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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4A9AC it is the complementary color #3B5653. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4A9AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4A9AC shade: #C9A9A7, #DABBBA, #EBCDCD, #FCDFE0 and #FFF1F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4A9AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4A9AC shade: #C4A9AC, #B39799, #A28586, #917373 and #806160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4A9AC shade: #C5AAAD and #C5AAAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4A9AC shade: #C5AAAD, #C5AAB4, #C5AABB, #C5AAC2 and #C0AAC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4A9AC shade matches the following richer shades: #C5AAAD, #D09EA4, #DC929B, #E78792 and #F37B89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4A9AC shade: #C5AAAD, #B9B5B6, #AEC1BF, #A2CCC8 and #96D8D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4A9AC shade: #C5AABB, #C5AAB4, #C5AAAD, #C5AEAA and #C5B5AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4A9AC shade: #A3787D, #B49195, #C5AAAD, #D5C2C4 and #E6DBDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4A9AC shade: #C4A9AC, #C2C5AA and #AAB8C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4A9AC shade: #C4A9AC, #ADC5AA and #AAADC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4A9AC shade: #C4A9AC, #C2C5AA, #AAC5C2 and #ACAAC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4A9AC shade: #C4A9AC, #BAC5AA, #AAC5C2 and #B4AAC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 12 / 23

HEX #C4A9AC

RGB 196 169 172

HSL 353.33, 0.19%, 0.72%

LAB 71.62, 10.3, 2.08

 

Complementary color

CMYK 31 / 0 / 3 / 66

HEX #3B5653

RGB 59 86 83

HSL 173.33, 0.19%, 0.28%

LAB 34.42, -10.84, -1.52

 

CMYK 0 / 16 / 17 / 21

HEX #C9A9A7

RGB 201 169 167

HSL 3.53, 0.24%, 0.72%

LAB 71.95, 11.33, 5.37

 

CMYK 0 / 14 / 15 / 15

HEX #DABBBA

RGB 218 187 186

HSL 1.87, 0.3%, 0.79%

LAB 78.46, 10.89, 4.6

 

CMYK 0 / 13 / 13 / 8

HEX #EBCDCD

RGB 235 205 205

HSL 0, 0.43%, 0.86%

LAB 84.86, 10.5, 3.86

 

CMYK 0 / 12 / 11 / 1

HEX #FCDFE0

RGB 252 223 224

HSL 357.93, 0.83%, 0.93%

LAB 91.17, 10.13, 3.16

 

CMYK 0 / 5 / 5 / 0

HEX #FFF1F3

RGB 255 241 243

HSL 351.43, 1%, 0.97%

LAB 96.26, 5.04, 0.71

 

CMYK 0 / 14 / 12 / 23

HEX #C4A9AC

RGB 196 169 172

HSL 353.33, 0.19%, 0.72%

LAB 71.62, 10.3, 2.08

 

CMYK 0 / 16 / 15 / 30

HEX #B39799

RGB 179 151 153

HSL 355.71, 0.16%, 0.65%

LAB 64.98, 10.73, 2.82

 

CMYK 0 / 18 / 17 / 36

HEX #A28586

RGB 162 133 134

HSL 357.93, 0.13%, 0.58%

LAB 58.21, 11.21, 3.62

 

CMYK 0 / 21 / 21 / 43

HEX #917373

RGB 145 115 115

HSL 0, 0.12%, 0.51%

LAB 51.29, 11.76, 4.48

 

CMYK 0 / 24 / 25 / 50

HEX #806160

RGB 128 97 96

HSL 1.87, 0.14%, 0.44%

LAB 44.21, 12.4, 5.43

 

CMYK 0 / 14 / 12 / 23

HEX #C5AAAD

RGB 197 170 173

HSL 353.33, 0.19%, 0.72%

LAB 71.99, 10.29, 2.08

 

CMYK 0 / 14 / 14 / 23

HEX #C5AAAA

RGB 197 170 170

HSL 0, 0.19%, 0.72%

LAB 71.91, 9.79, 3.62

 

CMYK 0 / 14 / 12 / 23

HEX #C5AAAD

RGB 197 170 173

HSL 353.33, 0.19%, 0.72%

LAB 71.99, 10.29, 2.08

 

CMYK 0 / 14 / 9 / 23

HEX #C5AAB4

RGB 197 170 180

HSL 337.78, 0.19%, 0.72%

LAB 72.17, 11.48, -1.51

 

CMYK 0 / 14 / 5 / 23

HEX #C5AABB

RGB 197 170 187

HSL 322.22, 0.19%, 0.72%

LAB 72.37, 12.72, -5.07

 

CMYK 0 / 14 / 2 / 23

HEX #C5AAC2

RGB 197 170 194

HSL 306.67, 0.19%, 0.72%

LAB 72.57, 14, -8.62

 

CMYK 3 / 14 / 0 / 23

HEX #C0AAC5

RGB 192 170 197

HSL 288.89, 0.19%, 0.72%

LAB 72.22, 12.85, -10.84

 

CMYK 0 / 14 / 12 / 23

HEX #C5AAAD

RGB 197 170 173

HSL 353.33, 0.19%, 0.72%

LAB 71.99, 10.29, 2.08

 

CMYK 0 / 24 / 21 / 18

HEX #D09EA4

RGB 208 158 164

HSL 352.8, 0.35%, 0.72%

LAB 69.86, 19.46, 4.1

 

CMYK 0 / 34 / 30 / 14

HEX #DC929B

RGB 220 146 155

HSL 352.7, 0.51%, 0.72%

LAB 68.12, 29.14, 6.79

 

CMYK 0 / 42 / 37 / 9

HEX #E78792

RGB 231 135 146

HSL 353.13, 0.67%, 0.72%

LAB 66.82, 37.87, 10.16

 

CMYK 0 / 49 / 44 / 5

HEX #F37B89

RGB 243 123 137

HSL 353, 0.83%, 0.72%

LAB 65.77, 47.26, 14

 

CMYK 0 / 14 / 12 / 23

HEX #C5AAAD

RGB 197 170 173

HSL 353.33, 0.19%, 0.72%

LAB 71.99, 10.29, 2.08

 

CMYK 0 / 2 / 2 / 27

HEX #B9B5B6

RGB 185 181 182

HSL 345, 0.03%, 0.72%

LAB 74.02, 1.6, -0.02

 

CMYK 10 / 0 / 1 / 24

HEX #AEC1BF

RGB 174 193 191

HSL 173.68, 0.13%, 0.72%

LAB 76.62, -6.85, -1.21

 

CMYK 21 / 0 / 2 / 20

HEX #A2CCC8

RGB 162 204 200

HSL 174.29, 0.29%, 0.72%

LAB 79.06, -14.59, -2.57

 

CMYK 31 / 0 / 4 / 15

HEX #96D8D0

RGB 150 216 208

HSL 172.73, 0.46%, 0.72%

LAB 81.92, -22.47, -2.73

 

CMYK 0 / 14 / 5 / 23

HEX #C5AABB

RGB 197 170 187

HSL 322.22, 0.19%, 0.72%

LAB 72.37, 12.72, -5.07

 

CMYK 0 / 14 / 9 / 23

HEX #C5AAB4

RGB 197 170 180

HSL 337.78, 0.19%, 0.72%

LAB 72.17, 11.48, -1.51

 

CMYK 0 / 14 / 12 / 23

HEX #C5AAAD

RGB 197 170 173

HSL 353.33, 0.19%, 0.72%

LAB 71.99, 10.29, 2.08

 

CMYK 0 / 12 / 14 / 23

HEX #C5AEAA

RGB 197 174 170

HSL 8.89, 0.19%, 0.72%

LAB 72.92, 7.62, 5.08

 

CMYK 0 / 8 / 14 / 23

HEX #C5B5AA

RGB 197 181 170

HSL 24.44, 0.19%, 0.72%

LAB 74.71, 3.84, 7.65

 

CMYK 0 / 26 / 23 / 36

HEX #A3787D

RGB 163 120 125

HSL 353.02, 0.19%, 0.55%

LAB 54.76, 17.57, 3.87

 

CMYK 0 / 19 / 17 / 29

HEX #B49195

RGB 180 145 149

HSL 353.14, 0.19%, 0.64%

LAB 63.45, 13.79, 2.87

 

CMYK 0 / 14 / 12 / 23

HEX #C5AAAD

RGB 197 170 173

HSL 353.33, 0.19%, 0.72%

LAB 71.99, 10.29, 2.08

 

CMYK 0 / 9 / 8 / 16

HEX #D5C2C4

RGB 213 194 196

HSL 353.68, 0.18%, 0.8%

LAB 80.02, 7.02, 1.41

 

CMYK 0 / 5 / 4 / 10

HEX #E6DBDC

RGB 230 219 220

HSL 354.55, 0.18%, 0.88%

LAB 88.28, 3.93, 0.84

 

CMYK 0 / 14 / 12 / 23

HEX #C4A9AC

RGB 196 169 172

HSL 353.33, 0.19%, 0.72%

LAB 71.62, 10.3, 2.08

 

CMYK 2 / 0 / 14 / 23

HEX #C2C5AA

RGB 194 197 170

HSL 66.67, 0.19%, 0.72%

LAB 78.64, -5.73, 13.2

 

CMYK 14 / 7 / 0 / 23

HEX #AAB8C5

RGB 170 184 197

HSL 208.89, 0.19%, 0.72%

LAB 74.1, -2.17, -8.22

 

CMYK 0 / 14 / 12 / 23

HEX #C4A9AC

RGB 196 169 172

HSL 353.33, 0.19%, 0.72%

LAB 71.62, 10.3, 2.08

 

CMYK 12 / 0 / 14 / 23

HEX #ADC5AA

RGB 173 197 170

HSL 113.33, 0.19%, 0.72%

LAB 77.11, -13.23, 10.83

 

CMYK 14 / 12 / 0 / 23

HEX #AAADC5

RGB 170 173 197

HSL 233.33, 0.19%, 0.72%

LAB 71.19, 3.8, -12.57

 

CMYK 0 / 14 / 12 / 23

HEX #C4A9AC

RGB 196 169 172

HSL 353.33, 0.19%, 0.72%

LAB 71.62, 10.3, 2.08

 

CMYK 2 / 0 / 14 / 23

HEX #C2C5AA

RGB 194 197 170

HSL 66.67, 0.19%, 0.72%

LAB 78.64, -5.73, 13.2

 

CMYK 14 / 0 / 2 / 23

HEX #AAC5C2

RGB 170 197 194

HSL 173.33, 0.19%, 0.72%

LAB 77.5, -9.67, -1.57

 

CMYK 13 / 14 / 0 / 23

HEX #ACAAC5

RGB 172 170 197

HSL 244.44, 0.19%, 0.72%

LAB 70.56, 6.11, -13.49

 

CMYK 0 / 14 / 12 / 23

HEX #C4A9AC

RGB 196 169 172

HSL 353.33, 0.19%, 0.72%

LAB 71.62, 10.3, 2.08

 

CMYK 6 / 0 / 14 / 23

HEX #BAC5AA

RGB 186 197 170

HSL 84.44, 0.19%, 0.72%

LAB 78.04, -8.62, 12.27

 

CMYK 14 / 0 / 2 / 23

HEX #AAC5C2

RGB 170 197 194

HSL 173.33, 0.19%, 0.72%

LAB 77.5, -9.67, -1.57

 

CMYK 9 / 14 / 0 / 23

HEX #B4AAC5

RGB 180 170 197

HSL 262.22, 0.19%, 0.72%

LAB 71.2, 8.78, -12.46

 

Description

Color code: HEX #C4A9AC | qconv.com Color code: HEX #C4A9AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 169 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 169 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 12 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 12% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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