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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4CDD3 it is the complementary color #3B322C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4CDD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4CDD3 shade: #C9CDCE, #DADFE1, #EBF1F4 and #FCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4CDD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4CDD3 shade: #C4CDD3, #B3BBC0, #A2A9AD, #91979A and #808587

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4CDD3 shade: #C4CDD3, #C4C9D3, #C4C5D3, #C7C4D3 and #CBC4D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4CDD3 shade: #C4CDD3, #C4C9D3, #C4C5D3 and #C4C4D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4CDD3 shade matches the following richer shades: #C4CDD3, #BCCFDB, #B3D0E4, #ABD2EC and #A3D4F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4CDD3 shade: #C4CDD3, #CCCBCB, #D4CAC3, #DDC8BA and #E5C6B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4CDD3 shade: #C4D3D1, #C4D1D3, #C4CDD3, #C4C9D3 and #C4C5D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4CDD3 shade: #94A5B0, #ACB9C2, #C4CDD3, #DCE1E5 and #F3F5F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4CDD3 shade: #C4CDD3, #CDC4D3 and #D3D3C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4CDD3 shade: #C4CDD3, #D3C4CD and #CDD3C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4CDD3 shade: #C4CDD3, #CDC4D3, #D3CAC4 and #CAD3C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4CDD3 shade: #C4CDD3, #D2C4D3, #D3CAC4 and #C5D3C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 3 / 0 / 17

HEX #C4CDD3

RGB 196 205 211

HSL 204, 0.15%, 0.8%

LAB 81.89, -1.91, -4.04

 

Complementary color

CMYK 0 / 15 / 25 / 77

HEX #3B322C

RGB 59 50 44

HSL 24, 0.15%, 0.2%

LAB 21.55, 2.86, 5.3

 

CMYK 2 / 0 / 0 / 19

HEX #C9CDCE

RGB 201 205 206

HSL 192, 0.05%, 0.8%

LAB 82.13, -1.18, -0.98

 

CMYK 3 / 1 / 0 / 12

HEX #DADFE1

RGB 218 223 225

HSL 197.14, 0.1%, 0.87%

LAB 88.5, -1.31, -1.57

 

CMYK 4 / 1 / 0 / 4

HEX #EBF1F4

RGB 235 241 244

HSL 200, 0.29%, 0.94%

LAB 94.78, -1.44, -2.15

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 7 / 3 / 0 / 17

HEX #C4CDD3

RGB 196 205 211

HSL 204, 0.15%, 0.8%

LAB 81.89, -1.91, -4.04

 

CMYK 7 / 3 / 0 / 25

HEX #B3BBC0

RGB 179 187 192

HSL 203.08, 0.09%, 0.73%

LAB 75.41, -1.79, -3.49

 

CMYK 6 / 2 / 0 / 32

HEX #A2A9AD

RGB 162 169 173

HSL 201.82, 0.06%, 0.66%

LAB 68.81, -1.67, -2.92

 

CMYK 6 / 2 / 0 / 40

HEX #91979A

RGB 145 151 154

HSL 200, 0.04%, 0.59%

LAB 62.07, -1.55, -2.33

 

CMYK 5 / 1 / 0 / 47

HEX #808587

RGB 128 133 135

HSL 197.14, 0.03%, 0.52%

LAB 55.19, -1.43, -1.72

 

CMYK 7 / 3 / 0 / 17

HEX #C4CDD3

RGB 196 205 211

HSL 204, 0.15%, 0.8%

LAB 81.89, -1.91, -4.04

 

CMYK 7 / 5 / 0 / 17

HEX #C4C9D3

RGB 196 201 211

HSL 220, 0.15%, 0.8%

LAB 80.86, 0.2, -5.57

 

CMYK 7 / 7 / 0 / 17

HEX #C4C5D3

RGB 196 197 211

HSL 236, 0.15%, 0.8%

LAB 79.82, 2.32, -7.1

 

CMYK 6 / 7 / 0 / 17

HEX #C7C4D3

RGB 199 196 211

HSL 252, 0.15%, 0.8%

LAB 79.8, 3.86, -7.11

 

CMYK 4 / 7 / 0 / 17

HEX #CBC4D3

RGB 203 196 211

HSL 268, 0.15%, 0.8%

LAB 80.11, 5.21, -6.61

 

CMYK 7 / 3 / 0 / 17

HEX #C4CDD3

RGB 196 205 211

HSL 204, 0.15%, 0.8%

LAB 81.89, -1.91, -4.04

 

CMYK 7 / 5 / 0 / 17

HEX #C4C9D3

RGB 196 201 211

HSL 220, 0.15%, 0.8%

LAB 80.86, 0.2, -5.57

 

CMYK 7 / 7 / 0 / 17

HEX #C4C5D3

RGB 196 197 211

HSL 236, 0.15%, 0.8%

LAB 79.82, 2.32, -7.1

 

CMYK 7 / 7 / 0 / 17

HEX #C4C4D3

RGB 196 196 211

HSL 240, 0.15%, 0.8%

LAB 79.57, 2.86, -7.48

 

CMYK 7 / 3 / 0 / 17

HEX #C4CDD3

RGB 196 205 211

HSL 204, 0.15%, 0.8%

LAB 81.89, -1.91, -4.04

 

CMYK 14 / 5 / 0 / 14

HEX #BCCFDB

RGB 188 207 219

HSL 203.23, 0.3%, 0.8%

LAB 82.07, -3.96, -8.12

 

CMYK 21 / 9 / 0 / 11

HEX #B3D0E4

RGB 179 208 228

HSL 204.49, 0.48%, 0.8%

LAB 82, -5.38, -13.09

 

CMYK 28 / 11 / 0 / 7

HEX #ABD2EC

RGB 171 210 236

HSL 204, 0.63%, 0.8%

LAB 82.28, -6.99, -16.99

 

CMYK 33 / 13 / 0 / 4

HEX #A3D4F4

RGB 163 212 244

HSL 203.7, 0.79%, 0.8%

LAB 82.6, -8.39, -20.81

 

CMYK 7 / 3 / 0 / 17

HEX #C4CDD3

RGB 196 205 211

HSL 204, 0.15%, 0.8%

LAB 81.89, -1.91, -4.04

 

CMYK 0 / 0 / 0 / 20

HEX #CCCBCB

RGB 204 203 203

HSL 0, 0.01%, 0.8%

LAB 81.76, 0.35, 0.11

 

CMYK 0 / 5 / 8 / 17

HEX #D4CAC3

RGB 212 202 195

HSL 24.71, 0.17%, 0.8%

LAB 81.93, 2.26, 4.72

 

CMYK 0 / 10 / 16 / 13

HEX #DDC8BA

RGB 221 200 186

HSL 24, 0.34%, 0.8%

LAB 81.96, 5.09, 9.66

 

CMYK 0 / 14 / 22 / 10

HEX #E5C6B2

RGB 229 198 178

HSL 23.53, 0.5%, 0.8%

LAB 81.98, 7.88, 14.06

 

CMYK 7 / 0 / 1 / 17

HEX #C4D3D1

RGB 196 211 209

HSL 172, 0.15%, 0.8%

LAB 83.4, -5.42, -0.76

 

CMYK 7 / 1 / 0 / 17

HEX #C4D1D3

RGB 196 209 211

HSL 188, 0.15%, 0.8%

LAB 82.93, -4, -2.51

 

CMYK 7 / 3 / 0 / 17

HEX #C4CDD3

RGB 196 205 211

HSL 204, 0.15%, 0.8%

LAB 81.89, -1.91, -4.04

 

CMYK 7 / 5 / 0 / 17

HEX #C4C9D3

RGB 196 201 211

HSL 220, 0.15%, 0.8%

LAB 80.86, 0.2, -5.57

 

CMYK 7 / 7 / 0 / 17

HEX #C4C5D3

RGB 196 197 211

HSL 236, 0.15%, 0.8%

LAB 79.82, 2.32, -7.1

 

CMYK 16 / 6 / 0 / 31

HEX #94A5B0

RGB 148 165 176

HSL 203.57, 0.15%, 0.64%

LAB 66.78, -3.61, -7.7

 

CMYK 11 / 5 / 0 / 24

HEX #ACB9C2

RGB 172 185 194

HSL 204.55, 0.15%, 0.72%

LAB 74.42, -2.67, -6.09

 

CMYK 7 / 3 / 0 / 17

HEX #C4CDD3

RGB 196 205 211

HSL 204, 0.15%, 0.8%

LAB 81.89, -1.91, -4.04

 

CMYK 4 / 2 / 0 / 10

HEX #DCE1E5

RGB 220 225 229

HSL 206.67, 0.15%, 0.88%

LAB 89.26, -0.94, -2.54

 

CMYK 1 / 0 / 0 / 4

HEX #F3F5F6

RGB 243 245 246

HSL 200, 0.14%, 0.96%

LAB 96.42, -0.48, -0.72

 

CMYK 7 / 3 / 0 / 17

HEX #C4CDD3

RGB 196 205 211

HSL 204, 0.15%, 0.8%

LAB 81.89, -1.91, -4.04

 

CMYK 3 / 7 / 0 / 17

HEX #CDC4D3

RGB 205 196 211

HSL 276, 0.15%, 0.8%

LAB 80.27, 5.88, -6.36

 

CMYK 0 / 0 / 7 / 17

HEX #D3D3C4

RGB 211 211 196

HSL 60, 0.15%, 0.8%

LAB 84.19, -2.63, 7.42

 

CMYK 7 / 3 / 0 / 17

HEX #C4CDD3

RGB 196 205 211

HSL 204, 0.15%, 0.8%

LAB 81.89, -1.91, -4.04

 

CMYK 0 / 7 / 3 / 17

HEX #D3C4CD

RGB 211 196 205

HSL 324, 0.15%, 0.8%

LAB 80.59, 6.83, -2.61

 

CMYK 3 / 0 / 7 / 17

HEX #CDD3C4

RGB 205 211 196

HSL 84, 0.15%, 0.8%

LAB 83.73, -4.73, 6.71

 

CMYK 7 / 3 / 0 / 17

HEX #C4CDD3

RGB 196 205 211

HSL 204, 0.15%, 0.8%

LAB 81.89, -1.91, -4.04

 

CMYK 3 / 7 / 0 / 17

HEX #CDC4D3

RGB 205 196 211

HSL 276, 0.15%, 0.8%

LAB 80.27, 5.88, -6.36

 

CMYK 0 / 4 / 7 / 17

HEX #D3CAC4

RGB 211 202 196

HSL 24, 0.15%, 0.8%

LAB 81.88, 2.08, 4.09

 

CMYK 4 / 0 / 7 / 17

HEX #CAD3C4

RGB 202 211 196

HSL 96, 0.15%, 0.8%

LAB 83.51, -5.77, 6.36

 

CMYK 7 / 3 / 0 / 17

HEX #C4CDD3

RGB 196 205 211

HSL 204, 0.15%, 0.8%

LAB 81.89, -1.91, -4.04

 

CMYK 0 / 7 / 0 / 17

HEX #D2C4D3

RGB 210 196 211

HSL 296, 0.15%, 0.8%

LAB 80.67, 7.58, -5.72

 

CMYK 0 / 4 / 7 / 17

HEX #D3CAC4

RGB 211 202 196

HSL 24, 0.15%, 0.8%

LAB 81.88, 2.08, 4.09

 

CMYK 7 / 0 / 7 / 17

HEX #C5D3C4

RGB 197 211 196

HSL 116, 0.15%, 0.8%

LAB 83.15, -7.49, 5.79

 

Description

Color code: HEX #C4CDD3 | qconv.com Color code: HEX #C4CDD3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 205 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 205 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 3 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 3% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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