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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4C965 it is the complementary color #3B369A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4C965. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4C965 shade: #C9C960, #DADB73, #EBED86, #FCFF99 and #FFFFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4C965. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4C965 shade: #C4C965, #B3B752, #A2A53F, #91932C and #808119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4C965 shade: #C3C864, #C8B264, #C89764, #C87C64 and #C86464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4C965 shade: #C3C864, #A8C864, #8DC864, #72C864 and #64C871

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4C965 shade matches the following richer shades: #C3C864, #D2D953, #E2EA42 and #F1FB31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4C965 shade: #C3C864, #B4B775, #A5A686, #959597 and #8684A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4C965 shade: #C89864, #C8B264, #C3C864, #A8C864 and #8EC864

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4C965 shade: #9CA138, #B7BD45, #C3C864, #CFD382 and #DBDEA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4C965 shade: #C4C965, #64C87D and #A564C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4C965 shade: #C4C965, #64C3C8 and #C864C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4C965 shade: #C4C965, #64C87D, #6964C8 and #C864AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4C965 shade: #C4C965, #64C89B, #6964C8 and #C86491

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 50 / 21

HEX #C4C965

RGB 196 201 101

HSL 63, 0.48%, 0.59%

LAB 78.72, -15.72, 48.88

 

Complementary color

CMYK 62 / 65 / 0 / 40

HEX #3B369A

RGB 59 54 154

HSL 243, 0.48%, 0.41%

LAB 29.16, 32.86, -54.04

 

CMYK 0 / 0 / 52 / 21

HEX #C9C960

RGB 201 201 96

HSL 60, 0.49%, 0.58%

LAB 79.06, -14.12, 51.73

 

CMYK 0 / 0 / 47 / 14

HEX #DADB73

RGB 218 219 115

HSL 60.58, 0.59%, 0.65%

LAB 85.41, -14.61, 50.61

 

CMYK 1 / 0 / 43 / 7

HEX #EBED86

RGB 235 237 134

HSL 61.17, 0.74%, 0.73%

LAB 91.66, -15.02, 49.47

 

CMYK 1 / 0 / 40 / 0

HEX #FCFF99

RGB 252 255 153

HSL 61.76, 1%, 0.8%

LAB 97.84, -15.37, 48.33

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAC

RGB 255 255 172

HSL 60, 1%, 0.84%

LAB 98.34, -12.15, 39.74

 

CMYK 2 / 0 / 50 / 21

HEX #C4C965

RGB 196 201 101

HSL 63, 0.48%, 0.59%

LAB 78.72, -15.72, 48.88

 

CMYK 2 / 0 / 55 / 28

HEX #B3B752

RGB 179 183 82

HSL 62.38, 0.41%, 0.52%

LAB 72.27, -15.23, 49.97

 

CMYK 2 / 0 / 62 / 35

HEX #A2A53F

RGB 162 165 63

HSL 61.76, 0.45%, 0.45%

LAB 65.71, -14.62, 50.92

 

CMYK 1 / 0 / 70 / 42

HEX #91932C

RGB 145 147 44

HSL 61.17, 0.54%, 0.37%

LAB 59.04, -13.84, 51.54

 

CMYK 1 / 0 / 81 / 49

HEX #808119

RGB 128 129 25

HSL 60.58, 0.68%, 0.3%

LAB 52.24, -12.83, 51.41

 

CMYK 3 / 0 / 50 / 22

HEX #C3C864

RGB 195 200 100

HSL 63, 0.48%, 0.59%

LAB 78.36, -15.72, 48.91

 

CMYK 0 / 11 / 50 / 22

HEX #C8B264

RGB 200 178 100

HSL 46.8, 0.48%, 0.59%

LAB 72.92, -2.31, 42.47

 

CMYK 0 / 25 / 50 / 22

HEX #C89764

RGB 200 151 100

HSL 30.6, 0.48%, 0.59%

LAB 66.01, 12.22, 33.87

 

CMYK 0 / 38 / 50 / 22

HEX #C87C64

RGB 200 124 100

HSL 14.4, 0.48%, 0.59%

LAB 59.54, 26.98, 25.52

 

CMYK 0 / 50 / 50 / 22

HEX #C86464

RGB 200 100 100

HSL 0, 0.48%, 0.59%

LAB 54.36, 39.7, 18.6

 

CMYK 3 / 0 / 50 / 22

HEX #C3C864

RGB 195 200 100

HSL 63, 0.48%, 0.59%

LAB 78.36, -15.72, 48.91

 

CMYK 16 / 0 / 50 / 22

HEX #A8C864

RGB 168 200 100

HSL 79.2, 0.48%, 0.59%

LAB 76.41, -26.44, 46.1

 

CMYK 30 / 0 / 50 / 22

HEX #8DC864

RGB 141 200 100

HSL 95.4, 0.48%, 0.59%

LAB 74.76, -36.47, 43.72

 

CMYK 43 / 0 / 50 / 22

HEX #72C864

RGB 114 200 100

HSL 111.6, 0.48%, 0.59%

LAB 73.42, -45.4, 41.78

 

CMYK 50 / 0 / 44 / 22

HEX #64C871

RGB 100 200 113

HSL 127.8, 0.48%, 0.59%

LAB 73.03, -47.57, 34.69

 

CMYK 3 / 0 / 50 / 22

HEX #C3C864

RGB 195 200 100

HSL 63, 0.48%, 0.59%

LAB 78.36, -15.72, 48.91

 

CMYK 3 / 0 / 62 / 15

HEX #D2D953

RGB 210 217 83

HSL 63.13, 0.64%, 0.59%

LAB 83.94, -19.36, 63.08

 

CMYK 3 / 0 / 72 / 8

HEX #E2EA42

RGB 226 234 66

HSL 62.86, 0.8%, 0.59%

LAB 89.58, -22.01, 75.51

 

CMYK 4 / 0 / 80 / 2

HEX #F1FB31

RGB 241 251 49

HSL 62.97, 0.96%, 0.59%

LAB 95.13, -24.62, 85.8

 

CMYK 3 / 0 / 50 / 22

HEX #C3C864

RGB 195 200 100

HSL 63, 0.48%, 0.59%

LAB 78.36, -15.72, 48.91

 

CMYK 2 / 0 / 36 / 28

HEX #B4B775

RGB 180 183 117

HSL 62.73, 0.31%, 0.59%

LAB 72.8, -11.3, 33.24

 

CMYK 1 / 0 / 19 / 35

HEX #A5A686

RGB 165 166 134

HSL 61.88, 0.15%, 0.59%

LAB 67.27, -5.9, 16.49

 

CMYK 1 / 1 / 0 / 41

HEX #959597

RGB 149 149 151

HSL 240, 0.01%, 0.59%

LAB 61.76, 0.39, -1.06

 

CMYK 20 / 21 / 0 / 35

HEX #8684A7

RGB 134 132 167

HSL 243.43, 0.17%, 0.59%

LAB 56.45, 8.33, -18.26

 

CMYK 0 / 24 / 50 / 22

HEX #C89864

RGB 200 152 100

HSL 31.2, 0.48%, 0.59%

LAB 66.26, 11.67, 34.19

 

CMYK 0 / 11 / 50 / 22

HEX #C8B264

RGB 200 178 100

HSL 46.8, 0.48%, 0.59%

LAB 72.92, -2.31, 42.47

 

CMYK 3 / 0 / 50 / 22

HEX #C3C864

RGB 195 200 100

HSL 63, 0.48%, 0.59%

LAB 78.36, -15.72, 48.91

 

CMYK 16 / 0 / 50 / 22

HEX #A8C864

RGB 168 200 100

HSL 79.2, 0.48%, 0.59%

LAB 76.41, -26.44, 46.1

 

CMYK 29 / 0 / 50 / 22

HEX #8EC864

RGB 142 200 100

HSL 94.8, 0.48%, 0.59%

LAB 74.81, -36.11, 43.8

 

CMYK 3 / 0 / 65 / 37

HEX #9CA138

RGB 156 161 56

HSL 62.86, 0.48%, 0.43%

LAB 64.03, -15.6, 52.02

 

CMYK 3 / 0 / 63 / 26

HEX #B7BD45

RGB 183 189 69

HSL 63, 0.48%, 0.51%

LAB 74.12, -17.54, 57.83

 

CMYK 3 / 0 / 50 / 22

HEX #C3C864

RGB 195 200 100

HSL 63, 0.48%, 0.59%

LAB 78.36, -15.72, 48.91

 

CMYK 2 / 0 / 38 / 17

HEX #CFD382

RGB 207 211 130

HSL 62.96, 0.48%, 0.67%

LAB 82.63, -13.43, 39.64

 

CMYK 1 / 0 / 27 / 13

HEX #DBDEA1

RGB 219 222 161

HSL 62.95, 0.48%, 0.75%

LAB 86.94, -10.6, 29.67

 

CMYK 2 / 0 / 50 / 21

HEX #C4C965

RGB 196 201 101

HSL 63, 0.48%, 0.59%

LAB 78.72, -15.72, 48.88

 

CMYK 50 / 0 / 38 / 22

HEX #64C87D

RGB 100 200 125

HSL 135, 0.48%, 0.59%

LAB 73.22, -45.61, 28.76

 

CMYK 18 / 50 / 0 / 22

HEX #A564C8

RGB 165 100 200

HSL 279, 0.48%, 0.59%

LAB 53.26, 43.78, -41.91

 

CMYK 2 / 0 / 50 / 21

HEX #C4C965

RGB 196 201 101

HSL 63, 0.48%, 0.59%

LAB 78.72, -15.72, 48.88

 

CMYK 50 / 3 / 0 / 22

HEX #64C3C8

RGB 100 195 200

HSL 183, 0.48%, 0.59%

LAB 73.49, -26.67, -11.17

 

CMYK 0 / 50 / 3 / 22

HEX #C864C3

RGB 200 100 195

HSL 303, 0.48%, 0.59%

LAB 57.4, 52.7, -32.25

 

CMYK 2 / 0 / 50 / 21

HEX #C4C965

RGB 196 201 101

HSL 63, 0.48%, 0.59%

LAB 78.72, -15.72, 48.88

 

CMYK 50 / 0 / 38 / 22

HEX #64C87D

RGB 100 200 125

HSL 135, 0.48%, 0.59%

LAB 73.22, -45.61, 28.76

 

CMYK 48 / 50 / 0 / 22

HEX #6964C8

RGB 105 100 200

HSL 243, 0.48%, 0.59%

LAB 47.35, 28.29, -51.67

 

CMYK 0 / 50 / 13 / 22

HEX #C864AF

RGB 200 100 175

HSL 315, 0.48%, 0.59%

LAB 56.57, 49.33, -22.04

 

CMYK 2 / 0 / 50 / 21

HEX #C4C965

RGB 196 201 101

HSL 63, 0.48%, 0.59%

LAB 78.72, -15.72, 48.88

 

CMYK 50 / 0 / 23 / 22

HEX #64C89B

RGB 100 200 155

HSL 153, 0.48%, 0.59%

LAB 73.79, -39.84, 13.65

 

CMYK 48 / 50 / 0 / 22

HEX #6964C8

RGB 105 100 200

HSL 243, 0.48%, 0.59%

LAB 47.35, 28.29, -51.67

 

CMYK 0 / 50 / 28 / 22

HEX #C86491

RGB 200 100 145

HSL 333, 0.48%, 0.59%

LAB 55.52, 44.86, -6.17

 

Description

Color code: HEX #C4C965 | qconv.com Color code: HEX #C4C965 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 201 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 201 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 50 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 50% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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