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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4B4BF it is the complementary color #3B4B40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4B4BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4B4BF shade: #C9B4BA, #DAC6CD, #EBD8E0, #FCEAF3 and #FFFCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4B4BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4B4BF shade: #C4B4BF, #B3A2AC, #A29099, #917E86 and #806C73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4B4BF shade: #C4B4BF, #C4B4BB, #C4B4B7 and #C4B4B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4B4BF shade: #C4B4BF, #C4B4C3, #C1B4C4, #BCB4C4 and #B8B4C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4B4BF shade matches the following richer shades: #C4B4BF, #CFAAC3, #DA9FC7, #E494CB and #EF89CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4B4BF shade: #C4B4BF, #B9BFBB, #AFCAB7, #A4D4B3 and #99DFAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4B4BF shade: #C0B4C4, #C4B4C4, #C4B4BF, #C4B4BB and #C4B4B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4B4BF shade: #A08698, #B29DAB, #C4B4BF, #D6CBD3 and #E8E2E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4B4BF shade: #C4B4BF, #C4BCB4 and #B4C4C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4B4BF shade: #C4B4BF, #BFC4B4 and #B4BFC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4B4BF shade: #C4B4BF, #C4BCB4, #B4C4B9 and #B4BCC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4B4BF shade: #C4B4BF, #C4C1B4, #B4C4B9 and #B4B7C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 3 / 23

HEX #C4B4BF

RGB 196 180 191

HSL 318.75, 0.12%, 0.74%

LAB 74.91, 7.66, -3.52

 

Complementary color

CMYK 21 / 0 / 15 / 71

HEX #3B4B40

RGB 59 75 64

HSL 138.75, 0.12%, 0.26%

LAB 30.24, -8.93, 4.48

 

CMYK 0 / 10 / 7 / 21

HEX #C9B4BA

RGB 201 180 186

HSL 342.86, 0.16%, 0.75%

LAB 75.21, 8.53, -0.31

 

CMYK 0 / 9 / 6 / 15

HEX #DAC6CD

RGB 218 198 205

HSL 339, 0.21%, 0.82%

LAB 81.68, 8.2, -0.95

 

CMYK 0 / 8 / 5 / 8

HEX #EBD8E0

RGB 235 216 224

HSL 334.74, 0.32%, 0.88%

LAB 88.04, 7.9, -1.56

 

CMYK 0 / 7 / 4 / 1

HEX #FCEAF3

RGB 252 234 243

HSL 330, 0.75%, 0.95%

LAB 94.32, 7.62, -2.16

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF

RGB 255 252 255

HSL 300, 1%, 0.99%

LAB 99.26, 1.52, -1.09

 

CMYK 0 / 8 / 3 / 23

HEX #C4B4BF

RGB 196 180 191

HSL 318.75, 0.12%, 0.74%

LAB 74.91, 7.66, -3.52

 

CMYK 0 / 9 / 4 / 30

HEX #B3A2AC

RGB 179 162 172

HSL 324.71, 0.1%, 0.67%

LAB 68.32, 7.98, -2.92

 

CMYK 0 / 11 / 6 / 36

HEX #A29099

RGB 162 144 153

HSL 330, 0.09%, 0.6%

LAB 61.59, 8.33, -2.3

 

CMYK 0 / 13 / 8 / 43

HEX #917E86

RGB 145 126 134

HSL 334.74, 0.08%, 0.53%

LAB 54.72, 8.72, -1.65

 

CMYK 0 / 16 / 10 / 50

HEX #806C73

RGB 128 108 115

HSL 339, 0.08%, 0.46%

LAB 47.69, 9.15, -0.96

 

CMYK 0 / 8 / 3 / 23

HEX #C4B4BF

RGB 196 180 191

HSL 318.75, 0.12%, 0.74%

LAB 74.91, 7.66, -3.52

 

CMYK 0 / 8 / 5 / 23

HEX #C4B4BB

RGB 196 180 187

HSL 333.75, 0.12%, 0.74%

LAB 74.8, 6.93, -1.5

 

CMYK 0 / 8 / 7 / 23

HEX #C4B4B7

RGB 196 180 183

HSL 348.75, 0.12%, 0.74%

LAB 74.7, 6.22, 0.53

 

CMYK 0 / 8 / 8 / 23

HEX #C4B4B4

RGB 196 180 180

HSL 0, 0.12%, 0.74%

LAB 74.62, 5.7, 2.05

 

CMYK 0 / 8 / 3 / 23

HEX #C4B4BF

RGB 196 180 191

HSL 318.75, 0.12%, 0.74%

LAB 74.91, 7.66, -3.52

 

CMYK 0 / 8 / 1 / 23

HEX #C4B4C3

RGB 196 180 195

HSL 303.75, 0.12%, 0.74%

LAB 75.03, 8.39, -5.54

 

CMYK 2 / 8 / 0 / 23

HEX #C1B4C4

RGB 193 180 196

HSL 288.75, 0.12%, 0.74%

LAB 74.8, 7.54, -6.44

 

CMYK 4 / 8 / 0 / 23

HEX #BCB4C4

RGB 188 180 196

HSL 270, 0.12%, 0.74%

LAB 74.39, 5.83, -7.09

 

CMYK 6 / 8 / 0 / 23

HEX #B8B4C4

RGB 184 180 196

HSL 255, 0.12%, 0.74%

LAB 74.07, 4.46, -7.6

 

CMYK 0 / 8 / 3 / 23

HEX #C4B4BF

RGB 196 180 191

HSL 318.75, 0.12%, 0.74%

LAB 74.91, 7.66, -3.52

 

CMYK 0 / 18 / 6 / 19

HEX #CFAAC3

RGB 207 170 195

HSL 319.46, 0.28%, 0.74%

LAB 73.52, 17.67, -7.66

 

CMYK 0 / 27 / 9 / 15

HEX #DA9FC7

RGB 218 159 199

HSL 319.32, 0.44%, 0.74%

LAB 72.11, 28.15, -11.84

 

CMYK 0 / 35 / 11 / 11

HEX #E494CB

RGB 228 148 203

HSL 318.75, 0.6%, 0.74%

LAB 70.86, 38.08, -15.82

 

CMYK 0 / 43 / 13 / 6

HEX #EF89CF

RGB 239 137 207

HSL 318.82, 0.76%, 0.74%

LAB 70, 48, -19.22

 

CMYK 0 / 8 / 3 / 23

HEX #C4B4BF

RGB 196 180 191

HSL 318.75, 0.12%, 0.74%

LAB 74.91, 7.66, -3.52

 

CMYK 3 / 0 / 2 / 25

HEX #B9BFBB

RGB 185 191 187

HSL 140, 0.04%, 0.74%

LAB 76.78, -2.82, 1.28

 

CMYK 13 / 0 / 9 / 21

HEX #AFCAB7

RGB 175 202 183

HSL 137.78, 0.2%, 0.74%

LAB 78.91, -12.74, 6.43

 

CMYK 23 / 0 / 16 / 17

HEX #A4D4B3

RGB 164 212 179

HSL 138.75, 0.36%, 0.74%

LAB 80.87, -22.18, 11.28

 

CMYK 31 / 0 / 22 / 13

HEX #99DFAF

RGB 153 223 175

HSL 138.86, 0.52%, 0.74%

LAB 83.25, -31.7, 16.67

 

CMYK 2 / 8 / 0 / 23

HEX #C0B4C4

RGB 192 180 196

HSL 285, 0.12%, 0.74%

LAB 74.72, 7.2, -6.57

 

CMYK 0 / 8 / 0 / 23

HEX #C4B4C4

RGB 196 180 196

HSL 300, 0.12%, 0.74%

LAB 75.05, 8.58, -6.04

 

CMYK 0 / 8 / 3 / 23

HEX #C4B4BF

RGB 196 180 191

HSL 318.75, 0.12%, 0.74%

LAB 74.91, 7.66, -3.52

 

CMYK 0 / 8 / 5 / 23

HEX #C4B4BB

RGB 196 180 187

HSL 333.75, 0.12%, 0.74%

LAB 74.8, 6.93, -1.5

 

CMYK 0 / 8 / 7 / 23

HEX #C4B4B7

RGB 196 180 183

HSL 348.75, 0.12%, 0.74%

LAB 74.7, 6.22, 0.53

 

CMYK 0 / 16 / 5 / 37

HEX #A08698

RGB 160 134 152

HSL 318.46, 0.12%, 0.58%

LAB 58.78, 13.07, -5.9

 

CMYK 0 / 12 / 4 / 30

HEX #B29DAB

RGB 178 157 171

HSL 320, 0.12%, 0.66%

LAB 66.91, 10.2, -4.44

 

CMYK 0 / 8 / 3 / 23

HEX #C4B4BF

RGB 196 180 191

HSL 318.75, 0.12%, 0.74%

LAB 74.91, 7.66, -3.52

 

CMYK 0 / 5 / 1 / 16

HEX #D6CBD3

RGB 214 203 211

HSL 316.36, 0.12%, 0.82%

LAB 82.76, 5.24, -2.61

 

CMYK 0 / 3 / 0 / 9

HEX #E8E2E7

RGB 232 226 231

HSL 310, 0.12%, 0.9%

LAB 90.47, 2.92, -1.72

 

CMYK 0 / 8 / 3 / 23

HEX #C4B4BF

RGB 196 180 191

HSL 318.75, 0.12%, 0.74%

LAB 74.91, 7.66, -3.52

 

CMYK 0 / 4 / 8 / 23

HEX #C4BCB4

RGB 196 188 180

HSL 30, 0.12%, 0.74%

LAB 76.68, 1.41, 5.04

 

CMYK 8 / 0 / 1 / 23

HEX #B4C4C3

RGB 180 196 195

HSL 176.25, 0.12%, 0.74%

LAB 77.95, -5.64, -1.38

 

CMYK 0 / 8 / 3 / 23

HEX #C4B4BF

RGB 196 180 191

HSL 318.75, 0.12%, 0.74%

LAB 74.91, 7.66, -3.52

 

CMYK 3 / 0 / 8 / 23

HEX #BFC4B4

RGB 191 196 180

HSL 78.75, 0.12%, 0.74%

LAB 78.38, -4.61, 7.43

 

CMYK 8 / 3 / 0 / 23

HEX #B4BFC4

RGB 180 191 196

HSL 198.75, 0.12%, 0.74%

LAB 76.65, -2.8, -3.83

 

CMYK 0 / 8 / 3 / 23

HEX #C4B4BF

RGB 196 180 191

HSL 318.75, 0.12%, 0.74%

LAB 74.91, 7.66, -3.52

 

CMYK 0 / 4 / 8 / 23

HEX #C4BCB4

RGB 196 188 180

HSL 30, 0.12%, 0.74%

LAB 76.68, 1.41, 5.04

 

CMYK 8 / 0 / 6 / 23

HEX #B4C4B9

RGB 180 196 185

HSL 138.75, 0.12%, 0.74%

LAB 77.69, -7.55, 3.64

 

CMYK 8 / 4 / 0 / 23

HEX #B4BCC4

RGB 180 188 196

HSL 210, 0.12%, 0.74%

LAB 75.86, -1.2, -4.99

 

CMYK 0 / 8 / 3 / 23

HEX #C4B4BF

RGB 196 180 191

HSL 318.75, 0.12%, 0.74%

LAB 74.91, 7.66, -3.52

 

CMYK 0 / 2 / 8 / 23

HEX #C4C1B4

RGB 196 193 180

HSL 48.75, 0.12%, 0.74%

LAB 77.98, -1.24, 6.9

 

CMYK 8 / 0 / 6 / 23

HEX #B4C4B9

RGB 180 196 185

HSL 138.75, 0.12%, 0.74%

LAB 77.69, -7.55, 3.64

 

CMYK 8 / 7 / 0 / 23

HEX #B4B7C4

RGB 180 183 196

HSL 228.75, 0.12%, 0.74%

LAB 74.54, 1.49, -6.94

 

Description

Color code: HEX #C4B4BF | qconv.com Color code: HEX #C4B4BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 180 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 180 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 3 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 3% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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