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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C49DC8 it is the complementary color #3B6237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C49DC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C49DC8 shade: #C99DC3, #DAAFD6, #EBC1E9, #FCD3FC and #FFE5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C49DC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C49DC8 shade: #C49DC8, #B38BB5, #A279A2, #91678F and #80557C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C49DC8 shade: #C39DC7, #C79DC0, #C79DB4, #C79DA9 and #C79D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C49DC8 shade: #C39DC7, #B89DC7, #AC9DC7, #A19DC7 and #9D9DC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C49DC8 shade matches the following richer shades: #C39DC7, #CE90D4, #D884E0, #E277ED and #EC6BF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C49DC8 shade: #C39DC7, #B9A9BB, #AFB5AF, #A5C2A2 and #9BCE96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C49DC8 shade: #AC9DC7, #B89DC7, #C39DC7, #C79DC0 and #C79DB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C49DC8 shade: #A468AA, #B482B9, #C39DC7, #D3B7D6 and #E3D1E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C49DC8 shade: #C49DC8, #C7A19D and #9DC7B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C49DC8 shade: #C49DC8, #C7C39D and #9DC7C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C49DC8 shade: #C49DC8, #C7A19D, #A1C79D and #9DC3C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C49DC8 shade: #C49DC8, #C7AE9D, #A1C79D and #9DB6C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 22 / 0 / 22

HEX #C49DC8

RGB 196 157 200

HSL 294.42, 0.28%, 0.7%

LAB 69.48, 21.95, -16.57

 

Complementary color

CMYK 40 / 0 / 44 / 62

HEX #3B6237

RGB 59 98 55

HSL 114.42, 0.28%, 0.3%

LAB 37.74, -23.44, 20.22

 

CMYK 0 / 22 / 3 / 21

HEX #C99DC3

RGB 201 157 195

HSL 308.18, 0.29%, 0.7%

LAB 69.8, 22.7, -13.27

 

CMYK 0 / 20 / 2 / 15

HEX #DAAFD6

RGB 218 175 214

HSL 305.58, 0.37%, 0.77%

LAB 76.33, 22.16, -13.74

 

CMYK 0 / 18 / 1 / 8

HEX #EBC1E9

RGB 235 193 233

HSL 302.86, 0.51%, 0.84%

LAB 82.75, 21.65, -14.2

 

CMYK 0 / 16 / 0 / 1

HEX #FCD3FC

RGB 252 211 252

HSL 300, 0.87%, 0.91%

LAB 89.07, 21.18, -14.65

 

CMYK 0 / 10 / 0 / 0

HEX #FFE5FF

RGB 255 229 255

HSL 300, 1%, 0.95%

LAB 93.68, 13.31, -9.32

 

CMYK 2 / 22 / 0 / 22

HEX #C49DC8

RGB 196 157 200

HSL 294.42, 0.28%, 0.7%

LAB 69.48, 21.95, -16.57

 

CMYK 1 / 23 / 0 / 29

HEX #B38BB5

RGB 179 139 181

HSL 297.14, 0.22%, 0.63%

LAB 62.83, 22.52, -16.16

 

CMYK 0 / 25 / 0 / 36

HEX #A279A2

RGB 162 121 162

HSL 300, 0.18%, 0.55%

LAB 56.05, 23.15, -15.74

 

CMYK 0 / 29 / 1 / 43

HEX #91678F

RGB 145 103 143

HSL 302.86, 0.17%, 0.49%

LAB 49.13, 23.83, -15.29

 

CMYK 0 / 34 / 3 / 50

HEX #80557C

RGB 128 85 124

HSL 305.58, 0.2%, 0.42%

LAB 42.06, 24.58, -14.81

 

CMYK 2 / 21 / 0 / 22

HEX #C39DC7

RGB 195 157 199

HSL 294.29, 0.27%, 0.7%

LAB 69.36, 21.42, -16.22

 

CMYK 0 / 21 / 4 / 22

HEX #C79DC0

RGB 199 157 192

HSL 310, 0.27%, 0.7%

LAB 69.51, 21.46, -12.06

 

CMYK 0 / 21 / 10 / 22

HEX #C79DB4

RGB 199 157 180

HSL 327.14, 0.27%, 0.7%

LAB 69.15, 19.32, -5.94

 

CMYK 0 / 21 / 15 / 22

HEX #C79DA9

RGB 199 157 169

HSL 342.86, 0.27%, 0.7%

LAB 68.84, 17.47, -0.27

 

CMYK 0 / 21 / 21 / 22

HEX #C79D9D

RGB 199 157 157

HSL 0, 0.27%, 0.7%

LAB 68.53, 15.58, 5.96

 

CMYK 2 / 21 / 0 / 22

HEX #C39DC7

RGB 195 157 199

HSL 294.29, 0.27%, 0.7%

LAB 69.36, 21.42, -16.22

 

CMYK 8 / 21 / 0 / 22

HEX #B89DC7

RGB 184 157 199

HSL 278.57, 0.27%, 0.7%

LAB 68.33, 17.73, -17.86

 

CMYK 14 / 21 / 0 / 22

HEX #AC9DC7

RGB 172 157 199

HSL 261.43, 0.27%, 0.7%

LAB 67.28, 13.77, -19.55

 

CMYK 19 / 21 / 0 / 22

HEX #A19DC7

RGB 161 157 199

HSL 245.71, 0.27%, 0.7%

LAB 66.38, 10.21, -21.01

 

CMYK 21 / 21 / 0 / 22

HEX #9D9DC7

RGB 157 157 199

HSL 240, 0.27%, 0.7%

LAB 66.06, 8.95, -21.52

 

CMYK 2 / 21 / 0 / 22

HEX #C39DC7

RGB 195 157 199

HSL 294.29, 0.27%, 0.7%

LAB 69.36, 21.42, -16.22

 

CMYK 3 / 32 / 0 / 17

HEX #CE90D4

RGB 206 144 212

HSL 294.71, 0.44%, 0.7%

LAB 67.89, 34.67, -25.56

 

CMYK 4 / 41 / 0 / 12

HEX #D884E0

RGB 216 132 224

HSL 294.78, 0.6%, 0.7%

LAB 66.89, 46.42, -33.66

 

CMYK 5 / 50 / 0 / 7

HEX #E277ED

RGB 226 119 237

HSL 294.41, 0.77%, 0.7%

LAB 66.12, 58.22, -41.96

 

CMYK 5 / 57 / 0 / 2

HEX #EC6BF9

RGB 236 107 249

HSL 294.51, 0.92%, 0.7%

LAB 65.89, 68.53, -48.84

 

CMYK 2 / 21 / 0 / 22

HEX #C39DC7

RGB 195 157 199

HSL 294.29, 0.27%, 0.7%

LAB 69.36, 21.42, -16.22

 

CMYK 1 / 10 / 0 / 27

HEX #B9A9BB

RGB 185 169 187

HSL 293.33, 0.12%, 0.7%

LAB 71.06, 9.06, -7.12

 

CMYK 3 / 0 / 3 / 29

HEX #AFB5AF

RGB 175 181 175

HSL 120, 0.04%, 0.7%

LAB 73.06, -3.22, 2.31

 

CMYK 15 / 0 / 16 / 24

HEX #A5C2A2

RGB 165 194 162

HSL 114.38, 0.21%, 0.7%

LAB 75.57, -15.9, 12.87

 

CMYK 25 / 0 / 27 / 19

HEX #9BCE96

RGB 155 206 150

HSL 114.64, 0.36%, 0.7%

LAB 78.06, -27.35, 22.63

 

CMYK 14 / 21 / 0 / 22

HEX #AC9DC7

RGB 172 157 199

HSL 261.43, 0.27%, 0.7%

LAB 67.28, 13.77, -19.55

 

CMYK 8 / 21 / 0 / 22

HEX #B89DC7

RGB 184 157 199

HSL 278.57, 0.27%, 0.7%

LAB 68.33, 17.73, -17.86

 

CMYK 2 / 21 / 0 / 22

HEX #C39DC7

RGB 195 157 199

HSL 294.29, 0.27%, 0.7%

LAB 69.36, 21.42, -16.22

 

CMYK 0 / 21 / 4 / 22

HEX #C79DC0

RGB 199 157 192

HSL 310, 0.27%, 0.7%

LAB 69.51, 21.46, -12.06

 

CMYK 0 / 21 / 9 / 22

HEX #C79DB5

RGB 199 157 181

HSL 325.71, 0.27%, 0.7%

LAB 69.18, 19.5, -6.45

 

CMYK 4 / 39 / 0 / 33

HEX #A468AA

RGB 164 104 170

HSL 294.55, 0.28%, 0.54%

LAB 52.61, 35.01, -25.62

 

CMYK 3 / 30 / 0 / 27

HEX #B482B9

RGB 180 130 185

HSL 294.55, 0.28%, 0.62%

LAB 60.93, 28.68, -21.3

 

CMYK 2 / 21 / 0 / 22

HEX #C39DC7

RGB 195 157 199

HSL 294.29, 0.27%, 0.7%

LAB 69.36, 21.42, -16.22

 

CMYK 1 / 14 / 0 / 16

HEX #D3B7D6

RGB 211 183 214

HSL 294.19, 0.27%, 0.78%

LAB 77.62, 15.47, -11.87

 

CMYK 1 / 9 / 0 / 10

HEX #E3D1E5

RGB 227 209 229

HSL 294, 0.28%, 0.86%

LAB 85.8, 9.76, -7.59

 

CMYK 2 / 22 / 0 / 22

HEX #C49DC8

RGB 196 157 200

HSL 294.42, 0.28%, 0.7%

LAB 69.48, 21.95, -16.57

 

CMYK 0 / 19 / 21 / 22

HEX #C7A19D

RGB 199 161 157

HSL 5.71, 0.27%, 0.7%

LAB 69.52, 13.39, 7.38

 

CMYK 21 / 0 / 11 / 22

HEX #9DC7B2

RGB 157 199 178

HSL 150, 0.27%, 0.7%

LAB 76.82, -18.14, 5.96

 

CMYK 2 / 22 / 0 / 22

HEX #C49DC8

RGB 196 157 200

HSL 294.42, 0.28%, 0.7%

LAB 69.48, 21.95, -16.57

 

CMYK 0 / 2 / 21 / 22

HEX #C7C39D

RGB 199 195 157

HSL 54.29, 0.27%, 0.7%

LAB 78.23, -4.83, 19.64

 

CMYK 21 / 0 / 2 / 22

HEX #9DC7C3

RGB 157 199 195

HSL 174.29, 0.27%, 0.7%

LAB 77.25, -14.65, -2.57

 

CMYK 2 / 22 / 0 / 22

HEX #C49DC8

RGB 196 157 200

HSL 294.42, 0.28%, 0.7%

LAB 69.48, 21.95, -16.57

 

CMYK 0 / 19 / 21 / 22

HEX #C7A19D

RGB 199 161 157

HSL 5.71, 0.27%, 0.7%

LAB 69.52, 13.39, 7.38

 

CMYK 19 / 0 / 21 / 22

HEX #A1C79D

RGB 161 199 157

HSL 114.29, 0.27%, 0.7%

LAB 76.59, -20.68, 16.95

 

CMYK 21 / 2 / 0 / 22

HEX #9DC3C7

RGB 157 195 199

HSL 185.71, 0.27%, 0.7%

LAB 76.27, -11.71, -6.19

 

CMYK 2 / 22 / 0 / 22

HEX #C49DC8

RGB 196 157 200

HSL 294.42, 0.28%, 0.7%

LAB 69.48, 21.95, -16.57

 

CMYK 0 / 13 / 21 / 22

HEX #C7AE9D

RGB 199 174 157

HSL 24.29, 0.27%, 0.7%

LAB 72.79, 6.32, 12.04

 

CMYK 19 / 0 / 21 / 22

HEX #A1C79D

RGB 161 199 157

HSL 114.29, 0.27%, 0.7%

LAB 76.59, -20.68, 16.95

 

CMYK 21 / 9 / 0 / 22

HEX #9DB6C7

RGB 157 182 199

HSL 204.29, 0.27%, 0.7%

LAB 72.73, -4.83, -11.46

 

Description

Color code: HEX #C49DC8 | qconv.com Color code: HEX #C49DC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 157 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 157 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 22 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 22% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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