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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4C955 it is the complementary color #3B36AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4C955. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4C955 shade: #C9C950, #DADB63, #EBED76, #FCFF89 and #FFFF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4C955. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4C955 shade: #C4C955, #B3B742, #A2A52F, #91931C and #808109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4C955 shade: #C4C954, #C9AE54, #C98F54, #C96F54 and #C95454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4C955 shade: #C4C954, #A4C954, #85C954, #65C954 and #54C962

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4C955 shade matches the following richer shades: #C4C954, #D4DB42 and #E5ED30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4C955 shade: #C4C954, #B3B666, #A2A478, #92928A and #81809D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4C955 shade: #C98E54, #C9AD54, #C5C954, #A6C954 and #87C954

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4C955 shade: #959A30, #B4B93A, #C4C954, #CED373 and #D9DC93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4C955 shade: #C4C955, #54C96F and #9E54C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4C955 shade: #C4C955, #54C5C9 and #C954C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4C955 shade: #C4C955, #54C96F, #5854C9 and #C954AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4C955 shade: #C4C955, #54C992, #5854C9 and #C9548A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 58 / 21

HEX #C4C955

RGB 196 201 85

HSL 62.59, 0.52%, 0.56%

LAB 78.56, -17.04, 56.05

 

Complementary color

CMYK 65 / 68 / 0 / 33

HEX #3B36AA

RGB 59 54 170

HSL 242.59, 0.52%, 0.44%

LAB 30.57, 38.25, -61.42

 

CMYK 0 / 0 / 60 / 21

HEX #C9C950

RGB 201 201 80

HSL 60, 0.53%, 0.55%

LAB 78.91, -15.33, 58.73

 

CMYK 0 / 0 / 55 / 14

HEX #DADB63

RGB 218 219 99

HSL 60.5, 0.63%, 0.62%

LAB 85.24, -15.96, 57.8

 

CMYK 1 / 0 / 50 / 7

HEX #EBED76

RGB 235 237 118

HSL 61.01, 0.77%, 0.7%

LAB 91.48, -16.48, 56.75

 

CMYK 1 / 0 / 46 / 0

HEX #FCFF89

RGB 252 255 137

HSL 61.53, 1%, 0.77%

LAB 97.64, -16.92, 55.65

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 2 / 0 / 58 / 21

HEX #C4C955

RGB 196 201 85

HSL 62.59, 0.52%, 0.56%

LAB 78.56, -17.04, 56.05

 

CMYK 2 / 0 / 64 / 28

HEX #B3B742

RGB 179 183 66

HSL 62.05, 0.47%, 0.49%

LAB 72.12, -16.39, 56.87

 

CMYK 2 / 0 / 72 / 35

HEX #A2A52F

RGB 162 165 47

HSL 61.53, 0.56%, 0.42%

LAB 65.59, -15.58, 57.31

 

CMYK 1 / 0 / 81 / 42

HEX #91931C

RGB 145 147 28

HSL 61.01, 0.68%, 0.34%

LAB 58.95, -14.57, 56.99

 

CMYK 1 / 0 / 93 / 49

HEX #808109

RGB 128 129 9

HSL 60.5, 0.87%, 0.27%

LAB 52.19, -13.29, 55.25

 

CMYK 2 / 0 / 58 / 21

HEX #C4C954

RGB 196 201 84

HSL 62.56, 0.52%, 0.56%

LAB 78.55, -17.11, 56.49

 

CMYK 0 / 13 / 58 / 21

HEX #C9AE54

RGB 201 174 84

HSL 46.15, 0.52%, 0.56%

LAB 71.78, -1.11, 48.98

 

CMYK 0 / 29 / 58 / 21

HEX #C98F54

RGB 201 143 84

HSL 30.26, 0.52%, 0.56%

LAB 63.92, 15.64, 39.75

 

CMYK 0 / 45 / 58 / 21

HEX #C96F54

RGB 201 111 84

HSL 13.85, 0.52%, 0.56%

LAB 56.51, 32.99, 30.62

 

CMYK 0 / 58 / 58 / 21

HEX #C95454

RGB 201 84 84

HSL 0, 0.52%, 0.56%

LAB 51.15, 46.62, 23.74

 

CMYK 2 / 0 / 58 / 21

HEX #C4C954

RGB 196 201 84

HSL 62.56, 0.52%, 0.56%

LAB 78.55, -17.11, 56.49

 

CMYK 18 / 0 / 58 / 21

HEX #A4C954

RGB 164 201 84

HSL 78.97, 0.52%, 0.56%

LAB 76.26, -29.97, 53.29

 

CMYK 34 / 0 / 58 / 21

HEX #85C954

RGB 133 201 84

HSL 94.87, 0.52%, 0.56%

LAB 74.44, -41.44, 50.75

 

CMYK 50 / 0 / 58 / 21

HEX #65C954

RGB 101 201 84

HSL 111.28, 0.52%, 0.56%

LAB 73.01, -51.55, 48.72

 

CMYK 58 / 0 / 51 / 21

HEX #54C962

RGB 84 201 98

HSL 127.18, 0.52%, 0.56%

LAB 72.59, -54.19, 41.48

 

CMYK 2 / 0 / 58 / 21

HEX #C4C954

RGB 196 201 84

HSL 62.56, 0.52%, 0.56%

LAB 78.55, -17.11, 56.49

 

CMYK 3 / 0 / 70 / 14

HEX #D4DB42

RGB 212 219 66

HSL 62.75, 0.68%, 0.56%

LAB 84.51, -20.49, 70.25

 

CMYK 3 / 0 / 80 / 7

HEX #E5ED30

RGB 229 237 48

HSL 62.54, 0.84%, 0.56%

LAB 90.52, -22.9, 81.73

 

CMYK 2 / 0 / 58 / 21

HEX #C4C954

RGB 196 201 84

HSL 62.56, 0.52%, 0.56%

LAB 78.55, -17.11, 56.49

 

CMYK 2 / 0 / 44 / 29

HEX #B3B666

RGB 179 182 102

HSL 62.25, 0.35%, 0.56%

LAB 72.23, -12.87, 40.21

 

CMYK 1 / 0 / 27 / 36

HEX #A2A478

RGB 162 164 120

HSL 62.73, 0.19%, 0.56%

LAB 66.2, -8.07, 22.66

 

CMYK 0 / 0 / 5 / 43

HEX #92928A

RGB 146 146 138

HSL 60, 0.04%, 0.56%

LAB 60.34, -1.51, 4.23

 

CMYK 18 / 18 / 0 / 38

HEX #81809D

RGB 129 128 157

HSL 242.07, 0.13%, 0.56%

LAB 54.6, 6.65, -15.35

 

CMYK 0 / 29 / 58 / 21

HEX #C98E54

RGB 201 142 84

HSL 29.74, 0.52%, 0.56%

LAB 63.68, 16.18, 39.45

 

CMYK 0 / 14 / 58 / 21

HEX #C9AD54

RGB 201 173 84

HSL 45.64, 0.52%, 0.56%

LAB 71.52, -0.58, 48.68

 

CMYK 2 / 0 / 58 / 21

HEX #C5C954

RGB 197 201 84

HSL 62.05, 0.52%, 0.56%

LAB 78.63, -16.7, 56.59

 

CMYK 17 / 0 / 58 / 21

HEX #A6C954

RGB 166 201 84

HSL 77.95, 0.52%, 0.56%

LAB 76.39, -29.19, 53.48

 

CMYK 33 / 0 / 58 / 21

HEX #87C954

RGB 135 201 84

HSL 93.85, 0.52%, 0.56%

LAB 74.55, -40.74, 50.9

 

CMYK 3 / 0 / 69 / 40

HEX #959A30

RGB 149 154 48

HSL 62.83, 0.52%, 0.4%

LAB 61.41, -15.51, 52.43

 

CMYK 3 / 0 / 69 / 27

HEX #B4B93A

RGB 180 185 58

HSL 62.36, 0.52%, 0.48%

LAB 72.7, -17.45, 60.68

 

CMYK 2 / 0 / 58 / 21

HEX #C4C954

RGB 196 201 84

HSL 62.56, 0.52%, 0.56%

LAB 78.55, -17.11, 56.49

 

CMYK 2 / 0 / 45 / 17

HEX #CED373

RGB 206 211 115

HSL 63.13, 0.52%, 0.64%

LAB 82.35, -15.4, 46.69

 

CMYK 1 / 0 / 33 / 14

HEX #D9DC93

RGB 217 220 147

HSL 62.47, 0.51%, 0.72%

LAB 86.03, -12.12, 35.59

 

CMYK 2 / 0 / 58 / 21

HEX #C4C955

RGB 196 201 85

HSL 62.59, 0.52%, 0.56%

LAB 78.56, -17.04, 56.05

 

CMYK 58 / 0 / 45 / 21

HEX #54C96F

RGB 84 201 111

HSL 133.85, 0.52%, 0.56%

LAB 72.76, -52.26, 35.25

 

CMYK 21 / 58 / 0 / 21

HEX #9E54C9

RGB 158 84 201

HSL 277.95, 0.52%, 0.56%

LAB 49.29, 50.55, -48.85

 

CMYK 2 / 0 / 58 / 21

HEX #C4C955

RGB 196 201 85

HSL 62.59, 0.52%, 0.56%

LAB 78.56, -17.04, 56.05

 

CMYK 58 / 2 / 0 / 21

HEX #54C5C9

RGB 84 197 201

HSL 182.05, 0.52%, 0.56%

LAB 73.57, -30.56, -11.65

 

CMYK 0 / 58 / 2 / 21

HEX #C954C5

RGB 201 84 197

HSL 302.05, 0.52%, 0.56%

LAB 54.85, 60.78, -37.36

 

CMYK 2 / 0 / 58 / 21

HEX #C4C955

RGB 196 201 85

HSL 62.59, 0.52%, 0.56%

LAB 78.56, -17.04, 56.05

 

CMYK 58 / 0 / 45 / 21

HEX #54C96F

RGB 84 201 111

HSL 133.85, 0.52%, 0.56%

LAB 72.76, -52.26, 35.25

 

CMYK 56 / 58 / 0 / 21

HEX #5854C9

RGB 88 84 201

HSL 242.05, 0.52%, 0.56%

LAB 42.2, 34.85, -60.61

 

CMYK 0 / 58 / 14 / 21

HEX #C954AD

RGB 201 84 173

HSL 314.36, 0.52%, 0.56%

LAB 53.79, 56.89, -25.15

 

CMYK 2 / 0 / 58 / 21

HEX #C4C955

RGB 196 201 85

HSL 62.59, 0.52%, 0.56%

LAB 78.56, -17.04, 56.05

 

CMYK 58 / 0 / 27 / 21

HEX #54C992

RGB 84 201 146

HSL 151.79, 0.52%, 0.56%

LAB 73.37, -45.81, 17.8

 

CMYK 56 / 58 / 0 / 21

HEX #5854C9

RGB 88 84 201

HSL 242.05, 0.52%, 0.56%

LAB 42.2, 34.85, -60.61

 

CMYK 0 / 58 / 31 / 21

HEX #C9548A

RGB 201 84 138

HSL 332.31, 0.52%, 0.56%

LAB 52.5, 52.01, -6.51

 

Description

Color code: HEX #C4C955 | qconv.com Color code: HEX #C4C955 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 201 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 201 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 58 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 58% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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