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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C49BE9 it is the complementary color #3B6416. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C49BE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C49BE9 shade: #C99BE4, #DAADF7, #EBBFFF, #FCD1FF and #FFE3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C49BE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C49BE9 shade: #C49BE9, #B389D6, #A277C3, #9165B0 and #80539D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C49BE9 shade: #C39AE8, #D89AE8, #E89AE3, #E89ACE and #E89AB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C49BE9 shade: #C39AE8, #AE9AE8 and #9A9AE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C49BE9 shade matches the following richer shades: #C39AE8, #C490F2 and #C486FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C49BE9 shade: #C39AE8, #C3A4DF, #C2AED5, #C2B8CB and #C1C2C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C49BE9 shade: #9A9BE8, #AE9AE8, #C39AE8, #D79AE8 and #E89AE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C49BE9 shade: #9B56DA, #AF78E1, #C39AE8, #D7BCF0 and #EBDEF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C49BE9 shade: #C49BE9, #E89AB0 and #9AE8A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C49BE9 shade: #C49BE9, #E8C39A and #9AE8C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C49BE9 shade: #C49BE9, #E89AB0, #C0E89A and #9AE8D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C49BE9 shade: #C49BE9, #E89B9A, #C0E89A and #9AE7E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 33 / 0 / 9

HEX #C49BE9

RGB 196 155 233

HSL 271.54, 0.64%, 0.76%

LAB 70.22, 29.81, -33.62

 

Complementary color

CMYK 41 / 0 / 78 / 61

HEX #3B6416

RGB 59 100 22

HSL 91.54, 0.64%, 0.24%

LAB 38.03, -28.34, 37.34

 

CMYK 12 / 32 / 0 / 11

HEX #C99BE4

RGB 201 155 228

HSL 277.81, 0.57%, 0.75%

LAB 70.5, 30.28, -30.41

 

CMYK 12 / 30 / 0 / 3

HEX #DAADF7

RGB 218 173 247

HSL 276.49, 0.82%, 0.82%

LAB 76.99, 29.65, -30.62

 

CMYK 8 / 25 / 0 / 0

HEX #EBBFFF

RGB 235 191 255

HSL 281.25, 1%, 0.87%

LAB 82.99, 26.87, -25.57

 

CMYK 1 / 18 / 0 / 0

HEX #FCD1FF

RGB 252 209 255

HSL 296.09, 1%, 0.91%

LAB 88.69, 22.77, -16.79

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 16 / 33 / 0 / 9

HEX #C49BE9

RGB 196 155 233

HSL 271.54, 0.64%, 0.76%

LAB 70.22, 29.81, -33.62

 

CMYK 16 / 36 / 0 / 16

HEX #B389D6

RGB 179 137 214

HSL 272.73, 0.48%, 0.69%

LAB 63.61, 30.51, -33.49

 

CMYK 17 / 39 / 0 / 24

HEX #A277C3

RGB 162 119 195

HSL 273.95, 0.39%, 0.62%

LAB 56.89, 31.25, -33.38

 

CMYK 18 / 43 / 0 / 31

HEX #9165B0

RGB 145 101 176

HSL 275.2, 0.32%, 0.54%

LAB 50.05, 32.06, -33.27

 

CMYK 18 / 47 / 0 / 38

HEX #80539D

RGB 128 83 157

HSL 276.49, 0.31%, 0.47%

LAB 43.08, 32.92, -33.15

 

CMYK 16 / 34 / 0 / 9

HEX #C39AE8

RGB 195 154 232

HSL 271.54, 0.63%, 0.76%

LAB 69.85, 29.85, -33.65

 

CMYK 7 / 34 / 0 / 9

HEX #D89AE8

RGB 216 154 232

HSL 287.69, 0.63%, 0.76%

LAB 71.92, 36.28, -30.29

 

CMYK 0 / 34 / 2 / 9

HEX #E89AE3

RGB 232 154 227

HSL 303.85, 0.63%, 0.76%

LAB 73.42, 40.35, -25.1

 

CMYK 0 / 34 / 11 / 9

HEX #E89ACE

RGB 232 154 206

HSL 320, 0.63%, 0.76%

LAB 72.71, 36.74, -14.65

 

CMYK 0 / 34 / 20 / 9

HEX #E89AB9

RGB 232 154 185

HSL 336.15, 0.63%, 0.76%

LAB 72.07, 33.44, -4

 

CMYK 16 / 34 / 0 / 9

HEX #C39AE8

RGB 195 154 232

HSL 271.54, 0.63%, 0.76%

LAB 69.85, 29.85, -33.65

 

CMYK 25 / 34 / 0 / 9

HEX #AE9AE8

RGB 174 154 232

HSL 255.38, 0.63%, 0.76%

LAB 67.97, 23.59, -36.71

 

CMYK 34 / 34 / 0 / 9

HEX #9A9AE8

RGB 154 154 232

HSL 240, 0.63%, 0.76%

LAB 66.37, 17.91, -39.33

 

CMYK 16 / 34 / 0 / 9

HEX #C39AE8

RGB 195 154 232

HSL 271.54, 0.63%, 0.76%

LAB 69.85, 29.85, -33.65

 

CMYK 19 / 40 / 0 / 5

HEX #C490F2

RGB 196 144 242

HSL 271.84, 0.79%, 0.76%

LAB 68.09, 37.82, -41.87

 

CMYK 22 / 47 / 0 / 1

HEX #C486FC

RGB 196 134 252

HSL 271.53, 0.95%, 0.76%

LAB 66.38, 45.46, -50.04

 

CMYK 16 / 34 / 0 / 9

HEX #C39AE8

RGB 195 154 232

HSL 271.54, 0.63%, 0.76%

LAB 69.85, 29.85, -33.65

 

CMYK 13 / 26 / 0 / 13

HEX #C3A4DF

RGB 195 164 223

HSL 271.53, 0.48%, 0.76%

LAB 71.88, 22.4, -25.6

 

CMYK 9 / 18 / 0 / 16

HEX #C2AED5

RGB 194 174 213

HSL 270.77, 0.32%, 0.76%

LAB 73.9, 14.5, -17.07

 

CMYK 4 / 9 / 0 / 20

HEX #C2B8CB

RGB 194 184 203

HSL 271.58, 0.15%, 0.76%

LAB 76.11, 7.06, -8.31

 

CMYK 1 / 0 / 1 / 24

HEX #C1C2C1

RGB 193 194 193

HSL 120, 0.01%, 0.76%

LAB 78.33, -0.53, 0.37

 

CMYK 34 / 33 / 0 / 9

HEX #9A9BE8

RGB 154 155 232

HSL 239.23, 0.63%, 0.76%

LAB 66.63, 17.34, -38.93

 

CMYK 25 / 34 / 0 / 9

HEX #AE9AE8

RGB 174 154 232

HSL 255.38, 0.63%, 0.76%

LAB 67.97, 23.59, -36.71

 

CMYK 16 / 34 / 0 / 9

HEX #C39AE8

RGB 195 154 232

HSL 271.54, 0.63%, 0.76%

LAB 69.85, 29.85, -33.65

 

CMYK 7 / 34 / 0 / 9

HEX #D79AE8

RGB 215 154 232

HSL 286.92, 0.63%, 0.76%

LAB 71.82, 35.97, -30.46

 

CMYK 0 / 34 / 1 / 9

HEX #E89AE5

RGB 232 154 229

HSL 302.31, 0.63%, 0.76%

LAB 73.5, 40.71, -26.08

 

CMYK 29 / 61 / 0 / 15

HEX #9B56DA

RGB 155 86 218

HSL 271.36, 0.64%, 0.6%

LAB 50.32, 52.68, -56.93

 

CMYK 22 / 47 / 0 / 12

HEX #AF78E1

RGB 175 120 225

HSL 271.43, 0.64%, 0.68%

LAB 59.87, 41.26, -45.53

 

CMYK 16 / 34 / 0 / 9

HEX #C39AE8

RGB 195 154 232

HSL 271.54, 0.63%, 0.76%

LAB 69.85, 29.85, -33.65

 

CMYK 10 / 22 / 0 / 6

HEX #D7BCF0

RGB 215 188 240

HSL 271.15, 0.63%, 0.84%

LAB 80.01, 19.16, -22.25

 

CMYK 5 / 10 / 0 / 3

HEX #EBDEF7

RGB 235 222 247

HSL 271.2, 0.61%, 0.92%

LAB 90.15, 8.93, -10.56

 

CMYK 16 / 33 / 0 / 9

HEX #C49BE9

RGB 196 155 233

HSL 271.54, 0.64%, 0.76%

LAB 70.22, 29.81, -33.62

 

CMYK 0 / 34 / 24 / 9

HEX #E89AB0

RGB 232 154 176

HSL 343.08, 0.63%, 0.76%

LAB 71.83, 32.13, 0.62

 

CMYK 34 / 0 / 30 / 9

HEX #9AE8A3

RGB 154 232 163

HSL 126.92, 0.63%, 0.76%

LAB 85.62, -37.66, 26.17

 

CMYK 16 / 33 / 0 / 9

HEX #C49BE9

RGB 196 155 233

HSL 271.54, 0.64%, 0.76%

LAB 70.22, 29.81, -33.62

 

CMYK 0 / 16 / 34 / 9

HEX #E8C39A

RGB 232 195 154

HSL 31.54, 0.63%, 0.76%

LAB 81.03, 7.4, 25.52

 

CMYK 34 / 0 / 16 / 9

HEX #9AE8C3

RGB 154 232 195

HSL 151.54, 0.63%, 0.76%

LAB 86.27, -31.78, 10.45

 

CMYK 16 / 33 / 0 / 9

HEX #C49BE9

RGB 196 155 233

HSL 271.54, 0.64%, 0.76%

LAB 70.22, 29.81, -33.62

 

CMYK 0 / 34 / 24 / 9

HEX #E89AB0

RGB 232 154 176

HSL 343.08, 0.63%, 0.76%

LAB 71.83, 32.13, 0.62

 

CMYK 17 / 0 / 34 / 9

HEX #C0E89A

RGB 192 232 154

HSL 90.77, 0.63%, 0.76%

LAB 87.61, -26.35, 33.8

 

CMYK 34 / 0 / 9 / 9

HEX #9AE8D2

RGB 154 232 210

HSL 163.08, 0.63%, 0.76%

LAB 86.62, -28.69, 3.09

 

CMYK 16 / 33 / 0 / 9

HEX #C49BE9

RGB 196 155 233

HSL 271.54, 0.64%, 0.76%

LAB 70.22, 29.81, -33.62

 

CMYK 0 / 33 / 34 / 9

HEX #E89B9A

RGB 232 155 154

HSL 0.77, 0.63%, 0.76%

LAB 71.51, 28.66, 12.35

 

CMYK 17 / 0 / 34 / 9

HEX #C0E89A

RGB 192 232 154

HSL 90.77, 0.63%, 0.76%

LAB 87.61, -26.35, 33.8

 

CMYK 34 / 0 / 0 / 9

HEX #9AE7E8

RGB 154 231 232

HSL 180.77, 0.63%, 0.76%

LAB 86.92, -23.3, -8.03

 

Description

Color code: HEX #C49BE9 | qconv.com Color code: HEX #C49BE9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 155 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 155 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 33 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 33% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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