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Color name
HEX #C49D72

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C49D72 it is the complementary color #3B628D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C49D72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C49D72 shade: #C99D6D, #DAAF80, #EBC193, #FCD3A6 and #FFE5B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C49D72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C49D72 shade: #C49D72, #B38B5F, #A2794C, #916739 and #805526

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C49D72 shade: #C49D72, #C48772 and #C47272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C49D72 shade: #C49D72, #C4B372, #BFC472, #A9C472 and #93C472

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C49D72 shade matches the following richer shades: #C49D72, #D49E62, #E49F52 and #F49F42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C49D72 shade: #C49D72, #B49C82, #A49B92, #949BA3 and #839AB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C49D72 shade: #C47274, #C48772, #C49C72, #C4B272 and #C0C472

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C49D72 shade: #A17443, #B88955, #C49D72, #D0B18F and #DCC5AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C49D72 shade: #C49D72, #89C472 and #7C72C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C49D72 shade: #C49D72, #72C49C and #9C72C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C49D72 shade: #C49D72, #89C472, #729AC4 and #AD72C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C49D72 shade: #C49D72, #72C474, #729AC4 and #C472C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 42 / 23

HEX #C49D72

RGB 196 157 114

HSL 31.46, 0.41%, 0.61%

LAB 67.33, 8.73, 27.97

 

Complementary color

CMYK 58 / 30 / 0 / 45

HEX #3B628D

RGB 59 98 141

HSL 211.46, 0.41%, 0.39%

LAB 40.55, -0.26, -27.92

 

CMYK 0 / 22 / 46 / 21

HEX #C99D6D

RGB 201 157 109

HSL 31.3, 0.46%, 0.61%

LAB 67.75, 10.25, 31.32

 

CMYK 0 / 20 / 41 / 15

HEX #DAAF80

RGB 218 175 128

HSL 31.33, 0.55%, 0.68%

LAB 74.27, 9.47, 30.02

 

CMYK 0 / 18 / 37 / 8

HEX #EBC193

RGB 235 193 147

HSL 31.36, 0.69%, 0.75%

LAB 80.69, 8.79, 28.8

 

CMYK 0 / 16 / 34 / 1

HEX #FCD3A6

RGB 252 211 166

HSL 31.4, 0.93%, 0.82%

LAB 87.02, 8.19, 27.66

 

CMYK 0 / 10 / 27 / 0

HEX #FFE5B9

RGB 255 229 185

HSL 37.71, 1%, 0.86%

LAB 92.04, 2.45, 24.73

 

CMYK 0 / 20 / 42 / 23

HEX #C49D72

RGB 196 157 114

HSL 31.46, 0.41%, 0.61%

LAB 67.33, 8.73, 27.97

 

CMYK 0 / 22 / 47 / 30

HEX #B38B5F

RGB 179 139 95

HSL 31.43, 0.36%, 0.54%

LAB 60.67, 9.53, 29.3

 

CMYK 0 / 25 / 53 / 36

HEX #A2794C

RGB 162 121 76

HSL 31.4, 0.36%, 0.47%

LAB 53.9, 10.49, 30.74

 

CMYK 0 / 29 / 61 / 43

HEX #916739

RGB 145 103 57

HSL 31.36, 0.44%, 0.4%

LAB 47, 11.64, 32.28

 

CMYK 0 / 34 / 70 / 50

HEX #805526

RGB 128 85 38

HSL 31.33, 0.54%, 0.33%

LAB 39.96, 13.07, 33.86

 

CMYK 0 / 20 / 42 / 23

HEX #C49D72

RGB 196 157 114

HSL 31.46, 0.41%, 0.61%

LAB 67.33, 8.73, 27.97

 

CMYK 0 / 31 / 42 / 23

HEX #C48772

RGB 196 135 114

HSL 15.37, 0.41%, 0.61%

LAB 61.89, 20.8, 20.71

 

CMYK 0 / 42 / 42 / 23

HEX #C47272

RGB 196 114 114

HSL 0, 0.41%, 0.61%

LAB 57.06, 32.26, 14.08

 

CMYK 0 / 20 / 42 / 23

HEX #C49D72

RGB 196 157 114

HSL 31.46, 0.41%, 0.61%

LAB 67.33, 8.73, 27.97

 

CMYK 0 / 9 / 42 / 23

HEX #C4B372

RGB 196 179 114

HSL 47.56, 0.41%, 0.61%

LAB 73.02, -3.09, 35.35

 

CMYK 3 / 0 / 42 / 23

HEX #BFC472

RGB 191 196 114

HSL 63.66, 0.41%, 0.61%

LAB 77.14, -13.92, 40.49

 

CMYK 14 / 0 / 42 / 23

HEX #A9C472

RGB 169 196 114

HSL 79.76, 0.41%, 0.61%

LAB 75.53, -22.55, 38.12

 

CMYK 25 / 0 / 42 / 23

HEX #93C472

RGB 147 196 114

HSL 95.85, 0.41%, 0.61%

LAB 74.12, -30.74, 36.04

 

CMYK 0 / 20 / 42 / 23

HEX #C49D72

RGB 196 157 114

HSL 31.46, 0.41%, 0.61%

LAB 67.33, 8.73, 27.97

 

CMYK 0 / 25 / 54 / 17

HEX #D49E62

RGB 212 158 98

HSL 31.58, 0.57%, 0.61%

LAB 68.99, 13.23, 38.94

 

CMYK 0 / 30 / 64 / 11

HEX #E49F52

RGB 228 159 82

HSL 31.64, 0.73%, 0.61%

LAB 70.8, 18.18, 49.56

 

CMYK 0 / 35 / 73 / 4

HEX #F49F42

RGB 244 159 66

HSL 31.35, 0.89%, 0.61%

LAB 72.51, 23.97, 59.29

 

CMYK 0 / 20 / 42 / 23

HEX #C49D72

RGB 196 157 114

HSL 31.46, 0.41%, 0.61%

LAB 67.33, 8.73, 27.97

 

CMYK 0 / 13 / 28 / 29

HEX #B49C82

RGB 180 156 130

HSL 31.2, 0.25%, 0.61%

LAB 65.82, 4.82, 16.89

 

CMYK 0 / 5 / 11 / 36

HEX #A49B92

RGB 164 155 146

HSL 30, 0.09%, 0.61%

LAB 64.49, 1.68, 5.88

 

CMYK 9 / 5 / 0 / 36

HEX #949BA3

RGB 148 155 163

HSL 212, 0.08%, 0.61%

LAB 63.66, -0.87, -5.05

 

CMYK 27 / 14 / 0 / 30

HEX #839AB3

RGB 131 154 179

HSL 211.25, 0.24%, 0.61%

LAB 62.67, -2.28, -15.66

 

CMYK 0 / 42 / 41 / 23

HEX #C47274

RGB 196 114 116

HSL 358.54, 0.41%, 0.61%

LAB 57.11, 32.49, 12.98

 

CMYK 0 / 31 / 42 / 23

HEX #C48772

RGB 196 135 114

HSL 15.37, 0.41%, 0.61%

LAB 61.89, 20.8, 20.71

 

CMYK 0 / 20 / 42 / 23

HEX #C49C72

RGB 196 156 114

HSL 30.73, 0.41%, 0.61%

LAB 67.07, 9.27, 27.63

 

CMYK 0 / 9 / 42 / 23

HEX #C4B272

RGB 196 178 114

HSL 46.83, 0.41%, 0.61%

LAB 72.75, -2.56, 35.02

 

CMYK 2 / 0 / 42 / 23

HEX #C0C472

RGB 192 196 114

HSL 62.93, 0.41%, 0.61%

LAB 77.22, -13.52, 40.6

 

CMYK 0 / 28 / 58 / 37

HEX #A17443

RGB 161 116 67

HSL 31.28, 0.41%, 0.45%

LAB 52.37, 12.1, 33.74

 

CMYK 0 / 26 / 54 / 28

HEX #B88955

RGB 184 137 85

HSL 31.52, 0.41%, 0.53%

LAB 60.55, 11.81, 34.67

 

CMYK 0 / 20 / 42 / 23

HEX #C49D72

RGB 196 157 114

HSL 31.46, 0.41%, 0.61%

LAB 67.33, 8.73, 27.97

 

CMYK 0 / 15 / 31 / 18

HEX #D0B18F

RGB 208 177 143

HSL 31.38, 0.41%, 0.69%

LAB 74.09, 6.22, 21.57

 

CMYK 0 / 10 / 22 / 14

HEX #DCC5AC

RGB 220 197 172

HSL 31.25, 0.41%, 0.77%

LAB 80.81, 4.19, 15.5

 

CMYK 0 / 20 / 42 / 23

HEX #C49D72

RGB 196 157 114

HSL 31.46, 0.41%, 0.61%

LAB 67.33, 8.73, 27.97

 

CMYK 30 / 0 / 42 / 23

HEX #89C472

RGB 137 196 114

HSL 103.17, 0.41%, 0.61%

LAB 73.55, -34.25, 35.19

 

CMYK 37 / 42 / 0 / 23

HEX #7C72C4

RGB 124 114 196

HSL 247.32, 0.41%, 0.61%

LAB 52.18, 23.43, -41.6

 

CMYK 0 / 20 / 42 / 23

HEX #C49D72

RGB 196 157 114

HSL 31.46, 0.41%, 0.61%

LAB 67.33, 8.73, 27.97

 

CMYK 42 / 0 / 20 / 23

HEX #72C49C

RGB 114 196 156

HSL 150.73, 0.41%, 0.61%

LAB 73.19, -34.17, 12.35

 

CMYK 20 / 42 / 0 / 23

HEX #9C72C4

RGB 156 114 196

HSL 270.73, 0.41%, 0.61%

LAB 55.16, 32.52, -36.7

 

CMYK 0 / 20 / 42 / 23

HEX #C49D72

RGB 196 157 114

HSL 31.46, 0.41%, 0.61%

LAB 67.33, 8.73, 27.97

 

CMYK 30 / 0 / 42 / 23

HEX #89C472

RGB 137 196 114

HSL 103.17, 0.41%, 0.61%

LAB 73.55, -34.25, 35.19

 

CMYK 42 / 21 / 0 / 23

HEX #729AC4

RGB 114 154 196

HSL 210.73, 0.41%, 0.61%

LAB 62.23, -2.7, -25.97

 

CMYK 12 / 42 / 0 / 23

HEX #AD72C4

RGB 173 114 196

HSL 283.17, 0.41%, 0.61%

LAB 56.98, 37.6, -33.72

 

CMYK 0 / 20 / 42 / 23

HEX #C49D72

RGB 196 157 114

HSL 31.46, 0.41%, 0.61%

LAB 67.33, 8.73, 27.97

 

CMYK 42 / 0 / 41 / 23

HEX #72C474

RGB 114 196 116

HSL 121.46, 0.41%, 0.61%

LAB 72.44, -41.42, 32.51

 

CMYK 42 / 21 / 0 / 23

HEX #729AC4

RGB 114 154 196

HSL 210.73, 0.41%, 0.61%

LAB 62.23, -2.7, -25.97

 

CMYK 0 / 42 / 1 / 23

HEX #C472C2

RGB 196 114 194

HSL 301.46, 0.41%, 0.61%

LAB 59.59, 44.22, -28.33

 

Description

Color code: HEX #C49D72 | qconv.com Color code: HEX #C49D72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 157 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 157 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 42 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 42% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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