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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C4D29D it is the complementary color #3B2D62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C4D29D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C4D29D shade: #C9D298, #DAE4AB, #EBF6BE, #FCFFD1 and #FFFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C4D29D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C4D29D shade: #C4D29D, #B3C08A, #A2AE77, #919C64 and #808A51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C4D29D shade: #C4D29D, #D2D19D, #D2C39D, #D2B59D and #D2A69D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C4D29D shade: #C4D29D, #B5D29D, #A7D29D, #9DD2A1 and #9DD2AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C4D29D shade matches the following richer shades: #C4D29D, #C9DD91, #CEE986 and #D4F47A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C4D29D shade: #C4D29D, #BEC6A8, #B9BAB4, #B3AFBF and #AEA3CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C4D29D shade: #D2C39D, #D2D19D, #C4D29D, #B6D29D and #A8D29D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C4D29D shade: #A2B864, #B3C580, #C4D29D, #D5DFB9 and #E6ECD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C4D29D shade: #C4D29D, #9DD2B4 and #CA9DD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C4D29D shade: #C4D29D, #9DC4D2 and #D29DC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C4D29D shade: #C4D29D, #9DD2B4, #AA9DD2 and #D29DBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C4D29D shade: #C4D29D, #9DD2C4, #AA9DD2 and #D29DAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 25 / 18

HEX #C4D29D

RGB 196 210 157

HSL 75.85, 0.37%, 0.72%

LAB 81.98, -13.66, 24.75

 

Complementary color

CMYK 40 / 54 / 0 / 62

HEX #3B2D62

RGB 59 45 98

HSL 255.85, 0.37%, 0.28%

LAB 22.61, 20.24, -29.33

 

CMYK 4 / 0 / 28 / 18

HEX #C9D298

RGB 201 210 152

HSL 69.31, 0.39%, 0.71%

LAB 82.26, -12.5, 27.8

 

CMYK 4 / 0 / 25 / 11

HEX #DAE4AB

RGB 218 228 171

HSL 70.53, 0.51%, 0.78%

LAB 88.61, -12.63, 26.77

 

CMYK 4 / 0 / 23 / 4

HEX #EBF6BE

RGB 235 246 190

HSL 71.79, 0.76%, 0.85%

LAB 94.86, -12.73, 25.79

 

CMYK 1 / 0 / 18 / 0

HEX #FCFFD1

RGB 252 255 209

HSL 63.91, 1%, 0.91%

LAB 98.76, -8.4, 21.7

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 7 / 0 / 25 / 18

HEX #C4D29D

RGB 196 210 157

HSL 75.85, 0.37%, 0.72%

LAB 81.98, -13.66, 24.75

 

CMYK 7 / 0 / 28 / 25

HEX #B3C08A

RGB 179 192 138

HSL 74.44, 0.3%, 0.65%

LAB 75.52, -13.58, 25.79

 

CMYK 7 / 0 / 32 / 32

HEX #A2AE77

RGB 162 174 119

HSL 73.09, 0.25%, 0.57%

LAB 68.96, -13.48, 26.89

 

CMYK 7 / 0 / 36 / 39

HEX #919C64

RGB 145 156 100

HSL 71.79, 0.22%, 0.5%

LAB 62.27, -13.35, 28.05

 

CMYK 7 / 0 / 41 / 46

HEX #808A51

RGB 128 138 81

HSL 70.53, 0.26%, 0.43%

LAB 55.44, -13.16, 29.28

 

CMYK 7 / 0 / 25 / 18

HEX #C4D29D

RGB 196 210 157

HSL 75.85, 0.37%, 0.72%

LAB 81.98, -13.66, 24.75

 

CMYK 0 / 0 / 25 / 18

HEX #D2D19D

RGB 210 209 157

HSL 58.87, 0.37%, 0.72%

LAB 82.77, -7.92, 26

 

CMYK 0 / 7 / 25 / 18

HEX #D2C39D

RGB 210 195 157

HSL 43.02, 0.37%, 0.72%

LAB 79.14, -0.66, 21.03

 

CMYK 0 / 14 / 25 / 18

HEX #D2B59D

RGB 210 181 157

HSL 27.17, 0.37%, 0.72%

LAB 75.57, 6.75, 16.08

 

CMYK 0 / 21 / 25 / 18

HEX #D2A69D

RGB 210 166 157

HSL 10.19, 0.37%, 0.72%

LAB 71.83, 14.83, 10.82

 

CMYK 7 / 0 / 25 / 18

HEX #C4D29D

RGB 196 210 157

HSL 75.85, 0.37%, 0.72%

LAB 81.98, -13.66, 24.75

 

CMYK 14 / 0 / 25 / 18

HEX #B5D29D

RGB 181 210 157

HSL 92.83, 0.37%, 0.72%

LAB 80.93, -19.13, 23.15

 

CMYK 20 / 0 / 25 / 18

HEX #A7D29D

RGB 167 210 157

HSL 108.68, 0.37%, 0.72%

LAB 80.03, -24.05, 21.77

 

CMYK 25 / 0 / 23 / 18

HEX #9DD2A1

RGB 157 210 161

HSL 124.53, 0.37%, 0.72%

LAB 79.52, -26.75, 18.86

 

CMYK 25 / 0 / 17 / 18

HEX #9DD2AF

RGB 157 210 175

HSL 140.38, 0.37%, 0.72%

LAB 79.82, -24.2, 11.85

 

CMYK 7 / 0 / 25 / 18

HEX #C4D29D

RGB 196 210 157

HSL 75.85, 0.37%, 0.72%

LAB 81.98, -13.66, 24.75

 

CMYK 9 / 0 / 34 / 13

HEX #C9DD91

RGB 201 221 145

HSL 75.79, 0.53%, 0.72%

LAB 85.09, -18.92, 35.15

 

CMYK 12 / 0 / 42 / 9

HEX #CEE986

RGB 206 233 134

HSL 76.36, 0.69%, 0.72%

LAB 88.51, -24.18, 45.08

 

CMYK 13 / 0 / 50 / 4

HEX #D4F47A

RGB 212 244 122

HSL 75.74, 0.85%, 0.72%

LAB 91.73, -28.37, 54.81

 

CMYK 7 / 0 / 25 / 18

HEX #C4D29D

RGB 196 210 157

HSL 75.85, 0.37%, 0.72%

LAB 81.98, -13.66, 24.75

 

CMYK 4 / 0 / 15 / 22

HEX #BEC6A8

RGB 190 198 168

HSL 76, 0.21%, 0.72%

LAB 78.56, -8.03, 14.11

 

CMYK 1 / 0 / 3 / 27

HEX #B9BAB4

RGB 185 186 180

HSL 70, 0.04%, 0.72%

LAB 75.28, -1.45, 2.91

 

CMYK 6 / 8 / 0 / 25

HEX #B3AFBF

RGB 179 175 191

HSL 255, 0.11%, 0.72%

LAB 72.23, 4.49, -7.64

 

CMYK 14 / 20 / 0 / 20

HEX #AEA3CB

RGB 174 163 203

HSL 256.5, 0.28%, 0.72%

LAB 69.12, 11.93, -18.97

 

CMYK 0 / 7 / 25 / 18

HEX #D2C39D

RGB 210 195 157

HSL 43.02, 0.37%, 0.72%

LAB 79.14, -0.66, 21.03

 

CMYK 0 / 0 / 25 / 18

HEX #D2D19D

RGB 210 209 157

HSL 58.87, 0.37%, 0.72%

LAB 82.77, -7.92, 26

 

CMYK 7 / 0 / 25 / 18

HEX #C4D29D

RGB 196 210 157

HSL 75.85, 0.37%, 0.72%

LAB 81.98, -13.66, 24.75

 

CMYK 13 / 0 / 25 / 18

HEX #B6D29D

RGB 182 210 157

HSL 91.7, 0.37%, 0.72%

LAB 81, -18.77, 23.25

 

CMYK 20 / 0 / 25 / 18

HEX #A8D29D

RGB 168 210 157

HSL 107.55, 0.37%, 0.72%

LAB 80.1, -23.7, 21.87

 

CMYK 12 / 0 / 46 / 28

HEX #A2B864

RGB 162 184 100

HSL 75.71, 0.37%, 0.56%

LAB 71.48, -20.93, 40

 

CMYK 9 / 0 / 35 / 23

HEX #B3C580

RGB 179 197 128

HSL 75.65, 0.37%, 0.64%

LAB 76.72, -17.47, 32.62

 

CMYK 7 / 0 / 25 / 18

HEX #C4D29D

RGB 196 210 157

HSL 75.85, 0.37%, 0.72%

LAB 81.98, -13.66, 24.75

 

CMYK 4 / 0 / 17 / 13

HEX #D5DFB9

RGB 213 223 185

HSL 75.79, 0.37%, 0.8%

LAB 87.2, -9.86, 17.51

 

CMYK 3 / 0 / 10 / 7

HEX #E6ECD5

RGB 230 236 213

HSL 75.65, 0.38%, 0.88%

LAB 92.41, -5.97, 10.46

 

CMYK 7 / 0 / 25 / 18

HEX #C4D29D

RGB 196 210 157

HSL 75.85, 0.37%, 0.72%

LAB 81.98, -13.66, 24.75

 

CMYK 25 / 0 / 14 / 18

HEX #9DD2B4

RGB 157 210 180

HSL 146.04, 0.37%, 0.72%

LAB 79.93, -23.25, 9.35

 

CMYK 4 / 25 / 0 / 18

HEX #CA9DD2

RGB 202 157 210

HSL 290.94, 0.37%, 0.72%

LAB 70.4, 25.88, -20.65

 

CMYK 7 / 0 / 25 / 18

HEX #C4D29D

RGB 196 210 157

HSL 75.85, 0.37%, 0.72%

LAB 81.98, -13.66, 24.75

 

CMYK 25 / 7 / 0 / 18

HEX #9DC4D2

RGB 157 196 210

HSL 195.85, 0.37%, 0.72%

LAB 76.86, -9.77, -11.26

 

CMYK 0 / 25 / 7 / 18

HEX #D29DC4

RGB 210 157 196

HSL 315.85, 0.37%, 0.72%

LAB 70.73, 25.97, -12.33

 

CMYK 7 / 0 / 25 / 18

HEX #C4D29D

RGB 196 210 157

HSL 75.85, 0.37%, 0.72%

LAB 81.98, -13.66, 24.75

 

CMYK 25 / 0 / 14 / 18

HEX #9DD2B4

RGB 157 210 180

HSL 146.04, 0.37%, 0.72%

LAB 79.93, -23.25, 9.35

 

CMYK 19 / 25 / 0 / 18

HEX #AA9DD2

RGB 170 157 210

HSL 254.72, 0.37%, 0.72%

LAB 67.51, 15.56, -25.32

 

CMYK 0 / 25 / 11 / 18

HEX #D29DBA

RGB 210 157 186

HSL 327.17, 0.37%, 0.72%

LAB 70.43, 24.25, -7.25

 

CMYK 7 / 0 / 25 / 18

HEX #C4D29D

RGB 196 210 157

HSL 75.85, 0.37%, 0.72%

LAB 81.98, -13.66, 24.75

 

CMYK 25 / 0 / 7 / 18

HEX #9DD2C4

RGB 157 210 196

HSL 164.15, 0.37%, 0.72%

LAB 80.32, -20.02, 1.37

 

CMYK 19 / 25 / 0 / 18

HEX #AA9DD2

RGB 170 157 210

HSL 254.72, 0.37%, 0.72%

LAB 67.51, 15.56, -25.32

 

CMYK 0 / 25 / 19 / 18

HEX #D29DAA

RGB 210 157 170

HSL 345.28, 0.37%, 0.72%

LAB 69.98, 21.66, 0.97

 

Description

Color code: HEX #C4D29D | qconv.com Color code: HEX #C4D29D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 210 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 210 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 25 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 25% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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