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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C49D86 it is the complementary color #3B6279. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C49D86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C49D86 shade: #C99D81, #DAAF94, #EBC1A7, #FCD3BA and #FFE5CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C49D86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C49D86 shade: #C49D86, #B38B73, #A27960, #91674D and #80553A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C49D86 shade: #C49D87, #C48D87 and #C48787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C49D86 shade: #C49D87, #C4AE87, #C4BE87, #B9C487 and #A8C487

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C49D86 shade matches the following richer shades: #C49D87, #D29A78, #E0966A, #EF925C and #FD8F4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C49D86 shade: #C49D87, #B5A195, #A7A5A4, #98A9B2 and #8AACC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C49D86 shade: #C48791, #C48D87, #C49D87, #C4AD87 and #C4BE87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C49D86 shade: #A67152, #B6876B, #C49D87, #D1B4A3 and #DFCABE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C49D86 shade: #C49D86, #A1C487 and #8789C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C49D86 shade: #C49D86, #87C49D and #9D87C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C49D86 shade: #C49D86, #A1C487, #87ADC4 and #A987C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C49D86 shade: #C49D86, #8FC487, #87ADC4 and #BC87C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 32 / 23

HEX #C49D86

RGB 196 157 134

HSL 22.26, 0.34%, 0.65%

LAB 67.7, 11.15, 17.52

 

Complementary color

CMYK 51 / 19 / 0 / 53

HEX #3B6279

RGB 59 98 121

HSL 202.26, 0.34%, 0.35%

LAB 39.66, -6.87, -17.18

 

CMYK 0 / 22 / 36 / 21

HEX #C99D81

RGB 201 157 129

HSL 23.33, 0.4%, 0.65%

LAB 68.11, 12.5, 20.91

 

CMYK 0 / 20 / 32 / 15

HEX #DAAF94

RGB 218 175 148

HSL 23.14, 0.49%, 0.72%

LAB 74.64, 11.84, 19.78

 

CMYK 0 / 18 / 29 / 8

HEX #EBC1A7

RGB 235 193 167

HSL 22.94, 0.63%, 0.79%

LAB 81.07, 11.25, 18.72

 

CMYK 0 / 16 / 26 / 1

HEX #FCD3BA

RGB 252 211 186

HSL 22.73, 0.92%, 0.86%

LAB 87.4, 10.73, 17.74

 

CMYK 0 / 10 / 20 / 0

HEX #FFE5CD

RGB 255 229 205

HSL 28.8, 1%, 0.9%

LAB 92.45, 5.2, 14.94

 

CMYK 0 / 20 / 32 / 23

HEX #C49D86

RGB 196 157 134

HSL 22.26, 0.34%, 0.65%

LAB 67.7, 11.15, 17.52

 

CMYK 0 / 22 / 36 / 30

HEX #B38B73

RGB 179 139 115

HSL 22.5, 0.3%, 0.58%

LAB 61.03, 11.83, 18.67

 

CMYK 0 / 25 / 41 / 36

HEX #A27960

RGB 162 121 96

HSL 22.73, 0.26%, 0.51%

LAB 54.24, 12.61, 19.93

 

CMYK 0 / 29 / 47 / 43

HEX #91674D

RGB 145 103 77

HSL 22.94, 0.31%, 0.44%

LAB 47.31, 13.54, 21.34

 

CMYK 0 / 34 / 55 / 50

HEX #80553A

RGB 128 85 58

HSL 23.14, 0.38%, 0.36%

LAB 40.23, 14.67, 22.93

 

CMYK 0 / 20 / 31 / 23

HEX #C49D87

RGB 196 157 135

HSL 21.64, 0.34%, 0.65%

LAB 67.72, 11.28, 17

 

CMYK 0 / 28 / 31 / 23

HEX #C48D87

RGB 196 141 135

HSL 5.9, 0.34%, 0.65%

LAB 63.78, 20.08, 11.49

 

CMYK 0 / 31 / 31 / 23

HEX #C48787

RGB 196 135 135

HSL 0, 0.34%, 0.65%

LAB 62.35, 23.39, 9.46

 

CMYK 0 / 20 / 31 / 23

HEX #C49D87

RGB 196 157 135

HSL 21.64, 0.34%, 0.65%

LAB 67.72, 11.28, 17

 

CMYK 0 / 11 / 31 / 23

HEX #C4AE87

RGB 196 174 135

HSL 38.36, 0.34%, 0.65%

LAB 72.07, 2.07, 22.95

 

CMYK 0 / 3 / 31 / 23

HEX #C4BE87

RGB 196 190 135

HSL 54.1, 0.34%, 0.65%

LAB 76.26, -6.39, 28.59

 

CMYK 6 / 0 / 31 / 23

HEX #B9C487

RGB 185 196 135

HSL 70.82, 0.34%, 0.65%

LAB 77.01, -13.75, 29.43

 

CMYK 14 / 0 / 31 / 23

HEX #A8C487

RGB 168 196 135

HSL 87.54, 0.34%, 0.65%

LAB 75.79, -20.16, 27.6

 

CMYK 0 / 20 / 31 / 23

HEX #C49D87

RGB 196 157 135

HSL 21.64, 0.34%, 0.65%

LAB 67.72, 11.28, 17

 

CMYK 0 / 27 / 43 / 18

HEX #D29A78

RGB 210 154 120

HSL 22.67, 0.5%, 0.65%

LAB 68.14, 16.7, 26.06

 

CMYK 0 / 33 / 53 / 12

HEX #E0966A

RGB 224 150 106

HSL 22.37, 0.66%, 0.65%

LAB 68.53, 23.15, 34.43

 

CMYK 0 / 39 / 62 / 6

HEX #EF925C

RGB 239 146 92

HSL 22.04, 0.82%, 0.65%

LAB 69.24, 30.22, 43.07

 

CMYK 0 / 43 / 70 / 1

HEX #FD8F4D

RGB 253 143 77

HSL 22.5, 0.98%, 0.65%

LAB 70.22, 36.43, 52.17

 

CMYK 0 / 20 / 31 / 23

HEX #C49D87

RGB 196 157 135

HSL 21.64, 0.34%, 0.65%

LAB 67.72, 11.28, 17

 

CMYK 0 / 11 / 18 / 29

HEX #B5A195

RGB 181 161 149

HSL 22.5, 0.18%, 0.65%

LAB 67.64, 5.31, 8.91

 

CMYK 0 / 1 / 2 / 35

HEX #A7A5A4

RGB 167 165 164

HSL 20, 0.02%, 0.65%

LAB 67.88, 0.53, 0.76

 

CMYK 15 / 5 / 0 / 30

HEX #98A9B2

RGB 152 169 178

HSL 200.77, 0.14%, 0.65%

LAB 68.22, -4.03, -6.65

 

CMYK 28 / 11 / 0 / 24

HEX #8AACC1

RGB 138 172 193

HSL 202.91, 0.31%, 0.65%

LAB 68.58, -6.65, -14.51

 

CMYK 0 / 31 / 26 / 23

HEX #C48791

RGB 196 135 145

HSL 350.16, 0.34%, 0.65%

LAB 62.6, 24.77, 4.13

 

CMYK 0 / 28 / 31 / 23

HEX #C48D87

RGB 196 141 135

HSL 5.9, 0.34%, 0.65%

LAB 63.78, 20.08, 11.49

 

CMYK 0 / 20 / 31 / 23

HEX #C49D87

RGB 196 157 135

HSL 21.64, 0.34%, 0.65%

LAB 67.72, 11.28, 17

 

CMYK 0 / 12 / 31 / 23

HEX #C4AD87

RGB 196 173 135

HSL 37.38, 0.34%, 0.65%

LAB 71.81, 2.61, 22.6

 

CMYK 0 / 3 / 31 / 23

HEX #C4BE87

RGB 196 190 135

HSL 54.1, 0.34%, 0.65%

LAB 76.26, -6.39, 28.59

 

CMYK 0 / 32 / 51 / 35

HEX #A67152

RGB 166 113 82

HSL 22.14, 0.34%, 0.49%

LAB 52.43, 17.33, 25.61

 

CMYK 0 / 26 / 41 / 29

HEX #B6876B

RGB 182 135 107

HSL 22.4, 0.34%, 0.57%

LAB 60.19, 14.32, 22.07

 

CMYK 0 / 20 / 31 / 23

HEX #C49D87

RGB 196 157 135

HSL 21.64, 0.34%, 0.65%

LAB 67.72, 11.28, 17

 

CMYK 0 / 14 / 22 / 18

HEX #D1B4A3

RGB 209 180 163

HSL 22.17, 0.33%, 0.73%

LAB 75.35, 7.77, 12.52

 

CMYK 0 / 9 / 15 / 13

HEX #DFCABE

RGB 223 202 190

HSL 21.82, 0.34%, 0.81%

LAB 82.73, 5.39, 8.64

 

CMYK 0 / 20 / 32 / 23

HEX #C49D86

RGB 196 157 134

HSL 22.26, 0.34%, 0.65%

LAB 67.7, 11.15, 17.52

 

CMYK 18 / 0 / 31 / 23

HEX #A1C487

RGB 161 196 135

HSL 94.43, 0.34%, 0.65%

LAB 75.33, -22.72, 26.9

 

CMYK 31 / 30 / 0 / 23

HEX #8789C4

RGB 135 137 196

HSL 238.03, 0.34%, 0.65%

LAB 59, 12.95, -30.85

 

CMYK 0 / 20 / 32 / 23

HEX #C49D86

RGB 196 157 134

HSL 22.26, 0.34%, 0.65%

LAB 67.7, 11.15, 17.52

 

CMYK 31 / 0 / 20 / 23

HEX #87C49D

RGB 135 196 157

HSL 141.64, 0.34%, 0.65%

LAB 74.23, -27.78, 13.42

 

CMYK 20 / 31 / 0 / 23

HEX #9D87C4

RGB 157 135 196

HSL 261.64, 0.34%, 0.65%

LAB 60.32, 20.78, -28.66

 

CMYK 0 / 20 / 32 / 23

HEX #C49D86

RGB 196 157 134

HSL 22.26, 0.34%, 0.65%

LAB 67.7, 11.15, 17.52

 

CMYK 18 / 0 / 31 / 23

HEX #A1C487

RGB 161 196 135

HSL 94.43, 0.34%, 0.65%

LAB 75.33, -22.72, 26.9

 

CMYK 31 / 12 / 0 / 23

HEX #87ADC4

RGB 135 173 196

HSL 202.62, 0.34%, 0.65%

LAB 68.77, -7.34, -15.9

 

CMYK 14 / 31 / 0 / 23

HEX #A987C4

RGB 169 135 196

HSL 273.44, 0.34%, 0.65%

LAB 61.44, 24.57, -26.85

 

CMYK 0 / 20 / 32 / 23

HEX #C49D86

RGB 196 157 134

HSL 22.26, 0.34%, 0.65%

LAB 67.7, 11.15, 17.52

 

CMYK 27 / 0 / 31 / 23

HEX #8FC487

RGB 143 196 135

HSL 112.13, 0.34%, 0.65%

LAB 74.23, -29.06, 25.23

 

CMYK 31 / 12 / 0 / 23

HEX #87ADC4

RGB 135 173 196

HSL 202.62, 0.34%, 0.65%

LAB 68.77, -7.34, -15.9

 

CMYK 4 / 31 / 0 / 23

HEX #BC87C4

RGB 188 135 196

HSL 292.13, 0.34%, 0.65%

LAB 63.35, 30.69, -23.75

 

Description

Color code: HEX #C49D86 | qconv.com Color code: HEX #C49D86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 157 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 157 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 32 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 32% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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