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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4BBD2 it is the complementary color #3B442D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4BBD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4BBD2 shade: #C9BBCD, #DACDE0, #EBDFF3 and #FCF1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4BBD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4BBD2 shade: #C4BBD2, #B3A9BF, #A297AC, #918599 and #807386

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4BBD2 shade: #C4BBD2, #CABBD2, #D0BBD2, #D2BBCD and #D2BBC7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4BBD2 shade: #C4BBD2, #BEBBD2 and #BBBBD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4BBD2 shade matches the following richer shades: #C4BBD2, #C2B2DB, #C0A9E4, #BEA0ED and #BC97F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4BBD2 shade: #C4BBD2, #C6C4C9, #C8CDBF, #CAD6B6 and #CCDFAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4BBD2 shade: #BBBFD2, #BEBBD2, #C4BBD2, #CABBD2 and #D0BBD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4BBD2 shade: #998AB1, #AEA2C1, #C4BBD2, #D9D4E2 and #EFEDF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4BBD2 shade: #C4BBD2, #D2BBC5 and #BCD2BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4BBD2 shade: #C4BBD2, #D2C4BB and #BBD2C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4BBD2 shade: #C4BBD2, #D2BBC5, #C9D2BB and #BBD2C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4BBD2 shade: #C4BBD2, #D2BBBE, #C9D2BB and #BBD2CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 11 / 0 / 18

HEX #C4BBD2

RGB 196 187 210

HSL 263.48, 0.2%, 0.78%

LAB 77.24, 7.49, -10.4

 

Complementary color

CMYK 13 / 0 / 34 / 73

HEX #3B442D

RGB 59 68 45

HSL 83.48, 0.2%, 0.22%

LAB 27.45, -8.49, 12.75

 

CMYK 2 / 9 / 0 / 20

HEX #C9BBCD

RGB 201 187 205

HSL 286.67, 0.15%, 0.77%

LAB 77.5, 8.21, -7.26

 

CMYK 3 / 8 / 0 / 12

HEX #DACDE0

RGB 218 205 224

HSL 281.05, 0.23%, 0.84%

LAB 83.94, 7.93, -7.77

 

CMYK 3 / 8 / 0 / 5

HEX #EBDFF3

RGB 235 223 243

HSL 276, 0.45%, 0.91%

LAB 90.28, 7.66, -8.26

 

CMYK 1 / 5 / 0 / 0

HEX #FCF1FF

RGB 252 241 255

HSL 287.14, 1%, 0.97%

LAB 96.34, 6.13, -5.41

 

CMYK 7 / 11 / 0 / 18

HEX #C4BBD2

RGB 196 187 210

HSL 263.48, 0.2%, 0.78%

LAB 77.24, 7.49, -10.4

 

CMYK 6 / 12 / 0 / 25

HEX #B3A9BF

RGB 179 169 191

HSL 267.27, 0.15%, 0.71%

LAB 70.68, 7.78, -9.95

 

CMYK 6 / 12 / 0 / 33

HEX #A297AC

RGB 162 151 172

HSL 271.43, 0.11%, 0.63%

LAB 63.99, 8.08, -9.49

 

CMYK 5 / 13 / 0 / 40

HEX #918599

RGB 145 133 153

HSL 276, 0.09%, 0.56%

LAB 57.17, 8.42, -9.03

 

CMYK 4 / 14 / 0 / 47

HEX #807386

RGB 128 115 134

HSL 281.05, 0.08%, 0.49%

LAB 50.18, 8.8, -8.56

 

CMYK 7 / 11 / 0 / 18

HEX #C4BBD2

RGB 196 187 210

HSL 263.48, 0.2%, 0.78%

LAB 77.24, 7.49, -10.4

 

CMYK 4 / 11 / 0 / 18

HEX #CABBD2

RGB 202 187 210

HSL 279.13, 0.2%, 0.78%

LAB 77.73, 9.5, -9.62

 

CMYK 1 / 11 / 0 / 18

HEX #D0BBD2

RGB 208 187 210

HSL 294.78, 0.2%, 0.78%

LAB 78.23, 11.54, -8.82

 

CMYK 0 / 11 / 2 / 18

HEX #D2BBCD

RGB 210 187 205

HSL 313.04, 0.2%, 0.78%

LAB 78.26, 11.3, -6.06

 

CMYK 0 / 11 / 5 / 18

HEX #D2BBC7

RGB 210 187 199

HSL 328.7, 0.2%, 0.78%

LAB 78.09, 10.23, -3.06

 

CMYK 7 / 11 / 0 / 18

HEX #C4BBD2

RGB 196 187 210

HSL 263.48, 0.2%, 0.78%

LAB 77.24, 7.49, -10.4

 

CMYK 10 / 11 / 0 / 18

HEX #BEBBD2

RGB 190 187 210

HSL 247.83, 0.2%, 0.78%

LAB 76.76, 5.49, -11.16

 

CMYK 11 / 11 / 0 / 18

HEX #BBBBD2

RGB 187 187 210

HSL 240, 0.2%, 0.78%

LAB 76.53, 4.5, -11.53

 

CMYK 7 / 11 / 0 / 18

HEX #C4BBD2

RGB 196 187 210

HSL 263.48, 0.2%, 0.78%

LAB 77.24, 7.49, -10.4

 

CMYK 11 / 19 / 0 / 14

HEX #C2B2DB

RGB 194 178 219

HSL 263.41, 0.36%, 0.78%

LAB 75.09, 13.54, -18.53

 

CMYK 16 / 26 / 0 / 11

HEX #C0A9E4

RGB 192 169 228

HSL 263.39, 0.52%, 0.78%

LAB 73.01, 19.76, -26.61

 

CMYK 20 / 32 / 0 / 7

HEX #BEA0ED

RGB 190 160 237

HSL 263.38, 0.68%, 0.78%

LAB 71.01, 26.12, -34.63

 

CMYK 24 / 39 / 0 / 4

HEX #BC97F6

RGB 188 151 246

HSL 263.37, 0.84%, 0.78%

LAB 69.1, 32.59, -42.53

 

CMYK 7 / 11 / 0 / 18

HEX #C4BBD2

RGB 196 187 210

HSL 263.48, 0.2%, 0.78%

LAB 77.24, 7.49, -10.4

 

CMYK 1 / 2 / 0 / 21

HEX #C6C4C9

RGB 198 196 201

HSL 264, 0.04%, 0.78%

LAB 79.44, 1.62, -2.26

 

CMYK 2 / 0 / 7 / 20

HEX #C8CDBF

RGB 200 205 191

HSL 81.43, 0.12%, 0.78%

LAB 81.68, -4.23, 6.36

 

CMYK 6 / 0 / 15 / 16

HEX #CAD6B6

RGB 202 214 182

HSL 82.5, 0.28%, 0.78%

LAB 83.98, -9.68, 14.44

 

CMYK 9 / 0 / 22 / 13

HEX #CCDFAD

RGB 204 223 173

HSL 82.8, 0.44%, 0.78%

LAB 86.32, -14.92, 22.44

 

CMYK 11 / 9 / 0 / 18

HEX #BBBFD2

RGB 187 191 210

HSL 229.57, 0.2%, 0.78%

LAB 77.57, 2.35, -9.99

 

CMYK 10 / 11 / 0 / 18

HEX #BEBBD2

RGB 190 187 210

HSL 247.83, 0.2%, 0.78%

LAB 76.76, 5.49, -11.16

 

CMYK 7 / 11 / 0 / 18

HEX #C4BBD2

RGB 196 187 210

HSL 263.48, 0.2%, 0.78%

LAB 77.24, 7.49, -10.4

 

CMYK 4 / 11 / 0 / 18

HEX #CABBD2

RGB 202 187 210

HSL 279.13, 0.2%, 0.78%

LAB 77.73, 9.5, -9.62

 

CMYK 1 / 11 / 0 / 18

HEX #D0BBD2

RGB 208 187 210

HSL 294.78, 0.2%, 0.78%

LAB 78.23, 11.54, -8.82

 

CMYK 14 / 22 / 0 / 31

HEX #998AB1

RGB 153 138 177

HSL 263.08, 0.2%, 0.62%

LAB 60, 13.45, -18.42

 

CMYK 10 / 16 / 0 / 24

HEX #AEA2C1

RGB 174 162 193

HSL 263.23, 0.2%, 0.7%

LAB 68.53, 10.36, -14.33

 

CMYK 7 / 11 / 0 / 18

HEX #C4BBD2

RGB 196 187 210

HSL 263.48, 0.2%, 0.78%

LAB 77.24, 7.49, -10.4

 

CMYK 4 / 6 / 0 / 11

HEX #D9D4E2

RGB 217 212 226

HSL 261.43, 0.19%, 0.86%

LAB 85.67, 4.28, -6.28

 

CMYK 2 / 2 / 0 / 5

HEX #EFEDF3

RGB 239 237 243

HSL 260, 0.2%, 0.94%

LAB 94.05, 1.74, -2.67

 

CMYK 7 / 11 / 0 / 18

HEX #C4BBD2

RGB 196 187 210

HSL 263.48, 0.2%, 0.78%

LAB 77.24, 7.49, -10.4

 

CMYK 0 / 11 / 6 / 18

HEX #D2BBC5

RGB 210 187 197

HSL 333.91, 0.2%, 0.78%

LAB 78.04, 9.88, -2.05

 

CMYK 10 / 0 / 11 / 18

HEX #BCD2BB

RGB 188 210 187

HSL 117.39, 0.2%, 0.78%

LAB 82.04, -11.68, 8.9

 

CMYK 7 / 11 / 0 / 18

HEX #C4BBD2

RGB 196 187 210

HSL 263.48, 0.2%, 0.78%

LAB 77.24, 7.49, -10.4

 

CMYK 0 / 7 / 11 / 18

HEX #D2C4BB

RGB 210 196 187

HSL 23.48, 0.2%, 0.78%

LAB 80.05, 3.37, 6.27

 

CMYK 11 / 0 / 7 / 18

HEX #BBD2C4

RGB 187 210 196

HSL 143.48, 0.2%, 0.78%

LAB 82.19, -10.37, 4.31

 

CMYK 7 / 11 / 0 / 18

HEX #C4BBD2

RGB 196 187 210

HSL 263.48, 0.2%, 0.78%

LAB 77.24, 7.49, -10.4

 

CMYK 0 / 11 / 6 / 18

HEX #D2BBC5

RGB 210 187 197

HSL 333.91, 0.2%, 0.78%

LAB 78.04, 9.88, -2.05

 

CMYK 4 / 0 / 11 / 18

HEX #C9D2BB

RGB 201 210 187

HSL 83.48, 0.2%, 0.78%

LAB 82.97, -7.15, 10.35

 

CMYK 11 / 0 / 5 / 18

HEX #BBD2C8

RGB 187 210 200

HSL 153.91, 0.2%, 0.78%

LAB 82.29, -9.62, 2.33

 

CMYK 7 / 11 / 0 / 18

HEX #C4BBD2

RGB 196 187 210

HSL 263.48, 0.2%, 0.78%

LAB 77.24, 7.49, -10.4

 

CMYK 0 / 11 / 10 / 18

HEX #D2BBBE

RGB 210 187 190

HSL 352.17, 0.2%, 0.78%

LAB 77.85, 8.67, 1.47

 

CMYK 4 / 0 / 11 / 18

HEX #C9D2BB

RGB 201 210 187

HSL 83.48, 0.2%, 0.78%

LAB 82.97, -7.15, 10.35

 

CMYK 11 / 0 / 1 / 18

HEX #BBD2CF

RGB 187 210 207

HSL 172.17, 0.2%, 0.78%

LAB 82.47, -8.27, -1.14

 

Description

Color code: HEX #C4BBD2 | qconv.com Color code: HEX #C4BBD2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 187 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 187 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 11 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 11% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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