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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4B08C it is the complementary color #3B4F73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4B08C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4B08C shade: #C9B087, #DAC29A, #EBD4AD, #FCE6C0 and #FFF8D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4B08C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4B08C shade: #C4B08C, #B39E79, #A28C66, #917A53 and #806840

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4B08C shade: #C4B08C, #C4A18C, #C4928C and #C48C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4B08C shade: #C4B08C, #C4BF8C, #B9C48C, #AAC48C and #9CC48C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4B08C shade matches the following richer shades: #C4B08C, #D2B47E, #E0B870, #EEBC62 and #FCC054

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4B08C shade: #C4B08C, #B6AC9A, #A7A8A8, #99A4B6 and #8BA0C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4B08C shade: #C4928C, #C4A08C, #C4AF8C, #C4BE8C and #BAC48C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4B08C shade: #A78A56, #B69D71, #C4B08C, #D2C2A7 and #E0D5C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4B08C shade: #C4B08C, #95C48C and #998CC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4B08C shade: #C4B08C, #8CC4AF and #AF8CC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4B08C shade: #C4B08C, #95C48C, #8CA0C4 and #BA8CC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4B08C shade: #C4B08C, #8CC493, #8CA0C4 and #C48CBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 29 / 23

HEX #C4B08C

RGB 196 176 140

HSL 38.57, 0.32%, 0.66%

LAB 72.68, 1.66, 21.09

 

Complementary color

CMYK 49 / 31 / 0 / 55

HEX #3B4F73

RGB 59 79 115

HSL 218.57, 0.32%, 0.34%

LAB 33.48, 3.03, -23.04

 

CMYK 0 / 12 / 33 / 21

HEX #C9B087

RGB 201 176 135

HSL 37.27, 0.38%, 0.66%

LAB 73.03, 2.98, 24.34

 

CMYK 0 / 11 / 29 / 15

HEX #DAC29A

RGB 218 194 154

HSL 37.5, 0.46%, 0.73%

LAB 79.51, 2.52, 23.25

 

CMYK 0 / 10 / 26 / 8

HEX #EBD4AD

RGB 235 212 173

HSL 37.74, 0.61%, 0.8%

LAB 85.89, 2.12, 22.23

 

CMYK 0 / 9 / 24 / 1

HEX #FCE6C0

RGB 252 230 192

HSL 38, 0.91%, 0.87%

LAB 92.17, 1.76, 21.26

 

CMYK 0 / 3 / 17 / 0

HEX #FFF8D3

RGB 255 248 211

HSL 50.45, 1%, 0.91%

LAB 97.27, -3.56, 18.63

 

CMYK 0 / 10 / 29 / 23

HEX #C4B08C

RGB 196 176 140

HSL 38.57, 0.32%, 0.66%

LAB 72.68, 1.66, 21.09

 

CMYK 0 / 12 / 32 / 30

HEX #B39E79

RGB 179 158 121

HSL 38.28, 0.28%, 0.59%

LAB 66.07, 2.11, 22.19

 

CMYK 0 / 14 / 37 / 36

HEX #A28C66

RGB 162 140 102

HSL 38, 0.24%, 0.52%

LAB 59.34, 2.63, 23.37

 

CMYK 0 / 16 / 43 / 43

HEX #917A53

RGB 145 122 83

HSL 37.74, 0.27%, 0.45%

LAB 52.47, 3.25, 24.65

 

CMYK 0 / 19 / 50 / 50

HEX #806840

RGB 128 104 64

HSL 37.5, 0.33%, 0.38%

LAB 45.44, 4.03, 26.04

 

CMYK 0 / 10 / 29 / 23

HEX #C4B08C

RGB 196 176 140

HSL 38.57, 0.32%, 0.66%

LAB 72.68, 1.66, 21.09

 

CMYK 0 / 18 / 29 / 23

HEX #C4A18C

RGB 196 161 140

HSL 22.5, 0.32%, 0.66%

LAB 68.84, 9.77, 15.78

 

CMYK 0 / 26 / 29 / 23

HEX #C4928C

RGB 196 146 140

HSL 6.43, 0.32%, 0.66%

LAB 65.11, 18.01, 10.55

 

CMYK 0 / 29 / 29 / 23

HEX #C48C8C

RGB 196 140 140

HSL 0, 0.32%, 0.66%

LAB 63.66, 21.31, 8.49

 

CMYK 0 / 10 / 29 / 23

HEX #C4B08C

RGB 196 176 140

HSL 38.57, 0.32%, 0.66%

LAB 72.68, 1.66, 21.09

 

CMYK 0 / 3 / 29 / 23

HEX #C4BF8C

RGB 196 191 140

HSL 54.64, 0.32%, 0.66%

LAB 76.61, -6.26, 26.43

 

CMYK 6 / 0 / 29 / 23

HEX #B9C48C

RGB 185 196 140

HSL 71.79, 0.32%, 0.66%

LAB 77.09, -13.07, 26.92

 

CMYK 13 / 0 / 29 / 23

HEX #AAC48C

RGB 170 196 140

HSL 87.86, 0.32%, 0.66%

LAB 76.02, -18.69, 25.29

 

CMYK 20 / 0 / 29 / 23

HEX #9CC48C

RGB 156 196 140

HSL 102.86, 0.32%, 0.66%

LAB 75.1, -23.75, 23.9

 

CMYK 0 / 10 / 29 / 23

HEX #C4B08C

RGB 196 176 140

HSL 38.57, 0.32%, 0.66%

LAB 72.68, 1.66, 21.09

 

CMYK 0 / 14 / 40 / 18

HEX #D2B47E

RGB 210 180 126

HSL 38.57, 0.48%, 0.66%

LAB 74.73, 3.37, 31.54

 

CMYK 0 / 18 / 50 / 12

HEX #E0B870

RGB 224 184 112

HSL 38.57, 0.64%, 0.66%

LAB 76.86, 5.53, 41.77

 

CMYK 0 / 21 / 59 / 7

HEX #EEBC62

RGB 238 188 98

HSL 38.57, 0.8%, 0.66%

LAB 79.06, 8.06, 51.63

 

CMYK 0 / 24 / 67 / 1

HEX #FCC054

RGB 252 192 84

HSL 38.57, 0.97%, 0.66%

LAB 81.31, 10.89, 60.96

 

CMYK 0 / 10 / 29 / 23

HEX #C4B08C

RGB 196 176 140

HSL 38.57, 0.32%, 0.66%

LAB 72.68, 1.66, 21.09

 

CMYK 0 / 5 / 15 / 29

HEX #B6AC9A

RGB 182 172 154

HSL 38.57, 0.16%, 0.66%

LAB 70.72, 0.51, 10.54

 

CMYK 1 / 0 / 0 / 34

HEX #A7A8A8

RGB 167 168 168

HSL 180, 0.01%, 0.66%

LAB 68.79, -0.35, -0.13

 

CMYK 16 / 10 / 0 / 29

HEX #99A4B6

RGB 153 164 182

HSL 217.24, 0.17%, 0.66%

LAB 67.05, -0.09, -10.59

 

CMYK 29 / 18 / 0 / 23

HEX #8BA0C4

RGB 139 160 196

HSL 217.89, 0.33%, 0.66%

LAB 65.45, 0.99, -20.91

 

CMYK 0 / 26 / 29 / 23

HEX #C4928C

RGB 196 146 140

HSL 6.43, 0.32%, 0.66%

LAB 65.11, 18.01, 10.55

 

CMYK 0 / 18 / 29 / 23

HEX #C4A08C

RGB 196 160 140

HSL 21.43, 0.32%, 0.66%

LAB 68.58, 10.32, 15.43

 

CMYK 0 / 11 / 29 / 23

HEX #C4AF8C

RGB 196 175 140

HSL 37.5, 0.32%, 0.66%

LAB 72.42, 2.2, 20.73

 

CMYK 0 / 3 / 29 / 23

HEX #C4BE8C

RGB 196 190 140

HSL 53.57, 0.32%, 0.66%

LAB 76.35, -5.74, 26.07

 

CMYK 5 / 0 / 29 / 23

HEX #BAC48C

RGB 186 196 140

HSL 70.71, 0.32%, 0.66%

LAB 77.17, -12.69, 27.04

 

CMYK 0 / 17 / 49 / 35

HEX #A78A56

RGB 167 138 86

HSL 38.52, 0.32%, 0.5%

LAB 59.03, 4.06, 31.85

 

CMYK 0 / 14 / 38 / 29

HEX #B69D71

RGB 182 157 113

HSL 38.26, 0.32%, 0.58%

LAB 65.94, 2.87, 26.43

 

CMYK 0 / 10 / 29 / 23

HEX #C4B08C

RGB 196 176 140

HSL 38.57, 0.32%, 0.66%

LAB 72.68, 1.66, 21.09

 

CMYK 0 / 8 / 20 / 18

HEX #D2C2A7

RGB 210 194 167

HSL 37.67, 0.32%, 0.74%

LAB 79.08, 1.3, 15.62

 

CMYK 0 / 5 / 13 / 12

HEX #E0D5C3

RGB 224 213 195

HSL 37.24, 0.32%, 0.82%

LAB 85.69, 0.79, 10.24

 

CMYK 0 / 10 / 29 / 23

HEX #C4B08C

RGB 196 176 140

HSL 38.57, 0.32%, 0.66%

LAB 72.68, 1.66, 21.09

 

CMYK 24 / 0 / 29 / 23

HEX #95C48C

RGB 149 196 140

HSL 110.36, 0.32%, 0.66%

LAB 74.68, -26.19, 23.24

 

CMYK 22 / 29 / 0 / 23

HEX #998CC4

RGB 153 140 196

HSL 253.93, 0.32%, 0.66%

LAB 61.23, 16.66, -27.28

 

CMYK 0 / 10 / 29 / 23

HEX #C4B08C

RGB 196 176 140

HSL 38.57, 0.32%, 0.66%

LAB 72.68, 1.66, 21.09

 

CMYK 29 / 0 / 11 / 23

HEX #8CC4AF

RGB 140 196 175

HSL 157.5, 0.32%, 0.66%

LAB 74.92, -22.61, 4.72

 

CMYK 11 / 29 / 0 / 23

HEX #AF8CC4

RGB 175 140 196

HSL 277.5, 0.32%, 0.66%

LAB 63.22, 23.67, -24.05

 

CMYK 0 / 10 / 29 / 23

HEX #C4B08C

RGB 196 176 140

HSL 38.57, 0.32%, 0.66%

LAB 72.68, 1.66, 21.09

 

CMYK 24 / 0 / 29 / 23

HEX #95C48C

RGB 149 196 140

HSL 110.36, 0.32%, 0.66%

LAB 74.68, -26.19, 23.24

 

CMYK 29 / 18 / 0 / 23

HEX #8CA0C4

RGB 140 160 196

HSL 218.57, 0.32%, 0.66%

LAB 65.52, 1.3, -20.8

 

CMYK 5 / 29 / 0 / 23

HEX #BA8CC4

RGB 186 140 196

HSL 289.29, 0.32%, 0.66%

LAB 64.31, 27.26, -22.3

 

CMYK 0 / 10 / 29 / 23

HEX #C4B08C

RGB 196 176 140

HSL 38.57, 0.32%, 0.66%

LAB 72.68, 1.66, 21.09

 

CMYK 29 / 0 / 25 / 23

HEX #8CC493

RGB 140 196 147

HSL 127.5, 0.32%, 0.66%

LAB 74.29, -28.03, 18.91

 

CMYK 29 / 18 / 0 / 23

HEX #8CA0C4

RGB 140 160 196

HSL 218.57, 0.32%, 0.66%

LAB 65.52, 1.3, -20.8

 

CMYK 0 / 29 / 4 / 23

HEX #C48CBC

RGB 196 140 188

HSL 308.57, 0.32%, 0.66%

LAB 65.06, 29.07, -16.56

 

Description

Color code: HEX #C4B08C | qconv.com Color code: HEX #C4B08C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 176 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 176 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 29 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 29% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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