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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4AF9B it is the complementary color #3B5064. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4AF9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4AF9B shade: #C9AF96, #DAC1A9, #EBD3BC, #FCE5CF and #FFF7E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4AF9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4AF9B shade: #C4AF9B, #B39D88, #A28B75, #917962 and #80674F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4AF9B shade: #C4AF9B, #C4A49B and #C49B9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4AF9B shade: #C4AF9B, #C4BA9B, #C3C49B, #B8C49B and #ADC49B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4AF9B shade matches the following richer shades: #C4AF9B, #D1AF8E, #DEAE81, #EAAE75 and #F7AE68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4AF9B shade: #C4AF9B, #B7AFA8, #AAB0B4, #9EB0C1 and #91B0CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4AF9B shade: #C49B9D, #C4A49B, #C4AF9B, #C4BA9B and #C3C49B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4AF9B shade: #A58567, #B59A81, #C4AF9B, #D3C4B5 and #E3D8CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4AF9B shade: #C4AF9B, #A8C49B and #9E9BC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4AF9B shade: #C4AF9B, #9BC4AF and #AF9BC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4AF9B shade: #C4AF9B, #A8C49B, #9BB0C4 and #B79BC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4AF9B shade: #C4AF9B, #9CC49B, #9BB0C4 and #C39BC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 21 / 23

HEX #C4AF9B

RGB 196 175 155

HSL 29.27, 0.26%, 0.69%

LAB 72.74, 4.34, 13.01

 

Complementary color

CMYK 41 / 20 / 0 / 61

HEX #3B5064

RGB 59 80 100

HSL 209.27, 0.26%, 0.31%

LAB 33.11, -2.36, -14.2

 

CMYK 0 / 13 / 25 / 21

HEX #C9AF96

RGB 201 175 150

HSL 29.41, 0.32%, 0.69%

LAB 73.08, 5.53, 16.28

 

CMYK 0 / 11 / 22 / 15

HEX #DAC1A9

RGB 218 193 169

HSL 29.39, 0.4%, 0.76%

LAB 79.56, 5.11, 15.32

 

CMYK 0 / 10 / 20 / 8

HEX #EBD3BC

RGB 235 211 188

HSL 29.36, 0.54%, 0.83%

LAB 85.95, 4.75, 14.42

 

CMYK 0 / 9 / 18 / 1

HEX #FCE5CF

RGB 252 229 207

HSL 29.33, 0.88%, 0.9%

LAB 92.24, 4.41, 13.57

 

CMYK 0 / 3 / 11 / 0

HEX #FFF7E2

RGB 255 247 226

HSL 43.45, 1%, 0.94%

LAB 97.34, -0.78, 11.04

 

CMYK 0 / 11 / 21 / 23

HEX #C4AF9B

RGB 196 175 155

HSL 29.27, 0.26%, 0.69%

LAB 72.74, 4.34, 13.01

 

CMYK 0 / 12 / 24 / 30

HEX #B39D88

RGB 179 157 136

HSL 29.3, 0.22%, 0.62%

LAB 66.12, 4.74, 13.96

 

CMYK 0 / 14 / 28 / 36

HEX #A28B75

RGB 162 139 117

HSL 29.33, 0.19%, 0.55%

LAB 59.37, 5.2, 14.98

 

CMYK 0 / 17 / 32 / 43

HEX #917962

RGB 145 121 98

HSL 29.36, 0.19%, 0.48%

LAB 52.48, 5.73, 16.09

 

CMYK 0 / 20 / 38 / 50

HEX #80674F

RGB 128 103 79

HSL 29.39, 0.24%, 0.41%

LAB 45.43, 6.38, 17.32

 

CMYK 0 / 11 / 21 / 23

HEX #C4AF9B

RGB 196 175 155

HSL 29.27, 0.26%, 0.69%

LAB 72.74, 4.34, 13.01

 

CMYK 0 / 16 / 21 / 23

HEX #C4A49B

RGB 196 164 155

HSL 13.17, 0.26%, 0.69%

LAB 69.93, 10.31, 9.04

 

CMYK 0 / 21 / 21 / 23

HEX #C49B9B

RGB 196 155 155

HSL 0, 0.26%, 0.69%

LAB 67.68, 15.24, 5.82

 

CMYK 0 / 11 / 21 / 23

HEX #C4AF9B

RGB 196 175 155

HSL 29.27, 0.26%, 0.69%

LAB 72.74, 4.34, 13.01

 

CMYK 0 / 5 / 21 / 23

HEX #C4BA9B

RGB 196 186 155

HSL 45.37, 0.26%, 0.69%

LAB 75.59, -1.53, 17.01

 

CMYK 1 / 0 / 21 / 23

HEX #C3C49B

RGB 195 196 155

HSL 61.46, 0.26%, 0.69%

LAB 78.14, -7.15, 20.53

 

CMYK 6 / 0 / 21 / 23

HEX #B8C49B

RGB 184 196 155

HSL 77.56, 0.26%, 0.69%

LAB 77.3, -11.25, 19.24

 

CMYK 12 / 0 / 21 / 23

HEX #ADC49B

RGB 173 196 155

HSL 93.66, 0.26%, 0.69%

LAB 76.52, -15.26, 18.03

 

CMYK 0 / 11 / 21 / 23

HEX #C4AF9B

RGB 196 175 155

HSL 29.27, 0.26%, 0.69%

LAB 72.74, 4.34, 13.01

 

CMYK 0 / 16 / 32 / 18

HEX #D1AF8E

RGB 209 175 142

HSL 29.55, 0.42%, 0.69%

LAB 73.65, 7.56, 21.53

 

CMYK 0 / 22 / 42 / 13

HEX #DEAE81

RGB 222 174 129

HSL 29.03, 0.58%, 0.69%

LAB 74.44, 11.71, 29.78

 

CMYK 0 / 26 / 50 / 8

HEX #EAAE75

RGB 234 174 117

HSL 29.23, 0.74%, 0.69%

LAB 75.48, 15.35, 37.69

 

CMYK 0 / 30 / 58 / 3

HEX #F7AE68

RGB 247 174 104

HSL 29.37, 0.9%, 0.69%

LAB 76.71, 19.55, 46.15

 

CMYK 0 / 11 / 21 / 23

HEX #C4AF9B

RGB 196 175 155

HSL 29.27, 0.26%, 0.69%

LAB 72.74, 4.34, 13.01

 

CMYK 0 / 4 / 8 / 28

HEX #B7AFA8

RGB 183 175 168

HSL 28, 0.09%, 0.69%

LAB 71.93, 1.61, 4.59

 

CMYK 6 / 2 / 0 / 29

HEX #AAB0B4

RGB 170 176 180

HSL 204, 0.06%, 0.69%

LAB 71.48, -1.32, -2.78

 

CMYK 18 / 9 / 0 / 24

HEX #9EB0C1

RGB 158 176 193

HSL 209.14, 0.22%, 0.69%

LAB 70.99, -2.61, -10.76

 

CMYK 30 / 15 / 0 / 19

HEX #91B0CE

RGB 145 176 206

HSL 209.51, 0.38%, 0.69%

LAB 70.54, -3.58, -18.66

 

CMYK 0 / 21 / 20 / 23

HEX #C49B9D

RGB 196 155 157

HSL 357.07, 0.26%, 0.69%

LAB 67.73, 15.55, 4.78

 

CMYK 0 / 16 / 21 / 23

HEX #C4A49B

RGB 196 164 155

HSL 13.17, 0.26%, 0.69%

LAB 69.93, 10.31, 9.04

 

CMYK 0 / 11 / 21 / 23

HEX #C4AF9B

RGB 196 175 155

HSL 29.27, 0.26%, 0.69%

LAB 72.74, 4.34, 13.01

 

CMYK 0 / 5 / 21 / 23

HEX #C4BA9B

RGB 196 186 155

HSL 45.37, 0.26%, 0.69%

LAB 75.59, -1.53, 17.01

 

CMYK 1 / 0 / 21 / 23

HEX #C3C49B

RGB 195 196 155

HSL 61.46, 0.26%, 0.69%

LAB 78.14, -7.15, 20.53

 

CMYK 0 / 19 / 38 / 35

HEX #A58567

RGB 165 133 103

HSL 29.03, 0.26%, 0.53%

LAB 57.8, 7.92, 20.8

 

CMYK 0 / 15 / 29 / 29

HEX #B59A81

RGB 181 154 129

HSL 28.85, 0.26%, 0.61%

LAB 65.37, 6.18, 16.84

 

CMYK 0 / 11 / 21 / 23

HEX #C4AF9B

RGB 196 175 155

HSL 29.27, 0.26%, 0.69%

LAB 72.74, 4.34, 13.01

 

CMYK 0 / 7 / 14 / 17

HEX #D3C4B5

RGB 211 196 181

HSL 30, 0.25%, 0.77%

LAB 79.99, 2.76, 9.41

 

CMYK 0 / 5 / 9 / 11

HEX #E3D8CF

RGB 227 216 207

HSL 27, 0.26%, 0.85%

LAB 86.97, 2.24, 5.77

 

CMYK 0 / 11 / 21 / 23

HEX #C4AF9B

RGB 196 175 155

HSL 29.27, 0.26%, 0.69%

LAB 72.74, 4.34, 13.01

 

CMYK 14 / 0 / 21 / 23

HEX #A8C49B

RGB 168 196 155

HSL 100.98, 0.26%, 0.69%

LAB 76.17, -17.06, 17.51

 

CMYK 19 / 21 / 0 / 23

HEX #9E9BC4

RGB 158 155 196

HSL 244.39, 0.26%, 0.69%

LAB 65.51, 9.7, -20.68

 

CMYK 0 / 11 / 21 / 23

HEX #C4AF9B

RGB 196 175 155

HSL 29.27, 0.26%, 0.69%

LAB 72.74, 4.34, 13.01

 

CMYK 21 / 0 / 11 / 23

HEX #9BC4AF

RGB 155 196 175

HSL 149.27, 0.26%, 0.69%

LAB 75.79, -17.86, 6.08

 

CMYK 11 / 21 / 0 / 23

HEX #AF9BC4

RGB 175 155 196

HSL 269.27, 0.26%, 0.69%

LAB 66.93, 15.23, -18.39

 

CMYK 0 / 11 / 21 / 23

HEX #C4AF9B

RGB 196 175 155

HSL 29.27, 0.26%, 0.69%

LAB 72.74, 4.34, 13.01

 

CMYK 14 / 0 / 21 / 23

HEX #A8C49B

RGB 168 196 155

HSL 100.98, 0.26%, 0.69%

LAB 76.17, -17.06, 17.51

 

CMYK 21 / 10 / 0 / 23

HEX #9BB0C4

RGB 155 176 196

HSL 209.27, 0.26%, 0.69%

LAB 70.87, -2.89, -12.6

 

CMYK 7 / 21 / 0 / 23

HEX #B79BC4

RGB 183 155 196

HSL 280.98, 0.26%, 0.69%

LAB 67.65, 17.9, -17.24

 

CMYK 0 / 11 / 21 / 23

HEX #C4AF9B

RGB 196 175 155

HSL 29.27, 0.26%, 0.69%

LAB 72.74, 4.34, 13.01

 

CMYK 20 / 0 / 21 / 23

HEX #9CC49B

RGB 156 196 155

HSL 118.54, 0.26%, 0.69%

LAB 75.4, -21.25, 16.31

 

CMYK 21 / 10 / 0 / 23

HEX #9BB0C4

RGB 155 176 196

HSL 209.27, 0.26%, 0.69%

LAB 70.87, -2.89, -12.6

 

CMYK 1 / 21 / 0 / 23

HEX #C39BC4

RGB 195 155 196

HSL 298.54, 0.26%, 0.69%

LAB 68.77, 21.95, -15.43

 

Description

Color code: HEX #C4AF9B | qconv.com Color code: HEX #C4AF9B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 175 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 175 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 21 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 21% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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