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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4A8C6 it is the complementary color #3B5739. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4A8C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4A8C6 shade: #C9A8C1, #DABAD4, #EBCCE7, #FCDEFA and #FFF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4A8C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4A8C6 shade: #C4A8C6, #B396B3, #A284A0, #91728D and #80607A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4A8C6 shade: #C4A8C6, #C6A8C0, #C6A8B8, #C6A8B0 and #C6A8A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4A8C6 shade: #C4A8C6, #BCA8C6, #B4A8C6, #ACA8C6 and #A8A8C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4A8C6 shade matches the following richer shades: #C4A8C6, #CE9DD2, #D891DD, #E285E9 and #EC7AF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4A8C6 shade: #C4A8C6, #BAB4BB, #B0BFAF, #A6CBA3 and #9CD698

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4A8C6 shade: #B4A8C6, #BCA8C6, #C4A8C6, #C6A8C0 and #C6A8B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4A8C6 shade: #A276A5, #B38FB6, #C4A8C6, #D5C1D6 and #E6DAE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4A8C6 shade: #C4A8C6, #C6ACA8 and #A8C6B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4A8C6 shade: #C4A8C6, #C6C4A8 and #A8C6C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4A8C6 shade: #C4A8C6, #C6ACA8, #AAC6A8 and #A8C2C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4A8C6 shade: #C4A8C6, #C6B5A8, #AAC6A8 and #A8B9C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 15 / 0 / 22

HEX #C4A8C6

RGB 196 168 198

HSL 296, 0.21%, 0.72%

LAB 72.11, 15.51, -11.52

 

Complementary color

CMYK 32 / 0 / 34 / 66

HEX #3B5739

RGB 59 87 57

HSL 116, 0.21%, 0.28%

LAB 34.07, -17.28, 14.19

 

CMYK 0 / 16 / 4 / 21

HEX #C9A8C1

RGB 201 168 193

HSL 314.55, 0.23%, 0.72%

LAB 72.41, 16.3, -8.27

 

CMYK 0 / 15 / 3 / 15

HEX #DABAD4

RGB 218 186 212

HSL 311.25, 0.3%, 0.79%

LAB 78.91, 15.86, -8.79

 

CMYK 0 / 13 / 2 / 8

HEX #EBCCE7

RGB 235 204 231

HSL 307.74, 0.44%, 0.86%

LAB 85.31, 15.45, -9.31

 

CMYK 0 / 12 / 1 / 1

HEX #FCDEFA

RGB 252 222 250

HSL 304, 0.83%, 0.93%

LAB 91.61, 15.06, -9.8

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 1 / 15 / 0 / 22

HEX #C4A8C6

RGB 196 168 198

HSL 296, 0.21%, 0.72%

LAB 72.11, 15.51, -11.52

 

CMYK 0 / 16 / 0 / 30

HEX #B396B3

RGB 179 150 179

HSL 300, 0.16%, 0.65%

LAB 65.48, 15.96, -11.05

 

CMYK 0 / 19 / 1 / 36

HEX #A284A0

RGB 162 132 160

HSL 304, 0.14%, 0.58%

LAB 58.72, 16.47, -10.57

 

CMYK 0 / 21 / 3 / 43

HEX #91728D

RGB 145 114 141

HSL 307.74, 0.12%, 0.51%

LAB 51.81, 17.02, -10.07

 

CMYK 0 / 25 / 5 / 50

HEX #80607A

RGB 128 96 122

HSL 311.25, 0.14%, 0.44%

LAB 44.74, 17.64, -9.54

 

CMYK 1 / 15 / 0 / 22

HEX #C4A8C6

RGB 196 168 198

HSL 296, 0.21%, 0.72%

LAB 72.11, 15.51, -11.52

 

CMYK 0 / 15 / 3 / 22

HEX #C6A8C0

RGB 198 168 192

HSL 312, 0.21%, 0.72%

LAB 72.11, 15.08, -8.2

 

CMYK 0 / 15 / 7 / 22

HEX #C6A8B8

RGB 198 168 184

HSL 328, 0.21%, 0.72%

LAB 71.87, 13.63, -4.14

 

CMYK 0 / 15 / 11 / 22

HEX #C6A8B0

RGB 198 168 176

HSL 344, 0.21%, 0.72%

LAB 71.65, 12.25, -0.05

 

CMYK 0 / 15 / 15 / 22

HEX #C6A8A8

RGB 198 168 168

HSL 0, 0.21%, 0.72%

LAB 71.45, 10.92, 4.06

 

CMYK 1 / 15 / 0 / 22

HEX #C4A8C6

RGB 196 168 198

HSL 296, 0.21%, 0.72%

LAB 72.11, 15.51, -11.52

 

CMYK 5 / 15 / 0 / 22

HEX #BCA8C6

RGB 188 168 198

HSL 280, 0.21%, 0.72%

LAB 71.4, 12.78, -12.65

 

CMYK 9 / 15 / 0 / 22

HEX #B4A8C6

RGB 180 168 198

HSL 264, 0.21%, 0.72%

LAB 70.72, 10.08, -13.74

 

CMYK 13 / 15 / 0 / 22

HEX #ACA8C6

RGB 172 168 198

HSL 248, 0.21%, 0.72%

LAB 70.07, 7.43, -14.78

 

CMYK 15 / 15 / 0 / 22

HEX #A8A8C6

RGB 168 168 198

HSL 240, 0.21%, 0.72%

LAB 69.76, 6.12, -15.28

 

CMYK 1 / 15 / 0 / 22

HEX #C4A8C6

RGB 196 168 198

HSL 296, 0.21%, 0.72%

LAB 72.11, 15.51, -11.52

 

CMYK 2 / 25 / 0 / 18

HEX #CE9DD2

RGB 206 157 210

HSL 295.47, 0.37%, 0.72%

LAB 70.79, 27.2, -20.02

 

CMYK 2 / 34 / 0 / 13

HEX #D891DD

RGB 216 145 221

HSL 296.05, 0.53%, 0.72%

LAB 69.52, 38.99, -27.94

 

CMYK 3 / 43 / 0 / 9

HEX #E285E9

RGB 226 133 233

HSL 295.8, 0.69%, 0.72%

LAB 68.63, 50.52, -35.84

 

CMYK 3 / 50 / 0 / 4

HEX #EC7AF4

RGB 236 122 244

HSL 296.07, 0.85%, 0.72%

LAB 68.23, 60.75, -42.42

 

CMYK 1 / 15 / 0 / 22

HEX #C4A8C6

RGB 196 168 198

HSL 296, 0.21%, 0.72%

LAB 72.11, 15.51, -11.52

 

CMYK 1 / 4 / 0 / 27

HEX #BAB4BB

RGB 186 180 187

HSL 291.43, 0.05%, 0.72%

LAB 73.98, 3.42, -2.8

 

CMYK 8 / 0 / 8 / 25

HEX #B0BFAF

RGB 176 191 175

HSL 116.25, 0.11%, 0.72%

LAB 75.81, -8.17, 6.3

 

CMYK 18 / 0 / 20 / 20

HEX #A6CBA3

RGB 166 203 163

HSL 115.5, 0.28%, 0.72%

LAB 78.15, -19.92, 15.97

 

CMYK 27 / 0 / 29 / 16

HEX #9CD698

RGB 156 214 152

HSL 116.13, 0.43%, 0.72%

LAB 80.42, -30.51, 24.81

 

CMYK 9 / 15 / 0 / 22

HEX #B4A8C6

RGB 180 168 198

HSL 264, 0.21%, 0.72%

LAB 70.72, 10.08, -13.74

 

CMYK 5 / 15 / 0 / 22

HEX #BCA8C6

RGB 188 168 198

HSL 280, 0.21%, 0.72%

LAB 71.4, 12.78, -12.65

 

CMYK 1 / 15 / 0 / 22

HEX #C4A8C6

RGB 196 168 198

HSL 296, 0.21%, 0.72%

LAB 72.11, 15.51, -11.52

 

CMYK 0 / 15 / 3 / 22

HEX #C6A8C0

RGB 198 168 192

HSL 312, 0.21%, 0.72%

LAB 72.11, 15.08, -8.2

 

CMYK 0 / 15 / 7 / 22

HEX #C6A8B8

RGB 198 168 184

HSL 328, 0.21%, 0.72%

LAB 71.87, 13.63, -4.14

 

CMYK 2 / 28 / 0 / 35

HEX #A276A5

RGB 162 118 165

HSL 296.17, 0.21%, 0.55%

LAB 55.44, 25.45, -18.41

 

CMYK 2 / 21 / 0 / 29

HEX #B38FB6

RGB 179 143 182

HSL 295.38, 0.21%, 0.64%

LAB 63.84, 20.47, -15.2

 

CMYK 1 / 15 / 0 / 22

HEX #C4A8C6

RGB 196 168 198

HSL 296, 0.21%, 0.72%

LAB 72.11, 15.51, -11.52

 

CMYK 0 / 10 / 0 / 16

HEX #D5C1D6

RGB 213 193 214

HSL 297.14, 0.2%, 0.8%

LAB 80.26, 10.76, -7.92

 

CMYK 0 / 6 / 0 / 9

HEX #E6DAE7

RGB 230 218 231

HSL 295.38, 0.21%, 0.88%

LAB 88.32, 6.4, -4.89

 

CMYK 1 / 15 / 0 / 22

HEX #C4A8C6

RGB 196 168 198

HSL 296, 0.21%, 0.72%

LAB 72.11, 15.51, -11.52

 

CMYK 0 / 13 / 15 / 22

HEX #C6ACA8

RGB 198 172 168

HSL 8, 0.21%, 0.72%

LAB 72.45, 8.75, 5.51

 

CMYK 15 / 0 / 7 / 22

HEX #A8C6B8

RGB 168 198 184

HSL 152, 0.21%, 0.72%

LAB 77.38, -12.84, 3.64

 

CMYK 1 / 15 / 0 / 22

HEX #C4A8C6

RGB 196 168 198

HSL 296, 0.21%, 0.72%

LAB 72.11, 15.51, -11.52

 

CMYK 0 / 1 / 15 / 22

HEX #C6C4A8

RGB 198 196 168

HSL 56, 0.21%, 0.72%

LAB 78.64, -4.06, 14.33

 

CMYK 15 / 0 / 1 / 22

HEX #A8C6C4

RGB 168 198 196

HSL 176, 0.21%, 0.72%

LAB 77.7, -10.43, -2.38

 

CMYK 1 / 15 / 0 / 22

HEX #C4A8C6

RGB 196 168 198

HSL 296, 0.21%, 0.72%

LAB 72.11, 15.51, -11.52

 

CMYK 0 / 13 / 15 / 22

HEX #C6ACA8

RGB 198 172 168

HSL 8, 0.21%, 0.72%

LAB 72.45, 8.75, 5.51

 

CMYK 14 / 0 / 15 / 22

HEX #AAC6A8

RGB 170 198 168

HSL 116, 0.21%, 0.72%

LAB 77.14, -15.14, 11.91

 

CMYK 15 / 2 / 0 / 22

HEX #A8C2C6

RGB 168 194 198

HSL 188, 0.21%, 0.72%

LAB 76.67, -7.92, -4.97

 

CMYK 1 / 15 / 0 / 22

HEX #C4A8C6

RGB 196 168 198

HSL 296, 0.21%, 0.72%

LAB 72.11, 15.51, -11.52

 

CMYK 0 / 9 / 15 / 22

HEX #C6B5A8

RGB 198 181 168

HSL 26, 0.21%, 0.72%

LAB 74.75, 3.89, 8.81

 

CMYK 14 / 0 / 15 / 22

HEX #AAC6A8

RGB 170 198 168

HSL 116, 0.21%, 0.72%

LAB 77.14, -15.14, 11.91

 

CMYK 15 / 7 / 0 / 22

HEX #A8B9C6

RGB 168 185 198

HSL 206, 0.21%, 0.72%

LAB 74.25, -3.14, -8.55

 

Description

Color code: HEX #C4A8C6 | qconv.com Color code: HEX #C4A8C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 168 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 168 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 15 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 15% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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