / 23

HEX #C4B658

RGB 196 182 88

HSL 52.22, 0.48%, 0.56%

LAB 73.48, -7.11, 48.92

 

CMYK 8 / 0 / 55 / 23

HEX #B5C458

RGB 181 196 88

HSL 68.33, 0.48%, 0.56%

LAB 76.07, -20.45, 51.59

 

CMYK 22 / 0 / 55 / 23

HEX #98C458

RGB 152 196 88

HSL 84.44, 0.48%, 0.56%

LAB 74.1, -31.87, 48.8

 

CMYK 37 / 0 / 55 / 23

HEX #7BC458

RGB 123 196 88

HSL 100.56, 0.48%, 0.56%

LAB 72.49, -42.25, 46.51

 

CMYK 0 / 22 / 55 / 23

HEX #C49958

RGB 196 153 88

HSL 36.11, 0.48%, 0.56%

LAB 65.92, 8.38, 39.97

 

CMYK 0 / 27 / 67 / 16

HEX #D69C46

RGB 214 156 70

HSL 35.83, 0.64%, 0.56%

LAB 68.4, 13.16, 52.14

 

CMYK 0 / 31 / 78 / 9

HEX #E8A034

RGB 232 160 52

HSL 36, 0.8%, 0.56%

LAB 71.25, 17.84, 63.26

 

CMYK 0 / 35 / 86 / 2

HEX #FBA422

RGB 251 164 34

HSL 35.94, 0.96%, 0.56%

LAB 74.3, 23.21, 72.6

 

CMYK 0 / 22 / 55 / 23

HEX #C49958

RGB 196 153 88

HSL 36.11, 0.48%, 0.56%

LAB 65.92, 8.38, 39.97

 

CMYK 0 / 16 / 40 / 30

HEX #B2956B

RGB 178 149 107

HSL 35.49, 0.32%, 0.56%

LAB 63.36, 4.9, 26.22

 

CMYK 0 / 9 / 22 / 37

HEX #A0927D

RGB 160 146 125

HSL 36, 0.16%, 0.56%

LAB 61.23, 1.68, 13.02

 

CMYK 1 / 1 / 0 / 44

HEX #8E8E8F

RGB 142 142 143

HSL 240, 0%, 0.56%

LAB 59.05, 0.2, -0.54

 

CMYK 23 / 14 / 0 / 37

HEX #7C8BA1

RGB 124 139 161

HSL 215.68, 0.16%, 0.56%

LAB 57.39, -0.4, -13.46

 

CMYK 0 / 52 / 55 / 23

HEX #C45E58

RGB 196 94 88

HSL 3.33, 0.48%, 0.56%

LAB 52.34, 40.22, 22.81

 

CMYK 0 / 37 / 55 / 23

HEX #C47B58

RGB 196 123 88

HSL 19.44, 0.48%, 0.56%

LAB 58.61, 24.83, 30.91

 

CMYK 0 / 23 / 55 / 23

HEX #C49758

RGB 196 151 88

HSL 35, 0.48%, 0.56%

LAB 65.42, 9.47, 39.35

 

CMYK 0 / 8 / 55 / 23

HEX #C4B458

RGB 196 180 88

HSL 51.11, 0.48%, 0.56%

LAB 72.95, -6.07, 48.3

 

CMYK 6 / 0 / 55 / 23

HEX #B8C458

RGB 184 196 88

HSL 66.67, 0.48%, 0.56%

LAB 76.3, -19.23, 51.91

 

CMYK 0 / 26 / 65 / 41

HEX #966F34

RGB 150 111 52

HSL 36.12, 0.49%, 0.4%

LAB 49.62, 8.91, 38.11

 

CMYK 0 / 26 / 65 / 29

HEX #B4853F

RGB 180 133 63

HSL 35.9, 0.48%, 0.48%

LAB 58.82, 10.6, 43.86

 

CMYK 0 / 22 / 55 / 23

HEX #C49958

RGB 196 153 88

HSL 36.11, 0.48%, 0.56%

LAB 65.92, 8.38, 39.97

 

CMYK 0 / 17 / 43 / 19

HEX #CFAC77

RGB 207 172 119

HSL 36.14, 0.48%, 0.64%

LAB 72.3, 5.66, 32

 

CMYK 0 / 13 / 31 / 15

HEX #DABE96

RGB 218 190 150

HSL 35.29, 0.48%, 0.72%

LAB 78.42, 4.11, 23.89

 

CMYK 0 / 22 / 55 / 23

HEX #C49959

RGB 196 153 89

HSL 35.89, 0.48%, 0.56%

LAB 65.93, 8.46, 39.47

 

CMYK 43 / 0 / 55 / 23

HEX #70C458

RGB 112 196 88

HSL 106.67, 0.48%, 0.56%

LAB 71.98, -45.81, 45.78

 

CMYK 45 / 55 / 0 / 23

HEX #6C58C4

RGB 108 88 196

HSL 251.11, 0.48%, 0.56%

LAB 44.45, 35.02, -54.01

 

CMYK 0 / 22 / 55 / 23

HEX #C49959

RGB 196 153 89

HSL 35.89, 0.48%, 0.56%

LAB 65.93, 8.46, 39.47

 

CMYK 55 / 0 / 23 / 23

HEX #58C497

RGB 88 196 151

HSL 155, 0.48%, 0.56%

LAB 72.09, -41.73, 13.34

 

CMYK 23 / 55 / 0 / 23

HEX #9758C4

RGB 151 88 196

HSL 275, 0.48%, 0.56%

LAB 48.94, 45.56, -46.57

 

CMYK 0 / 22 / 55 / 23

HEX #C49959

RGB 196 153 89

HSL 35.89, 0.48%, 0.56%

LAB 65.93, 8.46, 39.47

 

CMYK 43 / 0 / 55 / 23

HEX #70C458

RGB 112 196 88

HSL 106.67, 0.48%, 0.56%

LAB 71.98, -45.81, 45.78

 

CMYK 55 / 32 / 0 / 23

HEX #5885C4

RGB 88 133 196

HSL 215, 0.48%, 0.56%

LAB 54.9, 3.12, -37.47

 

CMYK 12 / 55 / 0 / 23

HEX #AD58C4

RGB 173 88 196

HSL 287.22, 0.48%, 0.56%

LAB 51.67, 51.35, -42.07

 

CMYK 0 / 22 / 55 / 23

HEX #C49959

RGB 196 153 89

HSL 35.89, 0.48%, 0.56%

LAB 65.93, 8.46, 39.47

 

CMYK 55 / 0 / 51 / 23

HEX #58C461

RGB 88 196 97

HSL 125, 0.48%, 0.56%

LAB 71.16, -51.43, 40.24

 

CMYK 55 / 32 / 0 / 23

HEX #5885C4

RGB 88 133 196

HSL 215, 0.48%, 0.56%

LAB 54.9, 3.12, -37.47

 

CMYK 0 / 55 / 5 / 23

HEX #C458BB

RGB 196 88 187

HSL 305, 0.48%, 0.56%

LAB 54.35, 55.93, -32.46

 

Description

Color code: HEX #C49959 | qconv.com Color code: HEX #C49959 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 153 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 153 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 55 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 55% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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