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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4D493 it is the complementary color #3B2B6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4D493. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4D493 shade: #C9D48E, #DAE6A1, #EBF8B4, #FCFFC7 and #FFFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4D493. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4D493 shade: #C4D493, #B3C280, #A2B06D, #919E5A and #808C47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4D493 shade: #C3D391, #D3D191, #D3C091, #D3AE91 and #D39C91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4D493 shade: #C3D391, #B1D391, #9FD391, #91D395 and #91D3A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4D493 shade matches the following richer shades: #C3D391, #C9DF85, #CFEC78 and #D6F86C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4D493 shade: #C3D391, #BCC79D, #B6BAAA, #B0AEB6 and #AAA1C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4D493 shade: #D3BF91, #D3D191, #C4D391, #B2D391 and #A0D391

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4D493 shade: #A2BB56, #B3C774, #C3D391, #D3DFAF and #E3EACC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4D493 shade: #C4D493, #91D3AE and #C891D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4D493 shade: #C4D493, #91C4D3 and #D391C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4D493 shade: #C4D493, #91D3AE, #A091D3 and #D391B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4D493 shade: #C4D493, #91D3C1, #A091D3 and #D391A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 31 / 17

HEX #C4D493

RGB 196 212 147

HSL 74.77, 0.43%, 0.7%

LAB 82.34, -16.06, 30.43

 

Complementary color

CMYK 45 / 60 / 0 / 58

HEX #3B2B6C

RGB 59 43 108

HSL 254.77, 0.43%, 0.3%

LAB 22.79, 24.7, -35.54

 

CMYK 5 / 0 / 33 / 17

HEX #C9D48E

RGB 201 212 142

HSL 69.43, 0.45%, 0.69%

LAB 82.62, -14.82, 33.45

 

CMYK 5 / 0 / 30 / 10

HEX #DAE6A1

RGB 218 230 161

HSL 70.43, 0.58%, 0.77%

LAB 88.96, -14.97, 32.36

 

CMYK 5 / 0 / 27 / 3

HEX #EBF8B4

RGB 235 248 180

HSL 71.47, 0.83%, 0.84%

LAB 95.2, -15.09, 31.32

 

CMYK 1 / 0 / 22 / 0

HEX #FCFFC7

RGB 252 255 199

HSL 63.21, 1%, 0.89%

LAB 98.57, -9.82, 26.5

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 8 / 0 / 31 / 17

HEX #C4D493

RGB 196 212 147

HSL 74.77, 0.43%, 0.7%

LAB 82.34, -16.06, 30.43

 

CMYK 8 / 0 / 34 / 24

HEX #B3C280

RGB 179 194 128

HSL 73.64, 0.35%, 0.63%

LAB 75.9, -15.96, 31.54

 

CMYK 8 / 0 / 38 / 31

HEX #A2B06D

RGB 162 176 109

HSL 72.54, 0.3%, 0.56%

LAB 69.35, -15.82, 32.7

 

CMYK 8 / 0 / 43 / 38

HEX #919E5A

RGB 145 158 90

HSL 71.47, 0.27%, 0.49%

LAB 62.69, -15.63, 33.91

 

CMYK 9 / 0 / 49 / 45

HEX #808C47

RGB 128 140 71

HSL 70.43, 0.33%, 0.41%

LAB 55.89, -15.38, 35.14

 

CMYK 8 / 0 / 31 / 17

HEX #C3D391

RGB 195 211 145

HSL 74.55, 0.43%, 0.7%

LAB 81.97, -16.2, 30.96

 

CMYK 0 / 1 / 31 / 17

HEX #D3D191

RGB 211 209 145

HSL 58.18, 0.43%, 0.7%

LAB 82.64, -9.1, 32.07

 

CMYK 0 / 9 / 31 / 17

HEX #D3C091

RGB 211 192 145

HSL 42.73, 0.43%, 0.7%

LAB 78.22, -0.3, 26.17

 

CMYK 0 / 18 / 31 / 17

HEX #D3AE91

RGB 211 174 145

HSL 26.36, 0.43%, 0.7%

LAB 73.65, 9.26, 19.94

 

CMYK 0 / 26 / 31 / 17

HEX #D39C91

RGB 211 156 145

HSL 10, 0.43%, 0.7%

LAB 69.23, 19, 13.8

 

CMYK 8 / 0 / 31 / 17

HEX #C3D391

RGB 195 211 145

HSL 74.55, 0.43%, 0.7%

LAB 81.97, -16.2, 30.96

 

CMYK 16 / 0 / 31 / 17

HEX #B1D391

RGB 177 211 145

HSL 90.91, 0.43%, 0.7%

LAB 80.73, -22.85, 29.08

 

CMYK 25 / 0 / 31 / 17

HEX #9FD391

RGB 159 211 145

HSL 107.27, 0.43%, 0.7%

LAB 79.62, -29.19, 27.4

 

CMYK 31 / 0 / 29 / 17

HEX #91D395

RGB 145 211 149

HSL 123.64, 0.43%, 0.7%

LAB 78.91, -33.18, 24.23

 

CMYK 31 / 0 / 21 / 17

HEX #91D3A6

RGB 145 211 166

HSL 139.09, 0.43%, 0.7%

LAB 79.25, -30.16, 15.74

 

CMYK 8 / 0 / 31 / 17

HEX #C3D391

RGB 195 211 145

HSL 74.55, 0.43%, 0.7%

LAB 81.97, -16.2, 30.96

 

CMYK 10 / 0 / 40 / 13

HEX #C9DF85

RGB 201 223 133

HSL 74.67, 0.58%, 0.7%

LAB 85.45, -21.35, 41.64

 

CMYK 12 / 0 / 49 / 7

HEX #CFEC78

RGB 207 236 120

HSL 75, 0.75%, 0.7%

LAB 89.21, -26.69, 52.64

 

CMYK 14 / 0 / 56 / 3

HEX #D6F86C

RGB 214 248 108

HSL 74.57, 0.91%, 0.7%

LAB 92.8, -30.71, 62.34

 

CMYK 8 / 0 / 31 / 17

HEX #C3D391

RGB 195 211 145

HSL 74.55, 0.43%, 0.7%

LAB 81.97, -16.2, 30.96

 

CMYK 6 / 0 / 21 / 22

HEX #BCC79D

RGB 188 199 157

HSL 75.71, 0.27%, 0.7%

LAB 78.45, -11.01, 19.81

 

CMYK 2 / 0 / 9 / 27

HEX #B6BAAA

RGB 182 186 170

HSL 75, 0.1%, 0.7%

LAB 74.8, -4.29, 7.62

 

CMYK 3 / 4 / 0 / 29

HEX #B0AEB6

RGB 176 174 182

HSL 255, 0.05%, 0.7%

LAB 71.47, 2.23, -3.84

 

CMYK 13 / 17 / 0 / 24

HEX #AAA1C3

RGB 170 161 195

HSL 255.88, 0.22%, 0.7%

LAB 68, 10.01, -16.26

 

CMYK 0 / 9 / 31 / 17

HEX #D3BF91

RGB 211 191 145

HSL 41.82, 0.43%, 0.7%

LAB 77.97, 0.22, 25.82

 

CMYK 0 / 1 / 31 / 17

HEX #D3D191

RGB 211 209 145

HSL 58.18, 0.43%, 0.7%

LAB 82.64, -9.1, 32.07

 

CMYK 7 / 0 / 31 / 17

HEX #C4D391

RGB 196 211 145

HSL 73.64, 0.43%, 0.7%

LAB 82.04, -15.83, 31.06

 

CMYK 16 / 0 / 31 / 17

HEX #B2D391

RGB 178 211 145

HSL 90, 0.43%, 0.7%

LAB 80.79, -22.48, 29.18

 

CMYK 24 / 0 / 31 / 17

HEX #A0D391

RGB 160 211 145

HSL 106.36, 0.43%, 0.7%

LAB 79.67, -28.84, 27.49

 

CMYK 13 / 0 / 54 / 27

HEX #A2BB56

RGB 162 187 86

HSL 74.85, 0.43%, 0.54%

LAB 72.16, -23.84, 47.64

 

CMYK 10 / 0 / 42 / 22

HEX #B3C774

RGB 179 199 116

HSL 74.46, 0.43%, 0.62%

LAB 77.1, -19.94, 39.23

 

CMYK 8 / 0 / 31 / 17

HEX #C3D391

RGB 195 211 145

HSL 74.55, 0.43%, 0.7%

LAB 81.97, -16.2, 30.96

 

CMYK 5 / 0 / 22 / 13

HEX #D3DFAF

RGB 211 223 175

HSL 75, 0.43%, 0.78%

LAB 86.86, -12.09, 22.22

 

CMYK 3 / 0 / 13 / 8

HEX #E3EACC

RGB 227 234 204

HSL 74, 0.42%, 0.86%

LAB 91.48, -7.47, 13.78

 

CMYK 8 / 0 / 31 / 17

HEX #C4D493

RGB 196 212 147

HSL 74.77, 0.43%, 0.7%

LAB 82.34, -16.06, 30.43

 

CMYK 31 / 0 / 18 / 17

HEX #91D3AE

RGB 145 211 174

HSL 146.36, 0.43%, 0.7%

LAB 79.42, -28.63, 11.73

 

CMYK 5 / 31 / 0 / 17

HEX #C891D3

RGB 200 145 211

HSL 290, 0.43%, 0.7%

LAB 67.45, 32.01, -25.73

 

CMYK 8 / 0 / 31 / 17

HEX #C4D493

RGB 196 212 147

HSL 74.77, 0.43%, 0.7%

LAB 82.34, -16.06, 30.43

 

CMYK 31 / 7 / 0 / 17

HEX #91C4D3

RGB 145 196 211

HSL 193.64, 0.43%, 0.7%

LAB 76.19, -13.03, -12.87

 

CMYK 0 / 31 / 7 / 17

HEX #D391C4

RGB 211 145 196

HSL 313.64, 0.43%, 0.7%

LAB 68.08, 32.83, -16.31

 

CMYK 8 / 0 / 31 / 17

HEX #C4D493

RGB 196 212 147

HSL 74.77, 0.43%, 0.7%

LAB 82.34, -16.06, 30.43

 

CMYK 31 / 0 / 18 / 17

HEX #91D3AE

RGB 145 211 174

HSL 146.36, 0.43%, 0.7%

LAB 79.42, -28.63, 11.73

 

CMYK 24 / 31 / 0 / 17

HEX #A091D3

RGB 160 145 211

HSL 253.64, 0.43%, 0.7%

LAB 63.69, 19.52, -31.83

 

CMYK 0 / 31 / 14 / 17

HEX #D391B6

RGB 211 145 182

HSL 326.36, 0.43%, 0.7%

LAB 67.63, 30.45, -9.17

 

CMYK 8 / 0 / 31 / 17

HEX #C4D493

RGB 196 212 147

HSL 74.77, 0.43%, 0.7%

LAB 82.34, -16.06, 30.43

 

CMYK 31 / 0 / 9 / 17

HEX #91D3C1

RGB 145 211 193

HSL 163.64, 0.43%, 0.7%

LAB 79.87, -24.72, 2.25

 

CMYK 24 / 31 / 0 / 17

HEX #A091D3

RGB 160 145 211

HSL 253.64, 0.43%, 0.7%

LAB 63.69, 19.52, -31.83

 

CMYK 0 / 31 / 23 / 17

HEX #D391A3

RGB 211 145 163

HSL 343.64, 0.43%, 0.7%

LAB 67.08, 27.49, 0.68

 

Description

Color code: HEX #C4D493 | qconv.com Color code: HEX #C4D493 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 212 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 212 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 31 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 31% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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