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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4D599 it is the complementary color #3B2A66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4D599. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4D599 shade: #C9D594, #DAE7A7, #EBF9BA, #FCFFCD and #FFFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4D599. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4D599 shade: #C4D599, #B3C386, #A2B173, #919F60 and #808D4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4D599 shade: #C4D599, #D4D599, #D5C699, #D5B699 and #D5A599

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4D599 shade: #C4D599, #B4D599, #A4D599, #99D59F and #99D5AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4D599 shade matches the following richer shades: #C4D599, #C9E18E, #CEEC82 and #D3F876

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4D599 shade: #C4D599, #BFCAA5, #BABEB0, #B5B2BC and #B0A7C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4D599 shade: #D5C699, #D4D599, #C4D599, #B4D599 and #A4D599

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4D599 shade: #A2BD5F, #B3C97C, #C4D599, #D5E1B6 and #E6EDD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4D599 shade: #C4D599, #99D5B6 and #CE99D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4D599 shade: #C4D599, #99C4D5 and #D599C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4D599 shade: #C4D599, #99D5B6, #AA99D5 and #D599B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4D599 shade: #C4D599, #99D5C8, #AA99D5 and #D599A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 28 / 16

HEX #C4D599

RGB 196 213 153

HSL 77, 0.42%, 0.72%

LAB 82.71, -15.74, 27.83

 

Complementary color

CMYK 42 / 59 / 0 / 60

HEX #3B2A66

RGB 59 42 102

HSL 257, 0.42%, 0.28%

LAB 22.11, 23.47, -32.75

 

CMYK 6 / 0 / 31 / 16

HEX #C9D594

RGB 201 213 148

HSL 71.08, 0.44%, 0.71%

LAB 82.99, -14.55, 30.85

 

CMYK 6 / 0 / 28 / 9

HEX #DAE7A7

RGB 218 231 167

HSL 72.19, 0.57%, 0.78%

LAB 89.32, -14.67, 29.79

 

CMYK 6 / 0 / 25 / 2

HEX #EBF9BA

RGB 235 249 186

HSL 73.33, 0.84%, 0.85%

LAB 95.56, -14.77, 28.78

 

CMYK 1 / 0 / 20 / 0

HEX #FCFFCD

RGB 252 255 205

HSL 63.6, 1%, 0.9%

LAB 98.68, -8.98, 23.62

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 8 / 0 / 28 / 16

HEX #C4D599

RGB 196 213 153

HSL 77, 0.42%, 0.72%

LAB 82.71, -15.74, 27.83

 

CMYK 8 / 0 / 31 / 24

HEX #B3C386

RGB 179 195 134

HSL 75.74, 0.34%, 0.65%

LAB 76.27, -15.67, 28.9

 

CMYK 8 / 0 / 35 / 31

HEX #A2B173

RGB 162 177 115

HSL 74.52, 0.28%, 0.57%

LAB 69.73, -15.57, 30.03

 

CMYK 9 / 0 / 40 / 38

HEX #919F60

RGB 145 159 96

HSL 73.33, 0.25%, 0.5%

LAB 63.06, -15.43, 31.22

 

CMYK 9 / 0 / 45 / 45

HEX #808D4D

RGB 128 141 77

HSL 72.19, 0.29%, 0.43%

LAB 56.26, -15.24, 32.45

 

CMYK 8 / 0 / 28 / 16

HEX #C4D599

RGB 196 213 153

HSL 77, 0.42%, 0.72%

LAB 82.71, -15.74, 27.83

 

CMYK 0 / 0 / 28 / 16

HEX #D4D599

RGB 212 213 153

HSL 61, 0.42%, 0.72%

LAB 83.91, -9.74, 29.64

 

CMYK 0 / 7 / 28 / 16

HEX #D5C699

RGB 213 198 153

HSL 45, 0.42%, 0.72%

LAB 80.09, -1.63, 24.49

 

CMYK 0 / 15 / 28 / 16

HEX #D5B699

RGB 213 182 153

HSL 29, 0.42%, 0.72%

LAB 76.01, 6.82, 18.9

 

CMYK 0 / 23 / 28 / 16

HEX #D5A599

RGB 213 165 153

HSL 12, 0.42%, 0.72%

LAB 71.8, 15.96, 13.02

 

CMYK 8 / 0 / 28 / 16

HEX #C4D599

RGB 196 213 153

HSL 77, 0.42%, 0.72%

LAB 82.71, -15.74, 27.83

 

CMYK 15 / 0 / 28 / 16

HEX #B4D599

RGB 180 213 153

HSL 93, 0.42%, 0.72%

LAB 81.62, -21.57, 26.16

 

CMYK 23 / 0 / 28 / 16

HEX #A4D599

RGB 164 213 153

HSL 109, 0.42%, 0.72%

LAB 80.62, -27.18, 24.63

 

CMYK 28 / 0 / 25 / 16

HEX #99D59F

RGB 153 213 159

HSL 126, 0.42%, 0.72%

LAB 80.1, -29.84, 20.69

 

CMYK 28 / 0 / 18 / 16

HEX #99D5AF

RGB 153 213 175

HSL 142, 0.42%, 0.72%

LAB 80.44, -26.93, 12.7

 

CMYK 8 / 0 / 28 / 16

HEX #C4D599

RGB 196 213 153

HSL 77, 0.42%, 0.72%

LAB 82.71, -15.74, 27.83

 

CMYK 11 / 0 / 37 / 12

HEX #C9E18E

RGB 201 225 142

HSL 77.35, 0.58%, 0.72%

LAB 86.12, -21.25, 38.01

 

CMYK 13 / 0 / 45 / 7

HEX #CEEC82

RGB 206 236 130

HSL 76.98, 0.74%, 0.72%

LAB 89.26, -26.05, 47.96

 

CMYK 15 / 0 / 52 / 3

HEX #D3F876

RGB 211 248 118

HSL 77.08, 0.9%, 0.72%

LAB 92.7, -30.99, 57.76

 

CMYK 8 / 0 / 28 / 16

HEX #C4D599

RGB 196 213 153

HSL 77, 0.42%, 0.72%

LAB 82.71, -15.74, 27.83

 

CMYK 5 / 0 / 18 / 21

HEX #BFCAA5

RGB 191 202 165

HSL 77.84, 0.26%, 0.72%

LAB 79.63, -10.21, 17.24

 

CMYK 2 / 0 / 7 / 25

HEX #BABEB0

RGB 186 190 176

HSL 77.14, 0.1%, 0.72%

LAB 76.31, -3.93, 6.58

 

CMYK 4 / 5 / 0 / 26

HEX #B5B2BC

RGB 181 178 188

HSL 258, 0.07%, 0.72%

LAB 73.09, 2.96, -4.71

 

CMYK 12 / 16 / 0 / 22

HEX #B0A7C7

RGB 176 167 199

HSL 256.88, 0.22%, 0.72%

LAB 70.17, 9.51, -15.15

 

CMYK 0 / 7 / 28 / 16

HEX #D5C699

RGB 213 198 153

HSL 45, 0.42%, 0.72%

LAB 80.09, -1.63, 24.49

 

CMYK 0 / 0 / 28 / 16

HEX #D4D599

RGB 212 213 153

HSL 61, 0.42%, 0.72%

LAB 83.91, -9.74, 29.64

 

CMYK 8 / 0 / 28 / 16

HEX #C4D599

RGB 196 213 153

HSL 77, 0.42%, 0.72%

LAB 82.71, -15.74, 27.83

 

CMYK 15 / 0 / 28 / 16

HEX #B4D599

RGB 180 213 153

HSL 93, 0.42%, 0.72%

LAB 81.62, -21.57, 26.16

 

CMYK 23 / 0 / 28 / 16

HEX #A4D599

RGB 164 213 153

HSL 109, 0.42%, 0.72%

LAB 80.62, -27.18, 24.63

 

CMYK 14 / 0 / 50 / 26

HEX #A2BD5F

RGB 162 189 95

HSL 77.23, 0.42%, 0.56%

LAB 72.83, -23.94, 44.12

 

CMYK 11 / 0 / 38 / 21

HEX #B3C97C

RGB 179 201 124

HSL 77.14, 0.42%, 0.64%

LAB 77.76, -19.98, 36.03

 

CMYK 8 / 0 / 28 / 16

HEX #C4D599

RGB 196 213 153

HSL 77, 0.42%, 0.72%

LAB 82.71, -15.74, 27.83

 

CMYK 5 / 0 / 19 / 12

HEX #D5E1B6

RGB 213 225 182

HSL 76.74, 0.42%, 0.8%

LAB 87.67, -11.33, 19.72

 

CMYK 3 / 0 / 11 / 7

HEX #E6EDD4

RGB 230 237 212

HSL 76.8, 0.41%, 0.88%

LAB 92.64, -6.64, 11.31

 

CMYK 8 / 0 / 28 / 16

HEX #C4D599

RGB 196 213 153

HSL 77, 0.42%, 0.72%

LAB 82.71, -15.74, 27.83

 

CMYK 28 / 0 / 15 / 16

HEX #99D5B6

RGB 153 213 182

HSL 149, 0.42%, 0.72%

LAB 80.59, -25.57, 9.2

 

CMYK 3 / 28 / 0 / 16

HEX #CE99D5

RGB 206 153 213

HSL 293, 0.42%, 0.72%

LAB 69.97, 29.96, -22.92

 

CMYK 8 / 0 / 28 / 16

HEX #C4D599

RGB 196 213 153

HSL 77, 0.42%, 0.72%

LAB 82.71, -15.74, 27.83

 

CMYK 28 / 8 / 0 / 16

HEX #99C4D5

RGB 153 196 213

HSL 197, 0.42%, 0.72%

LAB 76.71, -10.25, -13.12

 

CMYK 0 / 28 / 8 / 16

HEX #D599C4

RGB 213 153 196

HSL 317, 0.42%, 0.72%

LAB 70.12, 29.17, -13.23

 

CMYK 8 / 0 / 28 / 16

HEX #C4D599

RGB 196 213 153

HSL 77, 0.42%, 0.72%

LAB 82.71, -15.74, 27.83

 

CMYK 28 / 0 / 15 / 16

HEX #99D5B6

RGB 153 213 182

HSL 149, 0.42%, 0.72%

LAB 80.59, -25.57, 9.2

 

CMYK 20 / 28 / 0 / 16

HEX #AA99D5

RGB 170 153 213

HSL 257, 0.42%, 0.72%

LAB 66.62, 18.5, -28.35

 

CMYK 0 / 28 / 14 / 16

HEX #D599B8

RGB 213 153 184

HSL 329, 0.42%, 0.72%

LAB 69.75, 27.14, -7.12

 

CMYK 8 / 0 / 28 / 16

HEX #C4D599

RGB 196 213 153

HSL 77, 0.42%, 0.72%

LAB 82.71, -15.74, 27.83

 

CMYK 28 / 0 / 6 / 16

HEX #99D5C8

RGB 153 213 200

HSL 167, 0.42%, 0.72%

LAB 81.03, -21.86, 0.25

 

CMYK 20 / 28 / 0 / 16

HEX #AA99D5

RGB 170 153 213

HSL 257, 0.42%, 0.72%

LAB 66.62, 18.5, -28.35

 

CMYK 0 / 28 / 22 / 16

HEX #D599A6

RGB 213 153 166

HSL 347, 0.42%, 0.72%

LAB 69.24, 24.33, 2.16

 

Description

Color code: HEX #C4D599 | qconv.com Color code: HEX #C4D599 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 213 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 213 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 28 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 28% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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