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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4B93A it is the complementary color #3B46C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4B93A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4B93A shade: #C9B935, #DACB48, #EBDD5B, #FCEF6E and #FFFF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4B93A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4B93A shade: #C4B93A, #B3A727, #A29514, #918301 and #807100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4B93A shade: #C4B93A, #C4943A, #C46F3A, #C4493A and #C43A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4B93A shade: #C4B93A, #AAC43A, #85C43A, #5FC43A and #3AC43A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4B93A shade matches the following richer shades: #C4B93A, #D8CA26 and #EDDC11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4B93A shade: #C4B93A, #AFA84F, #9B9663, #868578 and #71748D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4B93A shade: #C46F3A, #C4943A, #C4B83A, #ABC43A and #86C43A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4B93A shade: #847D27, #A49B31, #C4B93A, #CDC45A and #D7CF7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4B93A shade: #C4B93A, #3AC44A and #813AC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4B93A shade: #C4B93A, #3AC4B8 and #B83AC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4B93A shade: #C4B93A, #3AC44A, #3A46C4 and #C43AB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4B93A shade: #C4B93A, #3AC474, #3A46C4 and #C43A8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 70 / 23

HEX #C4B93A

RGB 196 185 58

HSL 55.22, 0.54%, 0.5%

LAB 74.02, -10.61, 62.43

 

Complementary color

CMYK 70 / 64 / 0 / 23

HEX #3B46C5

RGB 59 70 197

HSL 235.22, 0.54%, 0.5%

LAB 36.63, 37.64, -67.45

 

CMYK 0 / 8 / 74 / 21

HEX #C9B935

RGB 201 185 53

HSL 53.51, 0.58%, 0.5%

LAB 74.43, -8.7, 64.8

 

CMYK 0 / 7 / 67 / 15

HEX #DACB48

RGB 218 203 72

HSL 53.84, 0.66%, 0.57%

LAB 80.79, -9.72, 64.43

 

CMYK 0 / 6 / 61 / 8

HEX #EBDD5B

RGB 235 221 91

HSL 54.17, 0.78%, 0.64%

LAB 87.06, -10.58, 63.69

 

CMYK 0 / 5 / 56 / 1

HEX #FCEF6E

RGB 252 239 110

HSL 54.51, 0.96%, 0.71%

LAB 93.26, -11.32, 62.74

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 0 / 6 / 70 / 23

HEX #C4B93A

RGB 196 185 58

HSL 55.22, 0.54%, 0.5%

LAB 74.02, -10.61, 62.43

 

CMYK 0 / 7 / 78 / 30

HEX #B3A727

RGB 179 167 39

HSL 54.86, 0.64%, 0.43%

LAB 67.55, -9.52, 62.42

 

CMYK 0 / 8 / 88 / 36

HEX #A29514

RGB 162 149 20

HSL 54.51, 0.78%, 0.36%

LAB 60.98, -8.18, 61.37

 

CMYK 0 / 10 / 99 / 43

HEX #918301

RGB 145 131 1

HSL 54.17, 0.99%, 0.29%

LAB 54.3, -6.61, 58.97

 

CMYK 0 / 12 / 100 / 50

HEX #807100

RGB 128 113 0

HSL 52.97, 1%, 0.25%

LAB 47.49, -4.64, 53.51

 

CMYK 0 / 6 / 70 / 23

HEX #C4B93A

RGB 196 185 58

HSL 55.22, 0.54%, 0.5%

LAB 74.02, -10.61, 62.43

 

CMYK 0 / 24 / 70 / 23

HEX #C4943A

RGB 196 148 58

HSL 39.13, 0.54%, 0.5%

LAB 64.34, 9.06, 52.65

 

CMYK 0 / 43 / 70 / 23

HEX #C46F3A

RGB 196 111 58

HSL 23.04, 0.54%, 0.5%

LAB 55.49, 29.27, 43.21

 

CMYK 0 / 63 / 70 / 23

HEX #C4493A

RGB 196 73 58

HSL 6.52, 0.54%, 0.5%

LAB 48.02, 48.28, 34.77

 

CMYK 0 / 70 / 70 / 23

HEX #C43A3A

RGB 196 58 58

HSL 0, 0.54%, 0.5%

LAB 45.73, 54.48, 32.09

 

CMYK 0 / 6 / 70 / 23

HEX #C4B93A

RGB 196 185 58

HSL 55.22, 0.54%, 0.5%

LAB 74.02, -10.61, 62.43

 

CMYK 13 / 0 / 70 / 23

HEX #AAC43A

RGB 170 196 58

HSL 71.3, 0.54%, 0.5%

LAB 75.03, -27.04, 62.75

 

CMYK 32 / 0 / 70 / 23

HEX #85C43A

RGB 133 196 58

HSL 87.39, 0.54%, 0.5%

LAB 72.74, -41.41, 59.7

 

CMYK 52 / 0 / 70 / 23

HEX #5FC43A

RGB 95 196 58

HSL 103.91, 0.54%, 0.5%

LAB 71.02, -53.78, 57.39

 

CMYK 70 / 0 / 70 / 23

HEX #3AC43A

RGB 58 196 58

HSL 120, 0.54%, 0.5%

LAB 69.95, -62.35, 55.95

 

CMYK 0 / 6 / 70 / 23

HEX #C4B93A

RGB 196 185 58

HSL 55.22, 0.54%, 0.5%

LAB 74.02, -10.61, 62.43

 

CMYK 0 / 6 / 82 / 15

HEX #D8CA26

RGB 216 202 38

HSL 55.28, 0.7%, 0.5%

LAB 80.17, -11.46, 74.95

 

CMYK 0 / 7 / 93 / 7

HEX #EDDC11

RGB 237 220 17

HSL 55.36, 0.87%, 0.5%

LAB 86.62, -11.93, 84.64

 

CMYK 0 / 6 / 70 / 23

HEX #C4B93A

RGB 196 185 58

HSL 55.22, 0.54%, 0.5%

LAB 74.02, -10.61, 62.43

 

CMYK 0 / 4 / 55 / 31

HEX #AFA84F

RGB 175 168 79

HSL 55.63, 0.38%, 0.5%

LAB 67.79, -9.4, 46.16

 

CMYK 0 / 3 / 36 / 39

HEX #9B9663

RGB 155 150 99

HSL 54.64, 0.22%, 0.5%

LAB 61.38, -6.17, 27.59

 

CMYK 0 / 1 / 10 / 47

HEX #868578

RGB 134 133 120

HSL 55.71, 0.06%, 0.5%

LAB 55.28, -2.06, 7.14

HEX #868578

CMYK 20 / 18 / 0 / 45

HEX #71748D

RGB 113 116 141

HSL 233.57, 0.11%, 0.5%

LAB 49.4, 4.49, -13.99

HEX #71748D

CMYK 0 / 43 / 70 / 23

HEX #C46F3A

RGB 196 111 58

HSL 23.04, 0.54%, 0.5%

LAB 55.49, 29.27, 43.21

 

CMYK 0 / 24 / 70 / 23

HEX #C4943A

RGB 196 148 58

HSL 39.13, 0.54%, 0.5%

LAB 64.34, 9.06, 52.65

 

CMYK 0 / 6 / 70 / 23

HEX #C4B83A

RGB 196 184 58

HSL 54.78, 0.54%, 0.5%

LAB 73.75, -10.1, 62.17

 

CMYK 13 / 0 / 70 / 23

HEX #ABC43A

RGB 171 196 58

HSL 70.87, 0.54%, 0.5%

LAB 75.1, -26.63, 62.85

 

CMYK 32 / 0 / 70 / 23

HEX #86C43A

RGB 134 196 58

HSL 86.96, 0.54%, 0.5%

LAB 72.8, -41.04, 59.77

 

CMYK 0 / 5 / 70 / 48

HEX #847D27

RGB 132 125 39

HSL 55.48, 0.54%, 0.34%

LAB 51.52, -8.13, 45.67

 

CMYK 0 / 5 / 70 / 36

HEX #A49B31

RGB 164 155 49

HSL 55.3, 0.54%, 0.42%

LAB 62.98, -9.37, 54.02

 

CMYK 0 / 6 / 70 / 23

HEX #C4B93A

RGB 196 185 58

HSL 55.22, 0.54%, 0.5%

LAB 74.02, -10.61, 62.43

 

CMYK 0 / 4 / 56 / 20

HEX #CDC45A

RGB 205 196 90

HSL 55.3, 0.53%, 0.58%

LAB 77.99, -10.41, 53.36

 

CMYK 0 / 4 / 43 / 16

HEX #D7CF7A

RGB 215 207 122

HSL 54.84, 0.54%, 0.66%

LAB 82.1, -9.1, 43.1

 

CMYK 0 / 6 / 70 / 23

HEX #C4B93A

RGB 196 185 58

HSL 55.22, 0.54%, 0.5%

LAB 74.02, -10.61, 62.43

 

CMYK 70 / 0 / 62 / 23

HEX #3AC44A

RGB 58 196 74

HSL 126.96, 0.54%, 0.5%

LAB 70.09, -60.75, 49.52

 

CMYK 34 / 70 / 0 / 23

HEX #813AC4

RGB 129 58 196

HSL 270.87, 0.54%, 0.5%

LAB 40.7, 55.6, -59.96

 

CMYK 0 / 6 / 70 / 23

HEX #C4B93A

RGB 196 185 58

HSL 55.22, 0.54%, 0.5%

LAB 74.02, -10.61, 62.43

 

CMYK 70 / 0 / 6 / 23

HEX #3AC4B8

RGB 58 196 184

HSL 174.78, 0.54%, 0.5%

LAB 72.12, -38.89, -4.62

 

CMYK 6 / 70 / 0 / 23

HEX #B83AC4

RGB 184 58 196

HSL 294.78, 0.54%, 0.5%

LAB 48.51, 67, -46.98

 

CMYK 0 / 6 / 70 / 23

HEX #C4B93A

RGB 196 185 58

HSL 55.22, 0.54%, 0.5%

LAB 74.02, -10.61, 62.43

 

CMYK 70 / 0 / 62 / 23

HEX #3AC44A

RGB 58 196 74

HSL 126.96, 0.54%, 0.5%

LAB 70.09, -60.75, 49.52

 

CMYK 70 / 64 / 0 / 23

HEX #3A46C4

RGB 58 70 196

HSL 234.78, 0.54%, 0.5%

LAB 36.49, 37.17, -67.1

 

CMYK 0 / 70 / 8 / 23

HEX #C43AB4

RGB 196 58 180

HSL 306.96, 0.54%, 0.5%

LAB 49.57, 67.09, -35.88

 

CMYK 0 / 6 / 70 / 23

HEX #C4B93A

RGB 196 185 58

HSL 55.22, 0.54%, 0.5%

LAB 74.02, -10.61, 62.43

 

CMYK 70 / 0 / 41 / 23

HEX #3AC474

RGB 58 196 116

HSL 145.22, 0.54%, 0.5%

LAB 70.62, -54.57, 29.79

 

CMYK 70 / 64 / 0 / 23

HEX #3A46C4

RGB 58 70 196

HSL 234.78, 0.54%, 0.5%

LAB 36.49, 37.17, -67.1

 

CMYK 0 / 70 / 30 / 23

HEX #C43A8A

RGB 196 58 138

HSL 325.22, 0.54%, 0.5%

LAB 47.75, 61.31, -13.73

 

Description

Color code: HEX #C4B93A | qconv.com Color code: HEX #C4B93A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 185 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 185 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 70 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 70% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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